Asian Art & Masterpieces Sale

online only auction | 1 day sale | 5 days away
Location
Irvine, CA 92620
Dates

Sale Starts

Thu
Dec 18
4pm

Sale Ends

Thu
Dec 18

Terms & Conditions

TERMS & CONDITIONS

1. All items are sold as is, where is, with all faults. All bidders are encouraged to use due diligence and inspect all items prior to bidding. There are no warranties or representations of merchant-ability, fitness, nor of any other kind, express or implied. Know that your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by AZAYA ART GALLERY or by any seller represented by AZAYA ART GALLERY.


2. Bidding will begin at a price appropriate in auctioneer's discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer's discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, online bidding, or bidding in the gallery. All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale.


3. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 3 days in advance of the auction to allow for time to complete the approval process. It is important to note that we make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with AZAYA ART GALLERY through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on Live Auctioneers are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. AZAYA ART GALLERY will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature. By registering for the Auction, Bidder agrees to AZAYA ART GALLERY?s Terms and Conditions. These Terms and Conditions may be updated from time to time prior to the Auction. Such form of acceptance by Bidder is binding.


4. For prospective bidders who cannot be present at the auction, we are pleased to offer absentee and phone bidding. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. AZAYA ART GALLERY shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.


5. Note to internet absentee bidders. We do not accept cut bids (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten-dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our gallery to avoid such a situation.

6. Once an item is declared sold, bidding cannot reopen. It is the bidder's responsibility to get our attention prior to our saying "sold". We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer's discretion.

7. Payment is expected at the time of purchase. Payment for successful absentee, phone bids and online bids are required within 5 (five) business days of the auction. Bidding on an item indicates the client's acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction.


8. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. We reserve the right to not issue a buyer's number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashier's check.

9. In the case of identical absentee bids, the bid received first will prevail. Bids left on Internet Bidding Platforms are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 20-30 lots per hour. Please refer to the bidding increments.

10. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above.

11. Shipping is primarily handled by multiple third-party shippers. Auction House will arrange the shipment according the estimate shipping cost written on the catalog. Buyer is responsible for the cost of packaging and shipping. Shipping handled by AZAYA ART GALLERY will be at the entire risk of the purchaser and AZAYA ART GALLERY will have no liability of any loss of damage to such items.

12. All purchases are subject to applicable California sales tax unless the California Certificate of Resale tax form is fully and completely filled out and received prior to the time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country.


13. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, AZAYA ART GALLERY may seek all remedies under the law including canceling the sale and re-offering the property without reserve.

14. A buyer's premium will be applied to the purchase price of all items: 25% across all platforms.

15. Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $8.00 per day, per item. You authorise us to re-sell on your behalf any item not picked up within 45 calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer's commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with AZAYA ART GALLERY. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

16. Export and Permits: It is the purchaser's sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalog reflect AZAYA ART GALLERY reasonable opinion at the time of cataloguing and are for bidders general guidance only; AZAYA ART GALLERY and the Consignor makes no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes.

17. Endangered Species: Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, tortoiseshell, whalebone, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. AZAYA ART GALLERY suggests that international buyers check on foreign governments wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser's responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. AZAYA ART GALLERY is not able to assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation.

18. Due to the embargo on Persian carpets, international shipping is not available.

19. AZAYA ART GALLERY makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, earth mined, man-made or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, cultured or natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments. AZAYA ART GALLERY makes no warranties or guaranties that any clock or watch is in working order. Natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments. AZAYA ART GALLERY Auctions makes no warranties or guarantees that any clock or watch is in working order.


20. Condition of Firearms: AZAYA ART GALLERY or its employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. AZAYA ART GALLERY expressly disclaims any liability whatsoever for any accident, injury or damage resulting to any person or property from the storage or use of any such lot.



21. Disclaimers

The site, services and collective content are provided as is, without warranty of any kind, either express or implied. Without limiting the foregoing, AZAYA ART GALLERY explicitly disclaims any warranties of merchantability, fitness for a particular purpose, quiet enjoyment or non-infringement, and any warranties arising out of course of dealing or usage of trade. AZAYA ART GALLERY makes no warranty that the site, services or collective content will meet your requirements or be available on an uninterrupted, secure, or error-free basis. AZAYA ART GALLERY makes no warranty regarding the quality of any products, services or collective content obtained through the site or services or the accuracy, timeliness, truthfulness, completeness or reliability of any content obtained through the site or services.

No advice or information, whether oral or written, obtained from AZAYA ART GALLERY or through the site, services or collective content, will create any warranty not expressly made herein.

You are solely responsible for all of your communications and interactions with other users of the site and services and with other persons with whom you communicate or interact as a result of your use of the site or services. You understand that AZAYA ART GALLERY does not screen or inquire into the background of any users of the site or services, nor does AZAYA ART GALLERY make any attempt to verify the statements of users of the site or services. AZAYA ART GALLERY makes no representations or warranties as to the conduct of users of the site or services or their compatibility with any current or future users of the site or services. You agree to take reasonable precautions in all communications and interactions with other users of the site and services and with other persons with whom you communicate or interact as a result of your use of the site or services, particularly if you decide to meet offline or in person.

22. Indemnity
You agree to defend, indemnify, and hold AZAYA ART GALLERY, its officers, directors, employees and agents, harmless from and against any claims, liabilities, damages, losses, and expenses, including, without limitation, reasonable legal and accounting fees, arising out of or in any way connected with your access to or use of the site, services or collective content, or your violation of these terms.

23. Limitation of liability
You acknowledge and agree that, to the maximum extent permitted by law, the entire risk arising out of your access to and use of the site, services and collective content remains with you. Neither AZAYA ART GALLERY nor any other person or entity involved in creating, producing, or delivering the site, services or collective content will be liable for any incidental, special, exemplary or consequential damages, including lost profits, loss of data or loss of goodwill, service interruption, computer damage or system failure or the cost of substitute products or services, or for any damages for personal or bodily injury or emotional distress arising out of or in connection with these terms or from the use of or inability to use the site, services or collective content, or from any communications, interactions or meetings with other users of the site or services or other persons with whom you communicate or interact as a result of your use of the site or services whether based on warranty, contract, tort (including negligence), product liability or any other legal theory, and whether or not AZAYA ART GALLERY has been informed of the possibility of such damage, even if a limited remedy set forth herein is found to have failed of its essential purpose.

In no event will AZAYA ART GALLERY Aggregate liability arising out of or in connection with these terms or from the use of or inability to use the site, services or collective content exceed one hundred dollars ($100). The limitations of damages set forth above are fundamental elements of the basis of the bargain between AZAYA ART GALLERY and you. Some jurisdictions do not allow the exclusion or limitation of liability for consequential or incidental damages, so the above limitation may not apply to you.

24. Proprietary Rights Notices
All trademarks, service marks, logos, trade names and any other proprietary designations of AZAYA ART GALLERY used herein are trademarks or registered trademarks of AZAYA ART GALLERY. Any other trademarks, service marks, logos, trade names and any other proprietary designations are the trademarks or registered trademarks of their respective parties.

25. Controlling Law and Jurisdiction
These Terms and any action related thereto will be governed by the laws of the State of California without regard to its conflict of law's provisions. The exclusive jurisdiction and venue of any action to prevent the actual or threatened infringement, misappropriation or violation of a party?s copyrights, trademarks, trade secrets, patents or other intellectual property rights will be the state and federal courts located in the Southern District of California and each of the parties hereto waives any objection to jurisdiction and venue in such courts.

26. Entire Agreement
These Terms and any additional terms and conditions presented to you governing the bidding functionality of the Site and Services constitute the entire and exclusive understanding and agreement between AZAYA ART GALLERY and you regarding the Site, Services and Collective Content, and these Terms supersede and replace any and all prior oral or written understandings or agreements between AZAYA ART GALLERY and you regarding the Site, Services and Collective Content.

27. Assignment
You may not assign or transfer these Terms, by operation of law or otherwise, without AZAYA ART GALLERY's prior written consent. Any attempt by you to assign or transfer these Terms, without such consent, will be null and of no effect. AZAYA ART GALLERY may assign or transfer these Terms, at its sole discretion, without restriction. Subject to the foregoing, these Terms will bind and inure to the benefit of the parties, their successors and permitted assigns.

28. Notices
Any notices or other communications permitted or required hereunder, including those regarding modifications to these Terms, will be in writing and given: (i) by AZAYA ART GALLERY via email (in each case to the address that you provide); or (ii) by posting to the Site. For notices made by e-mail, the date of receipt will be deemed the date on which such notice is transmitted.

29. Dispute Resolution
You and AZAYA ART GALLERY agree that any dispute, claim or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation or validity thereof or the use of the Site or Services (collectively, 'Disputes') will be settled by binding arbitration, except that each party retains the right to bring an individual action in small claims court and the right to seek injunctive or other equitable relief in a court of competent jurisdiction to prevent the actual or threatened infringement, misappropriation or violation of a party's copyrights, trademarks, trade secrets, patents or other intellectual property rights. You acknowledge and agree that you and AZAYA ART GALLERY are each waiving the right to a trial by jury or to participate as a plaintiff or class User in any purported class action or representative proceeding. Further, unless both you and AZAYA ART GALLERY otherwise agree in writing, the arbitrator may not consolidate more than one person?s claims, and may not otherwise preside over any form of any class or representative proceeding. If this specific paragraph is held unenforceable, then the entirety of this ?Dispute Resolution? section will be deemed void. Except as provided in the preceding sentence, this 'Dispute Resolution' section will survive any termination of these Terms.

30. General
The failure of AZAYA ART GALLERY to enforce any right or provision of these Terms will not constitute a waiver of future enforcement of that right or provision. The waiver of any such right or provision will be effective only if in writing and signed by a duly authorized representative of AZAYA ART GALLERY. Except as expressly set forth in these Terms, the exercise by either party of any of its remedies under these Terms will be without prejudice to its other remedies under these Terms or otherwise. If for any reason a court of competent jurisdiction finds any provision of these Terms invalid or unenforceable, that provision will be enforced to the maximum extent permissible and the other provisions of these Terms will remain in full force and effect.

31. We may change these Terms of Use from time to time, at any time without notice to you, by posting such changes on the AZAYA ART GALLERY's Website. We highly suggest you periodically check the Terms of Use. It is your responsibility to do so.
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Azaya Art Gallery

Description & Details

Azaya Art Gallery is delighted to showcase our meticulously curated Asian collections a remarkable blend of historical and artistic wonders. Our auction features a range of treasures, including exquisite porcelain, fine Chinese paintings, and more. In addition, this special sale also presents a selection of fine European jewelry timeless pieces renowned for their elegance, craftsmanship, and rarity. Each piece in our collection stands out for its exceptional condition and craftsmanship, making it a valuable addition to any connoisseur's collection. Beyond their aesthetic appeal, these artworks also offer significant investment potential, ensuring there's something to fulfill every collector's unique taste and vision. We invite you to immerse yourself in the art world with us and discover your own unique collection. Join Azaya Art Gallery in celebrating the beauty and value of Asian artistry and European elegance. info@azayagallery.com
18K GOLD POCKET WATCHGOLD AND SILVER OVERLAY DIAMOND WILD PEARL PENDANT, CONVERTIBLE INTO BROOCHART DECO PERIOD 18K GOLD WILD PEARL AND JADE LONG EARRINGSGOLD AND SILVER OVERLAY DRAGONFLY PENDANT, CONVERTIBLE INTO BROOCHDIAMOND LINE BRACELET18K GOLD TURQUOISE BRACELETGOLD AND SILVER OVERLAY DIAMOND FLORAL BROOCHWILLIAM SCOTT, R.A. (1913-1989), ATTRIBUTED TO, OIL ON CANVASKEITH HARING (1958-1990), ATTRIBUTED TO, MARKER ON NEWSPAPERA 'RECUMBENT HORSE' CARVINGAN AMETHYST SNUFF BOTTLE AND A BLACK JADE AND HETIAN JADE SNUFF BOTTLEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, PHOENIXQI BAISHI (1864-1957), ATTRIBUTED TO, FAMILY OF PURITYZHANG DAQIAN (1899-1983), ATTRIBUTED TO, VIEWING THE WATERFALLQI BAISHI (1864-1957), ATTRIBUTED TO, ABUNDANT LONGEVITYTANG YIN (1470-1524), ATTRIBUTED TO, VISITING FRIENDS BY STREAM AND MOUNTAINHUANG GONGWANG (1269-1354), ATTRIBUTED TO, WARM RIVER IN SPRINGQIU YING (C.1494-1552), ATTRIBUTED TO, JADE PALACE ON CELESTIAL MOUNTAINLI TANG (1066-1150), ATTRIBUTED TO, AUTUMN MOUNTAINSHUANG TINGJIAN (1045-1105), ATTRIBUTED TO, CALLIGRAPHYZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LADIESGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, PORTRAITS OF QING DYNASTY EMPERORSZHAO MENGFU (1254-1322), ATTRIBUTED TO, BATHING HORSESHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPESHE XIANGNING (1878-1972), ATTRIBUTED TO, FIERCE TIGERQI BAISHI (1863-1957), ATTRIBUTED TO, SHRIMP, CRAB, FISH, AND FROGZHANG DAQIAN (1899-1983), ATTRIBUTED TO, CLEAR AUTUMN IN WU GORGECHOPARD GOLD WATCH WITH ORIGINAL BOX"GOLDEN AGE" 18K GOLD ENAMEL AND GARNET NECKLACEITALIAN DESIGNER GIOIELLI GRASER (GRASER) GOLD AND SILVER OVERLAY RIVIèRE DIAMOND NECKLACEGOLD AND SILVER EMERALD BANGLEBOUCHERON EMERALD AND DIAMOND RINGRETRO PERIOD 18K GOLD EARRINGSNAPOLEON III 18K GOLD ENAMEL FOLDING SPECTACLESART DECO PERIOD TWO-TONE GOLD OVERLAY DIAMOND AND EMERALD RINGITALIAN BRAND GIOVANNI FERRARIS 18K GOLD ENAMEL AND DIAMOND PENDANT WITH GIRL MOTIFYAYOI KUSAMA (B.1929), ATTRIBUTED TO, ACRYLIC ON CANVASKEITH HARING (1958-1990), ATTRIBUTED TO, ACRYLIC ON CANVASRUBY AND DIAMOND RINGDIAMOND AND SEED PEARL BAND RINGPEARL STUD EARRINGSA 'TIGER' PENDANTA SET OF SKIN-INLAID HETIAN JADE SNUFF BOTTLESA SET OF LAPIS LAZULI SNUFF BOTTLESQIU YING (C.1494-1552), ATTRIBUTED TO, VISITING FRIENDS WITH A ZITHERTANG YIN (1470-1524), ATTRIBUTED TO, CHILDREN AT PLAYHUANG GONGWANG (1269-1354), ATTRIBUTED TO, VISITING FRIENDS AT THE PINE PAVILIONEMPEROR HUIZONG OF SONG (1082-1135), ATTRIBUTED TO, BOATINGZHAO BOJU (C.1120-1182), ATTRIBUTED TO, VISITING FRIENDS IN DEEP MOUNTAINSWANG XIMENG (1096-1119), ATTRIBUTED TO, LANDSCAPELI SHIMIN (598-649), ATTRIBUTED TO, CALLIGRAPHYZHAO MENGFU (1254-1322), ATTRIBUTED TO, FIGUREWANG XIZHI (303-361), ATTRIBUTED TO, CALLIGRAPHYDONG QICHANG (1555-1636), ATTRIBUTED TO, CALLIGRAPHYWEN ZHENGMING (1470-1559), ATTRIBUTED TO, RETURNING AT DUSKZHANG DAQIAN (1899-1983), ATTRIBUTED TO, FLYING APSARAQI BAISHI (1864-1957), ATTRIBUTED TO, RED LEAVES AND GRASS INSECTSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, PARINIRVANA OF SAKYAMUNI BUDDHAQI BAISHI (1864-1957), ATTRIBUTED TO, PITY THERE IS NO SOUNDHE HAIXIA (1908-1998), ATTRIBUTED TO, JOURNEY TO SECLUSIONTIAN SHIGUANG (1916-1999), ATTRIBUTED TO, FLOWERS AND BIRDSYAN BOLONG (1898-1954), ATTRIBUTED TO, IN THE STYLE OF XINLUO SHANRENHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPE (FRAMED)LI GONGLIN (1049-1106), ATTRIBUTED TO, MEN AND HORSESHUANG QUAN (C.903-968), ATTRIBUTED TO, AUSPICIOUS CRANESXU BEIHONG (1895-1953), ATTRIBUTED TO, CATS AT PLAYA CLOISONNé ENAMEL IRON-RED AND GILT 'FLORAL AND DRAGON' VASEA YELLOW-GROUND CLOISONNé ENAMEL PERFORATED AND GILT 'FLORAL AND FRUIT' REVOLVING VASEA BLUE AND WHITE COPPER-RED 'CARP AND DRAGON' GOURD-SHAPED VASEA GRISAILLE FAMILLE-ROSE AND GILT 'DRAGON' VASEA  YELLOW-GROUND FAMILLE-ROSE AND GILT 'FLORAL AND DRAGON' MEIPINGA FAMILLE-ROSE AND GILT 'LANDSCAPE' GLOBULAR VASEA BLUE AND WHITE INCISED 'SEA AND DRAGON' MEIPINGA 'FLOWER MONTH-CHRYSANTHEMUM' CUPA 'FLOWER MONTH-NARCISSUS' CUP18K GOLD DIAMOND AND SAPPHIRE CHOKER NECKLACE18K GOLD GEMSTONE FEATHER BROOCH18K GOLD GEMSTONE BRACELET18K GOLD WILD PEARL ENAMEL LUXURY POCKET WATCHRUBY AND DIAMOND RINGPINK SAPPHIRE BRACELETART DECO PERIOD CARTIER WILD PEARL NECKLACEYOSHITOMO NARA (B.1959), ATTRIBUTED TO, ACRYLIC ON CANVASPAUL CÉZANNE (1839-1906), ATTRIBUTED TO, OIL ON CANVASPABLO PICASSO (1881-1973), ATTRIBUTED TO, PENCIL ON PAPERWU GUANZHONG (1919-2010), ATTRIBUTED TO, TWENTY LANDSCAPE OIL PAINTINGSWU ZUOREN (1908-1997), ATTRIBUTED TO, OIL PAINTINGLI GONGLIN (1049-1106), ATTRIBUTED TO, FIGUREWANG MENG (1308-1385), ATTRIBUTED TO, LANDSCAPETANG YIN (1470-1524), ATTRIBUTED TO, FLOWERS AND BIRDSHUANG GONGWANG (1269-1354), ATTRIBUTED TO, VIEWING THE MOUNTAINSZHANG DAQIAN (1899-1983), ATTRIBUTED TO, BLUE-AND-GREEN LANDSCAPESU SHI (1037-1101), ATTRIBUTED TO, CALLIGRAPHYYAN ZHENQING (709-785), ATTRIBUTED TO, CALLIGRAPHYTANG YIN (1470-1524), ATTRIBUTED TO, WINTER FORESTDONG BANGDA (1699-1769), ATTRIBUTED TO, CLOUDS CLEARING OVER PRECIPICEQIU YING (C.1494-1552), ATTRIBUTED TO, VISITING FRIENDS WITH A ZITHERQI BAISHI (1864-1957), ATTRIBUTED TO, JOY REACHING THE EYEBROWSZHANG DAQIAN (1899-1983), ZHANG YOUYI, ATTRIBUTED TO, FLOWERS AND BIRDSXU BEIHONG (1895-1953), ATTRIBUTED TO, HORSELU YANSHAO (1909-1993), ATTRIBUTED TO, LANDSCAPEQI BAISHI (1864-1957), ATTRIBUTED TO, CHRYSANTHEMUMS AND GRASS INSECTSQIU YING (1494-1561), ATTRIBUTED TO, PAVILIONS AMONG STREAMS AND MOUNTAINSWU CHANGSHUO (1844-1927), ATTRIBUTED TO, FLOWERS AND FRUITSFIVE-DIAMOND ROW-SET RINGA PAIR OF RUBY AND DIAMOND EARRINGSGOLD COIN NECKLACE18K GOLD EGYPTIAN STYLE PENDANTCY TWOMBLY (1928-2011), ATTRIBUTED TO, ACRYLIC ON CANVASLIANG SICHENG (1901-1972) & LIN HUIYIN (1904-1955), ATTRIBUTED TO, TAIHU LAKE SCHOLAR'S ROCKA SET OF BLACK JADE SNUFF BOTTLESA HETIAN JADE SNUFF BOTTLE AND AN AGATE 'CLEVERLY CARVED' SNUFF BOTTLEA CLOISONNé ENAMEL AND GILT 'EIGHTEEN ARHATS' TEA SETA BLUE-AND-WHITE 'INTERLOCKING FLOWERS' VASEA BLUE-AND-WHITE 'INTERLOCKING LOTUS' VASEA BLUE-AND-WHITE 'FIGURES' VASEA BLUE-AND-WHITE 'LION AND BALL' JARA FLAMBÉ-GLAZED MELON-SHAPED  VASEA  DOUCAI 'FLOWER MONTH' CUPA PAIR OF  DOUCAI MEDALLION 'BUTTERFLIES' CUPSA PAIR OF  BLUE AND WHITE 'PUMPKIN' BELL-SHAPED CUPSA PAIR OF  BLUE AND WHITE 'INTERLOCKING PEONIES' STEM CUPSA CLOISONNé ENAMEL 'FIVE DRAGONS' STEM BOWLA  GREEN-ENAMELLED 'CLOUD AND DRAGON' BOWLA CLOISONNé ENAMEL MOONFLASKZHANG DAQIAN (1899-1983), ATTRIBUTED TO, BUDDHATANG YIN (1470-1524), ATTRIBUTED TO, VISITING FRIENDS IN DEEP MOUNTAINSHUANG GONGWANG (1269-1354), ATTRIBUTED TO, MOUNTAIN DWELLINGWANG MENG (1308-1385), ATTRIBUTED TO, IMMORTAL JOURNEY IN SPRING MOUNTAINSQIANLONG EMPEROR (1711-1799), ATTRIBUTED TO, VIEWING THE MOUNTAINSSU HANCHEN (ACT. 12TH CENTURY), ATTRIBUTED TO, CHILDREN AT PLAYSHEN QUAN (1682-1760), ATTRIBUTED TO, TWO DEERZHANG DAQIAN (1899-1983), ATTRIBUTED TO, COURT LADIESZHANG DAQIAN (1899-1983), ATTRIBUTED TO, BUDDHIST STORYQI BAISHI (1863-1957), ATTRIBUTED TO, AQUATIC CREATURESLI KERAN (1907-1989), ATTRIBUTED TO, HERDING BUFFALOQIU YING (1494-1561), ATTRIBUTED TO, PENGLAI IMMORTAL MOUNTAINSHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPEPU RU (1896-1963), ATTRIBUTED TO, LANDSCAPESQI BAISHI (1863-1957), ATTRIBUTED TO, FLOWERSZHAO MENGFU (1254-1322), ATTRIBUTED TO, HUNTING SCENEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, SPLASHED COLOR LOTUSFU BAOSHI (1904-1965), ATTRIBUTED TO, LANDSCAPEQIAN SONGYAN (1899-1985), ATTRIBUTED TO, THREE IMMORTALS OF PENGLAILI KUCHAN (1899-1983), ATTRIBUTED TO, FLOWERS AND BIRDSWANG XUETAO (1903-1982), ATTRIBUTED TO, MANDARIN DUCKS IN EARLY SPRINGHUANG TINGJIAN (1045-1105), ATTRIBUTED TO, CALLIGRAPHYMI FU (1051-1107), ATTRIBUTED TO, CALLIGRAPHYWANG GUOWEI (1877-1927), ATTRIBUTED TO, NINE ANCIENT POEMS IN REGULAR SCRIPTLI KUCHAN (1899-1983), ATTRIBUTED TO, THREE FISHQIAN SONGYAN (1899-1985), ATTRIBUTED TO, SPRING PLOUGHINGLI KERAN (1907-1989), ATTRIBUTED TO, MYRIAD VALLEYS AND CASCADING SPRINGSTANG YUN (1910-1993), ATTRIBUTED TO, CORMORANT FISHINGMA JIN (1899-1970) & PU RU (1896-1963), ATTRIBUTED TO, WATERING HORSES IN SPRING COUNTRYSIDEZHU MEICUN (1911-1993), ATTRIBUTED TO, FISHING IN SPRING MOUNTAINSWANG XUETAO (1903-1982), ATTRIBUTED TO, FISH FROLICKING IN LOTUS PONDZHANG DAQIAN (1899-1983), ATTRIBUTED TO, DRUNKEN DANCE SCREENBADA SHANREN (1626-1705), ATTRIBUTED TO, ELEGANT PLEASURE IN LOTUS PONDHONGYI (1880-1942), ATTRIBUTED TO, CALLIGRAPHYWU CHANGSHUO (1844-1927), ATTRIBUTED TO, PEACH OF LONGEVITYSHI TAO (1642-1707), ATTRIBUTED TO, LANDSCAPEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, LANDSCAPEFU BAOSHI (1904-1965), ATTRIBUTED TO, TRAVELERSWANG XIANZHI (344-386), ATTRIBUTED TO, DI HUANG TANG TIEWU GUANZHONG (1919-2010), ATTRIBUTED TO, LANDSCAPEHUANG BINHONG (1865-1955), ATTRIBUTED TO, LANDSCAPEFU BAOSHI (1904-1965), ATTRIBUTED TO, LANDSCAPEYONGZHENG EMPEROR (1678-1735), ATTRIBUTED TO, CALLIGRAPHYTANG YIN (1470-1524), ATTRIBUTED TO, FIGURELENG MEI (C.17TH-18TH CENTURY), ATTRIBUTED TO, FIGUREWEN ZHENGMING (1470-1559), ATTRIBUTED TO, MOUNTAIN VILLAGENI ZAN (1301-1374), ATTRIBUTED TO, MOUNTAIN DWELLINGWANG JIAN (1598-1677), ATTRIBUTED TO, MOUNTAIN DWELLINGJIAQING EMPEROR (1760-1820), ATTRIBUTED TO, CALLIGRAPHYDAOGUANG EMPEROR (1782-1850), ATTRIBUTED TO, CALLIGRAPHYWANG SHIMIN (1592-1680), ATTRIBUTED TO, BOATINGTANG YIN (1470-1524), ATTRIBUTED TO, AUTUMN MOUNTAINSGUO XI (C.1000-1090), ATTRIBUTED TO, SECLUDED DWELLINGA  FAMILLE-ROSE AND GILT 'LANDSCAPE' GOURD-SHAPED VASEA PURPLE-GOLD-GROUND CLOISONNé ENAMEL AND GILT 'FLORAL AND BAT' MEIPINGA  FAMILLE-ROSE AND GILT 'FLOWERS, BIRDS AND POETRY' VASEA CELADON AND BLUE-GROUND FAMILLE-ROSE MEDALLION AND GILT 'FLOWERS AND BIRDS' VASEA YELLOW-GROUND BLUE AND WHITE 'CLOUD AND DRAGON' VASEA FAMILLE-ROSE AND GILT 'PEACHES AND BATS' GLOBULAR VASEA BLUE AND WHITE, COPPER-RED AND GILT 'CARP AND DRAGON' MEIPINGA COPPER-RED AND BLUE AND WHITE 'FLOWERS' POMEGRANATE-SHAPED VASEA BLUE AND WHITE 'FLOWERS' MEIPINGA FAMILLE-ROSE IRON-RED AND GILT 'SEA AND DRAGON' SQUARE VASEA  GRISAILLE IRON-RED AND GILT 'DRAGON' VASEA  FAMILLE-ROSE AND GILT 'SEA AND DRAGON' MEIPINGA  FAMILLE-ROSE AND GILT 'FLOWERS, BIRDS AND POETRY' VASEA  FAMILLE-ROSE AND GILT 'INFANTS AT PLAY' MEIPINGA  JIAN TYPE CONICAL SHAPED TEA BOWLA  LONGQUAN CELADON-GLAZED BEAKERA  GUAN TYPE JARA  RU TYPE BOWLA  SKY-BLUE-GROUND CLOISONNé ENAMEL 'FLOWERS' BOWLA FAMILLE-ROSE AND GILT TRIPOD CENSERA  DOUCAI 'CLOUD AND DRAGON' JARA  BLUE AND WHITE 'PHOENIX, INSECTS AND PLANTS' MEIPINGA  CLOISONNé ENAMEL 'PLUM BLOSSOM' BOWLA  BLUE AND WHITE 'INTERLOCKING LOTUS AND SANSKRIT' STEM CUPA CLOISONNé ENAMEL AND GILT 'AUSPICIOUS SYMBOLS' STEM CUPA PAIR OF  DOUCAI AND GILT STEM CUPSA  BLUE AND WHITE 'FLOWER MONTH' CUPA BLUE-AND-WHITE 'LOTUS' VASEA BLUE-AND-WHITE 'INTERLOCKING LOTUS' JARA BLUE-AND-WHITE 'INTERLOCKING LOTUS' POMEGRANATE SHAPED VASEA BLUE-AND-WHITE 'INTERLOCKING LOTUS' VASEQIU YING (1494-1561), ATTRIBUTED TO, THE PEACH BLOSSOM SPRINGXU BEIHONG (1895-1953), ATTRIBUTED TO, GALLOPING HORSESTANG YIN (1470-1524), ATTRIBUTED TO, MYRIAD RAVINES AND MISTY PINESJIN TINGBIAO (C.18TH CENTURY), ATTRIBUTED TO, AUTUMN HUNT IN THE SOUTHERN PARKHUAISU (C.8TH CENTURY), ATTRIBUTED TO, AUTOBIOGRAPHYZHAO BOJU (1120-1182), ATTRIBUTED TO, YU THE GREAT TAMING THE FLOODANONYMOUS,  FIGURESTANG YIN (1470-1524), ATTRIBUTED TO, BLUE-AND-GREEN LANDSCAPEEMPEROR YONGZHENG (1678-1735), ATTRIBUTED TO, IMPERIAL BRUSH CALLIGRAPHYEMPEROR QIANLONG (1711-1799), ATTRIBUTED TO, IMPERIAL BRUSH CALLIGRAPHYWANG MENG (1308-1385), ATTRIBUTED TO, VISITING FRIENDS WITH A STAFFZHENG BANQIAO (1693-1765), ATTRIBUTED TO, BAMBOO IN THE WINDWANG HUI (1632-1717), ATTRIBUTED TO, LANDSCAPELOU SHIBAI (1918-2010), ATTRIBUTED TO, SCHOLAR'S OBJECTSHUANG GONGWANG (1269-1354), ATTRIBUTED TO, HOUSEHOLD BY DEEP STREAMDONG YUAN (C.934-C.962), ATTRIBUTED TO, LANDSCAPEWEN ZHENGMING (1470-1559), ATTRIBUTED TO, LANDSCAPENI ZAN (1301-1374), ATTRIBUTED TO, LAND OF PEACH BLOSSOMSSHI TAO (1642-1707), ATTRIBUTED TO, DWELLING IN THE MOUNTAINSNI ZAN (1301-1374), ATTRIBUTED TO, SECLUDED DWELLINGZHENG BANQIAO (1693-1765), ATTRIBUTED TO, INK BAMBOOANONYMOUS,  FORTY-FIVE LEAVES OF LETTERS AND CALLIGRAPHYTANG YIN (1470-1524), ATTRIBUTED TO, FISHING IN A WINTER FORESTQIU YING (1494-1561), ATTRIBUTED TO, BLUE-AND-GREEN LANDSCAPEWANG YUAN (C.13TH-14TH CENTURY), ATTRIBUTED TO, TWO WILD GEESE ON AN AUTUMN PONDGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, LADYQI BAISHI (1863-1957), ATTRIBUTED TO, HAPPINESS, LONGEVITY, HEALTH, AND PEACEZHANG DAQIAN (1899-1983), ATTRIBUTED TO, CALLIGRAPHY COUPLETWU CHANGSHUO (1844-1927), ATTRIBUTED TO, PLUM BLOSSOMSPRINCE ZHUANG (DATES UNKNOWN), ATTRIBUTED TO, BUDDHADAI XI (1801-1860), ATTRIBUTED TO, ACCUMULATED SNOW ON A COLD CLIFFQIU YING (1494-1561), ATTRIBUTED TO, FOUR SEASONS SCENESTANG YIN (1470-1524), ATTRIBUTED TO, SUMMER RETREATDING GUANPENG (C.18TH CENTURY), ATTRIBUTED TO, EXPOUNDING THE SUTRAWANG XINJING (1909-1991), ATTRIBUTED TO, VISITING FRIENDS WITH A ZITHERLU YIFEI (1908-1997), ATTRIBUTED TO, PAINTING AND CALLIGRAPHY FOLDING FANA FAMILLE ROSE 'FLORAL' VASEA PAIR OF ENAMEL ' LADIES' VASESAN IRON-RED WITH GILT-DECORATED 'DRAGONS' VASEA BLUE-AND-WHITE 'FIGURES' JARA BLUE-AND-WHITE 'JEWELED NECKLACE' VASEA PALE CELADON GLAZED EWERA FAMILLE ROSE 'FLOWERS AND BIRDS' WALL VASEAN ENAMEL 'FLOWERS AND BIRDS' VASEA GREEN-GROUND, CARVED AND GILT 'THOUSAND-CHARACTER CLASSIC' GLOBULAR VASEA  CLOISONNé ENAMEL MEDALLION 'DRAGON' REVOLVING VASEA GILT CLOISONNé ENAMEL PERFORATED 'PHOENIX' REVOLVING VASEA GILT CLOISONNé ENAMEL PERFORATED 'FLORAL' RUYI-FORM REVOLVING VASEA  LONGQUAN CELADON-GLAZED 'RIBBED' COVERED JARA FAMILLE-ROSE 'LION PLAYING WITH BROCADE BALL' REVOLVING VASEA  LONGQUAN CELADON-GLAZED CHRYSANTHEMUM SHAPED BOWLA  LONGQUAN CELADON-GLAZED CENSERA CELADON-GLAZED CARVED 'DRAGON' MOONFLASKA DOUCAI AND GILT 'DRAGON AND SON' MOONFLASKA  CLOISONNé ENAMEL 'MOONLIT LOTUS POND' MOONFLASKA  WUCAI 'DRAGON AND PHOENIX' GLOBULAR VASEA  BLUE AND WHITE AND WUCAI 'HUNDRED DEER' JARA  CLOISONNé ENAMEL 'INDIAN LOTUS' GLOBULAR VASEA  GILT CLOISONNé ENAMEL 'LOTUS AND BOYS' REVOLVING VASEA FAMILLE-ROSE 'LYCHEE' YUHUCHUNPINGA PAIR OF BLUE AND WHITE AND UNDERGLAZE RED 'MAGPIES ON PLUM' STEM CUPSA DOUCAI 'INTERLOCKING FLOWERS' TRIPOD CENSERA  GUAN TYPE OCTAGONAL VASEA  LONGQUAN CELADON-GLAZED 'LOTUS PETAL' BOWLA  GE TYPE SQUARE CONG SHAPED VASEAN ENAMEL 'SPRING SWALLOWS IN APRICOT GROVE' GARLIC-HEAD SHAPED VASEGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, TEN STEEDSQIU YING (1494-1561), ATTRIBUTED TO, A THOUSAND LI OF RIVERS AND MOUNTAINSZHOU WENJU (C.10TH CENTURY), ATTRIBUTED TO, GATHERING AT THE ORCHID PAVILIONLI TANG (1066-1150), ATTRIBUTED TO, LANDSCAPEYU ZHIDING (1647-1709), ATTRIBUTED TO, IMMORTALS OFFERING BIRTHDAY CONGRATULATIONS (A CONTINUOUS SETSU HANCHEN (1094-1172), ATTRIBUTED TO, A HUNDRED CHILDREN AT PLAYTANG YIN (1470-1524), ATTRIBUTED TO, BOATINGEMPRESS DOWAGER CIXI (1835-1908), ATTRIBUTED TO, IMPERIAL BRUSH FLOWERSHONG YI (1880-1942), ATTRIBUTED TO, CALLIGRAPHY COUPLETLü JI (1490-1577), ATTRIBUTED TO, FLOWER AND BIRDQIU YING (1494-1561), ATTRIBUTED TO, TEA GRINDINGLI CHENG (919-967), ATTRIBUTED TO, FOREST AND PEAKS AFTER SNOWLIU JIYOU (1918-1983), ATTRIBUTED TO, FEEDING GEESEWANG ZHEN (1867-1938), ATTRIBUTED TO, GUANYINGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, VICTORY BANQUETJIANG TINGXI (1669-1732), ATTRIBUTED TO, FLOWERS AND BIRDSA FAMILLE ROSE 'FIGURES' POMEGRANATE-SHAPED VASEAN ENAMEL 'FLOWERS AND BIRDS' BELL-SHAPED VASEA PAIR OF DOUCAI 'INTERLOCKING LOTUS' CANDLESTICKSA PAIR OF BLUE AND WHITE AND DOUCAI HEXAGONAL BEAKERSA  JUN TYPE 'ROSY-PURPLE' GLAZED TRIPOD CENSERA  JUN TYPE GILT-RIMMED VASEGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, FLOWERS AND BIRDSEMPRESS DOWAGER CIXI (1835-1908), ATTRIBUTED TO, FLOWERSYOU QIU (C.16TH CENTURY), ATTRIBUTED TO, LADY BY A PLANTAIN TREEKONG XIAOYU (1899-1984), ATTRIBUTED TO, SCHOLAR'S OBJECTSGIUSEPPE CASTIGLIONE (1688-1766), ATTRIBUTED TO, A HUNDRED VEGETABLES (AUSPICIOUS PAINTING)QIAN SONGYAN (1899-1985), ATTRIBUTED TO, LANDSCAPECHEN SHAOMEI (1909-1954), ATTRIBUTED TO, POETIC SCENE BY THE RIVERLAO SHE (1899-1966) & HU JIEQING (1905-2001), ATTRIBUTED TO, PEACOCKQI LIANGCHI (1921-2003), ATTRIBUTED TO, DUCKS FROLICKING IN LOTUS PONDLU XIAOMAN (1903-1965), ATTRIBUTED TO, WATER-MOON GUANYINQI GONG (1912-2005), ATTRIBUTED TO, CALLIGRAPHYCHEN DAOFU (1483-1544), ATTRIBUTED TO, FLOWERSSUN KEHONG (1533-1611), ATTRIBUTED TO, BAMBOO AND ROCKGUAN LIANG (1900-1986), ATTRIBUTED TO, FIGURES

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