Latin American Art + Design

online only auction | 1 day sale | 25 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Tue
Jan 13
12pm
2026

Sale Ends

Tue
Jan 13
2026

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
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Description & Details

2026 begins with our Latin American Art + Design Auction. A curated selection of paintings, works on paper, sculpture, and design spanning Pre-Colonial to contemporary. Highlights include works by Diego Rivera, Alfredo Ramos Martinez, Rufino Tamayo, Francisco Zuniga, Fernando de Szyszlo, Roberto Montenegro, Alfredo Castaneda, Carlos Merida, Francisco Toledo, Feliciano Bejar, Frank Romero, as well as modern and contemporary artists, Mexican silver, including a William Spratling flatware service and jewelry.
A Regional style Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Mexican Saltillo sarape textileA Mexican Saltillo sarape textileA post-Classic Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Regional style Mexican Saltillo sarape textileA Mexican sterling silver centerpiece bowlDolores (Lola) Olinda Nucifora (b. 1894, Argentinian), Floral still life with roses, 1931Carlos Almaraz (1941-1989, Mexican-American), "Still Life with Tulips," 1989Feliciano Bejar (1920-2007, Mexican), Magiscopio, 1981Feliciano Bejar (1920-2007, Mexican), Magiscopio, 1981Feliciano Bejar (1920-2007, Mexican), Magiscopio, 1981Emmy Lou Packard (1914-1998, American), "Frida in Doorway," 1941Florence Meyer Homolka (1911-1962, American), "Emmy Lou Packard and Her Small Dog, Hollywood," 1941Kazuo Wakabayashi (b. 1931, Brazilian/Japanese), Untitled abstract20th Century Argentinian SchoolOswaldo Guayasamin (1919-1999, Ecuadorian), Untitled (Faces)Jorge Luis Cuevas (b. 1922, Mexican), "Juchiteca Woman," 1974Jose Luis Cuevas (1934-2017, Mexican), "Procures with Meat," plate 9 from the "Charenton" portfolio,Jose Luis Cuevas (1934-2017, Mexican), "'Music is a Higher Revelation than Philosophy' Beethoven,"Jose Luis Cuevas (1934-2017, Mexican), Still life with nails, 1953Jose Luis Cuevas (1934-2017, Mexican), Figure study, 1953Jose Luis Cuevas (1934-2017, Mexican), Figure study, 1953Jose Luis Cuevas (1934-2017, Mexican), "Three Mad Women," 1965Jose Luis Cuevas (1934-2017, Mexican), Untitled, 1967Carlos Estevez (b. 1969, Cuban), "El Gran Gello," 1995Armando Amaya (b. 1935, Mexican), "Mother and child," 1985A small Mexican Surrealist style bronze sculpture of a chairOctavio Vidales (20th century, Mexican) coffee tableA Mexican sterling silver tray signed by ambassadorsA Mexican sterling silver tray signed by ambassadorsJose Clemente Orozco (1883-1949, Mexican), "The Hanged Men" (Los Ahorcados), from "The AmericanJose Clemente Orozco (1883-1949, Mexican), "Fin de Fiesta (Miseria)," 1935Miguel Covarrubias (1904-1957, Mexican), "Filatelista," cartoon for "Vanity Fair" magazine, circaMiguel Covarrubias (1904-1957, Mexican), "Mujer Proviniciana," 1928Diego Rivera (1886-1957, Mexican), "Cargadora"Rafael Canogar (b. 1935, Spanish), "The Prisoners," plate 5 from "La Violencia" portfolio, 1969Rafael Canogar (b. 1935, Spanish), "El Muerto," plate 7 from "La Violencia" portfolio, 1969Guillermo Meza (1917-1997, Mexican), "Espiritu del maguey" (Spirit of the Maguey), 1952A William Spratling sterling silver 'Disco' flatware serviceTwo Mexican silver honorific traysFrancisco Toledo (1940-2019, Mexican), "La Red (cangrejo con pez)," 2012Francisco Toledo (1940-2019, Mexican), "Octopus with Slave Ship," 2015Francisco Toledo (1940-2019, Mexican), "The Fountain of Life," 2001Francisco Toledo (1940-2019, Mexican), "Spanish Cow," 1970Francisco Toledo (1940-2019, Mexican), "Caballero Nocturno," circa 1969Francisco Toledo (1940-2019, Mexican), Abstract catFrancisco Toledo (1940-2019, Mexican), "Mujer Favorida"Francisco Toledo (1940-2019, Mexican), "Cabeza," 1963Francisco Toledo (1940-2019, Mexican), Purple abstractFrancisco Toledo (1940-2019, Mexican), "El Corral," 1969Francisco Toledo (1940-2019, Mexican), "El Que Sube," 1964Francisco Toledo (1940-2019, Mexican), "Vaquero con Caballo"Alfredo Ramos Martinez (1871-1946, Mexican), Untitled, 1933Alfredo CastaÒeda (1938-2011, Mexican), "Operacion Alfa," 1982Two Mexican polychrome pottery chargersGorky Gonzalez (1939-2017, Mexican) Two pottery chargersGorky Gonzalez (1939-2017, Mexican) Two pottery chargersGorky Gonzalez (1939-2017, Mexican) Two pottery chargersJavier Carpintero (b. 1967, Spanish), "Decapitacion III," 199818th Century Spanish Colonial School19th Century Cuzco SchoolEarly 20th Century Cuzco School19th Century Mexican School19th Century Mexican SchoolTwo late 19th/early 20th century Mexican retablosA Continental polychrome carved wood figure of an archangelA Spanish Colonial polychrome carved wood figure of St. Theresa of AvilaA Guatemalan polychrome carved wood processional SantoA Guatemalan polychrome carved wood bastidorA Guatemalan polychrome carved wood SantoA Guatemalan polychrome carved wood Anima SolaTwo Mexican religious itemsFour Mexican carved stone molcajetesFour Guatemalan Folk Art polychrome carved wood masksA Spanish Colonial Revival oak refectory tableA Spanish Colonial lower vargueno chestA Spanish Colonial Sillon de Frailero chairAttributed to Manuel Jimenez Ramirez (1919-2005), A carved wood alebrije dog, mid/late 20th century;Attributed to Manuel Jimenez Ramirez (1919-2005), A carved wood alebrije rabbit, mid/late 20thAttributed to Manuel Jimenez Ramirez (1919-2005), An early carved wood alebrije oxen group, mid-20thTwo Latin American carved wood creche figures of sheepA Folk Art carved wood bird figural groupTwo Latin American pottery cookware vesselsThree Tonala pottery bowlsA group of Mexican pottery table itemsA group of Mexican Tlaquepaque pottery table itemsFernando Olivera (b. 1962, Mexican), "Para Mi Corazon Bastu tu Pecha," 2005Federico Cant? (1907-1989, Mexican), Untitled (Harlequins), 1937Wifredo Lam (1902-1982, Cuban), "La Reunion," 1973Felipe Orlando (1911-2001, Cuban), "Figure in White"Fernando de Szyszlo (1925-2017, Peruvian), "Estudio No. 3," 1974Fernando de Szyszlo (1925-2017, Peruvian), "Paisaje," 2014Rodolfo Nieto (1936-1985, Mexican)Carlos Merida (1891-1984, Guatemalan), "Boceto"Carlos Merida (1891-1984, Guatemalan), "Figures with Pipes," plate 9 from the series "Un Canto alCarlos Merida (1891-1984, Guatemalan), Untitled, from the "Cielos Luminicos" portfolio, 1941Carlos Merida (1891-1984, Guatemalan), Plate 10, from the "Cielos Luminicos" series, 1979Carlos Merida (1891-1984, Guatemalan), "Danza de las Malinches," circa 1937-39Jean Charlot (1898-1979, Mexican-American), One plate from the "Kei Viti (Melanesian Images)"Jean Charlot (1898-1979, Mexican-American), One plate from the "Kei Viti (Melanesian Images)"Roberto Montenegro (1885-1968, Mexican), "Portrait of Olga Tamayo," 1961Roberto Montenegro (1885-1968, Mexican), Abstract figures, 1965Rufino Tamayo (1899-1991, Mexican), "Femme Couchee"Rufino Tamayo (1899-1991, Mexican), "Estela," 1977Rufino Tamayo (1899-1991, Mexican), "Mujer con Sandia," 1950Pedro Coronel (1922-1985, Mexican), Abstract dovePedro Coronel (1922-1985, Mexican), Abstract doveA Los Castillo silver-plated toucan pitcherA Los Castillo silver-plated lidded tureenA Los Castillo silver-plated cream and sugar setRick (CHROMA) Wolfryd (b. 1953, American), After Pedro Friedeberg "Hot Seat: Magic Hands Series,"Gustavo Olguin (20th century, Mexican), "La Reina"Byron Galvez (1941-2009, Mexican), WatermelonsByron Galvez (1941-2009, Mexican), WatermelonsByron Galvez (1941-2009, Mexican), Abstract nude figureByron Galvez (1941-2009, Mexican), Abstract figuralByron Galvez (1941-2009, Mexican), Abstract compositionByron Galvez (1941-2009, Mexican), Untitled abstractByron Galvez (1941-2009, Mexican), Abstract figuralByron Galvez (1941-2009, Mexican), UntitledByron Galvez (1941-2009, Mexican), UntitledXavier Cugat (1900-1990, Spanish-American), A man and woman in a field of flowers, 1970A Mexican silver pre-Columbian style pendant/broochA Pre-Columbian Quimbaya pottery slab figureA Pre-Columbian Capuli pottery coquero figureA Pre-Columbian pottery masked figureA Pre-Columbian style stirrup effigy vesselA group of Aztec/Mayan style pottery whistlesA group of Aztec/Mayan-style polychrome pottery whistlesA group of Pre-Columbian style figural potteryThree Pre-Columbian style pottery figuresArmando & Elena Rodriguez (20th/21st century, Mexican), Two Mata Ortiz Pre-Columbian styleA Mexican sterling silver coffee and tea serviceA Sanborns sterling silver footed pitcherManuel Pailos (1918-2005, Uruguayan), Cathedral, 1962Manuel Pailos (1918-2005, Uruguayan), "Serie Escarlata," 1981Jorge Marin (b. 1963, Mexican), "Hombre Pendulo"Pedro Friedeberg (b. 1936, Mexican), "Almanaque o 365 SueÒitos Surrealistas"Pedro Friedeberg (b. 1936, Mexican), "Loteria Canina"Pedro Friedeberg (b. 1936, Mexican), "Sillas"Pedro Friedeberg (b. 1936, Mexican), "Schloss Struwwelpeter"Pedro Friedeberg (b. 1936, Mexican), "Codice Miguelito III"Sergio Bustamante (b. 1949, Mexican), ElephantSergio Bustamante (b. 1949, Mexican), GiraffeSergio Bustamante (b. 1949, Mexican), Ram BoySergio Bustamante (b. 1949, Mexican), Pigeon maskSergio Bustamante (b. 1949, Mexican), Arca MujerSergio Bustamante (b. 1949, Mexican), Boy on bicycleSergio Bustamante (b. 1949, Mexican), Lion maskSergio Bustamante (b. 1949, Mexican), HorseGustavo Montoya (1905-2003, Mexican), "Viejas con Nino," 1970Gustavo Montoya (1905-2003, Mexican), "NiÒo en Amarillo," 1964Gustavo Montoya (1905-2003, Mexican), "NiÒa en Rosa," circa 1985Gustavo Montoya (1905-2003, Mexican), "Algondonero," 1985Gustavo Montoya (1905-2003, Mexican), "La Gallinita Ciega," 1985Gustavo Montoya (1905-2003, Mexican), "Merenguero," 1984Guillermo Meza (1917-1997, Mexican), Two figures, 1994Francisco Z?Òiga (1912-1998, Mexican), "Three Seated Women," 1972Francisco Z?Òiga (1912-1998, Mexican), "Mujer con Olla," 1983Jose Luis Cuevas (1934-2017, Mexican), "La Mascara," from the "Homage to Quevedo" portfolio, 1969Fernando Olivera (b. 1962, Mexican), "Al Caer la Tarde," 2004Fernando Olivera (b. 1962, Mexican), "Tres Angeles," 2008Juan Quezada (1940-2022, Mexican), A Mata Ortiz polychrome pottery jar, late 20th/early 21st centuryJuan Quezada (1940-2022, Mexican), A Mata Ortiz polychrome pottery effigy jar, late 20th/early 21stTaurina Baca (20th century, Mexican), A Mata Ortiz polychrome pottery jar, late 20th/early 21stSacha Tebo (1934-2004, Haitian), "Haiti," 1962Esperanza Perez Martinez (1934-1998, Mexican), Mexican pueblo sceneIgnacio Habrika (b. 1953, Mexican), "Senal Magica," 1984Sergio Zenteno (b. 1955, Mexican-American), "Oro"Richmond Irwin Kelsey (1905-1987, American), "The Market Place"Hajime Okuda (1906-1992, American), "At San Miguel De Alente, Mexico" 1974Early 20th Century Mexican SchoolEverardo Ramirez (1906-1992, Mexican), "Mujer con niÒo," 1943Two Mata Ortiz blackware pottery jarsA Tarahumara blackware pottery ollaThree Mata Ortiz pottery vesselsFour Mata Ortiz pottery jarsFour Mata Ortiz pottery jarsA group of Mata Ortiz and Pueblo style pottery miniaturesA Los Castillo Mayan/Aztec style metal and hardstone wall panelA Los Castillo Mayan/Aztec style copper and hardstone wall panelSalvador Teran (1920-1974, Mexican), A glass mosaic inset brass coffee service, mid-20th centuryA Sergio Bustamante style brass and copper parrotA Juventino Lopez Reyes sterling silver pictorial trayA Juventino Lopez Reyes sterling silver trayA group of Mexican silver and set stone jewelryA group of Mexican silver and green stone jewelryA Mexican silver and hardstone butterfly braceletA Matl Mexican silver and gem set cross pendant/broochA set of Mexican silver and hardstone jewelryA group of Mexican silver and green glass jewelryA set of Mexican sterling silver jewelryA set of Mexican sterling silver jewelryA group of Mexican silver jewelry including Carmen BeckmannA Hector Aguilar Mexican silver broochTwo Mexican silver and set amethyst broochesA group of William Spratling Mexican silver jewelryA group of Mexican silver and amethyst jewelryA group of Mexican silver jewelryA group of Mexican silver hair and dress accessoriesPablo O'Higgins (1904-1983, Mexican-American), "Cuautla Market," from the "Mexican People"Jose Maria de Servin (1917-1983, Mexican), Girl with birdsFrancisco Corzas (1936-1983, Mexican), Untitled, from the "Umbr?o por la peÒa" portfolio, 1973Ra?l Anguiano (1915-2006, Mexican), "Sonrisa Maya," 1967Vladimir Cora (b. 1951, Mexican), "Desnudo," 1976Felipe Orlando (1911-2001, Cuban), UntitledJes?s Guerrero Galvan (1910-1973, Mexican), "NiÒo," 1962Jorge Ochoa (b. 1950, Mexican), Figures dancing under a full moon, 2001Jorge Ochoa (b. 1950, Mexican), Figures emerging from calla lilies, 2007Frank Romero (b. 1941, Mexican-American), UntitledGraciela Nardi (1946-2020, Argentinian), Untitled abstract, 2017Graciela Nardi (1946-2020, Argentinian), Untitled abstract, 2017Angie K. Culasso (20th century, American), Untitled triptychBaldomero Moreiras (b. 1979, Spanish), "Nocturno No. 3," 2010Mati Russo (Active 21st century, American), "Injustice of Justice," 2013Mati Russo (Active 21st century, American), "Border Injustice 2" from the "Border Injustice" seriesMati Russo (Active 21st century, American), Untitled (We Have to Stop), 2012Frank Romero (b. 1941, Mexican-American), "The Closing of Whittier Boulevard," 1990Frank Romero (b. 1941, Mexican-American), Untitled (Car)Frank Romero (b. 1941, Mexican-American), Untitled (Car)Gersony Silva (b. 1960, Brazilian), UntitledGersony Silva (b. 1960, Brazilian), UntitledJulio Cotrina (Active 21st century, American), Untitled, 2016D. Hilario (20th century, Peruvian), "Personaje"Luis Miguel Portilla Tuesta (b. 1986, Peruvian), Portrait of a womanManual Eduardo Vasquez NiÒo (20th century, Peruvian), "Ludus"Jesus Toro Martinez (b. 1966, American), "Protest Girl," 1991Akira Chinen (b. 1982, Japanese/Peruvian), Portrait with a green hatAndre Desjardins (b. 1964, Canadian), "Juan"Guadalupe Victorica (20th century, Mexican), "La Frontera," 200720th/21st Century Contemporary SchoolFelipe Delfinger (20th century, Mexican)A large giltwood mirrorA stone columnar pedestalA Mexican weavingA Mexican textileA vintage Latin American weavingA Mexican wrought iron 'Cruce de Casa' ornamental crossA group of Mexican alebrijesA large group of Tonala BruÒido pottery animalsA group of coffee table books covering Latin American subjects

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