Palisades & Beverly Hills Art Collection

auction | 3 day sale | sale is over
Address
The address for this sale in Sherman Oaks, CA 91411 will no longer be shown since it has already ended.
Dates
Thu
Jul 25
10am to 5pm
2013
Fri
Jul 26
10am to 5pm
2013
Sat
Jul 27
10am to 4pm
2013

Terms & Conditions

30 day limited guarantee. All property is sold as is. Buyer’s premium 20%. Please visit http://estateauctionservice.com/ for a full listing of our Conditions of Sale and Terms of Guarantee.
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Clark's Fine Art & Auctioneers Inc.

(818) 783-3052

Description & Details

The Auction is on Saturday July 27th at noon.

Preview Wednesday, Thursday & Friday 10 am to 5 pm.

Saturday preview at 10 am, Auction at noon.

Direct from the trustees, heirs and consignors in Pacific Palisade & Beverly Hills, 200 premium lots of American, European, Asian, Latin American, 19th Century, Modern & Contemporary paintings, prints, & sculpture. Many items sold without reserve.

Francisco Zuniga (1912-1988) Costa Rican MUJERS ANTE EL MAR (Cat. #657), 1972, cast bronze sculpture, signed, from the numbered edition Roman numeral 5, size 11 3/8” tall, mounted to 1 ¼” tall marble base, in very good condition. Provenance: Galeria Tasende, Acapulco, Mexico, registration number 1903; Mr. Ariel Zuniga has kindly verified the authenticity of this piece.Joseph Aaron (b. 1959) Californian SAN SIMEON, oil painting on panel, signed lower right, 5 x 7”, framed, in very good studio condition. Provenance: Bluebird Gallery, Laguna.Afro (Afro Basaidella) (1912-1976) Italian UNTITLED, color lithograph, signed in pencil, from the numbered edition 90, sheet 19 x 25”, framed, soft handling creases, a couple discoloration spots, otherwise in apparently good condition.Artist unidentified BLACK SUN #1, 1974, constantly changing illuminated electric light panel, 46 ¾ x 46 ¾ x 5”, signed ‘NVW’, titled and dated on verso, small repair backside lower right corner not visible from straight frontal view, otherwise in overall apparently very good condition. (four views illustrated)John Baldessari (b. 1931) American PHOTOMONTAGE, 2001, photolithograph, signed in pencil, from the numbered edition 7, sheet 13 x 19”, framed, two soft hinge impressions in upper corners, otherwise in apparently very good condition.Orlando Agudelo-Botero (b. 1946) Columbian SUN & MOON, 1983, a pair of mixed media multiples on paper, signed and dated lower left, from the numbered edition 7 Hors Commerce, each 48 x 32”, framed, in apparently very good condition.Georges Braque (1882-1963) French BLUE FLOWERS (V. 181), #44 from Si Je Mourais La-Bas, 1962, color woodblock print, signed in pencil, from the edition Roman numeral 10, sheet 18 ½ x 14 ¼”, framed with glass, pale toning around perimeter, a few speckles, otherwise in apparently good condition.Bronze sculpture (19th or 20th Century) THE VICTOR, cast bronze sculpture with dark brown patina, signed W. Bottcher?, 47 x 12 ¼ x 18 ½”, with 30” tall wood stand, 77” on stand, some play at attachment in hand, a few rub spots in the patina, otherwise in good condition.Sergio Bustamante (20th/ 21st Century) Mexican THE TOWER, painted ceramic sculpture, signed, 25 ¾ x 16 ½ x 11 ½”, in very good studio condition.Michele Cascella (1892-1989) Italian/ Californian PIAZZA DEL POPOLO, watercolor on paper, signed lower right, title inscription on verso, 13 ½ x 20 3/8”, silverfish hole at signature, tape stains on verso sheet edge, otherwise in good studio condition.after Marc Chagall (1887-1985) Russian/ French LA BAIE DES ANGES AVEC BOUQUET DE ROSES (S.30), 1967, plate 5 from Nice Et La Cote D’ Azur, Sorlier color lithograph on Arches block letter watermarked paper, signed in pencil, from the Roman numeral edition 75, image 24 1/8 x 18”, sheet 29 x 20 7/8”, Chagall and Sorlier text stamp on lower right verso, framed with glass, mild toning in margins and recto margins from previous framing, 1 ¼” tear in the margins upper left sheet edge not effecting image, 3/8” tear right margins at sheet edge, natural color saturation on verso, along with mild discoloration and scuffs, colors in Catalogue Raisonne appear more saturated, otherwise in good condition.Marc Chagall (1887-1985) Russian/ French PHILETA’S LESSON (M.323) from Daphne & Chloe, 1961, single sheet color lithograph, from the edition 250, printed by Mourlot, sheet 16 ½ x 12 ½”, in handsome Galerie Michael frame with glass, colors in Catalogue Raisonne appear more saturated, otherwise in apparently very good condition.Marc Chagall (1887-1985) Russian/ French PHILETA’S ORCHARD (M.326) from Daphne & Chloe, 1961, double sheet color lithograph, from the edition 250, printed by Mourlot, sheet 16 ½ x 25”, in handsome Galerie Michael frame with glass, colors in Catalogue Raisonne appear more saturated, otherwise in apparently very good condition.Vladimir Cora (b. 1951) Mexican DOS BANISTAS, 1990, oil painting with acrylic on canvas, signed and dated lower left, signed dated and titled on verso, 42 x 55 ¾”, framed, in very good studio condition.Salvador Dali (1904-1989) Spanish THREE GRACES (M.1160; F.66-3), 1966, color lithograph, signed in pencil, from the numbered edition 300, sheet 28 x 20”, Sidney Lucas stamp upper left, framed with glass, mild cockling in the upper margin, a few soft handling creases, otherwise in apparently very good condition.Karl Dempwolf (b. 1939) Californian POINT LOBOS PINES, oil painting on canvas, signed lower left, 14 x 18”, framed, in very good studio condition.John Farnsworth (b. 1941) American INDIAN DANCE COSTUME I, watercolor on paper, initialed lower right, sight 21 ½ x 29”, framed, in apparently very good studio condition.Sam Francis (1923-1994) American UNTITLED (L.176; SF.196), 1975, lithograph, signed in pencil, from the numbered edition 28, sheet 38 ¼ x 28”, printed by George Page, published by The Litho Shop, framed, a few soft handling creases otherwise in very good condition.Leonel Gongora (1932-1999) Columbian LA PERIJA, 1963, watercolor on paper, signed lower left, 12 x 9” framed with glass, slipped in frame, visible cellophane hinges on verso, otherwise in apparently good condition. Galerias Carlotta, S.A, Tijuana, BC Mexico.Paul Grimm (1891-1974) Californian UNDER THE SUN, oil painting on canvas, signed lower right, titled and signed on verso, 24 x 30”, framed, in very good studio condition.Dimitri Hadzi (1921-2006) Greek/ American ACROBATS, cast bronze sculpture with dark brown patina, signed on base, 12 x 14 ½ x 6 ½”, some wear spots in patina, otherwise in good studio condition.Louis Icart (1880-1950) French FLAMENCO DANCER, 1929, color etching, signed in pencil, image 20 ¼ x 13 ¼”, artist’s blindstamp lower left, full margins, framed with glass, toning, some small traces of silverfish, otherwise in apparently good condition.Menasche Kadishman (b. 1932) British/ Israeli CONTINUUM, 1979, revolving metal sculpture, 16 x 7 x 7 ½”, signed and numbered 18/50 on placard underneath, published For The Benefit of Harry Levine/ Weizmann Institute of Science, some surface scratches, some tarnishing, otherwise in good condition.Moissey Kogan (1879-1942) Russian STANDING NUDE, cast bronze sculpture, from the numbered edition 6, signed, 33 x 12 x 5 ¾”, mounted to 4” tall marble base (with a few small chips), sculpture in very good studio condition. In-House packing may not be available.Paul Landacre (1893-1963) American SULTRY DAY (LC.13), 1940, woodcut print, signed in pencil, from the numbered edition 60, image 8 x 6”, full margins, framed with glass, some mild crinkling in margins, otherwise in apparently very good condition.Marie Laurencin (1885-1956) French LADY WITH FAN, 1911, watercolor on paper, signed and dated upper right, 6 x 4”, framed with glass, a few tiny speckles otherwise in apparently good studio condition. Provenance: Paul & Gilbert Petrides certificate; Ansley Graham, Los Angeles.Peter Max (b.1937) German/American GURU, 1973, color lithograph, signed in pencil, from the numbered edition 250, image 3 ¼ x 4”, full margin, framed with glass, in apparently good condition.Mexican Artist (20th Century) FIVE MALE FIGURES, oil painting on canvas, signed ‘Chavez Morado’ lower right, 18 x 24”, framed, auction tag on back, a few chips lower center, otherwise in good studio condition.Philippe Monteagudo (b. 1936) French CELLIST IN CROWD, 1969, oil painting on canvas, signed and dated lower right, 28 x 23”, framed, surface soiling, very minor paint contractions, smudges in the upper sky area, soiling on verso, otherwise in good condition.Roberto Montenegro (1885-1968) Mexican FISHERMAN, 1954, oil painting on canvas, signed and dated lower right 25 ½ x 19”, framed, some surface soiling and scuffs, some hazing in the lacquer, otherwise in good condition.Needlepoint Tapestry ANIMALS, BIRDS AND FLOWERS, hand-woven wool tapestry, 78 ½ x 61”, with hanging bar and clips, in very good condition.Leroy Neiman (1921-2012) American HARBOR AT MONACO (K.75), 1988, color screenprint, signed in pencil, from the numbered edition 375, image 38 x 29”, full margins, framed, in apparently very good studio condition.Leonardo Nierman (b. 1932) Mexican JUNGLE BIRD, oil painting on Masonite, signed lower left, 31 ½ x 23 ½”, gold frame tarnish from age, in very good studio condition.Pablo Picasso (1881-1973) Spanish LA CELESTINE SERIES (C.149), 1968, etching, from the edition 400, image 5 ½ x 4 ¼”, full margins, published by Atelier & Editions Crommelynck, in apparently very good condition, in Galerie Michael frame.Paul Emile Pissarro (1884-1972) French LES FOINS A CLECY, oil painting on canvas, signed lower left, 14 x 18”, framed, minor surface soiling, otherwise in very good condition. Provenance: Wally Findley Gallery, Palm Beach & Chicago, inventory #25826.Paul Emile Pissarro (1884-1972) French POMMIERS EN FLEURS, oil painting on canvas, signed lower right, 26 x 36”, framed, minor surface soiling, otherwise in very good condition. Provenance: Wally Findlay Gallery, New York & Chicago, inventory #26805.Portrait Miniatures (six) Group of six portrait miniatures, four signed, sizes from 1 ¾ x 1 ¼” oval to 3 ¼ x 2 ½” oval, all framed with glass, portrait miniatures in good condition, the larger frames with some lifting, otherwise in good condition. (6)Henry A. Rand (1886-1961) American ROAD IN WINTER, 1922, oil painting on Belgium linen, signed and dated lower left, 25 x 30”, framed, mild to moderate surface soiling, otherwise in very good condition.Henry A. Rand (1886-1961) American WINTER STREAM, 1923, oil painting on canvas, signed and dated lower right, 25 x 30”, framed, mild to moderate surface soiling, otherwise in very good condition.Rembrandt van Rijn (1606-1669) Dutch ABRAHAM (B.33; H.148; BB.372), c.1637, etching from second state of two, signed in plate lower left, sheet 4 5/8 x 3 ¼”, in handsome Galerie Michael frame, some discoloration mainly in upper right area, a couple of tiny edge tears, otherwise in apparently good condition.Victor Roman (1937-1995) Romanian WINGED FIGURE, cast bronze sculpture with heavy copper content, 22 x 16 x 8” including base, signed and numbered on base, from the numbered edition 6, a few scratches and nicks on base, some discoloration speckles on sculpture and base, otherwise in good condition.Georges Rouault (1871-1958) French TRIO (J.128) from Twelve Aquatints, 1938, color aquatint etching, initials and date in plate, image 11 ½ x 8 ¼”, printed by Lacouriere, published by Vollard, full margins?, framed with glass, some fading, otherwise in apparently good condition.Tom Savage (b. 1953) American PANAMA CITY, 2008, oil, acrylic and pastel painting on canvas, signed dated and titled on verso, 84 x 72”, in very good studio condition.David Siqueiros (1886-1974) Mexican UNTITLED, gouache and pyroxilin painting on paper, signed lower left, sight 19 x 14”, framed, with a letter of authenticity from Sala De Art/ Angelica A. De Siqueiros, dated 1975, in apparently good studio condition.Frank Stella (b. 1936) American SANBORNVILLE (A.105), 1974, color lithograph and screenprint, signed in pencil, from the numbered edition 100, sheet 22 ¼ x 17 ½”, framed, possibly some pale sun discoloration, otherwise in apparently good condition.Paul Strisik (1918-1998) American VILLAGE SCENE, oil painting on canvas, signed lower left, 20 x 24”, framed, faint stretcher bar impression, otherwise in very good studio condition.Theo Tobiasse (1927-2012) French (six) DIASPORA, 1968, the set of six color lithographs, each signed in pencil and from the edition Roman numeral 125, images average 23 ½ x 18”, five with full margins and one printed boarder to boarder, all framed with glass, with faint natural ink saturation and toning in the margins, otherwise in apparently good condition.Louis Valtat (1869-1952) French SEATED GIRL IN PINK DRESS (probably Suzanne Valtat Cousant), oil painting on wood board, initialed lower right, inscribed Rouens on verso, 12 ½ x 9 ½”, framed, minor surface soiling, otherwise in very good condition. Provenance: Wally Findlay Gallery Beverly Hills, inventory # 48403.Hernando Villa (1881-1952) Latino Californian ORANGE BLOSSOMS AND STILL LIFE WITH LAKE VISTA, 1944, oil painting on canvas mounted to panel, signed and dated lower right, 23 x 17 ¼”, framed, in apparently good studio condition. A classic Latino American illustration of a better life during the height of WWII. Villa work was recently featured at the Gene Autry Museum for the Pacific Standard Time exhibition.Watch: Cartier 18K Gold Watch Gentleman’s 18ct gold quartz wrist watch the circular case with banding of white and yellow gold surrounding the cream colored dial with black Roman numerals, the case back numbered 881003/11957, fitted on a T bar fitting leather strap with original pin buckle, in good occasional use condition.

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