Art of the American West

online only auction | 1 day sale | sale is over
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Mar 12
10am
2024

Sale Ends

Tue
Mar 12
2024

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions of Sale ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.

1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.
b. Buyer"s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.
c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran"s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran"s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.
b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer"s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment.
c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder"s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and"in the case of error or dispute, whether during or after the sale"determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran"s sale record shall be conclusive as to the successful bidder and the price of the successful bid.
d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.
e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller"s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer"s Premium, plus any applicable sales tax. The Buyer"s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.
Successful bidders using Live Auctioneers or Bidsquare platforms will be charged a Buyer"s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.
Credit card payments made directly to Moran will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit card payments made directly to Moran are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers" LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.
b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.
c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran"s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the "Retrieval Period"), Moran may, without further notice, (a) continue to store the lot in Moran"s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer"s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.
d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran"s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned ("Abandoned Property") and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.
e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.
f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran"s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist"s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist"s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer"s damages, if any, are limited exclusively to the original purchase price paid for the lot.
b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.
c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.
d. Estimates. All estimates provided are carefully considered opinions of Moran"s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.
e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.
b. Buyer"s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney"s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran"s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.
c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.
d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration.
e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

Comprised of over 380 lots, this auction will feature an exciting and robust offering of fine art for a wide range of collecting aesthetics from historic to contemporary. Western bronzes from artists such as James Regimbal, Ken Payne, Fred Fellows, Greg Eiselein, and Vic Payne represent a large portion of the auction. Logan Maxwell Hagege, Joe De Yong, Elbridge Ayer, Ralph Love all work to convey life in the American West through their unique perspectives. Incredible examples of Navajo and Pueblo jewelry including pieces by Frank Patania, Frederico Jimenez, Mike Bird Romero, Clarence Lee, Art Tafoya, and Sara Leekya represent more than 160 lots. Also, a variety of Navajo textiles and Acoma and Zia pottery, including examples from Joseph Lonewolf, round out the sale.
Fritz Scholder (1937-2007), "Self Portrait in Rome," 1978, Etching and aquatint in colors on paper,Fritz Scholder (1937-2005), Untitled, Dogs lounging, Etching and aquatint on wove paper, Plate:Fritz Scholder (1937-2005), "Palo Alto Palm," 1984, Etching and aquatint in colors on Tiepolo paper,Jerry Lee (b. 1944), Nocturnal riders on horseback, Gouache on board, Sight: 17.5" H x 19.75" WA Plains-style hide collageRed Robin (1912-1991), "Navan Kachinas - Hopi Arizona," 1941, Watercolor on tan wove paper, Image:Harrison (Haskay Yahne Yah) Begay (1914-2012, Navajo/Dine), "Old Time Navajo Wild Horse Round-Up",Ed Morgan (1943-2014), "Old Souls," 1998, Embossed engraving with handcoloring on wove paper, Sheet:Dan Namingha (b. 1950), Abstract, Acrylic on paper, Image/Sheet: 14.5" H x 23" WR. C. Gorman (1932-2005), "Spirit," 1979, Screenprint in colors on paper, Image: 24" H x 36" WLogan Maxwell Hagege (b. 1980), "High Desert Trail," 2010, Oil on linen laid to Gatorboard, 12" H xA Navajo Second Phase chief's blanketA Navajo Germantown child's blanketA Navajo banded blanketA Navajo transitional banded blanketA Navajo Late Classic banded blanketA Navajo Germantown textileA JB Moore Navajo textileA large Navajo regional rugA Navajo transitional-style banded blanketA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo Late Classic-style full dressA large Navajo regional rugA Navajo Germantown saddle blanketA Navajo transitional textileA Navajo Two Grey Hills rugA Navajo Two Grey Hills Storm Pattern textileA Navajo Two Grey Hills textileA Navajo saddle blanketA Navajo saddle blanketA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Navajo regional rugA Lucille M. Yazzie pictorial sand painting textileA Navajo Storm Pattern rugA Navajo Storm Pattern textileA Navajo Yei pictorial textileA Navajo Yei pictorial textileA Navajo Yei pictorial weavingA framed Navajo Yei pictorial textileA Navajo Tree of Life textileA Chimayo textileA Chimayo textileA framed Navajo chief's blanket weaving samplerA Navajo Teec Nos Pos textileEd Oppenheimer (b. 1947), "Midnight Wind"A polychrome Paiute beaded basketA polychrome Paiute beaded basketA small Pomo gift basketA polychrome Panamint pictorial basketA California basketry bowlA polychrome Yokuts basketA polychrome California Mission basketA Central California basketA Pit River oval basketA large Pima basketry trayA Navajo basketry bowlA polychrome Navajo wedding basketA group of Papago basketsAn Attu basketA polychrome Thompson River/Klikitat burden basketMichel Bayne (b. 1959), A large Folk Art pottery jug, late 20th/21st centuryMichel Bayne (b. 1959), Three glazed ceramic sculptures, late 20th centuryFannie Loretto (b. 1951, Jemez/Isleta Pueblo), Two polychrome pottery masks, 21st centuryPriscilla Namingha Nampeyo (1924-2008, Hopi-Tewa), A large yellowware polychrome pottery seed pot,Rachel Sahmie Nampeyo (1956-2022, Hopi-Tewa), A yellowware polychrome pottery low jar, lateGeorgia Koopee (1944-2021, Hopi-Tewa), A large polychrome pottery seed pot, mid/late-20th centuryA Hopi Nampeyo-style large flat-shouldered seed potKaren Abeita (b. 1960, Hopi-Tewa), A polychrome redware pottery seed pot, late 20th centuryPriscilla Namingha Nampeyo (1924-2008, Hopi-Tewa), A redware polychrome seed pot, mid/late 20thJames Garcia Nampeyo (b.1958, Hopi-Tewa), A small yellowware pottery vessel, late 20th/early 21stVerna Nahee (b. 1940, Hopi-Tewa), A polychrome yellowware pottery seed pot, late 20th centuryAn Acoma Pueblo polychrome pottery ollaJuana Leno (1917-2000, Acoma Pueblo), A polychrome pottery olla, mid/late 20th centuryAn Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaAn Acoma/Laguna Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaAn Acoma/Laguna Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaMarie Zieu Chino (1907-1982, Acoma Pueblo), A polychrome pottery olla, mid-20th centuryAn Acoma/Laguna Pueblo pottery ollaAn Acoma Pueblo polychrome pottery ollaMary Histia (n.d.-1970, Acoma Pueblo), A polychrome pottery olla, circa 1960sAn Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaA Zia Pueblo polychrome pottery ollaAn Anasazi Revival Acoma Pueblo pottery ollaAn Acoma Pueblo polychrome pottery ollaFlorence Aragon (1929-2010, Acoma Pueblo), A large Tularosa swirl polychrome pottery olla, late 20thAn Acoma Pueblo pottery jarJohn F. Aragon (b. 1962, Acoma Pueblo), A black and white pottery jar, 1991Ruby Shroulate (b. 20th century, Acoma Pueblo), A large Anasazi Revival pottery jar, late 20thGrace Chino (1929-1994, Acoma Pueblo), An Anasazi Revival pottery olla, mid-20th centuryMarie Zieu Chino (1907-1982, Acoma Pueblo), A high-shouldered seed pot, mid-20th centuryMarie Zieu Chino (1907-1982, Acoma Pueblo), A corrugated pottery jar, mid-20th centuryMarie Zieu Chino (1907-1982, Acoma Pueblo), A polychrome pottery olla, 1992An Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaAn Acoma Pueblo polychrome pottery ollaLois Medina (1959-2003, Zia Pueblo), A large polychrome pottery jar, late 20th centuryLois Medina (1959-2003, Zia Pueblo), A large polychrome pottery dough bowl, late 20th centuryTwo Zia Pueblo polychrome pottery jarsA Jemez Pueblo redware pottery vesselTwo Jemez Pueblo redware pottery vesselsThree Santa Clara Pueblo diminutive seed potsMaria Martinez and Popovi Da (n.d.-1980 and 1923-1971, San Ildefonso Pueblo), A blackware potteryTwo Santa Clara Pueblo blackware pottery vesselsThree Santa Clara Pueblo blackware pottery basketsTwo Pueblo pottery vesselsThree Santa Clara Pueblo blackware pottery vesselsA Zuni Pueblo fetish jarA group of micaceous pottery bowlsTwo Mississippi Basin pottery jarsAn Anasazi pottery bowlA group of Tesuque Pueblo pottery rain godsGloria Kahe (b. 1951, Dine), Three polychrome pottery pots, late 20th centuryGloria Kahe (b. 1951, Dine), Three yellowware polychrome pottery vessels, late 20th centuryThree Hopi-Tewa yellowware pottery jarsFour Acoma Pueblo pottery vesselsThree Pueblo pottery vesselsGene Kloss (1903-1996), "Morning at the Pueblo," Etching on paper, Plate: 9" H x 12" WEdward S. Curtis (1868-1952), Six photogravures in brown on tissue-thin Japanese paper, Each framedWalter Wojtyla (1933-2014), "Star stalker," 1995Walter Wojtyla (1933-2014), "Moose," 1990, Acrylic on foamcore, 30" H x 40" WMiguel Martinez (b. 1951), "Eva + Friends"An assembled tile coffee table after Mimbres potteryTwo groups of framed stone pointsA metal sculptural pig figureA copper longhorn cow figureA tooled leather Western ranch saddleAn antler and hide rocking chair and ottomanA mounted Texas longhorn trophyA cattle horn and hide console tableA Daryl Stokes-style coffee tableA Daryl Stokes-style armchair and ottomanA Daryl Stokes-style armchairA hickory wood watchman's chairA pair of copper candlesticksA Plateau beaded blanket stripLee Wayne Chapella (b. 20th century, Hopi-Tewa), A carved cottonwood "koyemsi" mudhead katsina doll,Leonard Selestewa (b. 20th century, Hopi-Tewa), A carved cottonwood "mongwa" owl katsina doll,Delbridge Honanie (b. 1946, Hopi-Tewa), "Great Horned Owl"Jonathan Day (b. 20th century, Hopi-Tewa), A carved cottonwood blue corn maiden katsina doll, lateA Southwest-style kachina dollKen Payne (1938-2012), "Wolves of Winter," 1991Ken Payne (1938-2012), "Wolves of the Mystic Moon," 2001Ken Payne (1938-2012), "Other Side of the Blue Mountains," 1994Buck Pettinger (b. 1935), Two Native Americans on horseback, 1988Oreland C. Joe, Sr. (b. 1958), "Blackfeet Ritual," 1997Alvin K. Marshall (b. 1959, Dine), "Raising the Ghost," 1991Glenna Goodacre (1939-2020), "Cochiti Head Study," 1999A Native American miniature bronze figureGuadalupe Barajas (b. 1943), "Enough for Everyone," 199421st Century American School, "Big Shaggy," 2016, Oil on canvas laid to panel, 9" H x 12" WRonald E. Lawson (b. 1939), Trapper, 1982, Oil on panel, 11" H x 18" WCharles Henry Reynolds (1902-1963), "Navajo Moving Day," Oil on board, 15.5" H x 19.75" WKen Longmore (b. 1948), Native American encampment, 1993, Gouache on paper, 22" H x 34" WLaurence Philip Sisson (1928-2015), "Snow Covered Mountains, Desert," Oil on Masonite, 18" H x 24" WCarl Sammons (1883-1968), Desert scene, Oil on canvas board, 16" H x 20" WRalph Love (1907-1992), "White Mountains," Oil on canvas, 24" H x 30" WWillard Page (1885-1958), Desert landscape with mountains, Oil on board, 16.5" H x 26" WWilliam Burlingame (b. 1942), Figures on horseback in Southwest landscape, 1964, Oil on Masonite,Joe De Yong (1894-1975), "Indians on Horseback," 1937, Watercolor on paperboard, Paperboard: 15" H xDel Parson (b. 1948), Figures on horseback in a snowy landscape, 1982, Oil on Masonite, 12" H x 24"Hubert Wackermann, (b. 1945), "Crow Hunting Party," 2022, Oil on canvas, 18" H x 24" WEyvind Earle (1916-2000), "Silent Thunder (Edition 2)," 1986, Screenprint in colors on paper, Image:Eyvind Earle (1916-2000), "Snow Trees," 1986, Screenprint in colors on paper, Image: 20" H x 16" W;A collection of Oscar Howe ephemeraFearon (Tsungani) Smith Jr. (b. 1948, Kwakwaka'wakw/Kwakiutl), Puffin maskAndy Peterson (b. 1955, Skokomish), "Great Flood Raven and Lizard," 2007Donald "Putt" Putman (1926-2007), Native and the buffalo, Oil on canvas, 40" H x 30" WDonald "Putt" Putman (1926-2007), Two works: "Jullia Parker & Two Great Grandchildren," 2004,Hubert Wackermann (b. 1945), "Dakota Sioux Campfire," Oil on canvas, 18" H x 24" WEdward Borein (1872-1945), Rider on a Palomino horse, 1929, Watercolor and graphite on paper, Image:Carl Oscar Borg (1879-1947), "Les Fils du Desert," Watercolor on thick paper, Sheet: 9.75" H x 14.5"After Karl Bodmer (1809-1893), "Pehriska-Ruhpa. Moenitarri Warrior in the Costume of the Dog DanseHubert Wackermann (b. 1945), "Cree Hunter," 2023, Oil on canvas, 12" H x 9" WElbridge Ayer (E.A.) Burbank (1858-1949), Five mixed media works on paper, Sheet of largest: 10.125"Carl Oscar Borg (1879-1947), "Chief's House, Moencopi[sic], Arizona," circa 1916-1932, Etching andLyman Byxbe (1886-1980), "Blackbird Chief," 1929, Etching and drypoint on paper, Plate: 9" H x 7" W;William H. Dougal (1822-1895) after Emanuel Leutze (1816-1868), "An Indian at the Burial Place ofHubert Wackermann, (b. 1945), "Meeting in Oklahoma, Creek, Caddo, Wichita," 2015, Oil on canvas, 16"Hubert Wackermann, (b. 1945), "Comanche Woman," 2019, Oil on canvas, 18" H x 14" WEdward Borein (1872-1945), "Canon De Chelly," Etching and drypoint in brown ink on wove paper,Edward Borein (1872-1945), "Scratchin' High," Etching and drypoint on paper, Plate: 7.75" H x 4.625"Edward Borein (1872-1945), Bucking bronco, Etching and drypoint in brown ink on paper, Plate: 7.875"Edward Borein (1872-1945), "Out of the Gate," Etching and drypoint on wove paper, Plate: 5" H x 7" WEdward Borein (1872-1945), "Headin' a Steer No. 2," Etching and drypoint on paper, Plate: 7.875" H xEdward Borein (1872-1945), "Her Calf," Etching and drypoint on paper, Plate: 4.125" H x 9.75" W;Edward Borein (1872-1945), Four works: "Little Trail Heard," Etching and drypoint on wove paper,Edward Borein (1872-1945), Three works: "A Street in Taos," Etching and drypoint on wove paper,Bill O'Neill (1926-1999), Three works: "Bighorn Ram," circa 1973, "Bugling Elk," circa 1977,After Edward Borein (1872-1945), "Chasing a Steer," Etching and aquatint on paper, Plate: 5.875" H xAfter Edward Borein (1872-1945), "Blackfoot Women Moving Camp, No. 2," Etching and drypoint onAfter Edward Borein (1872-1945), Two works: High-bucking horse and rider, Etching on wove paper,Greg Eiselein (b. 1945), "The Gate Keeper," 2012, Oil on linen laid to board, 18" H x 24" WFrederick Hambly (b. 20th Century), "The Long Knives," 1987, Oil on canvas, 18" H x 24" WJames Regimbal (b. 1949), "Highway to Home," 1998Fred Fellows (b. 1934), "Life in the Fast Lane: The Changing of the West"Wah Ming Chang (1917-2003), "Rolling his Own, #7"Vilem Zach (b. 1946), "Last Performance Buffalo Bill Cody 1916"Vic Payne (b. 1960), "Friends that Wont Tell"David Scott Rogers (b. 1961), "The Iron Mistress," 1994James Nathan Muir (b. 1945), "Appomattox," 2000James Nathan Muir (b. 1945), "Last Embrace"After Frederic Remington (1861-1909), "Cheyenne"Alvin Marshall (b. 1959, Dine), Eagle chief, 1991Alvin Marshall (b. 1959, Dine), Looking left, 1990A Sioux beaded purseThomas Fontaine (b. 20th century), Two stag head jars, 1986/1987A Craig Kelly Navajo beaded belt buckleA Danny Romero mosaic inlay portrait belt buckleA Frank Patania sterling silver and turquoise cuff braceletA Navajo sterling silver and coral cuff braceletA Lewis Lomay Hopi sterling silver cuff braceletA Mike Bird-Romero stone set cuff braceletA Southwest carved frog fetish silver cuff braceletAn Emory Boone Zuni sterling silver fetish bear cuff braceletA Southwest Zuni/Navajo style set stone cuff braceletA Tom Taylor Navajo sterling silver and turquoise cuff braceletA Tommy Jackson Navajo sterling silver cuff bracelet with cobblestone inlayA Zuni Pueblo silver and turquoise petit point cuff braceletA Julian Lovato Kewa sterling silver and turquoise braceletTwo Southwest style cuff braceletsA group of Roie Jaque Navajo sterling silver and turquoise jewelryA Federico Jimenez ketoh-style cuff braceletA Southwest sterling silver cuff braceletA Stephen Hyson Naseyoma Hopi pictorial cuff braceletA Wallie Sekayumptewa Hopi overlay cuff braceletA sterling silver Zuni-style petit point coral cuff braceletA Federico Jimenez spiny oyster inlay cuff braceletA Lee Bennett Navajo set multistone cuff braceletA Calvin Martinez Navajo sterling silver and coral cuffA Franklin & Verna Tahe Navajo silver and gold-filled cuff braceletA sterling silver Zuni Pueblo coral watch cuffAn Art Tafoya carved stone frog fetish pendantAn Art Tafoya monumental stone frog fetish belt buckleA group of Zuni Pueblo stone fetish frogs set by Art TafoyaAn Art Tafoya sterling silver and stone frog fetish cuff braceletAn Art Tafoya sterling silver and stone buffalo pendantAn Art Tafoya sterling silver cuff bracelet with Zuni buffalo fetishA set of Southwest carved stone buffalo fetish jewelryAn Art Tafoya cuff bracelet with carved stone horse fetish figuresAn Art Tafoya silver belt buckle with a Hayes Leekya stone horse fetishA Percy Reano Kewa necklace with Zuni horse fetishA Frank Patania sterling silver and turquoise concho beltA Frank Patania sterling silver concho beltA Pete Morgan Navajo sterling silver concho beltA Navajo silver concho beltA Lee Epperson Southwest cast sterling silver concho beltA Benjamin Becenti Navajo silver and stone storyteller concho beltA Floyd Becenti, Jr Navajo silver overlay storyteller concho beltA Les Holden Navajo petit point turquoise concho beltA Joe & Cornelia Bowannie Zuni katsina inlay concho beltA Gary Reeves Navajo sterling silver and set coral concho beltA Southwest-style sterling silver concho beltAn Andy Cadman Navajo sterling silver and set stone concho beltA Valentino & Matilda Banteah Zuni silver and turquoise concho beltA Zuni Pueblo-style sterling silver inlay bear concho beltA Southwest sterling silver and chip inlay concho beltA Beverly Etsate Zuni sterling silver and stone inlay concho beltA Federico Jimenez stone inlay butterfly concho beltA group of Federico Jimenez inlaid stone butterfly jewelryA Federico Jimenez Zuni-style mosaic Rainbow man concho beltA group of Federico Jimenez Zuni-style mosaic inlay jewelryA Federico Jimenez Rainbow Man mosaic broochAn Ida Payton Navajo Rainbow Man pendantA Federico Jimenez mosaic inlay Rainbow Man cuff braceletA Southwest-style sterling silver multistone concho beltA Navajo sterling silver and set stone concho beltA Plains beaded leather beltA Navajo cluster set turquoise and silver boloA Floyd Becenti Jr. Navajo sterling silver katsina boloAn Orville Tsinnie Navajo sterling silver necklaceA Clarence Lee sterling silver story teller necklaceA Pueblo-style shell and stone necklaceA strand of Russian/Eastern European blue glass trade beadsA Southwest Pueblo coral multistrand necklaceA Mike Bird Romero coral necklace with silver crossesTwo Zuni Pueblo coral fetish necklacesA group of Federico Jimenez multistone butterfly jewelryA Zuni Pueblo coral fetish necklaceA Rhoda Quam Zuni coral fetish necklaceA set of Santo Domingo Pueblo-style jewelryA group of Southwest Santo Domingo-style jewelryA set of Zuni petit point coral and silver jewelryA fine Zuni Pueblo-style turquoise fetish necklaceA Zuni Pueblo style carved turquoise fetish necklaceA Ray Lovato Kewa carved fetish necklaceA group of Federico Jimenez turquoise Rainbow Dancer jewelryA Sara Leekya Zuni carved turquoise and coral necklaceA Southwest Pueblo turquoise necklace with jacla dropsA Southwest Pueblo turquoise and oyster shell necklaceA Southwest Pueblo turquoise tab necklaceA Federico Jimenez multistrand turquoise necklaceA Southwest Pueblo turquoise necklaceA T. Singer Navajo mixed stone necklaceA Southwest Pueblo carved stone fetish necklaceA set of Zuni Pueblo carved stone fetish jewelryA multistrand Santo Domingo Pueblo turquoise necklaceTwo Santo Domingo Pueblo turquoise necklacesA pair of Lewis Lomay Hopi sterling silver and lapis lazuli earringsA Kewa/Santo Domingo Pueblo graduated bone inlay necklaceA Zuni Pueblo carved antler corn maidenA Southwest silver and amethyst bear paw squash blossom necklaceA Southwest sandcast sterling silver squash blossom necklaceA Southwest sterling silver and coral concho necklaceA Navajo silver and turquoise squash blossom necklaceA Southwest coin silver squash blossom necklaceA set of Southwest sterling silver and turquoise jewelryA group of Southwest sterling silver and inlay jewelryA Southwest silver and turquoise squash blossom necklaceA Southwest sterling silver squash blossom necklaceA Santo Domingo Pueblo "Battery Bird" necklaceA Jeff Tsalabutie Zuni carved amber fetish necklaceA Joan Slifka Southwest-style silver and stone heart charm braceletA Chris Billie and Joe Piaso Jr. Navajo sterling silver and stone heart concho beltA group of Southwest heart jewelryA group of Southwest sterling silver heart jewelryA pair of Denise Wallace sterling silver mask earringsAn Edith Tsabetsaye Zuni silver and petit point turquoise ringA Lewis Lomay Hopi turquoise and silver ringTwo Southwest inlaid stone ringsA group of Southwest sterling silver pictorial jewelryA set of Zuni Pueblo stone inlay figural jewelryA Southwest stone bead necklaceA LeJeune Chavez Kewa Peyote bird beaded necklaceA Roque Garcia Kewa carved shell fetish necklaceA group of Southwest-style stone horse fetish jewelryA multistrand Zuni Pueblo carved fetish necklaceA Travis Lasiloo Zuni horse fetish pendant necklaceTwo Pueblo necklacesA group of Southwest-style silver ringsA group of Southwest silver jewelryA group of Southwest sterling silver stone set ringsA group of Southwest sterling silver and inlay jewelryA group of Southwest stone inlay ringsA group of Southwest stone-set and silver ringsA group of Southwest jewelryA group of Southwest stone inlay jewelryA set of Art Tafoya coin silver and turquoise jewelryA set of Art Tafoya sterling silver and stone set jewelryAn Art Tafoya sterling silver heartstone fetish bear pendantA group of Art Tafoya horse-themed jewelryA Southwest-style stone bead frog necklaceA Zuni/Santo Domingo Pueblo carved stone fetish necklaceA Zuni Pueblo carved fetish necklaceA Zuni Pueblo turquoise fetish necklaceTwo Navajo sterling silver jewelry itemsA group of Pete Sierra Navajo cobblestone inlay jewelryA set of Southwest mixed stone inlay jewelryA group of silver and shell jewelry including Federico JimenezA set of Southwest multistone horse fetish jewelryA group of Southwest-style horse-themed jewelryA Zuni Pueblo carved stone fetish necklaceA Zuni Pueblo carved bone fetish necklaceA group of Zuni Pueblo set turquoise and silver jewelryA group of Zuni Pueblo bear motif jewelryA Zuni Pueblo carved bone fetish necklaceA Zuni Pueblo carved bone fetish necklaceA Zuni Pueblo carved bone fetish necklaceA group of Southwest jewelryA group of Southwest-style silver and cobblestone inlay jewelryA group of Federico Jimenez stone set jewelryA group of Southwest stone necklaces including Federico JimenezTwo Southwest sterling silver parrot motif jewelry itemsA group of Southwest jewelryA group of Zuni Pueblo stone horse fetish jewelryA large group of Santo Domingo/Kewa-style stone inlay jewelryA group of Southwest jewelryA Southwest Zuni Pueblo carved stone fetish necklaceTwo Zuni-style carved stone fetish necklacesA group of Navajo jewelryA set of Southwest-style silver and shell jewelryA group of Zuni Pueblo silver inlay bird motif jewelryA group of Southwest sterling silver stone inlay jewelryA large group of Southwest style silver jewelryA group of Southwest jewelryA group of Navajo sterling silver and cluster set jewelryA large group of Southwest-style stone bead necklacesA large group of Southwest jewelry

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