Art + Design

online only auction | 1 day sale | sale is over
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Feb 25
12pm
2025

Sale Ends

Tue
Feb 25
2025

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditionones of Sale ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.

1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.
b. Buyer"s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.
c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran"s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran"s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.
b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer"s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment.
c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder"s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and"in the case of error or dispute, whether during or after the sale"determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran"s sale record shall be conclusive as to the successful bidder and the price of the successful bid.
d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.
e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller"s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. The Buyer"s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer's Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.
Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

If you choose to pay by check, it may be converted to an ACH payment. Both ACH and check payments will take five (5) business days to clear.
By agreeing to this, you authorize Moran to initiate debit entries to your bank account. In the event of a returned transaction, you further authorize debiting this account for non-sufficient fund fees according to applicable State Law. You acknowledge that the origination of ACH transactions to your account must comply with U.S. Law. You agree to abide by the ACH Rules as defined by the National ACH Association (NACHA). Please note that this authorization remains in full force and effect until the Moran has received written notice from you of its termination at least five (5) business days prior to the payment due date. It's important to understand that canceling your ACH authorization does not relieve you of the responsibility of paying your account in full. If you cancel or revoke this authorization before any remaining debt is paid in full, the Company may take additional actions, including legal actions, to secure the debt.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers" LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.
b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.
c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran"s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the "Retrieval Period"), Moran may, without further notice, (a) continue to store the lot in Moran"s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer"s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.
d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran"s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned ("Abandoned Property") and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.
e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.
f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran"s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist"s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist"s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer"s damages, if any, are limited exclusively to the original purchase price paid for the lot.
b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.
c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.
d. Estimates. All estimates provided are carefully considered opinions of Moran"s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.
e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.
b. Buyer"s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney"s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran"s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.
c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.
d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys" fees reasonably incurred by the prevailing party in connection with the arbitration.
e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

John Moran Auctioneers and Appraisers is pleased to present Art + Design, a sale featuring 270+ curated lots of important works by mid-century female artists such as Judy Chicago, Helen Frankenthaler, Joan Brown and Astrid Preston. Other iconic modern and contemporary artists also represented include Adolph Gottlieb, Joan Mir?, Pablo Picasso, Norman Zammitt, Sam Francis, Baltasar Lobo, Robert Cottingham and Ed Ruscha. Leading the design selection are George Nakashima, Piero Fornasetti, Gaetano Pesce, and first-generation pieces by Charles and Ray Eames. Other design legends featured are Isamu Noguchi, Gae Aulenti, Frank Gehry, Jans Wegner, Florence Knoll, and ceramicists Harrison McIntosh and Lagardo Tackett.
Joan Miro (1893-1983), One plate from "Picasso i Els Reventos," 1973Pablo Picasso (1881-1973), "Couple et Enfant," and "Deux Vieillards et Voilier," Plates 2 and 4 fromPablo Picasso (1881-1973), Four plates from "A los Toros avec Picasso," 1961Walter Joseph Phillips (1884-1963), "The Stump" from the "Canadian Scene" portfolio, 1928Richard Serra (1938-2024), "Cool Down," 1996James Strombotne (b. 1934), "Undiscovered Country," 1958Salvador Dal (1904-1989) ""Begonia (Anacardium recordans)"" from the ""Flordali (Flora Dalinae)""Salvador Dal (1904-1989) ""L'hirondelle"" from ""Le Jungle Humaine 1976"Frank Gehry (b. 1929), A pair of "High Sticking" chairs for Knoll, 1994/1995Frank Gehry (b. 1929), An "Off Side Ottoman" for Knoll, 1995Frank Gehry (b. 1929), A "Wiggle Chair" and ottoman for Vitra, late 20th/early 21st centuryGeorge Nelson (1908-1934), An "Action Office Desk" Series II for Herman Miller, 1965-1975Edward Ruscha (b. 1937), "Brews," 1970Corita (Sister Mary) Kent (1918-1986), "Impossible Loves," 1972After Roy Lichtenstein (1923-1997), "Girl with Ball"Jasper Johns (b. 1930), "Jasper Johns Drawings 1970-80," poster for exhbition at Margo Leavin, LosFriedensreich Hundertwasser (1928-2000), "Night Train," 1978Iwao Akiyama (1921-2014), "Friendly," 1976James Rosenquist (1933-2017), "Star Proctor," 1978Sam Francis (1923-1994), Untitled, 1979Jenny Holzer (b. 1950), "Inflammatory Essays," 1979-82David Hockney (b.1937), "Celia with Green Plant," 1980Antoni Tapies (1923-2012), "Grand Central," circa 1982Jim Dine (b. 1935), "Nine Views of Winter, #8," 1985Joan Brown (1938-1990), "Golden Gate," 1987David James Gilhooly III (1943-2013)Victor Pasmore (1908-1998), "Senzo Titolo 6," 1989Ross Bleckner (b. 1949), Untitled, for "Parkett" vol 38, 1993Larry Rivers (1923-2002), "Homage to Picasso," 1994After Keith Haring (1958-1990), Untitled (Poster for Nuclear Disarmament), 1982Peter Max (b. 1937), "Andy with Mustache"Sol LeWitt (1928-2007), "Parallel Curves," 2000Helen Frankenthaler (1928-2011), "Weeping Crabapple," 2009Florence Knoll (1917-2019), A "Parallel Bar System" sofa and slipper chair for Knoll, mid-20thCharles and Ray Eames (1907-1978 and 1912-1988), A "CTM" coffee table, 3rd generation (1950-1957)Eero Saarinen (1910-1916), A "Womb" chair and ottoman for Knoll, Circa 1990sCharles and Ray Eames (1907-1978 and 1912-1988), An Eames lounge chair and ottoman for HermanPrefab77 (20th Century), "Lick London," circa 2011Alex Prager (b. 1979), "Sophie" from the "Week-End," 2009Joyce Tenneson (b. 1945), "Bull Thistle" from the "Flower Portraits" series, 2002Joyce Tenneson (b. 1945), "Hydrangea" from the "Flower Portraits" series, 2002Clifford Ross (b. 1952), "Hurricane LXII," 2009Slim Aarons (1916-2006), "Keep Your Cool," 1978Slim Aarons (1916-2006), "Hotel du Cap Eden- Roc," 1969Slim Aarons (1916-2006), "Poolside Gossip - Slide," 1970Barbara Kasten (b. 1936), "Architectural Site #3," 1986Frank Lloyd Wright (1867-1959), A "Taliesin" low dresser for Heritage Henredon, 1955-1957Frank Lloyd Wright (1867-1959), A pair of "Taliesin" side tables for Heritage Henredon, 1955-1957Frank Lloyd Wright (1867-1959), A "Taliesin" side table for Heritage Henredon, 1955-1957Harrison McIntosh (1914-2016), A glazed stoneware footed bowl, mid-20th centuryHarrison McIntosh (1914-2016), A glazed stoneware footed low bowl, mid-20th centuryHarrison McIntosh (1914-2016), A glazed stoneware footed bowl, mid-20th centuryAdolph Gottlieb (1903-1974), "Untitled," 1951Jean Varda (1893-1971), Untitled (city scene), 1949John Altoon (1925-1969), Untitled, espresso machine, circa 1950David Simpson (b. 1928), "Grey Square," 1955Zygmund Sazevich (1899-1968), Modernist compositionCharles Safford (1900-1963), Abstract composition, circa 1950sJohn Saccaro (1913-1981), Abstract, 1958John Saccaro (1913-1981), Untitled, 1978Taro Yashima (1908-1994), Reclining girl (Momo), 1958Milton Avery (1885-1965), "Two Nudes - Standing and Sitting"Raimonds Staprans (b. 1926), Ballerina, 1957Samuel Bak (b. 1933), Untitled abstract, 1959Lebadang (1921-2015), Abstract still life, 1960Robert Natkin (1930-2010), Untitled, 1961Masami Teraoka (b. 1936), Abstract, 1966Sol LeWitt (1928-2007), Untitled working drawing, 1968Michael Simon (1947-2021), A salt glazed stoneware teapot, early 21st centuryWarren Mackenzie (1924-2018), A shino glazed ceramic lidded trinket box, mid-20th centuryWarren Mackenzie (1924-2018), Two glazed ceramic bowls, mid/late 20th centuryFredrik Kayser (1924-1968), A teak sideboard for Skeie & Co., mid-20th centuryIb Kofod-Larsen (1921-2000), A "Penguin" lounge chair for Selig, mid-20th centuryArne Hovmand-Olsen (1919-1989), A Danish Modern armchair manufactured by Onsild Mobelfabrik forGeorge Nelson (1908-1986), A pair of "Swag Leg" armchairs for Herman Miller, 1964Ray and Charles Eames (1912-1988 and 1907-1978), An Eames lounge chair and ottoman for HermanNorman Zammitt (1931-2007), Untitled, 1977Norman Zammitt (1931-2007), "Variation on R-B," 1977-78Norman Zammitt (1931-2007), "Variation on R-B," 1977Norman Zammitt (1931-2007), Untitled, 1977Norman Zammitt (1931-2007), Untitled, 1977Norman Zammitt (1931-2007), Untitled, 1977Norman Zammitt (1931-2007), "Variation on R-B," 1977Norman Zammitt (1931-2007), Untitled, 1980Piero Fornasetti (1913-1988), A "Palloni" four-panel folding screen, 2011Gaetano Pesce (1939-2024), A "Broadway Chair" for Bernini, circa 1990sGae Aulenti (1927-2012), A pair of "Pipistrello" table lamps for Martinelli Luce, late 20th centuryAfter Salvador Dal (1904-1989) A ""Sillon Leda"" armchair by BD Barcelona circa 1990s"A Modern armchair from Hotel EsplanadePablo Picasso (1881-1973), "Picador," conceived 1952Baltasar Lobo (1910-1993), "Sur la Plage," conceived 1977Nina Saemundsson (1892-1965), "Thin Torso, Green," circa 1940Guido Brink (1913-2002), Silver and gold abstraction, 1977Abe Ajay (1919-1998), AbstractLee Silton (1931-2016), "Man Machine"Lee Silton (1931-2016), Assemblage sculptureFaustino Aizkorbe (b. 1948), UntitledFaustino Aizkorbe (b. 1948), UntitledJohn Seeman (b. 1951), Abstract sculpture, 2003Nathan Oliveira (1928-2010), "Head Two," 1982Frank Hamilton (1923-2015), Freeform sculptureKelly Breslin (20th century), Untitled sculptureDavid Bennett (b. 1941), Horse headOlga Antich (b. 1957), Figures embracing, 1999Ruth Bloch (b. 1951), Head of a womanMasami Teraoka (b. 1936), "Study for Woman and Pregnancy Test Kit," 1982Alec Monopoly (b. 1986), Three kimonos from the film "The Girl from Nagasaki," 2013Judy Chicago (b. 1939), "Study for Sewing Circle II" from the "Holocaust Project: From Darkness IntoJudy Chicago (b. 1939), "Double Clear Handout / Handsoff" from the "Hands" series, 2006Wen-Ying Tsai, (1928-2013), "Multi-Chromatic #1," 1970, Metal and iridescent disks, 24" H x 24" WErnest Trova (1927-2009), "Figure in Sloped Box," 1985A Modern game table and four chairsAttributed to Donald Deskey (1894-1989), A Streamline Moderne sideboard, circa 1950sA Jaeger-LeCoultre "Atmos" mantel clockLino Sabattini (1925-2016), A pair of silver-plated "Harmony" candleholders, 1989/90; ItalyA Dunhill "Foot Rule" table lighterCharles Catteau (1880-1966), A ceramic vase for Boch Freres Keramis, 1925Born Wiinblad (1918-2006), An "Eva" glazed earthenware tazza, 1988Andre Hambourg (1909-1999), "Beau temps, sur la plague, a maree basse (Trouville)," 1970Andre Hambourg (1909-1999), "Preparation de regates"Andre Hambourg (1909-1999), "Le trios - mats en automne," 1968Andre Hambourg (1909-1999), "3 Chalutiers en f'te, temps calme," 1988Andre Hambourg (1909-1999), "Vens les regates"Frederick McDuff (1931-2011), "Clouds at Dinard"Frederick McDuff (1931-2011), "Storm Clouds at Concale"Frederick McDuff (1931-2011), "Red Parasols, Brittany"Robert Vickrey (1926-2011), "Morning Mist," 2000Kay Ameche (1904-2005), "Big Sur," 1988Alain Thomas (b. 1942), "Bouquet devant un etang"In the manner of Alberto Giacometti (1901-1966), A Modern wrought metal occasional table, lateLidia Biagioni (b. 20th century), "Etna," 2000 and Silvano Signoretto (b. 1951), A Murano art glassClayton George Bailey (1939-2020), Robot with paper flowerJan Mancuska (1972-2011), "When I Look, I can Believe it" for Cumulus Studios, 2010Keith Tyson (b. 1969), "Table," 2001Charles-Edouard "Le Corbusier" Jeanneret and Charlotte Perriand (1887-1965 and 1903-1999), An "LC4"A Kar-studio fiberglass "Tripod Coffee Table"A Golden Gate Bridge Furniture Co. "Clifford Paine" side tableA Modern arc floor lampHenrietta Berk (1919-1990), "Dunes"Harriette Anton Frances (b. 1925), "The Children," 1963Timothy Cummings (b. 1968), "Boy with a Doll: Homage to Otto Dix"Milton Komisar (b. 1935), "Millie"Joan Brown (1938-1990), Reclining female nude with fan, 1975Isamu Noguchi, (1904-1988, American), A "Cyclone" dining table for Knoll, mid-20th centuryLudwig Mies van der Rohe (1886-1969), A pair of "MR 30/5" lounge chairs for Knoll, mid-20th centuryPeter Hvidt and Orla Molgaard-Nielsen (1916-1986 and 1907-1993), An "FD-135 Boomerang Chair" forAlfred Christensen (1903-1980), A "Boomerang" side chair, Model 370 for Slagelse Mobelvaerk, circaJames Weeks (1922-1998), "Concord River / Spring Morning, Cypresses," 1973Geer Morton (b. 1935), "Francisco Street," 1984Robert Cottingham (b. 1935), "Rio," 1988Robert Cottingham (b. 1935), "Barber Shop," 1987George Nick (b. 1927), "Dowager," 1988Deanna Forbes (b. 1940), "With a Little Help From My Friends," 1992June Felter (1919-2019), "Oakland View," 1998Tim Fraser (20th century), "City Park Seawall," 2008Gregory Kondos (1923-2021), "Haystack," 2011Adam Ross (b. 1962), "The Perpetuality of Time #1," 2000Astrid Preston (b. 1945), "Leaves," 2005Astrid Preston (b. 1945), "Oleander," 2006Astrid Preston (b. 1945), "Whispered Memories," 2000George Nakashima (1905-1990), A carved walnut dining table, 1956Hans Wegner (1914-2007), A "CH22" lounge chair for Carl Hansen & Son, mid-20th centuryAttributed to Ib Kofod-Larsen (1921-2003), A Danish Modern lounge chair for J.M. Birking, mid-20thIsamu Noguchi (1904-1988), An Akari Model 4A table light sculpture, early 21st centuryIsamu Noguchi (1904-1988), An Akari Model UF4-L10 floor lamp, late 20th/early 21st centuryIsamu Noguchi (1904-1988), An Akari Model UF4-L8 floor lamp, late 20th/early 21st centuryEugenia Butler (1947-2008), et al., "The Book of Lies (Volumes I, II, and III)," 1996-2004Andy Warhol (1928-1987), "The Philosophy of Andy Warhol (From A to B and Back Again)," 1975Edward Ruscha (b. 1937), A group of artist's books, mid-20th centuryEdward Ruscha (b. 1937), A group of softcover artist's books, mid-20th centuryEdward Ruscha and Billy Al Bengston (b. 1937 and 1934-2022), "Business Cards," 1968David Hockney (b. 1937), "Cameraworks," 1984Frederic Bruly Bouabre (1923-2014), "Serie: Pagne Traditionnel Bete Peint aux Couleurs Divines,"Charles and Ray Eames (1907-1978 and 1912-1988), Six Molded Leg Splints by Evans Products Company inCharles and Ray Eames (1907-1978 and 1912-1988), Two "LCW" molded plywood lounge chair for HermanCharles and Ray Eames (1907-1978 and 1912-1988), An "LCW" molded plywood lounge chair for HermanCharles and Ray Eames (1907-1978 and 1912-1988), A "Shell Armchair" with rope edge for HermanCharles and Ray Eames (1907-1978 and 1912-1988), A "PAW" swivel armchair with rope edge for HermanTony Berlant (b. 1941), "The Geometry of Desire," 1983Peter Alexander (1939-2020), "Casino," 1992Billy Al Bengston (1934-2022), "Puerto Escondido," 1977Max Ruf (b. 1982), Untitled, 2013Michiel Ceulers (b. 1986), AbstractShaan Syed (b. 1977), "Stage Right (Black Horizontal)," 2009Gergo Szinyova (b. 1986), Untitled [AABOC27042014], 2014Henry Codax (20th century), Untitled, pinkHenry Codax (20th century), Untitled, redHenry Codax (20th century), Untitled, blueMoshe Kupferman (1926-2003), Four untitled works, 1987-88Piotr Lakomy (b. 1983), Untitled, 2013Piotr Lakomy (b.1983), Untitled, 2013Razvan Boar (b. 1982), UntitledScott Bullock (20th Century), Deconstructed torso sculptureRussell Woodard (1910-1969), Four "Sculptura" patio armchairs, mid/late 20th centuryLagardo Tackett (1911-1984), A Model T-102 planter for Architectural Pottery, mid-20th centuryFour Kimball fiberglass "Bullet" plantersPhilippe Starck (b. 1975), Two "Bubu" stools for XO, circa 1990sPeter Sutherland (b. 1976), "Welcome to Aberdeen"Peter Sutherland (b. 1976), "Fast and Loose," 2013Peter Sutherland (b. 1976), "Inner Circle," 2014Nikolas Gambaroff (b. 1979), Untitled, 2011Jack Greer (b. 1987), "The Last of the Mohicans," diptych, 2014Ethan Cook (b. 1983), UntitledGabriele De Santis (b. 1983), UntitledValerie Snobeck (b. 1980), "Apres," 2010-2013Hans Sieverding (1937-2019), "Chronicle for the Millennium," 1992Nicholas Pilato (b. 1986), Untitled, 2013Steve Klein (b. 1946), "Exploration XIII," 2000Fabio Tosi (20th century), A Murano art glass "Scavo" vase for Ars Cenedese, late 20th centuryFabio Tosi (20th century), Two Murano art glass "Scavo" vases for Ars Cenedese, late 20th centuryLivio Seguso (b. 1930), An abstract glass sculpture, 1990Hans Wegner (1914-2007), A "CH07" shell chair for Carl Hansen & Son, early 21st centuryMatthew Hilton (b. 1957), A "Cross Extension Dining Table" for Case Furniture, early 21st centuryJohn Hutton (1947-2006), A side chair from the Merbau Collection for Donghia, circa 1995Ron Rezek (b. 1946), A pair of Postmodern floor lamps, late 20th centuryMorgan Richard Murphey (b. 1989), UntitledArtie Vierkant (b. 1986), From the series "Exploits (Detachable Storage Metallic Structure)"Jacco Olivier (b. 1972), "Pave de Flore," 2015Alec Monopoly (b. 1986), "Born Poor But I Will Die Rich"Sylvester Stallone (b. 1946), Rambo, 1991Sonia Gold (b. 1959), "Purple Rain," 2022Marc Horowitz (b. 1976), "Optimal Tip to Tip Efficiency"Habib "Bibi" Ayat (20th Century), Abstract compositionHabib "Bibi" Ayat (20th Century), Abstract shapesAra Tevkantz (1956-2022), Abstract composition with grayAra Tevkantz (1956-2022), Abstract compositionKaro Mkrtchyan (1951-2001), "Countess," 1986Karo Mkrtchyan (1951-2001), "Horseman," 1976Jim Morphesis (b. 1948), "No Sanctuary," 1981Frank Troia (b. 1949), "Mardi Gras," 1998Ibarra de la Rosa (1943-1997), Floral composition, 1988Sonia Gold (b. 1959), "Springtime," 2005Nikolay Moltchanov (b. 1959), "Still Life with Wine and Fruits," 1993Luis Sanchez (b. 1953), "Urban Life," 2003Frank Damiano (20th Century), "Here and There," 1992Heinie Hartwig (b. 1937), "Abstract #250"Peter Liashkov (b. 1939), Female TorsoTal Yerushalmi (b. 1978), Tiger, 2006Nurit David (b. 1952), Untitled, 2003Leslie Lerner (1949-2005), "My Life in France: Canaletto's Factory Fire," 1992Alexander Petrov (b. 1947), "Bird Catcher," 1994Laurie Hogin (b. 1963), "Fall Collection: Warm Traditional Designs," 1993Steve B. Hudson (20th Century), "Disjecta 4 Collection," 1996Don Bachardy (b. 1934), Portrait of a manDon Bachardy (b. 1934), Portrait of a womanDon Bachardy (b. 1934), Portrait of woman, 1977Charles and Ray Eames (1907-1978 and 1912-1988), Two "Shell Armchairs" for Herman Miller, 3rd andCharles and Ray Eames (1907-1978 and 1912-1988), An "LCM" molded plywood lounge chair for HermanCharles and Ray Eames (1907-1978 and 1912-1988), A swiveling "Shell Armchair" for Herman Miller,Charles and Ray Eames (1907-1978 and 1912-1988), A "Shell Armchair" for Herman Miller, 2ndCharles and Ray Eames (1907-1978 and 1912-1988), A "Shell Armchair" for Herman Miller, 2ndCharles and Ray Eames (1907-1978 and 1912-1988), A "DSR" side chair for Herman Miller, circaCharles and Ray Eames (1907-1978 and 1912-1988), An "LAR" rocking chair for Herman Miller, 3rd orPeter Walker (b. 1946), Railroad montage (pentaptych), 1986Peter Walker (b. 1946), Pirates Treasure Cove, 1984Peter Walker (b. 1946), Tattooed carney, 1975Peter Walker (b. 1946), Lunch break, 1977Peter Walker (b. 1946), Circus scene, 1984Peter Walker (b. 1946), Seated woman, 1979Peter Walker (b. 1946), Potato peelers (circus), 1983Contemporary Aboriginal WorksGabriella Possum Nungurrayi (b. circa 1967), "Seven Sisters Dreaming," 2011Napurla Scobie Napurrula (b. 1950), "My Country" (four examples), 2006Maggie Yilpi (b. circa 1950), "Seven Sisters"Evelyn Jugadai Nungarrayi (b. 1978), "Bush Tucker Seeds"A William Stranger modern cocktail tableAfter Ludwig Mies van der Rohe (1886-1969), Two chairs in the manner of "Barcelona" chairs forCharles and Ray Eames (1907-1978 and 1912-1988), A "Soft Pad Executive" chair for Henry Miller, 1990Charles and Ray Eames (1907-1978 and 1912-1988), A "Drafting Stool" for Herman Miller, 1977Charles and Ray Eames (1907-1978 and 1912-1988), A "DSS-TA" stacking chair with table arm for Herman

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