Studio Fine & Decorative Art - Online: Day 2

online only auction | 1 day sale | 12 days away
Location
Monrovia, CA 91016
Dates

Sale Starts

Wed
Jul 29
10am

Sale Ends

Wed
Jul 29

Terms & Conditions

TERMS AND CONDITIONS OF SALE

These Terms and Conditions ("Terms") set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. ("Moran") will be governed. These Terms constitute a legal and binding agreement between You and Moran.
1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION
a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

c. Property Sold "As Is": Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD "AS IS." Condition reports are offered as a courtesy and are typically published in Moran's catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION
a. Admission. Moran?s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer?s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder?s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and?in the case of error or dispute, whether during or after the sale?determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran?s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller?s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION
a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer?s Premium, plus any applicable sales tax. The Buyer?s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer?s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers? LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran?s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the ?Retrieval Period?), Moran may, without further notice, (a) continue to store the lot in Moran?s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer?s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran?s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (?Abandoned Property?) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran?s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist?s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist?s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY
a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer?s damages, if any, are limited exclusively to the original purchase price paid for the lot.

b. Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

d. Estimates. All estimates provided are carefully considered opinions of Moran?s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

6. ADDITIONAL MATTERS
a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer?s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney?s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran?s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction.
This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision.
In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys? fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.
John Moran Auctioneers Logo

John Moran Auctioneers

Company Website
Company Details

Description & Details

?John Moran Auctioneers is pleased to present their Two-Day Studio Fine and Decorative Art Auction ? Online. Featuring over 800 lots with a variety of fine art, decorative arts, and furniture. The fine art categories include oil, watercolor, prints, and photographs by artists such as William Henry Singer Jr., Jessie Arms Botke, Sergei Bongart, Albert Thomas De Rome, Fred Grayson Sayre, Charles Arthur Fries, Ben Abril, Terry DeLapp, and David Shrigley.?A Steinway & Sons mahogany baby grand piano highlights the decorative arts selection. Plus, there are large collections of Asian arts, sterling silver, contemporary and mid-century furniture and so much more! Truly an auction for everyone!
Jamali (b. 1944), "Portrait of an Artist," 1989Boris Deutsch (1892-1978), Abstract faces, 1967Vaclav Vytlacil (1892-1984), Two figures, 1954Barse Miller (1904-1973), "Concerto for Piano," 1945Jayme Odgers (1939-2022), Torso on a plinth (abstract still life)Duval Eliot (1909-1990), Seated nude man20th Century Illustration SchoolFred Samuelson (1925-2015), "Corrida #5"Menashe Kadishman (1932-2015), Figure and three headsAlbert Wein (1915-1991), Two figures, 1950Attributed to Joseph Rudolph "Rudy" Nappi (1923-2015), "Mama Doesn't Live Here Anymore"Seta Manoukian (b. 1945), Untitled from the "Vertical Series"Jean-Claude Forquin (1936-1964), Soleil RougeChase Langford (b. 1960), "Chroma S22," 2004Ralph Rosenborg (1913-1992), "Improvisation: Landscape Forms," 1940A Greek Ionian kylix pottery cup and Apulian olpeAn Etruscan Bucchero pottery kyathosThree Roman iridescent glass vesselsAn Amlash beaked pottery jarTwo Apulian/Gnathian blackware vesselsA Luristan bronze short swordA Frank Matranga ceramic maskA Pre Columbian pottery figureA Levantine inlaid carved hardwood savonarola chairA Mughal Empire painting on black clothAn Anglo-Indian style white painted occasional tableA Dutch Rococo style side chairA Dutch Rococo style white painted setteeAn Indian style octagonal folding side tableAn African carved hardwood stoolA group of seven carved wood masks and clubsAn Arabian silver jambia knifeA Yaka Ndeemba polychrome maskA terracotta studio pottery nude figureThree Native American basketry itemsThree Klamath/Pit River polychrome basketsThree basketry itemsA Plateau beaded hide pouchA Navajo sand painting style Yei textileTwo Victorian glass and sterling silver perfume bottlesA group of art glass vanity itemsA group of glass stemware and tumblersA German Hanau .800 silver snuff boxArchimede Seguso (1909-1999), A Murano art glass vase, mid-20th centuryA Marc Blackwell porcelain 'Florentine' tea serviceA group of five sulphide glass portrait paperweightsAn assembled vanity setThree Val St. Lambert glass table itemsA Steuben glass trumpet vaseRobert Fritz (1920-1986), An art glass vase, mid/late 20th centuryA Lundberg Studios iridescent glass vaseA Murano art glass cordiform vaseDina Melicov (1898-1969), Man and Woman with Umbrella, 1969Isidore Konti (1862-1938), A pair of patinated bronze "Pushing Men" bookends, circa 1909Billyo O'Donnell (b. 1956), "Cooks Corner"Saul Berman (1899-1975), "Cahuenga Pass," 1948Robert Philipp (1895-1981), Nude portraitCarlo Wahlbeck (b. 1933), Still life with eggsPaolo Soleri (1919-2013), A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZ"Lending a Helping Hand" from the Randolph Rose CollectionA Staffordshire pottery mugEjnar Hansen (1884-1965), Study for "La Cienega," circa 1930James Lee Colt (1922-2005), "Roundup"Mark Silversmith (b. 1954), Native American on horseback near Canyon de ChellyFrederick Taylor (1875-1963), "A Welcome Break"In the manner of Carl Rungius (1869-1959), Elk buglingNaondo Nakamura (1905-1981), "Cat"Ralph Woehrman (b. 1940), "Neon Rider 2," 197921st Century Illustration SchoolWilliam McPherson (1905-1972), Spaniel in a landscapeAlexandra Salehi-Vogler (b. 1963), Horse and Rider20th Century Nihonga SchoolJoe Boddy (20th Century), Animals looking in a windowTwo toleware kitchen dispensersAn Aubusson tapestry fragment wall mirrorAlexander Francis Harmer (1856-1925), Young boy, 1887William Malherbe (1884-1951), "Tata," 1914Jerry Farnsworth (1895-1983), Standing nude from behindA group of nine portrait miniaturesMid 20th Century American SchoolAlex de Andreis (1880-1929), Cavalier in red overcoatIvan Gregorewitch Olinsky (1878-1962), A portrait of a young ladyWalton Craig Titus (1907-1978), Portrait of a woman in a negligeeDonna Schuster (1883-1953), "Oriental Umbrella"William Foster (1883-1953), "Craig Kennedy," circa 1913Giovanni Gasparro, (b. 1983, Rome, Italy), Untitled, 2004, Pastel on green paper under glass, Sight:Rusti Warner (b. 1974), "Bundle Carrier," 2007Burris Jenkins Jr (1897-1966), "Bundles of Heroes for Britain," World War II poster, 1941Ralph Waterhouse (b. 1943), "Cactus Flower"Jose Jule (20th Century), "Flor de Amor," 2000William Barnes (20th Century), "Heart Falls Away," 1999William Barnes (20th Century), "At Certain Distance," 1998Saul Kovner (1904-1982), "Attic Bedroom" (After Vincent Van Gogh), 1930Ruben Abovian (b. 1948), Horse-drawn carriage, 1991A Limoges enamel portrait plaque of Antoinette of Guise (1494-1583)An American slag glass table lampAn American reverse painted glass table lampA WWI Trench Art table lampA Modern silvered ceramic table lampA Continental leaded glass panel of a saintAn Arts and Crafts oak magazine rackWillem Dooyewaard (1892-1980), "Geisha with Shamisen," 1931Willem Dooyewaard (1892-1980), Ballet dancerGary Carter (b. 1939), "In Her Chair"Roger Furse (1903-1972), Costume design for a dancer in "The Prospect Before Us"Neil Boyle (1931-2006), Seated woman in whiteIgor Pantuhoff (1911-1972), Portrait of a young womanLuis Eduardo Aute (b. 1943), "Lisbeth," 1965Duval Eliot (1909-1990), "'Tamara' Eliot (Aged 10)," 195220th Century American SchoolAttributed to Franz von Lenbach (1836-1904), Portrait of a womanDavid Slonim, (b. 1966)Stewart Maus (20th Century), "Home for Christmas"Duval Eliot (1909-1990), "The Audition," 1938Alex Ignatiev, (1913-1995)Giovanni Gasparro, (b. 1983, Rome, Italy), Untitled, 2004, Pastel on paper under glass, Sight: 13.5"Attributed to Edouard Jean Baptiste Detaille (1848-1912), Two soldiersIgor Adolfovich Kovalyov, (b. 1954)Philippe Auge (b. 1935), "Harlequins"Saul Berman (1899-1975), "Family Picnic"Peter Price (19th/20th Century), Figures on a pierDoris Lee (1905-1983), Untitled (Two women)Violet Parkhurst (1921-2008), "Madonna and Children (People of the World)," Oil on canvas laid toBen Abril (1923-1995), "Bunker Hill Castle"Ben Abril (1923-1995), "Main Street - Bodie"Eleanor "Nell" Sinton (1910-1997), "Corinthian Yacht Club" (Newport Beach), 1949John Kelly (b. 1939), "Morning Car," 1969Phil Dike (1906-1990), "Fontainebleau," 1930Robert Earle Wood (1926-1999), Back Bay - NewportRex Brandt (1914-2000), "Arlington No. 4," 1957Rex Brandt (1914-2000), "Mountain Town," 1960Claude Coates (1913-1992), "Sell it and Buy a Horse"Edward Hynes (1897-1982), Irish bar fightWilliam Henry Clapp (1879-1954), "Sun Maids," 1920Early 20th Century American SchoolJohn Miller (b. 1954)William Louis Sonntag Jr (1869-1898), Barn Near the Shore LineMichael Obermeyer (b. 1959), "Early Rise," 2008Three Inuit carved soapstone whale figuresA carved wood model of a fishA Chinese style carved wood birdcageA pair of silvered metal geeseMark Rossi (b. 1951), HummingbirdA Folk Art wood carving of an eagle and snakeA carved hardstone model of a duckA group of five patinated bronze garden birdsFour carved wood duck decoysJoanne Duby (20th/21st Century), Swan, 1990A druzy agate geode specimenAn amethyst geode specimenAn orthoceras fossil specimenAn orthoceras fossil specimenThree onyx disc table itemsA Spanish Baroque style fratino tableIn the manner of Nicolai Suetin (1897-1954), Suprematist geometric composition, circa 1920Gerald Milano (d. 1978), Abstract drip paintingFrancois Marie Lucet (b. 1946), "Mon Jardin," 1996Marc Pally (b. 1946)A group of Chinese silver spoons and a silver lidded boxA group of Italian nickel brass serving utensils and spoonsA group of bottle openersA group of brass figural corkscrewsAn American rustic painted wood tableA rustic wood console tableAn American painted pine tableFour glazed art pottery fruitsFour Scott Potter glass decoupage finger bowlsJayme Odgers (1939-2022), Untitled with plus signDuval Eliot (1909-1990), Abstract still lifeSylvia Gumbiner (1931-2007), "White Flowers," 1993Macauley Norman (b. 1993), Still life with Baby Ruth and bananaLuciano Spazzali (1911-1997), Road through a modernist compositionRoyal Nebeker (1945-2014), "Figure and Flowers"Marc Pally (b. 1946), Untitled (alternatively titled "Throwing Up"), 1996Marc Pally (b. 1946), "Janus #37," 2004Tim Murphy (20th Century), "Herring Fellet with Dill"Jane A. DeDecker (b. 1961), "The Ties That Bind"An Art Deco bronze and onyx figural encrierChristophe Pillet (b. 1959), A 'Caisse Claire' table lamp for Ecart, 1990sA Paden City Pottery 1939 New York Worlds Fair ceramic bowlThree Modern clocksA pair of Minton Secessionist Ware glazed pottery vasesLeonard Baskin (1922-2000), "Apollo," 1969Michael Graves (1934-2015), A table clock for Alessi and pair of bookends, 1990sBela Bacsi (b. 1950), "Temple"A Postmodern metal pedestalCharles Villiers (b. 1951), Two assemblagesMarcello Fantoni (1915-2011), A studio pottery vase, mid-20th centuryAustin Productions, "The Dancer," 1970A Niloak pottery 'Mission Swirl' vaseThree bronze storage boxesRobert Spielholz & Kathleen Hargrave (1944-2020 & b. 20th century), Two Modern cased glass vases,A Contemporary upholstered armchairA Glenn of California burlwood coffee tableA pair of Contemporary benchesA silvered metal and glass coffee tableLester Breininger Jr. (1935-2011), A collection of Pennsylvania glazed redware pottery eggs, 1977 &Laura Wambsgans (20th/21st Century), Biomorphic form, 1999Ken Matsuzaki (b. 1950), A studio glazed stoneware pot, late 20th/early 21st centuryCorita (Sister Mary) Kent (1918-1986), "A Wider Stage," 1972Richard Anuszkiewicz (1930-2020), "Grandeur," and "Eternity," two plates from the "Inward Eye"Richard Anuszkiewicz (1930-2020), "The Eye Sees More," one plate from the "Inward Eye" portfolio,Richard Anuszkiewicz (1930-2020), "Led to Believe," one plate from the "Inward Eye" portfolio, 1970Jesse Reichek (1916-2005), Geometric composition, 1971George Joji Miyasaki (1935-2013), "The Sky and the Sea," 1961Ben Frost (b. 1975), "Feeding Time," 2014Trip One (21st Century), Muhammad AliWanxin Zhang (b. 1961) Chinese), Red head, 2006A framed collection of Beatles memorabiliaA reproduction Antonius Stradivarius violin and Nurnberger bowAn Excelsior Electronic piano accordionA Settimio Soprani 'Lido' piano accordionAn Edison 'Ediphone' dictation machineA Symphonion 'Musical Automaton' music boxStephen Vaughan (20th Century), Four movie production stillsMovie Poster for "Kundun," 1997Owen Alar and Allan Ludwig (20th Century), "The Shell Seekers: No. 1, The Looking Man," 1990Eve Sonneman (b. 1946), "Portrait of My Lover, Central Park, New York," 1971Lynn Geesaman (1938-2020), "Parc de Seaux, France"Lynn Geesaman (1938-2020), Flowering gardenHy Peskin (1915-2005), "John and Jackie Play Ball"Matthieu Ricard (b. 1946), "Welcome Celebration at Shechen Monastery, Nepal, 1995," 1995Else Thalemann (1901-1984), Untitled, Industrie-Ruhrgebiet, circa 1929David Heath (1931-2016), "NYC" (Children playing in the grass), circa 1957/60George Hurrell (1904-1992), Robert Montgomery Portrait with Polo PonyPaul Neverburg (20th Century)After Norman Rockwell (1894-1978), "Horseshoe Forging Contest"After Norman Rockwell (1894-1978), "Dreams of Long Ago"After Norman Rockwell (1894-1978), "The Aviary"After Norman Rockwell (1894-1978), "Back to School"After Norman Rockwell (1894-1978), "Ticket Seller"Walter Henry Williams (1920-1998), "Harvest," 1963Pegge Hopper (b. 1936), "Women of Hawaii" portfolio, 1985Boris Riab (1898-1975), Black lab with mallard duckGerald Leslie Brockhurst (1890-1978), "A Ballynakill Woman," 1926R.C. Gorman (1932-2005, Navajo/Dine), "Chinle" 1982Carl Rotky (1891-1977), Figures threshing wheatA National cash register model 441An Akeley Cine 35mm cameraAn American parquetry games boardA Folk Art burlwood Parcheesi game boardMaya Deren (1917-1961), "Experimental Films," 2002Six Signed Ansel Adams photography booksA Puccini stock certificate issued to Frank SinatraThree American art hardcover reference booksA group of American history booksA group of Philippine metal boxesA vintage Casa Escasany manicure grooming setIsidore Konti (1862-1938), A near pair of patinated bronze figural bookends, 1914A Coca-Cola painted wood six bottle carrierA James L. Chappell ink standA hammered copper coffee, tea, and hot chocolate serviceA pair of marble plinthsTwo Alford Co. hammered copper and mosaic tile platesA Farber Brothers barware setA group of enameled metal art platesKarl Albert Kasten (1916-2010), "Ostia," 1968; and "Star," 1968Florence Arnold (1900-1994), Yellow abstract, circa 1970Florence Arnold (1900-1994), Yellow and orange abstract, 1979Florence Arnold (1900-1994), Pink and blue abstract, 1977Florence Arnold (1900-1994), Orange abstract, 1973Florence M Arnold (1900-1994), Yellow and white abstract, 1971Karen Hansen Carson (b. 1943), "How To Draw A ....."Doug Edge (b. 1942), "Shave and a Haircut," 1970Craig Kauffman (1932-2010), Untitled, 1981Craig Kauffman (1932-2010), Untitled, State III, 1980Craig Kauffman (1932-2010), Untitled, 1983Craig Kauffman (1932-2010), Untitled, 1980Craig Kauffman (1932-2010), Untitled, 1980Todd Hebert (b. 1972), "Snowman" 2004Marc Pally (b. 1946), "Bell Gardens," 1994Margaret Ford (b. 1941), Three dancersJoanna Manousis (b. 1984) British/American), Bottled oysters, 2012After M.C. Escher (1898-1972), A pictorial tapestry after "Sky and Water II" (1938) by Rug & Kilim,Bruce Bernson (1950-2014), Two burlwood bud vases, late 20th centuryA wrought iron ramSylvia Chait (b. 1936), Abstract bronze groupAfter Jean-Michel Basquiat (1960-1988), A skateboard deck triptych after "In Italian" (1983) by TheAfter Jean-Michel Basquiat (1960-1988), A skateboard deck triptych after "In Italian" (1983) by TheAfter Jean-Michel Basquiat (1960-1988), A skateboard deck triptych after "Charles the First" (1982)Robert Beck (b. 1959), 03/26/04 - Shot 10 (Daily Over/Under at Close Range with .12 Gauge "Punkin'Arik Levy (b. 1963), "Fixing Nature 32A," 2016Arik Levy (b. 1963), "Fixing Nature" seriesArik Levy (b. 1963), "Fixing Nature" series, 2008Kathryn Spence (b. 1963), Untitled (stacks), 2000Olafur Eliasson (b. 1967), "Seeing Yourself Seeing," 2007Andi Kovel (b. 1969), A set of four Esque Studio art glass pieces, early 21st centuryAn art glass vaseA Venini Murano glass 'Fazzoletto' vaseSusan Stinsmuehlen-Amend (b. 1948), A set of six martini glasses, late 20th/early 21st centuryAn Italian art glass vaseA Roche Bobois art glass 'Palladio' bowlGeorges Rouault (1871-1958), "Le Jongleur" (The Juggler), 1927Raphael Soyer (1899-1987), "Woman at Table," 1963-64Michael Kempson (b. 1961), "Zero," 2006Eric Fischl (b. 1948), Untitled, Bathers bookplate (Ex Libris), 1996/1997Jocelyn Lee (b. 1962), "Marguerite in Harsh Light," 2010John Luke Eastman, (20th Century)20th Century American SchoolGloria Vanderbilt (1924-2019), "Peaceable Kingdom"Francesca Gabbiani (b. 1965), "Fireplace Mirror," 2010William Wegman (b. 1943), "Blizzard," 2003William Wegman (b. 1943), "About Four Thirty," 1997Boris O'Klein (1893-1985), "Chacun son Tour!" from the "Dirty Dogs of Paris" seriesBoris O'Klein (1893-1985), "W.C. Prive!" from the "Dirty Dogs of Paris" seriesArnold Mesches (1923-2016), Chairs, 1969Joseph Muzando (b. 1953), "She Lives In My Mind," 1993Henry Evans (1918-1990), "Poppy"Henry Evans (1918-1990), Botanical still life, 1982Henry Evans (1918-1990)Roy Bailey, (1933-2002)Minor Kilbourne Kellogg (1814-1889), Italian Sketchbook, 1841A Modern glass and acrylic console tableA Modern glass and acrylic coffee tableA Modern smoky glass and chrome tiered side tableA pair of Modern leather slipper chairsA pair of Modern upholstered ottomansA Modern globe floor lampA Lee Broom 'Carousel' XL pendant lightWilliam T. Wiley (1937-2021), "Mr. Nobody," 1975William T. Wiley (1937-2021)Despina Stokou (b. 1978), "George B.I," 2016Despina Stokou (b. 1978), "George B.III," 2016Charlemagne Palestine (b. 1947), "356 CcornUuoOrphanosS two," 2018Charlemagne Palestine (b. 1947), "356 CcornUuoOrphanosS three," 2018Friedensreich Hundertwasser (1928-2000), "Olympische Spiele München 1972" (Olympic Games MunichKarel Appel (1921-2006), "Heads in a Colorful Landscape," 1965Willy Müller-Brittnau (1938-2003), "Se 12," 1964Adja Yunkers (1900-1983), "Red Square," 1975Werner Pfeiffer (b. 1937), "Sprout," circa 1970sLarry Nisula (b. 1960), "Flask"David Shrigley (b. 1968), "Leap into the Void," 2023David Shrigley (b. 1968), "I Woke You at Dawn I Make No Apology," 2024Ben Frost (b. 1975), "New Look Same Fish," 2017Ben Frost (b. 1975), "Pure Sugar," 2019Ben Frost (b. 1975), "Cola Girl," 2024Ben Frost (b. 1975), "Calorie Mate," 2018Mark Drew (b. 1978), "Benzi (Ghostface Killah)," 2019Mark Drew (b. 1978), "Something (Vanilla Ice/Suge Knight)," 2019Mark Drew, (b. 1978)Mark Drew (b. 1978), "The Mask" 2021Jaume Plensa (b. 1955), Composition, circa 1985Lawrence "Naturel" Atoigue (b. 1983), "The Prince, The Panther," 2016A Contemporary figural acrylic light boxMiss Coco (b. 1970), "Follow Your Heart," 2018Jean Milant (1943-2024), Untitled, 1969Jean Milant (1943-2024), "Untitled (Variation II)," 1969Jean Milant (1943-2024), "Equitorial Cloud at the Time of the Equinox," 1968Jean Milant (1943-2024), "Emergence of Cloud Cover," 1967Neal Slavin (b. 1941), "Group Portrait: Statue of Liberty, New York City," 1974Barbara T. Smith (b. 1948), "Rocks, Weeds, Dirt," 2020Barbara T. Smith (b. 1948), "Signifier 1," 2016Barbara T. Smith (b. 1948), "Signifier 3," 2016Barbara T. Smith (b. 1948), "Signifier 4," 2016Barbara T. Smith (b. 1948), "Signifier 2," 2016Michael Peters (b. 1943)Jules Engel (1909-2003), "The Alphabet," 1971Jules Engel (1915-2003), "The Alphabet," 1971Karen Hansen Carson (b. 1943), "Offence Spread," 1973Joe Goode (b. 1937), Untitled, 1978Joe Goode (b. 1937), Untitled, 1973David Shrigley (b. 1968), Untitled (Do Not Place Emphsis [sic] On Things That Do Not Matter), 2022After Ed Ruscha (b. 1937), "Back of Hollywood," 1968 (exhibition poster)After Richard Prince (b. 1949), Untitled, 2017Ben Frost (b. 1975), "Free While They Last," circa 2008Ben Frost (b. 1975), "Changing Channels," 2008Bill Stern (20th/21st Century), "Stop Gentrification," 1985Trip One (21st Century), Caution (Scrooge McDuck)Attributed to Harry Ekman (1923-1999), Sketch of artist and nude modelMenashe Kadishman (1932-2015), Sacrifice of IsaacJack Tworkov (1900-1982), Study of a seated nude female, 1958Duval Eliot (1909-1990), Seated nudeJim Morphesis (b. 1948), "Falling Mythological Figure"Edgar Degas (1834-1917), "Danseuse mettant son chausson" (Dancer Putting on Her Shoe), circa 1888Hans Burkhardt (1904-1994), Modern abstract, 1984Susan Moss (b. 1944), "Marsh Peace," 1997Jayme Odgers (1939-2022), Untitled with heart, 199520th Century Contemporary SchoolRick Stich (b. 1949), "Golden Pine Koi #2," 1985Alex Dukelski (1903-1969), A scene study for Metro-Goldwyn-Mayer's "Ben-Hur", 1959Les Clark (1907-1979), Abstract compositionA Modern giltwood mirrorA pair of Contemporary hardwood mirrorsFabian Garcia (b. 20th century), A Postmodern coffee table, 1990sValerie Snobeck (b. 1980), "Apres," 2010-2013A Contemporary blue and white wool rugWayne LaCom (1922-2019), "Avocados and Bottle," c. 1949Ronald Berger (b. 1943), A still life with asparagus; A still life with pearsRoger B. Sprague (1937-2010), "Lamp by Window," 199620th Century American Modernist SchoolMarnie Johnson (b. 1954), "Halloween Dream," 2001William Barnes (20th Century), "Impending Journey," 1998School of William Barnes (20th Century), Still life with orangesCharles Tcherniawsky (1900-1976), Floral still lifePauline Polk (1896-1986), Floral still life20th Century Hungarian SchoolLinda Carter Holman (20th/21st Century), "In a Clear Glass Vase," 1997Alice Gibson Hornby (1860-1960), ChrysanthemumTerry DeLapp (1934-2020), "Green Bell Jar"Ben Messick (1901-1981), Two clown portraitsJoe Boddy (20th Century), Hansel and GretelGary Nisbet (b. 1956), "Crush," 2006John Salminen (1945-2016), "San Francisco Lanterns"Ben Norris (1910-2006), "Haiku Valley," 1943Arthur Secunda (1927-2022), Abstract landscapePirie MacDonald (1867-1942), "Richard Le Gallienne"Thomas Waddelow (1921-2017), FarmhousePeter Nielsen (1873-1965), "California House and Coast (Morro Bay)"An Italian patinated terracotta bust of Msgr. Pedro de Foix MontoyaA pair of cast iron urns as table lampsAfter Wilhelm Albermann (1835-1913), "Der Schmied von Solingen" (The Smith of Solingen), modeledA carved wood tabletop vanityA Mills Novelty Co. lollipop coin op scale

Thank you for using EstateSales.NET. You're the best!