Farewell To The Webster House Sale

online only auction14 day sale sale is over
  • Location Kansas City, MO 64105
Dates

Sale Starts

Sun
Aug 2
12am
2020

Sale Ends

Sat
Aug 15
3pm
2020

Terms

Circle Auction Terms & Conditions

Thank you for bidding with Circle Auction. We appreciate your business. The following terms & conditions contain important information that bidders need to review and understand prior to bidding. For your convenience, we have bulleted a few of the most important terms & conditions for your quick review. Please understand that the terms & conditions is a legal agreement and you need to read them in their entirety.

-To Bid: You will need to register for an auction. We will get contact and payment information from you.

-Buyer’s Premium: A buyer’s premium is an additional charge to the winning bidder It is a percentage of their bid and is added to the winning bid amount. The buyer’s premium ranges between 19% to 21% (depending on buying platform) of the final hammer price.

-Condition: For the convenience of our buyers we take detailed photos of the auction items, as well as note any condition issues that we see. We highly encourage you to come to the pre-auction preview and look at the items in person. We will not give refunds for condition issues.

-Payment: If you are a winning bidder you will need to pay for your item within 5 business days. You won’t be able to pick up or ship your item(s) until it has been paid in full.

-Pick-up: After your item(s) has been paid for you can pick up your item in person at our offices by appointment. Please email Info@CircleAuction.Co to schedule your pick-up

-Shipping: Circle Auction does not have in-house shipping. We can recommend 3rd party shippers. You are responsible for arranging for shipment and paying all costs involved. We are unable to give refunds due to shipping issues.

If you have any questions regarding these terms please contact Circle Auction by email at : Info@CircleAuction.co
__________________________________________________________________________

All lots listed in the auction are offered by Circle Auction LLC (“Circle”) as seller’s agent or owner, are subject to the following terms and conditions. These terms may be supplemented or amended by us at any time prior to the start of an auction. Registering for an auction by Circle or bidding on any lot by any means, including, but not limited to, in-person, by telephone, or online bidding platforms and applications, establishes the bidder’s agreement and acceptance to be bound by these auction terms and conditions.

Before you place a bid at Circle Auction

General Lot Condition: Circle strongly recommends, if at all possible, prospective bidders to examine lots in person prior to placing a bid. Circle representatives make every attempt to note any issue(s) with condition or item damages in the lot description as a courtesy to bidders, but it is the responsibility of the bidder to determine lot condition prior to bidding. The lack of any note by Circle as to the condition of the lot does not imply that the lot is free of wear and tear and/or in mint condition.
Circle representatives are not professional restorators or conservators, and we suggest interested parties consult with conservation professionals for a more detailed opinion. Unless otherwise stated, all lots are sold “AS IS, WHERE IS,” and all sales are final.

Artist Attribution Convention:
“Artist Name”: Our opinion is that this is a work by the named artist.
Attributed to “Artist Name”: Our opinion is that this is probably a work by the named artist, though with less certainty.
Studio of “Artist Name”: Our opinion is that this a work by an unknown hand in the studio of the named artist, which may or may not have been executed under the artist's direction.
Circle of “Artist Name”: Our opinion is that this a work by an unidentified yet distinct hand closely associated with the named artist, but not necessarily his pupil.
Style of…..; follower of “Artist Name”: Our opinion is that this is a work by an artist working in the named artist's style, contemporary or nearly contemporary, but not necessarily his pupil.
Manner of “Artist Name”: Our opinion is that this is a work in the style of the named artist and of a later date.
After “Artist Name”: Our opinion is that this is a copy of a known work of the named artist.

The term signed and/or dated and/or inscribed means that our opinion is that the signature, date, and/or inscription are from the hand of the artist.
The term bears a signature and/or date and/or inscription means our opinion is that the signature and/or date and/or inscription have been added by another hand.
With signature..., With date..., With inscription...: Our opinion is that the signature/date/inscription is by a hand other than that of the named artist.

Jewelry Lot Condition: All jewelry has been inspected by our in house IIJA Registered Gemologist Appraiser. Unless otherwise stated all grading is done without removing the gemstones from the settings and all weights, measurements and grades are approximate as far as the setting permits. Gemstones are often subjected to various treatments to enhance their appearance. Most often these treatments are normal and acceptable within industry standards. When a treatment is detected that is not normal it will be noted in the description. Identification of some treatments require sophisticated equipment not found in the standard gemological lab and no binding representation can be made for the existence of such a treatment.
All metals and construction methods are identified only to the extent the item permits. Any metal marking stamps are listed in the item description and an acid test is conducted as deemed necessary, and when no metal markings are present on the item.
Any descriptions from outside jewelry appraisals or certifications are not guaranteed by Circle Auction to be accurate, but may be provided for the benefit of the bidder. Different laboratories can differ on their terms and grade assessments. Any paperwork noted to accompany a piece is for the bidders reference and may not be usable to obtain insurance. Most companies and appraisers will update paperwork to a new owner for an additional fee. Circle Auction is not responsible for any transfer of an appraisal to the bidder’s name. It is the bidder's responsibility to obtain a usable insurance report.

Diamond Grading Convention:
We utilize the GIA Color scale when identifying lots that include diamonds. You can refer to this guide here: https://www.gia.edu/gia-about-4Cs-Color. Clarity refers to the impurities in a diamond. All diamonds are graded under 10x magnification. The lower number in a category will have less and/or smaller inclusions than the higher number in the same category.

FL-Flawless-No impurities or blemishes on the surface
IF-Internally Flawless-No impurities and only insignificant blemishes on the surface
VVS1 & VVS2-Very Very Slightly Included-Extremely difficult inclusions to see to the trained eye and only visible under magnification.
VS1 & VS2-Very Slightly Included-Difficult to see to the untrained eye and only visible under magnification.
SI1 & SI2-Slightly Included-Easy to see inclusions when viewed under magnification but not visible without magnification.
I1, I2, I3-Included-Inclusions are visible without magnification. I3 inclusions may affect the stones durability.

Warranty: Neither Circle nor its seller(s) make any representation or warranty, either express or implied, as to the description, quality, authenticity, period, source, or significance of any lot sold, except as to warranty of title. No statements by Circle, its agents, representatives or employees, whether in writing or spoken orally, shall create any representation, warranty or assumption of liability, nor that the winning bidder will receive any reproduction rights or copyrights to lots they purchased. Circle retains and reserves the rights to reproduce photography of lots sold.

Estimates: Estimates for each lot include a low and a high figure. They are provided for the convenience of bidders but do not constitute a guarantee or warranty that the item or lot will close at or between the estimates.

Lots Withdrawn: Circle reserves the right to withdraw any lot prior to the start of the auction and shall not incur liability for withdrawal of said lot(s).

Registering to Bid: To Bid with us, you are required to Register to Bid in advance of the start of the sale. In addition to our general registration requirements, we reserve the right to require the following items: photo identification, bank references, credit card pre-authorization for the low estimate, a deposit (we will refund the deposit if you are not high bidder and winner of the lot. Any deposit will be applied to any item for which you are the high bidder).

Bidding with Circle Auction

Circle Discretion: Circle has full discretion to decide the flow of each auction, including pre-bids, rejection of a Bid, lot passed or withdrawn, dispute resolution, and to re-offer or resell any lot. In any case, the decision of Circle is final, and is binding to any and all participants in the auction.

Risks & Assumed Costs: By placing a Bid, you understand that a submitted Bid can and may be the High and/or Winning Bid for a particular lot. Additionally, your Bid on any lot is considered a legally binding agreement to purchase the lot at your Bid price, if accepted by the auctioneer, or in a timed auction. By placing a Bid you agree that to assume personal responsibility to pay for the item at your high Bid price, plus any Buyer’s Premium and additional charges or costs that may become payable in connection with your purchase, such as shipping, insurance, sales tax, or other costs. If the lot is closed by the auctioneer and your Bid is the highest Bid, you agree to purchase the lot, and you assume risk of loss and damage to the purchased lot. All Sales are as is / where is and final.

Internet During Live & Online Auctions: Circle cannot be held liable for any Internet failure or outage either of the bidder’s service or Circle’s. Items sold before a failure/outage remain sold to the respective winning bidder previously recorded by Circle and/or the online platform(s) being utilized. In the event of a failure of Circle’s Internet service, items unsold at the time of the failure or outage will be opened for bidding as soon as service is restored and subject to the original auction process and conditions. Similarly, the item currently opened by the auctioneer at the time of failure/outage will be reopened when service resumes.

Auctioneer Control: During an auction, the Auctioneer is the final arbiter of sales. Bids are called for and recognized incrementally. Placing a bid online or in the auction room does not guarantee the bid will be recognized by the auctioneer owing to the current intensity of bidding or bids already received in increments or amounts already above this bid. Items or lots receiving little or no attention may be “passed” by the Auctioneer and are not subject to a later re-opening of the bidding process or post-auction sale.

Reserves: Some consignors establish reserves on their lots when they send their lots to auction. Reserves are confidential and establish a minimum price under which the lot will not be sold. Reserves must be established no greater than the low end estimate of the lot as published in the catalogue. Circle may open the bidding on reserved lots below the reserve amount by placing a bid on the consignor’s behalf. Circle may continue bidding on the consignor’s behalf up to the amount of the reserve by placing bids in answer to other bidders. Circle will not bid on the consignors behalf above the amount of the established reserve. Consignors are contractually prohibited from bidding on their own lots.

Confidentiality: Circle will not reveal to the public personal names, platform user names, or any contact information of winning bidders.

Absentee & Telephone Bids: Circle accepts absentee bids before and during the auction preview in person, by phone, fax, email and on CircleAuction.co. Online absentee bids may be placed on your preferred online auction platform as a pre-bid beginning when the catalog is posted and opened.
For absentee bids registered with us by email, fax, or telephone, an experienced auction house employee will act as the bidding agent during the auction and make all reasonable efforts to place bids competitively, purchasing each lot with the lowest competitive bid possible for the absent bidder up to their stated maximum amount. Please note: We will not exceed this amount. Between identical high bids, preference shall be given to the bid received first. A $100.00 minimum bid is required on all lots. Absentee bids will be executed according to our standard bidding increments. Circle executes all absentee bids at its discretion and makes no guarantee nor accepts any liability for any human or electronic failures, oversights or omissions in our absentee or telephone bidding processes.
Bidders who wish to competitively place their bids by telephone during the auction must register with us by completing telephone bidder form no later than one day before the auction is scheduled to begin. During the auction a bidding agent will call you two or three lots before your lot opens in order to establish contact and prepare you for the opening of bidding. Telephone bids will only be accepted for lots with low estimates of at least $300.

After the Auction

Buyer’s Premium: Unless otherwise stated by Circle, the winning bidder is responsible for, and agrees to pay the final hammer pricer, a buyer’s premium, and any applicable sales tax within five (5) business days of auction close. A buyer’s premium of 19% will be paid on all winning bids through Circle’s website and app, and 21% on all winning bids on third party auction platforms, such as Live Auctioneers & Invaluable.

Payment: Payment in full is due within five (5) business days of the close of the auction. Circle accepts cash, credit, debit, wire transfers, personal and certified checks. No lot may be picked up until payment is made in full, including any applicable fees and costs as outlined in these Terms & Conditions. Circle reserves the right to hold lots until a check has cleared the bank. Payments are accepted in US Dollars only and any fees for currency conversion are the responsibility of the winning bidder. All returned checks will be assessed a fee of $45 which must be paid along with the winning bid amount and any other applicable fees before the lot may be picked up.
If payment in full is not made within thirty (30) days of the close of the sale Circle has the discretion to pursue one or more of the following options: a) process the full amount due on the winning bidder’s credit card on file, b) charge a late fee equal to one and a half percent (1.5%) of the total amount due per thirty (30 days) with a minimum finance charge of $10 per lot per month. c.) cancel the sale in its entirety d.) resell the lot by public or private sale with no reserve, with the original winning bidder responsible for costs and commissions under Circle’s Agreement, as well as any deficiency remaining after the second sale e.) defalt bidder’s name and information may be shared with bidding platforms as a bidder in default.
f.) begin legal proceedings to collect the past due amount along with legal fees, costs, and interest.

Sales Tax: The winning bidder is responsible to pay state and local sales tax as required by law. Exempt bidders should file a tax exemption form with Circle to have sales tax removed.

Pick Up, Packing, & Shipping: Winning bidders may pick up their lots, once paid in full, at Circle’s auction office during regular business hours. If packing and shipping is required, we can provide you with a list of recommended shippers by request. You will be responsible to contact, arrange shipment, and pay 3rd party shippers. Circle will not be responsible for loss or damage of purchased lots handled or shipped, nor for acts and omissions, by 3rd party shippers, whether recommended by us or not. Circle will not release the lot for shipment until payment has been made in full and a buyer’s written shipping authorization form has been received. Winning bids may not be retracted, canceled or rescinded due to issues with shipping including, but not limited to, costs or prohibitions. It is the responsibility of the bidder to account for shipping prior to bidding.

Failure to Pick Up & Storage: Winning bidders must pick up or have lots shipped within 15 calendar days of the close of the auction. On the 16th day from the close of the auction Circle has the right to charge the winning bidder a storage fee of $5 per lot per day. Lots that have been paid for, but remain on our premises sixty (60) days from the close of the auction may be sold by Circle, with no notice to the buyer. Any funds in excess of the purchase price, commissions, applicable costs, and storage fees remitted to the original winning bidder. Lots left with Circle after the 16th day from the close of the auction are stored at the buyer’s risk.

Liability for Purchased Lots: If a lot that that been purchased and paid in full cannot be presented to the winning bidder in the same condition as it was at the time of the auction, or should a lot be lost, stolen or mis-delivered, Circle's liability shall be limited to the the full amount paid by the winning bidder and shall in no event include any compensatory, incidental or consequential damages. 3rd party shippers remain fully responsible for loss or damage to lots they have handled.

Choice of Law: These Terms and Conditions will be governed by and construed in accordance with the laws of the State of Kansas, without giving effect to its conflict of laws provisions or bidder’s actual state or country of residence. Any claims, legal proceeding or litigation arising in connection with the service will be brought solely in Johnson County, Kansas, and all bidders consents to the jurisdiction of such court. The invalidity or unenforceability of any provisions herein shall not affect the validity or enforceability of any other provision, which shall remain in full force and effect. Circle has the full discretion to waive or modify any and all of the terms and conditions contained herein.

In the spring of 2020 The Webster House, a pioneer in the Crossroads revitalization and jewel of Kansas City, permanently closed their doors. Opened in 2002 and listed on the National Register Historic Places, The Webster house was well known for their second floor culinary experience and first floor collection of significant antiques and decorative objects. A large portion of the antique collection was purchased in Europe or from Christies Auction House.

The Farewell To the Webster House Sale begins with an online auction Aug. 1st – 15th focused on the most significant antiques in the collection. This will be followed by an in person sale of the remaining items Aug. 17th – 23rd. 

The auction catalog will be live and open for bidding Aug. 1st. 

 

The in person auction preview will take place Aug 14th from 10am – 5pm at Webster House: 

1644 Wyandotte Street Kansas City, MO 64108

-CLICK HERE TO VIEW AUCTION DETAILS-


 

Lot Title Lot Description
1: Onyx and Ormolu Casket with Neoclassical Mounts An ormolu casket with gently curved onyx panels, mounted with white metal merman, putto, dolphins, Neptune faces, and swag with artist's palette, French, late 19th/early 20th century. Measures 6 1/2" x 9 1/2" x 7 1/2". Provenance: The collection of Shirley Bush Helzberg. 
2: Large Bronze Bacchanalian Garniture Ewer, 19th c. A late 19th century French mantel garniture in the form of a ewer, patinated and gilt bronze, and decorated in the manner of Clodion. Ornamentation includes a central bacchanalian parade of cherubim and putti, all-over grapevine motifs, and a ewer handle topped with a single cherub and concluding with a rams head. Measures 23" x 15" x 10 1/2". Provenance: The collection of Shirley Bush Helzberg. 
3: Edwardian Mirrored Walnut Game Tantalus w Cigar Storage An Edwardian tantalus, walnut and brass case, with its three original hand-cut glass decanters, original mirror glass, labeled cigar and cigarette compartments, three velvet-lined compartments with cordial glasses, and a bottom drawer with parlor games. The lock is in working order, with a key (later replacement). The game drawer opens with a spring mechanism triggered from a button above.¬†English, circa 1902. Engraved inscriptions to the crest brass indicates that the tantalus was offered as a 1902 prize: "Won by the Earl of Ashburnham's Sussex Heifer "Coronation" / Tonbridge Fat Stock Show 1902 1st Prize Winner Given by WJ Mackey / Re-Presented to Edward B. Ratcliff". Measures 13 1/2" x 14" x 11 1/4". Provenance: The collection of Shirley Bush Helzberg. 
4: 18th c. French Bombe Commode

Fruitwood, mortise-and-tenon and dowel construction, paneled sides, three shaped drawers with nicely carved scrolling cartouches. Bronze foliate escutcheons and drawer pulls. Measures 34" x 49" x 25". Provenance: The Webster House collection. 

5: 19th c. Slate & Bronze Tazza Mantel Garnitures, Pair A finely cast pair of Napoleon III patinated and gilt bronze and paneled slate garnitures, tazza form with grapevine motif. French, 19th century. Each measures 14 3/4" x 8". Provenance: The collection of Shirley Bush Helzberg. 
6: Classical White Marble Bust of Artemis A finely carved white marble bust in classical style, likely a depiction of the goddess Artemis in the tradition of Praxiteles, with lips slightly parted. Offered atop a faux-porphyry display pedestal with white marble top. The bust measures 23" x 14 1/2" x 10", and the display pedestal measures 40" x 14". Provenance: The collection of Shirley Bush Helzberg. 
7: Sevres Finely Painted Centerpiece Urn w/ Ormolu Mounts A Sevres porcelain centerpiece urn with finely cast ormolu mounts, circa 1900. Extensively gilt and beautifully hand-painted with a courtship scene and landscape,¬†and the interior extensively painted with musical instruments and flower baskets. Signed by Sevres artist Lucot. Measures 19" x 23 1/2" x 11 1/2". Provenance: The collection of Shirley Bush Helzberg. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. ¬† 
8: 19th c. French Carved Wood Figures, Pair A large pair of carved wooden figures, one a young man holding a fruit basket and the other a young woman with a dog at her heels. French, 19th century. The young man measures 46 1/2" x 16" x 21", and the young woman measures 44 1/2" x 16" x 13". Provenance: The Shirley Bush Helzberg and Webster House collections. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. 
9: Early 18th c. French Paneled Oak Cupboard An early 18th c. French two-piece oak cupboard, having a top two-door cabinet fitted atop a lower cabinet of two drawers and two doors. Each cabinet has a removable plank shelf inside. Mortise-and-tenon construction. The top cabinet door has its original lock, in working condition, with a key. The lock for the bottom cabinet is present but removed. Measures 74" x 51" x 21" (the top cabinet measures 33" x 51" x 21", and the bottom cabinet measures 41" x 51" x 21"). Provenance: Consigned as part of the Webster House collection. 
10: Ferdinand Preiss Bronzes, 'Hoop Girl' & 'Sonny Boy' Johann Philipp Ferdinand Preiss (German, 1882-1943) Hoop Girl and Sonny Boy¬†(circa 1925) Bronze Each 9" x 5 1/4" x 3 1/4" Brown patinated. Each presented on red onyx plinths. Each is marked "F. Preiss / 1" to the back of the bronze base. Provenance: The collection of Shirley Bush Helzberg. 
11: Napoleon III Gilt Mirror with Original Glass A Napoleon III mirror with original glass and extensive gilt decoration, French, 19th century. Measures 64" x 46". Provenance: The Shirley Bush Helzberg and Webster House collections. 
12: 19th c. French Fine Bronze Dore Chandelier A very fine and unusual French bronze dore billiards chandelier, in the Louis XV style, late 19th century. Expertly drilled for electricity. Frosted glass insets. As photographed, measures 37 1/2" x 70" x 17". Provenance: The Shirley Bush Helzberg and Webster House collections. 
13: 19th c. Sculptural Porcelain Fountain Base A large, three-sided white porcelain sculptural fountain base, adorned with three cherubim. 19th century. Measures approximately 40" x 24" x 24". Provenance: The Shirley Bush Helzberg and Webster House collections. 
14: Fine KPM Porcelain & Gilt Bronze Inkwell An excellent KPM hand-painted porcelain inkwell decorated extensively with finely cast gilt bronze mounts. A hinged center ink pot is topped with a Prussian eagle finial, raised on classical dolphins above three trays trimmed with¬†cherubim. The pot has its original glass liner. Marked with a blue scepter mark above "Selb" and stamped with the production number 128. German, circa 1950. Measures 7 1/4" x 9" x 9". Provenance: The collection of Shirley Bush Helzberg. 
15: Maison Millet (Paris) Louis XV Style Inkwell, 19th c. A finely cast sculptural inkwell in the Louis XV style, with two removable pots, stamped "MILLET" to the back base. French, second half 19th century. Maison Millet was an award-winning workshop in the craft of fine French furniture and decorative arts in the second half of the 19th century, and created several designs¬†for legendary ebeniste Francoise Linke. Measures 4 1/2" x 11" x 7". Provenance: The collection of Shirley Bush Helzberg. 
16: 18th c. Oil of a Nobleman in Rome An antique portrait of a nobleman or courtier in Rome, finely dressed in a silk justacorps typical of the 18th century. The subject stands in an extravagant interior, holding in his hand a skillfully rendered portrait-within-the-portrait. There is an inscription on the frame of the portrait-within-the-portrait, which reads "Duce [illegible]". Through the window is a view of the Arch of Constantine and in the far distance what appears to be¬†Trajan's Column. Notably, the Arch of Constantine is depicted as attached to a family stronghold¬†that was removed in the mid-18th century in a restoration of the Arch, suggesting the portrait image is not later than mid-18th century.¬†The oil is presented in an antique gilt frame with molded trim. The oil measures 50 1/2" x 40 1/2", and the frame measures 56 1/2" x 46 1/2". Provenance: Consigned as part of the Webster House collection. 
17: 18th c. English Oak Coffer A paneled English oak coffer chest with original hardware, mortise-and-tenon construction, 18th century. Measures 28" x 50" x 21 1/2". Provenance: Consigned as part of the Webster House collection. 
18: Pair of Framed Sets of Grand Tour Intaglios Two framed sets of Grand Tour themed intaglio portrait medallions, each set in matching 19th century gilt frames. 40 intaglios in total. Each frame measures 16" x 17 3/4". Provenance: The Shirley Bush Helzberg and Webster House collections. 
19: Three Odd Fellows Ceremonial Scepters Mounted on Velvet A set of three 19th century Odd Fellows ceremonial pewter scepters, including a sun and two crowns. The velvet ground measures 42" x 28", and the scepters measure 31" to 34" in length. Provenance: The collection of Shirley Bush Helzberg. 
20: Five Odd Fellows Ceremonial Scepters Mounted on Velvet A set of five 19th century Odd Fellows and Rebekah Lodge ceremonial pewter scepters, including two heart-in-hands, two shepherd's crooks, and a seven stars. The velvet ground measures 42" x 41", and the scepters range from 26" to 32" in length. Provenance: The collection of Shirley Bush Helzberg. 
21: Antique Henry Howell (Attr.) Carved Monkey with Gong An unusual figural monkey hall gong¬†of naturalistically carved mango wood with knobbly appearance, holding a hanging brass gong. The bamboo gong mallet is removable for use. Glass eyes, detachable swiveling head. English, late 19th century, attributed to Henry Howell & Co. Ltd. ¬†Measures 30" x 24" x 29". Provenance: The Shirley Bush Helzberg and Webster House collections. 
22: Navajo Second Phase Chief's Blanket, 19th c.

A second phase Navajo chief's blanket, handspun wool with dyes of red, black, grey, yellow, and brown. Circa third quarter 19th century. Measures 50" x 46". Provenance: The collection of Shirley Bush Helzberg. 

 

23: Pair of Antique Italian Tole Flower in Haviland Cachepots A large pair of late 19th century Italian tole peinte¬†altar flowers. Each is presented in floral-decorated Haviland porcelain cachepots. Altogether, each measures 31" high, and 6 1/2" x 6¬†1/2" at the base. Provenance: The Shirley Bush Helzberg and Webster House collections. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. 
24: Adolphe Willette Oil on Paper, Pierrot & Columbine Adolphe¬†Leon Willette (French, 1857-1926) Untitled (Harlequinade Scene) Oil on paper 14 1/4" x 11 1/2" (sight) A depiction of the famed French clown Pierrot drinking with Columbine, with two intoxicated Harlequinade figures around them. Signed to the lower right. Presented in a gilt frame with an oval mat sight. The¬†frame measures 22 3/4" x 19 1/2". Provenance: The Webster House collection. 
25: Franz Richard Unterberger Oil, Germanic Landscape Franz Richard Unterberger (Austrian, 1838-1902) Oil on canvas 30" x 44 1/2" A Germanic Romantic mountainous landscape with clifftop castle, possibly inspired by Lichtenstein Castle. Signed indistinctly to the bottom right, but readable as "F.R. Unterberger" under blacklight. The frame measures 36" x 51". Provenance: The Webster House collection. 
26: Pair of 18th c. German Equestrian Engravings Two German double-page copper plate engravings of equestrian scenes, from Methode et Invention Nouvelle de Dresser les Chevaux, whose three editions were published in 1658, 1737, and 1743. The illustrations depict equestrian training techniques developed by William Cavendish (1592-1676), the expatriated Duke of Newcastle who opened a riding school in Antwerp. Engravers Johann Ziegers and Georg Lehmanns, Nuremburg. Each engraving is well presented in a burled frame with gilt edges. The images measure 10 1/2" x 14" and 10 1/2" x 13 1/4", respectively, and each frame measures 22" x 24 1/4". Provenance: The Webster House collection. 
27: 18th c. French Oak Serpentine Commode, Alsace-Lorraine

An oak serpentine commode of three drawers, from the French region of Alsace-Lorraine, late 18th century. Top planks affixed with two dozen dowels. Cast "cameo" drawer pulls and urn-motif escutcheons. Measures 35" x 56" x 28". Provenance: The Webster House collection. 

 

28: Elkington 'Conquistador' Fine Silver-Plate Candelabra A finely cast sculptural four-candle candelabrum by Elkington & Co. (Birmingham), depicting a conquistador with sword raised. English, circa 1876. Marked to the underside with Elkington's¬†E&Co. crown-in-shield mark, production number 480, hallmarks, and an 1876 Philadelphia Exhibition (Centennial Exhibition) eagle mark. Measures 22 3/4" x 11 1/4" x 8 3/4". Provenance: The collection of Shirley Bush Helzberg. 
29: 19th c. Marble & Ormolu Urns, Pair A pair of carved and polished marble urns with ormolu mounts, late 19th century, in the Louis XVI style. Each measures 18" x 9 1/2" x 7". Provenance: The collection of Shirley Bush Helzberg. 
30: 19th c. English Officer's Campaign Secretary Bureau A four-drawer mahogany campaign bureau, the topmost drawer being a drop-front secretary desk. The desktop is inset with its original gold-tooled green leather. At the desk are eight compartments and six small drawers, flanking a single center cabinet. Stamped to the lock of the top drawer is the UK's "Lion and Unicorn" Royal Coat-of-Arms.¬†English, 19th century. Measures 41" x 43" x 21". Provenance: Consigned as part of the Webster House collection. 
31: Alexandre Bida Orientalist Drawing, Arnaute Alexandre Bida (French, 1813-1895) Pencil on paper Untitled (Arnaute) 15 1/2" x 10 1/2" (sight) A full-length depiction of a 19th century Albanian Ottoman soldier standing in an arched doorway. Signed to the bottom right corner, and presented in a gilt relief frame. The frame measures 23 1/2" x 19". Provenance: The Webster House collection. 
32: Sculptural Porcelain Tazze, Caduceus Mark, 19th c. Pair A pair of sculptural porcelain tazze, each with a putto supporting a naturalistically shaped lily pad basin. Each has a Caduceus¬†mark in blue underglaze to the underside. Circa 19th century. Each measures 9 3/4" x 8" x 7 1/4". Provenance: The collection of Shirley Bush Helzberg. 
33: Two Villeroy & Boch Phanolith Plaques, JB Stahl A large pair of Villeroy & Boch¬†(Mettlach) Phanolith pottery plaques by artist Jean-Baptiste¬†Stahl (1869-1932), depicting scenes from the Richard Wagner opera¬†Lohengrin. White pate-sur-pate on green ground, circa 1900. Each plaque measures 15 3/4" x 12 1/2", and each frame measures 25 3/4" x 21 3/4". Provenance: The collection of Shirley Bush Helzberg. 
34: 19th c. Louis XV Style Fauteuil de Bureau A Louis XV style walnut fauteuil de bureau¬†with an arched cane back, removable cane seat, and tooled leather seat pad. Tastefully carved adornment. French, 19th century. Measures 35" x 25" x 25". Provenance: Consigned as part of the Webster House collection. 
35: Dresden (Carl Thieme) Porcelain Urns, Pair A pair of Dresden porcelain lidded urns with delicate floral swag¬†and putti relief, and gilt decoration, Carl Thieme Saxony Porcelain Factory, Potschappel. Blue "SP Dresden" mark to each underside. German, circa 1910. Each measures 23" x 10". Provenance: The collection of Shirley Bush Helzberg. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. 
36: 18th c. Sevres Cabinet Plates, French Scenes A set of seven porcelain cabinet plates, gilt cobalt rims and¬†finely hand-painted with seven distinct French views, each titled to the underside. French, 18th century. Five of the paintings are signed by early Sevres artist Leber, a painter known to have decorated Sevres pieces including known Sevres-marked blanks identical to these plates in the 1750s. An inscription to the underside of each plate: "Manufactured expressly for Tho. B. Oakley, american merchant, 49 Avenue de l'Opera Paris". Each plate is incised by hand in the shape of a cursive "S". Each measures 9 1/2" in diameter. Provenance: The collection of Shirley Bush Helzberg. 
37: Bronze Jewelry Casket with Capodimonte Panels A gilt bronze and brass jewelry casket with five distinct Capodimonte porcelain panels offering genre depictions of harvesters and gleaners. The casket's lid is hinged and its interior is padded and lined in red velvet. The key is present and the lock is operational. Measures 7" x 12" x 8 1/2". Provenance: The collection of Shirley Bush Helzberg. 
38: Oil Portrait of Mr. Fleming, Late 18th/Early 19th c. A half-length portrait of a gentleman named Fleming, in fine dress and standing next to his writing desk, late 18th/early 19th century, English school. To the top left is the Fleming family crest. The sheet in the subject's hand reads "to Rich.d Peter Fleming / Esq.r / Cadiz." A later nameplate affixed to the frame reads "Gen. Fleming -- 1742-1801 / Fouche". The canvas measures 41" x 33", and the frame measures 44 1/2" x 36 1/2". Provenance: The Shirley Bush Helzberg and Webster House collections. 
39: 19th c. English Regency Tole Chestnut Urns, Pair A matching pair of Regency tole chestnut urns, English, early 19th century. Gilt stenciling and hand-painted scenes, lions head rings, white interiors. Each measures approximately 11" x 7" x 5". Provenance: The Shirley Bush Helzberg and Webster House collections. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. 
40: James Dixon & Sons Sheffield Plate Ink Stand, ca. 1835 A Sheffield silver inkwell and tray, created circa 1835 by James Dixon & Sons. Finely cast handles and feet, gadrooning, two original paneled glass pots, center hinged lid pot, and drawer. Marked to the underside. Measures 4 1/2" x 12" x 7 1/4". Provenance: The collection of Shirley Bush Helzberg. 
41: Pair of 19th c. Continental Jardinieres A pair of 19th century Continental jardinieres, matched veneers and burl bands, cast brass mounts including lions head rings, and tin liners. Each measures 6 1/2" x 10". Provenance: The collection of Shirley Bush Helzberg. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. 
42: Antique Iron Garden Table with Marble Top

An early 20th century Parisian-style trestle-form iron garden table with a white marble top. Measures 30" x 40" x 24". Provenance: The Webster House collection. 

 

43: 19th c. French Garden Table and Four Chairs A late 19th century French iron tripod garden table with a marble top and four side chairs. The chairs are made up of two separate nicely matched pairs. The table measures¬†27" x 36", and the chairs measure 34" x 16" x 20". Provenance: Consigned as part of the Webster House collection. 
44: 19th c. Louis Philippe Gilt Mirror A gilt and painted Louis Philippe period mirror with its original glass, French, 19th century. Incised floral decoration to the gilt areas. Measures 51" x 37". Provenance: The Webster House collection. 
45: Pair of German Pewter Hunting Plates, Dated 1730 A pair of Tyrolean pewter plates hand-decorated with hammered low-relief hunting motifs, signed George Ludwig von Buttlar. The first depicts a fox standing above a slain rooster, its back leg in the teeth of a trap. The second depicts two chamois leaping through mountainous terrain. The plates each bear inscriptions around the rims: the first reads "Zum Gedenken an Hof - Wildstein in Tyrol. George Ludwig v Buttlar. 1730", and the second reads "Zum Gedenken an die Gemsjagd in der Hinderriss in Tyrol. d: 27 October 1730. George Ludwig v. Buttlar." Each rim also bears the Buttlar family crest. Each measures 8 7/8" in diameter. Provenance: The Shirley Bush Helzberg and Webster House collections. 
46: 1780 Naive Pastel Portrait of Boy and Dog A charming 18th c. pastel portrait of a young boy with his dog, with period pencil inscription in the lower left corner: "[Illegible] / No.264 / 1780". Presented behind glass in an old gilt gesso frame with some losses. The frame sight measures 22 1/2" x 16 1/2", and the frame measures 28" x 22". Provenance: The Webster House collection. 
47: Victorian Bocce Set with Original Box A bocce lawn bowling set of carved lignum vitae, English, late 19th century. In its original pine case with iron hardware. Two ball sets numbered 1-4, with one kitty. The box measures 6 1/2" x 18 1/2" x 17". Provenance: The Shirley Bush Helzberg and Webster House collections. 
48: Angelo Minghetti Maiolica Bust of Laura A maiolica bust after Angelo Minghetti¬†(Bolognese, 1822-1885), depicting Laura, the beloved muse of the poet Petrarch. Marked AMF to the back base (Angelo Minghetti & Figli).¬†Early 20th century. Measures 12 1/4" x 11 1/2" x 5 1/2". Provenance: The collection of Shirley Bush Helzberg. 
49: French Iron & Marble Console, Early 20th c.

A French wrought iron console with shaped marble top and removable wrought metal swags, early 20th century. Each measures 38" x 56" x 23". Provenance: The Webster House collection. 

 

50: French Square Bakers Rack, ca. 1900 A late 19th/early 20th century French wrought iron bakers rack with brass accents, of unusual square form. Shaped glass shelf inserts have been added for utility. Measures 76" x 36" x 34". Provenance: The Shirley Bush Helzberg and Webster House collections. 
51: 19th c. Continental Bronze-Patinated Chandelier A Continental bronze-patinated ten-light chandelier, 19th century. Five arms of axehead-form with quatrefoil fenestration.¬† Measures approximately 26" x 42" x 42", not including the chain. Provenance: The collection of Shirley Bush Helzberg. 
52: 19th c. Renaissance Revival Carved Oak Buffet w/ Hutch From the Webster House's dining hall, a monumental English oak buffet with removable mirrored hutch top, featuring extensive all-over hand-carving with motifs including dolphins, fruits, urns, swags, and a central high-relief grotesque face. The buffet consists of five drawers over three cabinets. Fourth quarter of the 19th century. Altogether, the piece measures 102" x 83" x 29". The buffet measures 38" x 83" x 29", the top measures 64" x 82" x 14". Provenance: The Webster House collection. 
53: Gilt and Patinated Bronze Sculptural Inkwell, 19th c.

A 19th century French gilt and patinated bronze inkwell with two putti figures on the rocks pulling a fishing net from the sea. Measures 9 1/2" x 12 1/2" x 10". Provenance: The collection of Shirley Bush Helzberg. 

 

54: Finely Painted Bloor Derby Lidded Incense, Early 19th A Derby porcelain lidded incense bowl from the Robert Bloor era, circa 1811-1825, very finely painted with three distinct landscape vignettes. Gilt decoration on cobalt ground, with rams head motif. Stamped to the underside with a red "Bloor Derby" crown mark. Measures 11" x 9". Provenance: The collection of Shirley Bush Helzberg. 
55: Pair of 19th c. French Louis XVI Giltwood Settees

A pair of late-19th century French gilt salon settees in the Louis XVI style. Silk striped floral upholstery. Each measures 39" x 51" x 27". Provenance: The Shirley Bush Helzberg and Webster House collections. 

 

56: 19th c. French Silver-Leaf Cathedral Candle Prickets A pair of 19th century French altar prickets, tripod form, silver leaf on gesso over wood with gilt cartouche. Each measure 29" x 7 1/2". Provenance: Consigned as part of the Webster House collection. 
57: 19th c. Copper Beverage Dispenser, French Heraldry A large copper beverage dispenser with hand-chased detail, scroll amphora form, with central French royal coat-of-arms motif. The brass spout, decorated with dolphin motifs, protrudes from a lion's face. 19th century. Measures 33" x 22" x 19". Provenance: The collection of Shirley Bush Helzberg. Note: This lot is offered with a confidential reserve price, in an amount not to exceed the low estimate. 
58: Oil Portrait of John Churchill, Duke of Marlborough

A 19th century oil after Enoch Seeman's 1720 portrait of John Churchill, the 1st Duke of Marlborough, in scarlet military regalia. Measures 30" x 25 1/4", in a frame that measures 38 1/4" x 33 1/2". Provenance: The Shirley Bush Helzberg and Webster House collections. 

 

59: 19th c. French Empire Marble-Top Mahogany Chest Four drawers flanked by turned front columns. Bronze swan-motif escutcheons and drawer pulls. Measures 36" x 45" x 25". Provenance: The Webster House collection. 
60: Pair of 1778 Piranesi Roman Architectural Engravings Two double-page engravings by Giovanni Battista Piranesi (1720-1778) from his¬†Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi¬†(pub. 1778), depicting elements of classical Roman architecture and decorative arts. Each are nicely presented in gilt frames. The first is titled "A Sua Eccellenza¬†Il Signor Aubreii¬†Beauclerk..." (plate 72). The plate measures 26 1/2" x 17", in a frame that measures 35" x 25 1/2". The second is titled "Profilo di una Nave antica di marmo a tre ordini di remi..." (plate 105). The plate measures 25 3/4" x 16", and the frame measures 35" x 25". Provenance: The Webster House collection. 
61: 19th c. English Heraldic Giltwood Wall Sconce A gilt and polychrome wooden wall sconce with heraldic coat-of-arms motif of a double-headed eagle below a crown. English, 19th century. Measures 18" x 13 1/2" x 11". Provenance: The Shirley Bush Helzberg and Webster House collections. 
62: Unusual 18th c. Pearwood Side Table An unusual late-18th century pear wood pin-top work table, mortise-and-tenon construction. One of two original pins present, fastening the removable top to the base.¬†A handmade piece, each of the legs are crafted one inch wider apart at the top than at the stretcher, giving the table a somewhat subtle and unusual exaggerated perspective. Measures 31" x 37" x 24". Provenance: Consigned as part of the Webster House collection. 
63: Pair of Silver-Plate Altar Candle Prickets A pair of Continental silver-plated altar prickets, first half 20th century, each with three paw feet. Each candle holder has three repousse motifs: the tetragrammaton, sacred heart, and cherubim. Each measures 24 1/2" x 7". Provenance: The Shirley Bush Helzberg and Webster House collections. 
64: Pair of Gilt Bronze Rams Head Sconces

An early 20th century Continental pair of gilt bronze wall sconces with rams head motif. Each measures 18" x 18 1/2" x 10". Provenance: The Shirley Bush Helzberg and Webster House collections. 

 

65: Georgian Mahogany Whatnot Shelf

A Georgian period mahogany whatnot, square form, with a single low drawer and two shelves supported by turned columns. Circa 1800.  Measures 53" x 23" x 23". Provenance: The Webster House collection.

 

66: 19th c. English Horse Parade Chimes An English brass three-bell parade chime for a horse's harness, 19th century. Topped with a decorative dolphin-motif lyre, and uniquely decorated with two red-dyed braided horsehair plumes. The stand is also mounted with four antique brass swinging terrets. Measures approximately 16" x 28" x 5". Provenance: The Shirley Bush Helzberg and Webster House collections. 
67: Two Celestial Atlas Engravings after Johannes van Loon Two hand-colored copper-plate engravings after Dutch cosmographer Johannes van Loon, images originally created for Andreas Cellarius's¬†celestial atlas¬†Harmonia Macrocosmica (first published in 1708). The first offers a depiction of the Copernican¬†world system, and the second, a depiction of the earth surrounded by celestial circles. 20th century impressions, with silver-colored deckle sheet edges. Nicely framed in ebonized¬†frames with gilt edges. The sheets each measure 24 1/2" x 24 1/2", and the frames each measure 32 1/2" x 32 1/2". Provenance: The Webster House collection. 
68: 19th c. Large Imari Vase with Rosewood Stand A late 19th century Japanese Imari vase, iron red and cobalt decoration with gilt accent. Offered with a carved rosewood stand. The vase measures 24" x 11", and the stand measures 13" x 9". Provenance: The collection of Shirley Bush Helzberg. 
69: 19th c. James Winter & Sons (London) Oak Sideboard Mid-19th c. English oak sideboard by James Winter & Sons (London). Three drawers over two cabinets (each cabinet having two interior drawers) and a large center "dog kennel" opening. Identifying stamp to the top of the right cabinet door. Unique slide construction on interior drawers. Measures 37" x 66" x 24". Provenance: The Webster House collection. 
70: Falstaff (England) Two-Decanter Tantalus A two-decanter tantalus by Falstaff (England). Cut glass decanters, oak and silverplate tantalus, fully operational with key. Measures 13" x 11" x 6". Provenance: The collection of Shirley Bush Helzberg. 
71: Sheffield Tantalus with Hand-Cut Glass Decanters A silver-plated decanter stand, having a grapevine motif, with three hand-cut ruby & frosted glass Bohemian decanters, labeled "BRANDY.", "GIN.", and "WHISKY." The only mark on the stand is an impressed "177" to the underside. The stand measures 21 1/4" x 11 1/2", and each decanter measures 16" high. Provenance: The Shirley Bush Helzberg and Webster House collections. 
72: 19th c. Mahogany Louis XVI Style Writing Desk A 19th c. Louis XVI style mahogany desk with two drawers and brass trim and inlays, including brass fluted legs. The inset green leather top is a vintage replacement. Measures 28" x 39" x 24". Provenance: The Webster House collection. 
73: 14k Gold Grand Tour Pietra Dura Necklace, 19th c. A 19th c. Italian Grand Tour¬†pietra dura¬†micromosaic set into an oval malachite, depicting the ruins of the Temple of Vespasian. Tested 14k gold frame and chain (chain weight estimated at 11.8 dwt). The pendant measures 1 3/8" x 1 3/4", and the chain measures 15" long. The entire piece weighs 25.7 dwt. Provenance: The Webster House collection. 
74: 18k Gold Pietra Dura Brooch w/ Christian Imagery, 19th A 19th c. Italian¬†pietra dura micromosaic brooch, with the depiction of two doves under a¬†chi rho¬†(Constantine's cross), with an alpha and omega. Below the doves, wheat and grapes represent the Eucharist. Tested 18k gold frame. The total weight of the piece is 8.2 dwt. Measures 1 1/2" in diameter. Provenance: The Webster House collection. 
75: Early 19th c. English Oak Side Table A charming and sturdy English oak table with a single drawer, with Chippendale influence, early 19th century. Mahogany cross-banding, simple decorative supports below a nicely shaped apron, mortise-and-tenon construction. Measures 28" x 35" x 21 1/2". Provenance: The Webster House collection. 
76: Chippendale Mirror with Original Glass A Chippendale period English mahogany mirror with original glass. Gilt gesso eagle affixed at the top. Late 18th century. Measures 40" x 18". Provenance: The Webster House collection. 
77: Japanned Lap Desk with Shell Inlay, 19th c. A mid-Victorian slant-top traveler's lap desk, japanned and gilt, inlaid with an abalone center shield and floral trim. Nicely tooled velvet lining. English. Measures 4" x 13" x 10". Provenance: The collection of Shirley Bush Helzberg. 
78: Japanned Lap Desk with Shell Inlay, 19th c.

A mid-Victorian slant-top traveler's lap desk, japanned and gilt, inlaid with mother-of-pearl and abalone marquetry. Velvet lining. English. Measures 4" x 12" x 9". Provenance: The collection of Shirley Bush Helzberg. 

 

79: Oak Billiards Mirrored Cue Rack, Early 20th c. A stately oak triple mirror and cue rack, first half of the 20th century. Very similar in design to Brunswick - Balke - Collender's late 19th century designs. Measures 66" x 64" x 9". Provenance: The Shirley Bush Helzberg and Webster House collections. 
80: Early 20th c. English Billiards Scorekeeper An antique walnut wall-mounted billiards scorekeeper, English, early 20th century. Measures 12 1/2" x 39" x 3 3/4". Provenance: The Shirley Bush Helzberg and Webster House collections. 
81: Antique French Faience Ewer, Francis I & Claude Emblems A French faience disc-form ewer, circa 1900, bearing the emblems of King Francis I (salamander under crown) and Queen Claude (ermine under crown). Pewter-hinged lid. Monogram and production number to the underside in blue underglaze. Measures 16 1/2" x 11" x 4 3/4". Provenance: The collection of Shirley Bush Helzberg. 
82: Large French Faience Relief Platter, 19th c. A French faience platter depicting in low-relief a finely dressed guard with halberd--¬†his arm extending in high-relief-- and a coat-of-arms in the top right. Impressed to the underside "HB&Cie. / 371 / 2" and stamped "HB & Cie Choisy-le-Roi". Measures 15 1/4" x 13 1/4". Provenance: The collection of Shirley Bush Helzberg. 
83: French Faience Pitcher Advertising Candied Fruits A French faience squat pitcher, advertising the candied fruits of Maison Cromarias, picked from the French commune of Aigueperse¬†(whose coat-of-arms is featured on the pitcher), outside of Auvergne. Circa 1910. The underside reads "Gargoulette Auvergnate / Fruits confits d'Auvergne / M'son Cromarias / Clermont-Ferrand". Measures 5 1/2" x 8 1/2". Provenance: The collection of Shirley Bush Helzberg. 
84: Forged Steel Lectern with Reading Light

From the Webster House restaurant, a forged and wrought steel lectern, hammered and ebonized finish, with walnut shelf. Mid-20th century. Measures 47" x 18" x 16". Provenance: The Webster House restaurant. 

 

85: 19th c. Sculptural Venetian Blackamoor Table

A figural gilt wood Venetian blackamoor pedestal table. Polychrome top decoration with a bird among flowers. Italian, 19th century. Measures 36" x 14" x 16". 

 

86: Two Late Victorian 'Nautilus' Spoon Warmers Two late Victorian period spoon warmers, silver-plated in the form of nautilus shells. Engraved floral motif to one, and engraved monogram to the other ("TWS"). They measure 5 3/4" x 6 3/4" x 3 1/2" and 5 1/2" x 7 1/4" x 3 1/2". Provenance: The collection of Shirley Bush Helzberg. 
87: Chinese Hand-Wrought Pewter Tobacco Tray

A hand-wrought leaf-form pewter tray, with sculptural fruit ashtray and hinged cigarette box. Chinese, first half 20th century. Measures 2" x 14 1/2" x 10 3/4". Provenance: The collection of Shirley Bush Helzberg. 

 

88: Katsukawa Shun'ei 1790 Ukiyo-e Woodblock, Dragon Maiden An expressive color woodblock after Katsukawa Shun'ei¬†(Japanese, 1762-1819), descriptively titled The actor Segawa Kikunojo III as the Dragon Maiden disguised as Osaku in the play Sayo no Nakayama Hiiki no Tsurigane, performed at the Nakamura Theatre¬†in the eleventh month, 1790. The woodblock was created in 1790, this impression created in the 19th century. Nicely presented in a custom frame by Tim Ward. The sheet measures 12 1/2" x 5 3/4", and the frame measures 16 1/2" x 9". Provenance: The Webster House collection. 
89: Two Isoda Koryusai Ukiyo-e Color Woodblocks Two color woodblocks after Isoda Koryusai (Japanese, 1735-1790). The first, titled Weather clearing at Owazu, was created circa 1770-1775. The second, titled Man and woman watching cranes, was created circa 1770. Each is a 19th century impression. Nicely presented in a custom frame by Tim Ward. Each sheet measures approximately 9 3/4" x 7¬†1/2", and each frame measures 12 3/4" x 10". Provenance: The Webster House collection. 
90: Torii Kiyonaga 1780 Ukiyo-e Woodblock, Children's Float A color woodblock after Torii Kiyonaga (Japanese, 1752-1815) titled Children's lantern float, Kojimachi 1,2,3-chome¬†Block association, Sanno festival. The woodblock was created circa 1780, and this impression was created in the 19th century. Nicely presented in a custom frame by Tim Ward. The sheet measures approximately 10" x 7 1/2", and the frame measures 14" x 10 3/4". Provenance: The Webster House collection. 
91: Three 19th c. Ukiyo-e Woodblocks of Kabuki Actors A group of three Japanese color woodblocks created circa¬†1800, early 19th century impressions, depicting¬†kabuki¬†actors including Sawamura Sojuro III and Segawa Kikunojo III. Artists unidentified. Each is nicely presented in a custom frame by Tim Ward. Each sheet measures approximately 12 1/2" x 5 3/4", and each frame measures 16" x 8 3/4". Provenance: The Webster House collection. 
92: 19th c. Ukiyo-e Color Woodblock An unidentified 19th century impression of a Japanese color woodblock depicting three women buying gifts from a ship.¬†Nicely presented in a custom frame by Tim Ward. The sheet measures approximately 15 1/2" x 10 1/4", and the frame measures 20 1/2" x 16 3/4". Provenance: The Webster House collection. 
93: 19th c. Spanish Tooled Leather Side Chair A 19th century Spanish leather side chair with extensively tooled neoclassical ornamentation, including putti and North Wind face. Cast brass finials and hobnails. Measures 50" x 19" x 21". Provenance: The Shirley Bush Helzberg and Webster House collections. 
1: Onyx and Ormolu Casket with Neoclassical Mounts2: Large Bronze Bacchanalian Garniture Ewer, 19th c.3: Edwardian Mirrored Walnut Game Tantalus w Cigar Storage4: 18th c. French Bombe Commode5: 19th c. Slate & Bronze Tazza Mantel Garnitures, Pair6: Classical White Marble Bust of Artemis7: Sevres Finely Painted Centerpiece Urn w/ Ormolu Mounts8: 19th c. French Carved Wood Figures, Pair9: Early 18th c. French Paneled Oak Cupboard10: Ferdinand Preiss Bronzes, 'Hoop Girl' & 'Sonny Boy'11: Napoleon III Gilt Mirror with Original Glass12: 19th c. French Fine Bronze Dore Chandelier13: 19th c. Sculptural Porcelain Fountain Base14: Fine KPM Porcelain & Gilt Bronze Inkwell15: Maison Millet (Paris) Louis XV Style Inkwell, 19th c.16: 18th c. Oil of a Nobleman in Rome17: 18th c. English Oak Coffer18: Pair of Framed Sets of Grand Tour Intaglios19: Three Odd Fellows Ceremonial Scepters Mounted on Velvet20: Five Odd Fellows Ceremonial Scepters Mounted on Velvet21: Antique Henry Howell (Attr.) Carved Monkey with Gong22: Navajo Second Phase Chief's Blanket, 19th c.23: Pair of Antique Italian Tole Flower in Haviland Cachepots24: Adolphe Willette Oil on Paper, Pierrot & Columbine25: Franz Richard Unterberger Oil, Germanic Landscape26: Pair of 18th c. German Equestrian Engravings27: 18th c. French Oak Serpentine Commode, Alsace-Lorraine28: Elkington 'Conquistador' Fine Silver-Plate Candelabra29: 19th c. Marble & Ormolu Urns, Pair30: 19th c. English Officer's Campaign Secretary Bureau31: Alexandre Bida Orientalist Drawing, Arnaute32: Sculptural Porcelain Tazze, Caduceus Mark, 19th c. Pair33: Two Villeroy & Boch Phanolith Plaques, JB Stahl34: 19th c. Louis XV Style Fauteuil de Bureau35: Dresden (Carl Thieme) Porcelain Urns, Pair36: 18th c. Sevres Cabinet Plates, French Scenes37: Bronze Jewelry Casket with Capodimonte Panels38: Oil Portrait of Mr. Fleming, Late 18th/Early 19th c.39: 19th c. English Regency Tole Chestnut Urns, Pair40: James Dixon & Sons Sheffield Plate Ink Stand, ca. 183541: Pair of 19th c. Continental Jardinieres42: Antique Iron Garden Table with Marble Top43: 19th c. French Garden Table and Four Chairs44: 19th c. Louis Philippe Gilt Mirror45: Pair of German Pewter Hunting Plates, Dated 173046: 1780 Naive Pastel Portrait of Boy and Dog47: Victorian Bocce Set with Original Box48: Angelo Minghetti Maiolica Bust of Laura49: French Iron & Marble Console, Early 20th c.50: French Square Bakers Rack, ca. 190051: 19th c. Continental Bronze-Patinated Chandelier52: 19th c. Renaissance Revival Carved Oak Buffet w/ Hutch53: Gilt and Patinated Bronze Sculptural Inkwell, 19th c.54: Finely Painted Bloor Derby Lidded Incense, Early 19th55: Pair of 19th c. French Louis XVI Giltwood Settees56: 19th c. French Silver-Leaf Cathedral Candle Prickets57: 19th c. Copper Beverage Dispenser, French Heraldry58: Oil Portrait of John Churchill, Duke of Marlborough59: 19th c. French Empire Marble-Top Mahogany Chest60: Pair of 1778 Piranesi Roman Architectural Engravings61: 19th c. English Heraldic Giltwood Wall Sconce62: Unusual 18th c. Pearwood Side Table63: Pair of Silver-Plate Altar Candle Prickets64: Pair of Gilt Bronze Rams Head Sconces65: Georgian Mahogany Whatnot Shelf66: 19th c. English Horse Parade Chimes67: Two Celestial Atlas Engravings after Johannes van Loon68: 19th c. Large Imari Vase with Rosewood Stand69: 19th c. James Winter & Sons (London) Oak Sideboard70: Falstaff (England) Two-Decanter Tantalus71: Sheffield Tantalus with Hand-Cut Glass Decanters72: 19th c. Mahogany Louis XVI Style Writing Desk73: 14k Gold Grand Tour Pietra Dura Necklace, 19th c.74: 18k Gold Pietra Dura Brooch w/ Christian Imagery, 19th75: Early 19th c. English Oak Side Table76: Chippendale Mirror with Original Glass77: Japanned Lap Desk with Shell Inlay, 19th c.78: Japanned Lap Desk with Shell Inlay, 19th c.79: Oak Billiards Mirrored Cue Rack, Early 20th c.80: Early 20th c. English Billiards Scorekeeper81: Antique French Faience Ewer, Francis I & Claude Emblems82: Large French Faience Relief Platter, 19th c.83: French Faience Pitcher Advertising Candied Fruits84: Forged Steel Lectern with Reading Light85: 19th c. Sculptural Venetian Blackamoor Table86: Two Late Victorian 'Nautilus' Spoon Warmers87: Chinese Hand-Wrought Pewter Tobacco Tray88: Katsukawa Shun'ei 1790 Ukiyo-e Woodblock, Dragon Maiden89: Two Isoda Koryusai Ukiyo-e Color Woodblocks90: Torii Kiyonaga 1780 Ukiyo-e Woodblock, Children's Float91: Three 19th c. Ukiyo-e Woodblocks of Kabuki Actors92: 19th c. Ukiyo-e Color Woodblock93: 19th c. Spanish Tooled Leather Side Chair

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