Original Art Dalí, Nierman, Kipniss, Modern Furniture, and more!

moved offsite to warehouse | 2 day sale | 9 days away
Address
The address for this sale in Chicago, IL 60616 will be available after 9:00am on Friday, October 23rd, 2026.
Dates
Sat
Oct 24
11am to 6pm
Sun
Oct 25
11am to 6pm

Terms & Conditions

No Pre-Sales. We accept cash and credit cards! Anyone can come to shop anytime during our open hours. All are welcome! If you want a place in line when the sale opens we use Pickerty, the electronic sign-up sheet. Electronic sign up will begin on Sunday, October 18 at 5:00 pm for entry on Saturday morning, October 24, at 11:00 am. The first to sign up is the first to enter the sale when we open at 11:00 am! Again, anyone can come to shop anytime during our open hours, sign up is only for when we open at 11:00 am. Please copy and paste this link to sign up for a reminder! https://pickerty.com/company-overview/4a07ad3a-be02-4197-8f77-7d878c41dbe7
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Fabulous Collection of Original Art


Art

  1. Salvador Dalí (1904–1989), the world-famous Spanish artist and filmmaker who was part of the Surrealist group in his early career and continued to build on the movement’s ideas and imagery throughout his life. Works in this sale include:
  2. —"Imaginations and Objects of the Future." The complete portfolio, comprising 11 intaglios and lithographs printed in colors, six with collage, and including Dalinean Prophecy; 1975, each signed in pencil and inscribed 'LVI/LXXV', the prints on Japon, the cover sheets on wove, with title and justification pages and introductory text in English by the artist and publisher. Published by Merrill Chase, Chicago, includes the original wooden box. Includes Spectacles with Holograms (framed), Liquid Tornado Bathtub (framed), Liquid and Gaseous Television, Intrauterine Paradisiac Locomotion (framed), Breathing Pneumatic Armchair, Cyclopean Makeup, Biologic Garden (framed), Melting Space Time (framed), Antiumbrella with Atomized Liquids, Cybernetic Lobster Telephone (framed), and Dalinean Prophecy.
  3. —“Visions of Chicago,” etchings with stencil in colors, #17/50 (in Roman numerals), 1972, 4 images, each 12 X 20", all signed; framed. Images are: Art Institute, Buckingham Fountain, Water Tower, and Museum of Science and Industry.
  4. —"The Eye of Surrealistic Time," mixed media, 16 X 22", signed. # A45/175, framed
  5. —"Shakespeare II" complete suite of 16 drypoint etchings with color, hand-signed, each numbered 131/250, from 1971. Image area 5x7" on full margin sheet 17-1/2 x 12-1/4 inches. Includes Henry IV, Henry V(a), Henry V(b), Henry VIII, The Taming of the Shrew, The Merry Wives of Windsor, Love's Labour's Lost, Troilus and Cressida, Cymbeline, Two Gentleman of Verona, Richard III(a), Richard III(b), Timon of Athens, King John, and All's Well That Ends Well.
  6. —"Medicine and Science" suite of 8 drypoint engravings with color, 1970, each 5 x 8.5", each hand-signed, each marked with edition #121/125, framed. Complete suite includes Jonas Salk, Louis Pasteur, Albert Schweitzer, Alexander Fleming, Hippocrates, Enrico Fermi, Marie Curie, Pierre Curie.
  7. —"Cyrano de Bergerac and Roxane" drypoint etching by Salvador Dali circa 1972, hand-signed, #637/1000, 12x18" and framed.
  8. —"Paris and Helen of Troy" drypoint etching by Salvador Dali circa 1972, hand-signed, #637/1000, 12x18" and framed.


  1. Robert Kipniss (born 1931), a distinguished American painter and printmaker. His work has been shown in solo exhibitions at galleries and museums worldwide since 1951. He is a Royal Academician (retired), an elected member of the National Academy of Design, New York, and holds two honorary doctorates. His work is represented in the collections of numerous public institutions, including The Metropolitan Museum of Art, The Art Institute of Chicago, The Whitney Museum of American Art, the Smithsonian American Art Museum, the Victoria and Albert Museum, London, and many others. Works in this sale include:
  2. —"Highlands" a framed, signed oil on canvas landscape artwork of cabins or sheds nestled among dark trees beneath a pale, overcast sky. Painting is 15.5" X 19.5", framed dimension 27-1/8" x 23-3/16"
  3. —“Corner House” oil on canvas painting by Robert Kipniss. Painting is 19" x 23", signed, framed size 22”W x 26”H. Reverse with handwritten dedication “To Audrey & John, with warm regards, Robert Kipniss 11/18/88” and a vintage foil Merrill Chase Chicago tag.
  4. —"Shaded Path," oil on canvas painting by Robert Kipniss, 24 X 20", signed, framed
  5. —"Just Beyond" signed lithograph by Robert Kipniss, 17 X 14", edition #270/275, framed size 27”W x 24”H
  6. —“Gateway” signed lithograph by Robert Kipness, edition #95/150, image 16-3/4"W x 14"H, framed size 24-1/2"W x 22-5/8"H.
  7. —"Backyards, Evening 1995" limited edition color mezzotint by Robert Kipniss, signed, 7"W x 10"H, edition #43/60, framed
  8. —"Alleys, Springfield 1995" color mezzotint by Robert Kipniss, 7 X 8", signed, #45/75, framed
  9. —"Kipniss: Interiors and Backyards" green cloth-bound portfolio set of (4) limited edition lithograph prints, 1977, each signed lower right margin and #144/250 lower left margin, published by Merrill Chase Galleries, Chicago and printed by George Miller and Sons, New York, including ‘Summer II’, ‘Murie’s Window’, ‘Interior with Balcony’ and ‘Gateposts and Dusk’; with a Merill Chase certificate of authenticity
  10. —"Summer II" limited edition lithograph print, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H.
  11. —"Murie's Window" limited edition lithograph print, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H.
  12. —"Interior With Balcony" limited edition lithograph print, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H.
  13. —"Gateposts and Dusk" limited edition lithograph print, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H.
  14. Two untitled lithographs by Robert Kipniss, 5 x 5-1/2", signed lower right corner, edition #122/160 lower left, framed


  1. Leonardo Nierman (1932–2023), known for his explosive chromatic movement, cosmic swirling forms, modernist sculptures, and profound musicality; a preeminent titan of modern Latin American abstract expressionism.
  2. —"Cosmic Wind," acrylic on masonite painting, signed, framed; painting 31"H x 23-5/8"W, framed dimension 38-7/8"H x 31-3/8"W, reverse has vintage foil gallery tag from Merrill Chase Galleries
  3. —"Erosion," acrylic on masonite painting, signed, framed; painting 31-7/16"W x 23"W, framed dimension 38-1/2"W x 31-5/16"H, reverse with hand-written title of painting and dedication "For Audrey and John with all my affection L Nierman 1973"
  4. —"Prismatic Dream" acrylic on masonite painting; signed, 23-5/8"W x 31-1/2"H, framed size 31-5/8"W x 39-1/2"H, reverse with vintage foil tag from Merrill Chase Galleries
  5. —"Bird of Paradise" original acrylic on masonite painting, 24 X 32", by Leonardo Nierman (Mexico, 1932-2023), signed, framed.
  6. —"Space Dynamics," watercolor painting 10 x 14", signed, framed; reverse with hand-written title of painting and dedication "For Audrey and John with my deepest affection L Nierman 1975"
  7. —“Meteor” original painting by Leonardo Neirman, acrylic on masonite, signed, framed; painting size 16”W x 23”H, framed 24-1/2"W x 32-1/2”H, reverse with Merrill Chase Galleries sticker and hand-written dedication "To Audrey and John with all my affection L Nierman ‘97"
  8. —"Space Dynamics," watercolor painting by Leonardo Nierman, 9-5/8 x 13-1/2", signed, framed 16-1/2"W x 20-5/8"H; reverse with attached clear sleeve containing brown paper with title of painting and dedication "For John & Audrey Paton most fondly L. Nierman 1983"
  9. —"Fishing Boats," watercolor painting 9 X 13", signed, framed; reverse with attached clear sleeve containing brown paper with title of painting and dedication "For John & Audrey Paton with my very best wishes and affection L. Nierman 1983"
  10. —"Mystic Flame" color lithograph, 15 X 22", signed, #69/125, framed
  11. — "Firebird" color lithograph by Leonardo Nierman, signed, #64/175, 15.75 X 23.5", framed size is 24"W x 32-5/8"H.
  12. —"Arabesque I" color lithograph by Leonardo Nierman; 11 X 16", signed, #120/150, framed, reverse with vintage foil gallery tag from Merrill Chase Galleries
  13. —"Arabesque II" color lithograph by Leonardo Nierman; 11 X 16", signed, #126/150, framed, reverse has vintage foil gallery tag from Merrill Chase Galleries
  14. —"Seagull" abstract sculpture of a bird in flight, carved pale green onyx on black marble plinth, 29 X 17 X 11" d., signed


  1. James Jacques Joseph Tissot (French,1836–1902), a French painter, engraver, and enameler noted for his portraits of late Victorian society and upper-class life, garden parties, and Thames river outings; after a spiritual revival in 1885 he dedicated the remainder of his life to illustrating biblical subjects. Works in this sale:
  2. —"The Parable of the Prodigal Son: Frontispiece" Wentworth 57 etching, 18" X 14", 1882, only state, from the total edition of 500, printed on wove paper with watermark: Original Turkey Mill Rent, inscribed lower right: Invented, Painted & Etched by J.J. Tissot, 1881. 17, Grove End Rd. St. John's Wood, London. Framed.
  3. —"The Prodigal Son: In Foreign Climes" Wentworth 59 etching, 15" X 13", 1882; second state of two, with the addition of Biblical texts, from the edition of 500, printed on laid paper, signed and dated in the plate lower left: J.J. Tissot 1881. Framed.
  4. —"The Prodigal Son: The Fatted Calf" Wentworth 61 etching, 15" X 13", c. 1881; second state of two, with the addition of Biblical text in the title margin, lower center; from the edition of 400 after the edition of 100 (total edition 500), printed on heavy cream laid paper, signed and dated lower left: J.J. Tissot 1881. Framed.
  5. —"The Prodigal Son: The Return" etching, 14.75" X 12", c. 1881, printed on heavy cream laid paper, signed and dated lower right: J.J. Tissot 1881. Framed.


  1. A large collection of fabulous original paintings by outsider artist Dennis L. Olejarczyk, of Muskegon, Michigan. Combining surrealist and Pop art elements, and expressed with a vibrant palette and unique perspective and humor, the paintings include: Crack Santa, Rescue Mission Santa #4, Kool-Aid, The White Castle Suffle, Bob & Merle Scolnik, Green Span the Real Prez, Road Kill, John Allen, Dick Cheney, Obama, The Mad Plumber, Where Have You Been, Empty Tumblers, To the Political Correct #2, Chicken Little Gets His, The Big Frown, Those Extreme Masochists, and many more!


  1. "La Fuite Du Temps" limited edition bronze sculpture by American figurative sculptor Richard MacDonald (b. 1946); on marble base, with artist signature to the edge of sculpture, along with edition number of 12/175. Height is 13.5" including base. Certificate of Authenticity from Merril Chase Galleries.
  2. Félix Buhot (France, 1847-1898), "L'Hiver à Paris," 1879, etching with remarques, 9.5 X 13.5", B/G 198, framed
  3. "Dame Jacinthe" from "Le Chevalier de Maison-Rouge" by Théophile Steinlen (France, 1859-1923), original lithograph signed on stone, 1900, imp. Delanchy & Co., Paris, 7 X 9", SC239, framed size 17"W x 19.75"H
  4. Emerik Feješ (Serbian, 1904-1969) signed framed painting of Zagreb
  5. Emerik Feješ (Serbian, 1904-1969) signed framed painting of Amalfi Cathedral (Duomo di Amalfi)
  6. Emerik Feješ (Serbian, 1904-1969) signed framed painting of Sarajevo
  7. Signed framed painting of Venecija (Venice) by Serbian naive and outsider artist Emerik Feješ (1904-1969)
  8. "Sunday Afternoon" color lithograph by graphic artist and printmaker Harold Altman (American, 1924-2003), signed, edition 74/165, framed size 20.25"W x 27.325"H
  9. "Yielding" painting by M. McDonald, framed size 9-1/4"W x 9-1/2"H
  10. An Iroquois (Six Nations) steatite/soapstone carved sculpture created by Canadian Indigenous artist Dan Thomas, signed on base and dated '83, and approximately 2-1/4"W x 8"H x 5"D.
  11. A Six Nations carved stone folk art figure, approx. 6"W x 6"H x 3"D
  12. A vintage rectangular wood marquetry wall art piece featuring a landscape with a curved bridge, trees, and setting sun. 11-5/8"W x 16"H
  13. Two banana bark artwork landscape scenes, each 8" x 10", handmade by artisan in Hawai`i, meticulously constructed by layering and arranging pieces of natural dried banana plant fibers and bark. Matted and framed size 15"W x 17"H.

Native American Pottery, Baskets, and Textiles

  1. Antique Native American ceramic canteen from Zia Canyon area, decorated with a geometric avian design; circa 1890-1910
  2. A prehistoric Casas Grandes black on red pottery olla or jar, approximately 8 inches wide
  3. A Native American twined basket hat, possibly Klamath, with fine twining and tight construction typical of Northwest basketry. Brown natural fibers with yellow fiber overlay in geometric pattern band. 7-1/2"W x 4-1/4"H
  4. Antique Native American Shastan / Shasta Group twined woven basket with Shaman Hands motif; early 20th C., 4-1/2 inches tall
  5. An old Klamath Tribes / Maklaks hand-woven, twined basket or basket hat with dark browns and yellow/cream overlay in geometric mountain peak motif; 7"W x 4"H
  6. A Northwest Coast Makah pictorial lidded basket, crafted by Makah weavers using bear grass and cedar bark with a traditional whaling boat or canoe design; dating to circa 1900 - 1930. 5.25"W x 3"W.
  7. Antique Native American beaded hide pouch, commonly used as a medicine or tobacco bag; crafted from soft tanned hide or buckskin, decorated with small glass seed beads and leather fringe; a central cross or geometric beadwork pattern in red, "greasy yellow," white, and green seed beads on both the pouch body and the extended tab, and a long, braided leather strap for wearing or hanging.
  8. Pair of vintage/antique Plains Indian glass beaded leather moccasins, likely Cheyenne or Lakota Sioux; soft buckskin or hide hand-sewn with intricate geometric lane-stitched beadwork in black, white, red, and blue
  9. Pair of Native American beaded hide moccasins—likely 19th-century Lakota Sioux or Northern Plains origin—with sinew-sewn tanned hide and intricate beadwork of predominantly black vamp fields accented with distinctive geometric stepped or checkerboard beadwork in black, green, yellow, and white
  10. A child’s sized pair of traditional Native American beaded leather moccasins, likely Plains Indian or Lakota Sioux-style; with glass seed beadwork featuring a central vertical white stripe flanked by bold blue fields and red-and-white curved border motifs on soft suede hide. Integrated leather tie laces through the cuff fold.
  11. Vintage pair of Native American children's beaded moccasins, likely Lakota Sioux; tanned hide sinew-sewn with glass seed beads in light and medium blue, dark blue, white, red, amber, and green. Approximately 4 inches long.
  12. Antique Native American Cheyenne children's moccasins circa 1895-1900, hand-sewn hide with applied glass seed beads decoration in green, turquoise, red, blue, and white
  13. Pair of Native American Indian beaded hard sole sinew sewn moccasins, tanned leather with glass seed beadwork in lane stitch rows of red and white beads; integrated leather tie laces through the cuff fold.
  14. Pair of antique Native American Indian beaded moccasins, sinew-sewn with extensive beadwork in geometric pattern of amber, dark blue, pink, and white; integrated leather tie laces through the cuff fold.

Furniture and Fine Furnishings

  1. A circa 1965 Kevi office chair, designed by Danish architect and designer Jørgen Rasmussen; stamped underneath with Made in Denmark by KEVI of Copenhagen; and a late 20th Century Houghton Mifflin reading or laptop table with adjustable angle and heights, on casters, unmarked
  2. A Raymond Loewy DF2000 two-sided room divider cabinet, by Raymond Loewy for Doubinsky Freres, 1968; a marvelous two-sided, eight door buffet or room divider from the ‘DF2000’ collection, with eight doors situated on two sides, the fronts moulded from vivid red Metacrylene set in a frame of off-white plastic supported by moulded aluminum lacquered white.
  3. A Raymond Loewy DF 2000 dressing cabinet, "Valet 2000/50" designed by Raymond Loewy for Doubinsky Freres, circa 1969; this model in the Sepia color scheme.
  4. A Raymond Loewy DF2000 two-drawer mini-credenza console table (or stereo/tv table!), from the “DF2000” collection designed by legendary industrial designer Raymond Loewy and produced by Doubinsky Freres, 1968; the drawer fronts moulded from vivid red Metacrylene set in a frame of off-white plastic and rosewood veneer supported by moulded lacquered white aluminum
  5. A set of 4 vintage 1970s Italian Flyline spaghetti side chairs by Giandomenico Bellotti
  6. A collection of Kartell Milano waste baskets in white, red, and brown, designed by G. Colombini
  7. A Mid-Century Modern wenge wood party bowl, designed by Sven Aage Petersen for SAAP Denmark during the 1960s
  8. Magnificently crafted display box for an ancient Peruvian textile featuring birds banded with rows of geometric symbols, possibly pre-Columbian Andean (Paracas or Inca style.) The textile fragment is under glass, carefully framed in a hand hammered sterling silver frame. This handsome display box was painstakingly hewn from a single piece of wood; box is approximately 7.5" long.
  9. A vintage limited edition Charles Frodsham brass globe desk clock, with engraved world map and a unique silvered time-indicator shaped like a fish tail, edition number 0310/5000 engraved on the central winding plate, this clock does run. Created exclusively for The Heritage Collection, comes with the original certificate of authenticity, and letter with globe clock care recommendations from Charles Frodsham & Co Ltd.
  10. A vintage brass-gilded carriage clock / bracket clock with blue enamel framing, manufactured by the famous British clockmaking firm Thwaites & Reed. This clock does run, and the face has stylized Roman numerals with star markers between them and elegant gold-toned openwork hands. A vibrant royal blue enamel arched backdrop surrounds the dial, and it is marked with the brand crest at the 12 o'clock position and "Made in England" subtly at the bottom. Comes with original paperwork from Thwaites & Reed Limited.
  11. A vintage 1980s Charles Frodsham & Co. London "Elizabeth of Glamis" limited edition sterling silver desk/carriage clock with “Mile-stone” case, #403/800, with original box.
  12. A vintage Reuge Music Sainte-Croix cylinder music box made in Switzerland featuring a walnut case and a glass dust cover over the brass movement; plays "Sonate No. 2 - Clair de Lune by L. Beethoven, 5ᵉ Symphonie by L. Beethoven, 9ᵉ Symphonie by L. Beethoven; Model/Movement: CH 3/72 (3-song / 72-note cylinder movement), serial number 37216.
  13. A vintage Reuge Music Sainte-Croix cylinder music box made in Switzerland featuring a walnut case and a glass dust cover over the brass movement; plays "The Thieving Magpie" (3 parts) by G. Rossini, Model/Movement: CH 3/72 (3-song / 72-note cylinder movement), serial number 37207.
  14. A vintage Kosta Boda "Pippi" Ice Bucket with a detachable chrome handle, designed by Vicke Lindstrand; comes with original packaging.

Asian Art, Furniture, and Collectibles

  1. A vintage Japanese Amita damascene ware display plate, 5-3/4"W, featuring the iconic Kinkaku-ji (The Golden Pavilion) temple in Kyoto and signed by artist Tetsuzoh Shoji. The metal plate is meticulously inlaid with 24K gold, green gold, and pure silver, and comes with original purchase and guarantee paperwork from Amita Corp., Kyoto Handi Craft Center in 1988.
  2. An antique Chinese hardwood Loupan Feng Shui geomantic compass, completely decorated with Chinese ideograms on both the front and back using hand-inscribed calligraphy
  3. Traditional Ryukyu lacquerware tray and dish from Okinawa, Japan, featuring a raised, carved red hibiscus flower against a glossy black background
  4. A charming Ryukyu Urushi ware red lacquered wooden vase, 8 inches tall, with a striking raised yellow hibiscus flower design on the side. The vase has a metal insert to hold water for flowers.
  5. A traditional Chinese fan-shaped calligraphy piece featuring the large characters (yi ru) at the top and a smaller inscription which translates to "may every year be as you wish and bring peace and safety." Framed size is 15.5"W x 13.5"H.

Collectibles / Miscellany

  1. A 200th anniversary commemorative model of Richard Trevithick's Steam Locomotive and an enclosed uncirculated 2004 uncirculated two pound coin issued by Royal Mint; comes with certificates of authenticity
  2. A carved antler handcrafted Inukshuk figure, 5"W x 5.25"H x 1-3/8"D
  3. A 1940s-50s vintage wood Brown Derby Hat cigarette box from the Brown Derby restaurant in Hollywood, California. Distributed as a souvenir or tabletop container at the iconic Hollywood restaurant. Stamped on the underside of the lid "Brown Derby Hollywood/Trademark." 3"H x 7.25"L x 5"W
  4. Antique Ernst Plank children's magic lantern toy circa 1879 with a japanned black metal body with brass-toned scroll feet; made in Germany.
  5. A circa 1880s Ernst Plank German-made magic lantern projector, brass body with red painted tin lens extension, ornate decorative cast iron projector support, on original painted wooden base, with attached manufacturer's plate.
  6. 48" marquee red acrylic sign numbers
"Cybernetic Lobster Telephone" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Cosmic Wind" acrylic on masonite painting by Leonardo Nierman (Mexico, 1932-2023), signed, 24 X 32", framedOriginal painting "The Big Frown" by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Signed, and dated '02, front and back. Framed size 17"W x 19-1/4"H.Salvador Dali, "The Eye of Surrealistic Time," mixed media, 16 X 22", signed. # A45/175, framedJames Tissot "The Prodigal Son: The Fatted Calf" Wentworth 61 etching, 15" X 13", c. 1881; second state of two, with the addition of Biblical text in the title margin, lower center; from the edition of 400 after the edition of 100 (total edition 500), printed on heavy cream laid paper, signed and dated lower left: J.J. Tissot 1881. Framed.Closeup view of Salvador Dali's "King John" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.A Raymond Loewy DF2000 two-sided room divider cabinet, by Raymond Loewy for Doubinsky Freres, 1968; a marvelous two-sided, eight door buffet or room divider from the ‘DF2000’ collection, with eight doors situated on two sides, the fronts moulded from vivid red Metacrylene set in a frame of off-white plastic supported by moulded aluminum lacquered white.“Gateway” signed color lithograph by Robert Kipness, edition #95/150, image 16-3/4"W x 14"H, framed size 24-1/2"W x 22-5/8"H.Leonardo Nierman (Mexico, b. 1932), "Mystic Flame" color lithograph, 15 X 22", signed, #69/125, framed."Arabesque I" color lithograph by Leonardo Nierman; 11 X 16", signed, #120/150, framed, reverse has vintage foil gallery tag from Merrill Chase GalleriesReverse view of "Arabesque I" color lithograph by Leonardo Nierman; 11 X 16", signed, #120/150, framed; reverse has vintage foil gallery tag from Merrill Chase GalleriesPair of vintage/antique Plains Indian glass beaded leather moccasins, likely Cheyenne or Lakota Sioux; soft buckskin or hide hand-sewn with intricate geometric lane-stitched beadwork in black, white, red, and blueAntique Native American Shastan / Shasta Group twined woven basket with Shaman Hands motif; early 20th C., 4-1/2 inches tall "Firebird" color lithograph by Leonardo Nierman, 15.75 X 23.5", signed, #64/175, framed size is 24"W x 32-5/8"H."Arabesque II" color lithograph by Leonardo Nierman; 11 X 16", signed, #126/150, framed, reverse has vintage foil gallery tag from Merrill Chase GalleriesLeonardo Nierman "Seagull" abstract sculpture of a bird in flight, carved pale green onyx on black marble plinth, 29 X 17 X 11" d., signedMore views of Leonardo Nierman "Seagull" abstract sculpture of a bird in flight, carved pale green onyx on black marble plinth, 29 X 17 X 11" d., signedA vintage Japanese Amita damascene ware display plate, 5-3/4"W, featuring the iconic Kinkaku-ji (The Golden Pavilion) temple in Kyoto and signed by artist Tetsuzoh Shoji. The metal plate is meticulously inlaid with 24K gold, green gold, and pure silver, and comes with original purchase and guarantee paperwork from Amita Corp., Kyoto Handi Craft Center in 1988.The Water Tower (1972), an original color etching and drypoint from the Visions of Chicago suite by Salvador Dalí.  Numbered #XVII / L, size 20x12", signed, framed.The Art Institute (1972), an original color etching and drypoint from the Visions of Chicago suite by Salvador Dalí.  Numbered #XVII / L, size 12 X 20", signed, framedMuseum of Science and Industry (1972), an original color etching and drypoint from the Visions of Chicago suite by Salvador Dalí.  Numbered #XVII / L, size 12 X 20", signed, framedBuckingham Fountain (1972), an original color etching and drypoint from the Visions of Chicago suite by Salvador Dalí.  Numbered #XVII / L, size 12 X 20", signed, framedRobert Kipniss (American, b. 1931); "Highlands" a framed, signed oil on canvas landscape artwork of cabins or sheds nestled among dark trees beneath a pale, overcast sky.  Painting is 15.5" X 19.5", framed size overall 27-1/8" x 23-3/16"Closeup of signature on Robert Kipniss (American, b. 1931); "Highlands" a signed, framed oil on canvas landscape artwork of  cabins or sheds nestled among dark trees beneath a pale, overcast sky.  Painting is 15.5" X 19.5", overall 27-1/8" x 23-3/16"Reverse view of "Highlands" by Robert Kipniss; a signed, framed oil on canvas landscape artwork of  cabins or sheds nestled among dark trees beneath a pale, overcast sky.  Painting is 15.5" X 19.5", overall 27-1/8" x 23-3/16""Just Beyond" signed lithograph by Robert Kipniss, 17 X 14", edition #270/275, framed size 27”W x 24”HWooden presentation box for "Imaginations and Objects of the Future." The complete portfolio, comprising 11 intaglios and lithographs printed in colors, six with collage, and including Dalinean Prophecy; 1975, each signed in pencil and inscribed 'LVI/LXXV', the prints on Japon, the cover sheets on wove, with title and justification pages and introductory text in English by the artist and publisher.Inside the wooden presentation box for "Imaginations and Objects of the Future." The complete portfolio, comprising 11 intaglios and lithographs printed in colors, six with collage, and including Dalinean Prophecy; 1975, each signed in pencil and inscribed 'LVI/LXXV', the prints on Japon, the cover sheets on wove, with title and justification pages and introductory text in English by the artist and publisher."Breathing Pneumatic Armchair" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'Title and justification page from "Breathing Pneumatic Armchair" "Breathing Pneumatic Armchair" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, wove paper"Biologic Garden" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Cyclopean Makeup" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Liquid Tornado Bathtub" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Cybernetic Lobster Telephone" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Melting Space Time" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Liquid and Gaseous Television" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Antiumbrella with Atomized Liquids" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Intrauterine Paradisiac Locomotion" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'Closeup of "Intrauterine Paradisiac Locomotion" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'Closeups of "Intrauterine Paradisiac Locomotion" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Spectacles with Holograms" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'Closeup of "Spectacles with Holograms" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'Closeup of "Spectacles with Holograms" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Liquid Tornado Bathtub" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'Closeup of "Liquid Tornado Bathtub" from Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 21” X 28”, signed in pencil and inscribed 'LVI/LXXV'"Dalinean Prophecy" bonus print included in Salvador Dali’s “Objects and Imaginations of the Future” suite, 1975, Japon paper edition, 22-1/8” X 30-1/4”, signed in pencil and inscribed 'LVI/LXXV'"La Fuite Du Temps" limited edition bronze sculpture by American figurative sculptor Richard MacDonald (b. 1946); on marble base, with artist signature to the edge of sculpture, along with edition number of 12/175. Height is 13.5" including base. Certificate of Authenticity from Merril Chase Galleries. More views of "La Fuite Du Temps" limited edition bronze sculpture by American figurative sculptor Richard MacDonald (b. 1946); on marble base, with artist signature to the edge of sculpture, along with edition number of 12/175. Height is 13.5" including base. Certificate of Authenticity from Merril Chase Galleries. More views of "La Fuite Du Temps" limited edition bronze sculpture by American figurative sculptor Richard MacDonald (b. 1946); on marble base, with artist signature to the edge of sculpture, along with edition number of 12/175. Height is 13.5" including base. Certificate of Authenticity from Merril Chase Galleries. A Raymond Loewy DF2000 two-sided room divider cabinet, by Raymond Loewy for Doubinsky Freres, 1968; a marvelous two-sided, eight door buffet or room divider from the ‘DF2000’ collection, with eight doors situated on two sides, the fronts moulded from vivid red Metacrylene set in a frame of off-white plastic supported by moulded aluminum lacquered white.Closeup of inside the Raymond Loewy DF2000 two-sided room divider cabinet, by Raymond Loewy for Doubinsky Freres, 1968; a marvelous two-sided, eight door buffet or room divider from the ‘DF2000’ collection, with eight doors situated on two sides, the fronts moulded from vivid red Metacrylene set in a frame of off-white plastic supported by moulded aluminum lacquered white.A Raymond Loewy DF 2000 dressing cabinet, "Valet 2000/50" designed by Raymond Loewy for Doubinsky Freres, circa 1969; this model in the Sepia color scheme.More views of the Raymond Loewy DF 2000 dressing cabinet, "Valet 2000/50" designed by Raymond Loewy for Doubinsky Freres, circa 1969; this model in the Sepia color scheme.A Raymond Loewy DF2000 two-drawer console table or stereo/tv table, from the “DF2000” collection designed by legendary industrial designer Raymond Loewy and produced by Doubinsky Freres, 1968; the drawer fronts moulded from vivid red Metacrylene set in a frame of off-white plastic and rosewood veneer supported by moulded lacquered white aluminum. (In one photo, shown atop a Raymond Loewy DF-2000 coffee table)A Raymond Loewy DF2000 two-drawer mini-credenza console table (or stereo/tv table!), from the “DF2000” collection designed by legendary industrial designer Raymond Loewy and produced by Doubinsky Freres, 1968; the drawer fronts moulded from vivid red Metacrylene set in a frame of off-white plastic and rosewood veneer supported by moulded lacquered white aluminum. (Shown atop a Raymond Loewy DF-2000 coffee table)"Cosmic Wind" acrylic on masonite painting by Leonardo Nierman (Mexico, 1932-2023), signed, 24 X 32", framed, reverse shows vintage foil gallery tag from Merrill Chase Galleries, a prominent Chicago-based fine art dealerBack view of "Cosmic Wind" acrylic on masonite painting by Leonardo Nierman, 24" X 32", signed; shows vintage foil gallery tag from Merrill Chase Galleries, a prominent Chicago-based fine art dealerJames Tissot "The Parable of the Prodigal Son: Frontispiece" Wentworth 57 etching, 18" X 14", 1882; only state, from the total edition of 500, printed on wove paper with watermark: Original Turkey Mill Rent, inscribed lower right: Invented, Painted & Etched by J.J. Tissot, 1881. 17, Grove End Rd. St. John's Wood, London. Framed.Reverse view of "The Parable of the Prodigal Son: Frontispiece" Wentworth 57 etching by James Tissot, 18" X 14", 1882; only state, from the total edition of 500, printed on wove paper with watermark: Original Turkey Mill Rent, inscribed lower right: Invented, Painted & Etched by J.J. Tissot, 1881. 17, Grove End Rd. St. John's Wood, London. Framed.Closeup of reverse of "The Parable of the Prodigal Son: Frontispiece" Wentworth 57 etching by James Tissot, 18" X 14", 1882; only state, from the total edition of 500, printed on wove paper with watermark: Original Turkey Mill Rent, inscribed lower right: Invented, Painted & Etched by J.J. Tissot, 1881. 17, Grove End Rd. St. John's Wood, London. Framed.James Tissot "The Prodigal Son: The Return" etching, 14.75" X 12", c. 1881, printed on heavy cream laid paper, signed and dated lower right: J.J. Tissot 1881. Framed.Reverse of James Tissot "The Prodigal Son: The Return" etching, 14.75" X 12", c. 1881, printed on heavy cream laid paper, signed and dated lower right: J.J. Tissot 1881. Framed. Has vintage foil tag from Merrill Chase Galleries.James Tissot "The Prodigal Son: In Foreign Climes" Wentworth 59 etching, 15" X 13", 1882; second state of two, with the addition of Biblical texts, from the edition of 500, printed on laid paper, signed and dated in the plate lower left: J.J. Tissot 1881. Framed.Reverse of James Tissot "The Prodigal Son: In Foreign Climes" Wentworth 59 etching, 15" X 13", 1882; second state of two, with the addition of Biblical texts, from the edition of 500, printed on laid paper, signed and dated in the plate lower left: J.J. Tissot 1881. Framed.Closer view of reverse of James Tissot "The Prodigal Son: In Foreign Climes" Wentworth 59 etching, 15" X 13", 1882; second state of two, with the addition of Biblical texts, from the edition of 500, printed on laid paper, signed and dated in the plate lower left: J.J. Tissot 1881. Framed.James Tissot "The Prodigal Son: The Fatted Calf" Wentworth 61 etching, 15" X 13", c. 1881; second state of two, with the addition of Biblical text in the title margin, lower center; from the edition of 400 after the edition of 100 (total edition 500), printed on heavy cream laid paper, signed and dated lower left: J.J. Tissot 1881. Framed.Reverse view of James Tissot "The Prodigal Son: The Fatted Calf" Wentworth 61 etching, 15" X 13", c. 1881; second state of two, with the addition of Biblical text in the title margin, lower center; from the edition of 400 after the edition of 100 (total edition 500), printed on heavy cream laid paper, signed and dated lower left: J.J. Tissot 1881. Framed.Closeup of reverse of James Tissot "The Prodigal Son: The Fatted Calf" Wentworth 61 etching, 15" X 13", c. 1881; second state of two, with the addition of Biblical text in the title margin, lower center; from the edition of 400 after the edition of 100 (total edition 500), printed on heavy cream laid paper, signed and dated lower left: J.J. Tissot 1881. Framed.A collection of original paintings by outsider artist Dennis L. Olejarczyk, Muskegon, Michigan"Rescue Mission Santa #3" aka "Crack Santa" original signed painting on board, dated '09 by Dennis L. Olejarczyk. Framed size is 25"W x 33"H.Reverse view of "Rescue Mission Santa #3" aka "Crack Santa" original signed painting on board, dated '09, by Dennis L. Olejarczyk. Framed size is 25"W x 33"H."Rescue Mission Santa #4" original signed painting on board, dated '09, by Dennis L. Olejarczyk. Framed size is 18-7/8"W x 21-3/8"H."Kool-Aid & Milk Mail Figures" original painting on board by outsider artist Dennis L. Olejarczyk, signed, dated '89, 26"W x 24"H."White Castle" original painting on board, signed and dated '98 by Muskegon, Michigan outsider artist D. L. Olejarczyk. 22"W x 24"H. The stylized painting commemorates the 50th anniversary of fast-food hamburger chain White Castle, and features a cartoonish bull head, red balloons, streamers, and a rendering of a classic White Castle building and slider box, all on a bright chartreuse or lime green background, with text reading "BURGER," "White Castle," "50 YEARS," and is dated 1995 with the signature D. L. Olejarczyk."Hot Dogging" – original painting on board by outsider artist D. L. Olejarczyk. Signed front and back, dated '02, framed, total size 18-3/8"W x 20"H. This painting features a man in a purple long-sleeve shirt standing in profile before a black background, his left arm raised balancing a spinning red plate, with a smaller spinning red plate perched on his shoulder, and three golden balls floating in space around him. Signed "D.L. Olejarczyk" with date in the bottom edge of the lower right-hand golden ball. "The White Castle Suffle" original painting by outsider artist Dennis L. Olejarczyk. Signed, and dated '98. Dimensions 19"W x 21"H. Depicts a surreal, long-nosed figure wearing a green witch's hat with a neck collaged or layered with vintage White Castle slider-box graphics in front of a dark, star-like background accented by floating teardrop shapes. Signed "D.L. Olejarczyk '98" in the bottom right corner."Strange Balloons Updraft" original painting on board by outsider artist Dennis L. Olejarczyk, dated 1996, signed, 20"W x 21.25"H. A surrealist-style painting on a light-green background featuring components of a stylized face, hands holding a pitchfork, a boot, a hand in a blue pocket, and floating fruits including red apples and a yellow pear. Signed "D.L. Olejarczyk '96" in the bottom right corner.And more from the selection of original paintings by Michigan outsider artist Dennis Olejarczyk"Where Have You Been" original painting on board by outsider artist Dennis L. Olecarzyk, Michigan; dated 1991, signed, framed size  27-3/8"W x 25-1/8"H. Depicts a surreal, hybrid creature featuring a human-like head wearing a yellow hat, a yellow-sleeved torso extending into a quadrupedal lower body resembling a dog with a white tail. The composition is framed in black and surrounded by graphic question and exclamation marks in green and blue. Signed "D.L. Olejarczyk '91" in the bottom right corner.Closeup of signature on "Where Have You Been" original painting on board by outsider artist Dennis L. Olecarzyk, Michigan; dated 1991, signed, framed size  27-3/8"W x 25-1/8"H. Depicts a surreal, hybrid creature featuring a human-like head wearing a yellow hat, a yellow-sleeved torso extending into a quadrupedal lower body resembling a dog with a white tail. The composition is framed in black and surrounded by graphic question and exclamation marks in green and blue. Signed "D.L. Olejarczyk '91" in the bottom right corner."The Leprechaun Lift" original signed painting on board, signed, dated '96 by outsider artist Dennis L. Olejarczyk. Framed size is 20.5"W x 23"H."Flomego" original signed painting on board, signed, dated '96 by outsider artist Dennis L. Olejarczyk. Framed size is 17-1/8"W x 20-3/8"H."Greenspan the Real Pres" original signed painting on board, signed, dated '01, by outsider artist Dennis L. Olejarczyk. Framed size is 23.75"W x 20"H."Three Stooges Jesus Buddha Mohammad" original painting on board by outsider artist Dennis L. Olejarczyk, signed, dated '02, framed size is 23.75"W x 20"H."Wall Flowers" original painting by Michigan outsider artist Dennis L. Olejarczyk, signed, dated '95, framed size is 22"W x 23"H."Cow" original painting by Michigan outsider artist Dennis L. Olejarczyk, signed, dated '91, framed size is 26.75"W x 22.25"H."John Allen" original painting by Michigan outsider artist Dennis L. Olejarczyk, signed, dated '96, framed size is 21-5/8"W x 22-3/4"H.Original painting "Road Kill" by Michigan outsider artist Dennis L. Olejarczyk, signed, dated '00, framed size is 26"W x 27.5"H."Space Dynamics," watercolor painting by Leonardo Nierman, 10 x 14", signed lower right, framed; reverse with hand-written title of painting and dedication "For Audrey and John with my deepest affection L Nierman 1975"Reverse of "Space Dynamics," watercolor painting by Leonardo Nierman, 10 x 14", signed lower right, framed; reverse with hand-written title of painting and dedication "For Audrey and John with my deepest affection L Nierman 1975""Fishing Boats," watercolor painting by Leonardo Nierman, 9 X 13", signed, framed; reverse with attached clear sleeve containing brown paper with title of painting and dedication "For John & Audrey Paton with my very best wishes and affection L. Nierman 1983"Reverse of "Fishing Boats," watercolor painting by Leonardo Nierman, 9 X 13", signed, framed; reverse with attached clear sleeve containing brown paper with title of painting and dedication "For John & Audrey Paton with my very best wishes and affection L. Nierman 1983""Space Dynamics," watercolor painting by Leonardo Nierman, 9-5/8 x 13-1/2", signed, framed 16-1/2"W x 20-5/8"H; reverse with attached clear sleeve containing brown paper with title of painting and dedication "For John & Audrey Paton most fondly L. Nierman 1983"Reverse of "Space Dynamics," watercolor painting by Leonardo Nierman, 9-5/8 x 13-1/2", signed, framed 16-1/2"W x 20-5/8"H; reverse with attached clear sleeve containing brown paper with title of painting and dedication "For John & Audrey Paton most fondly L. Nierman 1983"Sale Picture"Kipniss: Interiors and Backyards" limited edition portfolio set of 4 lithograph prints, 1977, each signed lower right margin and #144/250 lower left margin, published by Merrill Chase Galleries, Chicago and printed by George Miller and Sons, New York, including ‘Summer II’, ‘Murie’s Window’, ‘Interior with Balcony’ and ‘Gateposts and Dusk’; in a green cloth-bound portfolio with a Merrill Chase certificate of authenticity. All 4 untitled limited edition lithographs from this portfolio are framed as shown."Interior With Balcony" limited edition lithograph print by Robert Kipniss, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H."Murie’s Window" limited edition lithograph print by Robert Kipniss, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H."Summer II" limited edition lithograph print by Robert Kipniss, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H."Gateposts and Dusk" limited edition lithograph print by Robert Kipniss, signed, #144/250, from the 'Kipniss: Interiors and Backyards' portfolio. Lithograph is 12"W x 16"H, framed size 19-1/4"W x 23-3/4"H.“Gateway” signed color lithograph by Robert Kipness, edition #95/150, image 16-3/4"W x 14"H, framed size 24-1/2"W x 22-5/8"H."Just Beyond" limited edition lithograph print by Robert Kipniss, signed, edition #270/275, image 17”W x 14”H, framed size 27-3/8”W x 24-3/8”HA vintage rectangular wood marquetry wall art piece featuring a landscape with a curved bridge, trees, and setting sun.  11-5/8"W x 16"H.A traditional Chinese fan-shaped calligraphy piece featuring the large characters (yi ru) at the top and a smaller inscription which translates to "may every year be as you wish and bring peace and safety." Framed size is 15.5"W x 13.5"H.Untitled lithograph by Robert Kipniss, 5 x 5-1/2", signed lower right corner, edition #122/160 lower left, framedUntitled lithograph by Robert Kipniss, 5 x 5-1/2", signed lower right corner, edition #122/160 lower left, framed"Sunday Afternoon" color lithograph by graphic artist and printmaker Harold Altman (American, 1924-2003), signed, edition 74/165, framed size 20.25"W x 27.325"H.Reverse of "Sunday Afternoon" color lithograph by graphic artist and printmaker Harold Altman (American, 1924-2003), signed, edition 74/165, framed size 20.25"W x 27.325"H."Alleys, Springfield 1995" color mezzotint by Robert Kipniss, 7 X 8", signed, #45/75, framed"Backyards, Evening 1995" limited edition color mezzotint by Robert Kipniss, signed, 7"W x 10"H, edition #43/60, framedA vintage straw or corn husk marquetry wall art depicting a traditional Thai or Asian celestial musician or dancer playing a stringed instrument against a textured dark background. Framed size 14"W x 17"H."Yielding" painting by M. McDonald, framed size 9-1/4"W x 9-1/2"HReverse view of "Yielding" painting by M. McDonald, framed size 9-1/4"W x 9-1/2"HBanana bark artwork landscape scene (1 of 2), 8" x 10", handmade by artisan in Hawai`i, meticulously constructed by layering and arranging pieces of natural dried banana plant fibers and bark. Matted and framed size 15"W x 17"H.Banana bark artwork landscape scene (2 of 2), 8" x 10", handmade by artisan in Hawai`i, meticulously constructed by layering and arranging pieces of natural dried banana plant fibers and bark. Matted and framed size 15"W x 17"H.Sale PictureSale PictureSale Picture"Erosion," acrylic on masonite by Leonardo Nierman, signed, framed; painting 31-7/16"W x 23"W, framed dimension 38-1/2"W x 31-5/16"H, reverse with hand-written title of painting and dedication "For Audrey and John with all my affection L Nierman 1973"Reverse view of "Erosion," acrylic on masonite by Leonardo Nierman, signed, framed; painting 31-7/16"W x 23"W, framed dimension 38-1/2"W x 31-5/16"H, reverse with hand-written title of painting and dedication "For Audrey and John with all my affection L Nierman 1973""Bird of Paradise" original acrylic on masonite painting, 24 X 32", by Leonardo Nierman (Mexico, 1932-2023), signed, framed."Dame Jacinthe" from "Le Chevalier de Maison-Rouge" by Théophile Steinlen (France, 1859-1923), original lithograph signed on stone, 1900, imp. Delanchy & Co., Paris, 7 X 9", SC239, framed size 17"W x 19.75"HReverse view of "Dame Jacinthe" from "Le Chevalier de Maison-Rouge" by Théophile Steinlen (France, 1859-1923), original lithograph signed on stone, 1900, imp. Delanchy & Co., Paris, 7 X 9", SC239, framed size 17"W x 19.75"H“Corner House” oil on canvas painting by Robert Kipniss (American, b. 1931.) Painting is 19" x 23", signed, framed size 22”W x 26”H. Reverse with handwritten dedication “To Audrey & John, with warm regards, Robert Kipniss 11/18/88” and a vintage foil Merrill Chase Chicago tag.Reverse of “Corner House” oil on canvas painting by Robert Kipniss (American, b. 1931.) Painting is 19" x 23", signed, framed size 22”W x 26”H. Reverse with handwritten dedication “To Audrey & John, with warm regards, Robert Kipniss 11/18/88” and a vintage foil Merrill Chase Chicago tag."Prismatic Dream" acrylic on masonite painting by Leonardo Nierman; signed,  23-5/8"W x 31-1/2"H, framed size 31-5/8"W x 39-1/2"H, reverse with vintage foil tag from Merrill Chase GalleriesReverse of "Prismatic Dream" acrylic on masonite painting by Leonardo Nierman; signed,  23-5/8"W x 31-1/2"H, framed size 31-5/8"W x 39-1/2"H, reverse with vintage foil tag from Merrill Chase Galleries“Meteor” original painting by Leonardo Neirman, acrylic on masonite, signed, framed; painting size 16”W x 23”H, framed 24-1/2W x 32-½”H, reverse with Merrill Chase Galleries sticker and hand-written dedication "To Audrey and John with all my affection L Nierman ‘97" Reverse view of “Meteor” original painting by Leonardo Neirman, acrylic on masonite, signed, framed; painting size 16”W x 23”H, framed 24-1/2W x 32-½”H, reverse with Merrill Chase Galleries sticker and hand-written dedication "To Audrey and John with all my affection L Nierman ‘97" "Shaded Path," oil on canvas painting by Robert Kipniss, 24 X 20", signed, framed,Reverse of "Shaded Path," oil on canvas painting by Robert Kipniss, 24 X 20", signed, framed,Original painting by Leonardo Nierman, acrylic on masonite, signed; painting 23-1/2"W x 31-1/2"H, framed size  30-3/8"W x 38-7/16"HCloseup view of Salvador Dali's "Henry V(a)" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Full-sized view of Salvador Dali's "Henry V(a)" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Henry IV" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Henry V(b)" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Henry VI" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Henry VIII" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "The Taming of the Shrew" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "The Merry Wives of Windsor" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Love's Labour Lost" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Troilus and Cressida" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Cymbeline" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "The Two Gentlemen of Verona" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Richard III(a)" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Richard III(b)" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "Timon of Athens" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "King John" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Closeup view of Salvador Dali's "All's Well That Ends Well" drypoint etching with color from Dali's Shakespeare II suite, 1971,  hand signed and numbered 131/250.  Image is 5"x7", sheet is 17-1/2 x 12-1/4 inches. Full suite available at this sale.Traditional Ryukyu lacquerware tray and dish from Okinawa, Japan, featuring a raised, carved red hibiscus flower against a glossy black background.More views of the traditional Ryukyu lacquerware tray and dish from Okinawa, Japan, featuring a raised, carved red hibiscus flower against a glossy black background.A charming Ryukyu Urushi ware red lacquered wooden vase, 8 inches tall, with a striking raised yellow hibiscus flower design on the side. The vase has a metal insert to hold water for flowers.More views of the charming Ryukyu Urushi ware red lacquered wooden vase, 8 inches tall, with a striking raised yellow hibiscus flower design on the side. The vase has a metal insert to hold water for flowers.A vintage Japanese Amita damascene ware display plate, 5-3/4"W, featuring the iconic Kinkaku-ji (The Golden Pavilion) temple in Kyoto and signed by artist Tetsuzoh Shoji. The metal plate is meticulously inlaid with 24K gold, green gold, and pure silver, and comes with original purchase and guarantee paperwork from Amita Corp., Kyoto Handi Craft Center in 1988.A Mid-Century Modern wenge wood party bowl, designed by Sven Aage Petersen for SAAP Denmark during the 1960sA 1940s-50s vintage wood Brown Derby Hat cigarette box from the Brown Derby restaurant in Hollywood, California. Distributed as a souvenir or tabletop container at the iconic Hollywood restaurant. Stamped on the underside of the lid "Brown Derby Hollywood/Trademark". 3" H x 7.25" L x 5" W.Signed framed painting of Zagreb by Serbian artist Emerik Feješ (1904-1969) Signed framed painting of Amalfi Cathedral (Duomo di Amalfi) by Serbian artist Emerik Feješ (1904-1969)Signed framed painting of Sarajevo scene by Serbian artist Emerik Feješ (1904-1969).Signed framed painting by Serbian artist Emerik Feješ (1904-1969), colorful naïve-style painting of a European street sceneSigned framed painting of Venecija (Venice) by Serbian naive and outsider artist Emerik Feješ (1904-1969).Félix-Hilaire Buhot (France, 1847-1898), "L'Hiver à Paris” also known as Winter in Paris, 1879, etching with remarques, 9.5 X 13.5", B/G 198, framed. A complex etching, drypoint, and aquatint that showcases Buhot's signature style of framing a main urban snow scene—depicting the Place Bréda in Paris with carriages, pedestrians, and stray dogs—with marginal vignettes (marges symphoniques) showing secondary sketches and the harsh realities of the severe 1879 winter.Reverse view of Félix-Hilaire Buhot (France, 1847-1898), "L'Hiver à Paris” also known as Winter in Paris, 1879, etching with remarques, 9.5 X 13.5", B/G 198, framed, Merrill Chase Galleries label on back. A complex etching, drypoint, and aquatint that showcases Buhot's signature style of framing a main urban snow scene—depicting the Place Bréda in Paris with carriages, pedestrians, and stray dogs—with marginal vignettes (marges symphoniques) showing secondary sketches and the harsh realities of the severe 1879 winter.Sale PictureSale PicturePair of vintage/antique Plains Indian glass beaded leather moccasins, likely Cheyenne or Lakota Sioux; soft buckskin or hide hand-sewn with intricate geometric lane-stitched beadwork in black, white, red, and blueMore views of the pair of vintage/antique Plains Indian glass beaded leather moccasins, likely Cheyenne or Lakota Sioux; soft buckskin or hide hand-sewn with intricate geometric lane-stitched beadwork in black, white, red, and bluePair of Native American beaded hide moccasins—likely 19th-century Lakota Sioux or Northern Plains origin—with sinew-sewn tanned hide and intricate beadwork of predominantly black vamp fields accented with distinctive geometric stepped or checkerboard beadwork in black, green, yellow, and whiteMore views of the pair of Native American beaded hide moccasins—likely 19th-century Lakota Sioux or Northern Plains origin—with sinew-sewn tanned hide and intricate beadwork of predominantly black vamp fields accented with distinctive geometric stepped or checkerboard beadwork in black, green, yellow, and whiteA child’s sized pair of traditional Native American beaded leather moccasins, likely Plains Indian or Lakota Sioux-style; with glass seed beadwork featuring a central vertical white stripe flanked by bold blue fields and red-and-white curved border motifs on soft suede hide. Integrated leather tie laces through the cuff fold.More views of the child’s sized pair of traditional Native American beaded leather moccasins, likely Plains Indian or Lakota Sioux-style; with glass seed beadwork featuring a central vertical white stripe flanked by bold blue fields and red-and-white curved border motifs on soft suede hide. Integrated leather tie laces through the cuff fold.Pair of Native American Indian beaded hard sole sinew sewn moccasins, tanned leather with glass seed beadwork in lane stitch rows of red and white beads; integrated leather tie laces through the cuff fold.Pair of antique Native American Indian beaded moccasins, sinew-sewn with extensive beadwork in geometric pattern of amber, dark blue, pink, and white; integrated leather tie laces through the cuff fold.Vintage pair of Native American children's beaded moccasins, likely Lakota Sioux; tanned hide sinew-sewn with glass seed beads in light and medium blue, dark blue, white, red, amber, and green. Approximately 4 inches long.Antique Native American ceramic canteen from Zia Canyon area, decorated with a geometric avian design; circa 1890-1910More views of the antique Native American ceramic canteen from Zia Canyon area, decorated with a geometric avian design; circa 1890-1910A prehistoric Casas Grandes black on red pottery olla or jar, approximately 8 inches wideMore views of the prehistoric Casas Grandes black on red pottery olla or jar, approximately 8 inches wideA Native American twined basket hat, possibly Klamath, with fine twining and tight construction typical of Northwest basketry. Brown natural fibers with yellow fiber overlay in geometric pattern band. 7-1/2"W x 4-1/4"HMore views of the Native American twined basket hat, possibly Klamath, with fine twining and tight construction typical of Northwest basketry. Brown natural fibers with yellow fiber overlay in geometric pattern band. 7-1/2"W x 4-1/4"HAn old Klamath Tribes / Maklaks hand-woven, twined basket or basket hat with dark browns and yellow/cream overlay in geometric mountain peak motif; 7"W x 4"HA Northwest Coast Makah pictorial lidded basket, crafted by Makah weavers using bear grass and cedar bark with a traditional whaling boat or canoe design; dating to circa 1900 - 1930. 5.25"W x 3"W.More views of the Northwest Coast Makah pictorial lidded basket, crafted by Makah weavers using bear grass and cedar bark with a traditional whaling boat or canoe design; dating to circa 1900 - 1930. 5.25"W x 3"W.Magnificently crafted display box for an ancient Peruvian textile featuring birds banded with rows of geometric symbols, possibly pre-Columbian Andean (Paracas or Inca style.) The textile fragment is under glass, carefully framed in a hand hammered sterling silver frame. This handsome display box was painstakingly hewn from a single piece of wood; box is approximately 7.5" long.More views of the magnificently crafted display box for an ancient Peruvian textile featuring birds banded with rows of geometric symbols, possibly pre-Columbian Andean (Paracas or Inca style.) The textile fragment is under glass, carefully framed in a hand hammered sterling silver frame. This handsome display box was painstakingly hewn from a single piece of wood; box is approximately 7.5" long.Salvador Dali's "Albert Schweitzer" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Jonas Salk" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Alexander Fleming" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Louis Pasteur" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Hippocrates" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Enrico Fermi" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Pierre Curie" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed.Salvador Dali's "Marie Curie" drypoint etching with color from Dali’s "Medicine and Science" suite of 8 engravings, 1970, 5 x 8.5", hand-signed and marked with edition #121/125, framed."Cyrano de Bergerac and Roxane" drypoint etching by Salvador Dali circa 1972, hand-signed, #637/1000, 12x18" and framed."Paris and Helen of Troy" drypoint etching by Salvador Dali circa 1972, hand-signed, #637/1000, 12x18" and framed.Antique Native American beaded hide pouch, commonly used as a medicine or tobacco bag; crafted from soft tanned hide or buckskin, decorated with small glass seed beads and leather fringe; a central cross or geometric beadwork pattern in red, "greasy yellow," white, and green seed beads on both the pouch body and the extended tab, and a long, braided leather strap for wearing or hanging.A vintage, handcrafted African beaded roll or coil accessory, likely originating from South African or East African traditions such as the Zulu or Kamba peoples, featuring intricate red, white, and light blue glass seed beads on a fiber or cloth coreAntique Ernst Plank children's magic lantern toy circa 1879 with a japanned black metal body with brass-toned scroll feet; made in Germany.A circa 1880s Ernst Plank German-made magic lantern projector, brass body with red painted tin lens extension, ornate decorative cast iron projector support, on original painted wooden base, with attached manufacturer's plate.Antique Native American Cheyenne children's moccasins circa 1895-1900, hand-sewn hide with applied glass seed beads decoration in green, turquoise, red, blue, and whiteAntique Native American Shastan / Shasta Group twined woven basket with Shaman Hands motif; early 20th C., 4-1/2 inches tallMore views of the antique Native American Shastan / Shasta Group twined woven basket with Shaman Hands motif; early 20th C., 4-1/2 inches tallAn antique Chinese hardwood Loupan Feng Shui geomantic compass, completely decorated with Chinese ideograms on both the front and back using hand-inscribed calligraphyReverse view of the antique Chinese hardwood Loupan Feng Shui geomantic compass, completely decorated with Chinese ideograms on both the front and back using hand-inscribed calligraphyA vintage Kosta Boda "Pippi" Ice Bucket with a detachable chrome handle, designed by Vicke Lindstrand; comes with original packaging.Carved stone folk art figure, approx. 6"W x 6"H x 3"D.More views of the carved stone folk art figure, approx. 6"W x 6"H x 3"D.An Iroquois (Six Nations) steatite/soapstone carved sculpture created by Canadian Indigenous artist Dan Thomas, signed on base and dated '83, and approximately 2-1/4"W x 8"H x 5"D.More views of the Iroquois (Six Nations) steatite/soapstone carved sculpture created by Canadian Indigenous artist Dan Thomas, signed on base and dated '83, and approximately 2-1/4"W x 8"H x 5"D.A 200th anniversary commemorative model of Richard Trevithick's Steam Locomotive and an enclosed uncirculated 2004 uncirculated two pound coin issued by Royal Mint; comes with certificates of authenticity. More views of the 200th anniversary commemorative model of Richard Trevithick's Steam Locomotive and an enclosed uncirculated 2004 uncirculated two pound coin issued by Royal Mint; comes with certificates of authenticity. A carved antler handcrafted Inukshuk figure, 5"W x 5.25"H x 1-3/8"DMore views of the carved antler handcrafted Inukshuk figure, 5"W x 5.25"H x 1-3/8"DA vintage limited edition Charles Frodsham brass globe desk clock, with engraved world map and a unique silvered time-indicator shaped like a fish tail, edition number 0310/5000 engraved on the central winding plate; this clock does run. Created exclusively for The Heritage Collection, comes with the original certificate of authenticity, and letter with globe clock care recommendations from Charles Frodsham & Co Ltd.More views of the vintage limited edition Charles Frodsham brass globe desk clock, with engraved world map and a unique silvered time-indicator shaped like a fish tail, edition number 0310/5000 engraved on the central winding plate. Created exclusively for The Heritage Collection, comes with the original certificate of authenticity, and letter with globe clock care recommendations from Charles Frodsham & Co Ltd.A vintage brass-gilded carriage clock / bracket clock with blue enamel framing, manufactured by the famous British clockmaking firm Thwaites & Reed. The clock runs; the face with stylized Roman numerals with star markers between them and elegant gold-toned openwork hands. A vibrant royal blue enamel arched backdrop surrounds the dial, and it is marked with the brand crest at the 12 o'clock position and "Made in England" subtly at the bottom. Comes with original paperwork from Thwaites & Reed Limited.More views of the vintage brass-gilded carriage clock / bracket clock with blue enamel framing, manufactured by the famous British clockmaking firm Thwaites & Reed. Runs; the clock face with stylized Roman numerals with star markers between them and elegant gold-toned openwork hands. A vibrant royal blue enamel arched backdrop surrounds the dial, and it is marked with the brand crest at the 12 o'clock position and "Made in England" subtly at the bottom. Comes with original paperwork from Thwaites & Reed Limited.A vintage 1980s Charles Frodsham & Co. London "Elizabeth of Glamis" limited edition sterling silver desk/carriage clock with “Mile-stone” case, #403/800, with original box. More views of the vintage 1980s Charles Frodsham & Co. London "Elizabeth of Glamis" limited edition sterling silver desk/carriage clock with “Mile-stone” case, #403/800, with original box. A vintage Reuge Music Sainte-Croix cylinder music box made in Switzerland  featuring a walnut case and a glass dust cover over the brass movement; plays "The Thieving Magpie" (3 parts) by G. Rossini, Model/Movement: CH 3/72 (3-song / 72-note cylinder movement), serial number 37207.A vintage Reuge Music Sainte-Croix cylinder music box made in Switzerland  featuring a walnut case and a glass dust cover over the brass movement; plays "Sonate No. 2 - Clair de Lune by L. Beethoven, 5ᵉ Symphonie by L. Beethoven, 9ᵉ Symphonie by L. Beethoven; Model/Movement: CH 3/72 (3-song / 72-note cylinder movement), serial number 37216.A circa 1965 Kevi office chair, designed by Danish architect and designer Jørgen Rasmussen; stamped underneath with Made in Denmark by KEVI of Copenhagen; and a late 20th Century Houghton Mifflin reading or laptop table with adjustable angle and heights, on casters, unmarkedA set of 4 vintage 1970s Italian Flyline spaghetti side chairs by Giandomenico BellottiAnother look at the set of 4 vintage 1970s Italian Flyline spaghetti side chairs by Giandomenico BellottiBright orange couch for that retro vibe!A collection of Kartell Milano waste baskets in white, red, and brown, designed by G. Colombini48" marquee red acrylic sign numbersPair of vintage Frye brown leather Campus cowboy boots size 10-1/2 DSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureOriginal, signed paintings by Michigan outsider artist Dennis L. Olejarczyk, paint on board: “Where Soxs Go” dated ‘95, size 18”W x 16”H; "015" dated '95, size 19”W x 17-13/16”H; “Balance” dated ‘94, size 16”W x 14”H; and untitled painting size 15”W x 16”H.Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “To the Political Correct #1” dated ‘95, size 15-3/16”W x 18”H; “Mustard & Ties #2” dated ‘95, size 17-1/2”W x 18”H; “Mustard & Ties #3” dated ‘95, size 17-1/4”W x 18”H; “Road of Life” dated ‘96, size 20”W x 17-1/4”H.  Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “When Sticks Fly” dated 1993, size 12”W x 10”H; “To the Political Correct #3” dated ‘95, size 16”W x 18”H; “Mustard & Ties #1” dated ‘95, size 17-1/2”W x 18-½”H; “Wind” dated ‘96, size 13”W x15”H.Original, signed paintings by outsider artist Dennis L. Olejarczyk, Michigan. Paint on board, signed. “Portrait” dated ‘03, size 18”W x 20”H; “Anthony Kooker” size 16”W x 20”H; untitled dated ‘03, size 16”W x 18”H; “The Big Smile” dated ‘02, size 13-3/4”W x 16”H.From our large collection of outsider art: original paintings by Muskegon, Michigan artist Dennis L. Olejarczyk. Paint on board. “Bluffton Municipal Speed Bump”, size 18”W x 20”H; “Talking Crow” dated ‘02, signed, size 18”W x 20”H; “Baseball” dated ‘95, signed, size 15-1/2”W x 16-1/2”W; “Waiting” dated ‘95, signed, size 22”W x 23”H.Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “Flower Folk Witch” signed, size 18”W x 19-13/16”H; “Hard Rider” dated ‘96, signed, size 21.5”W x 20”H; “Fish’en” signed, dated ‘96, size 24”W x 22”H; “The Mad Plumber” dated 1996, signed, size 18”W x 24”H.Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board. “The Serpent” dated 1990, signed, size 18”W x 22”H; “Dispair House” dated ‘96, signed, size 21-1/2”W x 20”H; “Dumb Shadows” dated ‘96, signed, size 20”W x 22”H; untitled, dated ‘03, signed, size 13.5”W x 15”H.board. “If It Looks Like A Duck” dated ‘04, signed, size 17-1/2”W x 20”H; untitled dated ‘95, signed, size 17”W x 20”H; “The Blind Fliddler” dated ‘97, signed, size 22”W x 23”H; “Some Clown” dated ‘96, signed, size 18.5”W x 20.5” W.Expressive, surrealistic, and vivid original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Painted on board. Untitled, dated ‘04, signed, size 16”W x 18”H; “Chicken Little Gets His” dated ‘95, signed, size 17.25”W x 18”H; “Rabbit With Finger Carrot” dated ‘97, signed, size 20”W x 18”H; “Things Under The Dock” dated 1989, signed, size 18”W x 22”H.Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “The Unwanted” dated ‘96, size 18-1/2”W x 20”H; “To the Political Correct #2” dated ‘95, size 18”W x 16”H; “Where Soxs Go” dated ‘95, size 19-1/2”W x 15-1/2”H; “Star Struck” dated ‘96, size 16”W x 16-1/2”H. Expressive, surrealistic, and vivid original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Painted on board. “Things That Smell” dated ‘96, signed, size 15”W x 16-1/2”H; “Get Up & Paint the Ketchen” dated ‘91, signed, size 22.5”W x 20.5”H; “Stained Glass” dated ‘96, signed, size 23”W x 21.5”H; “Crosby Remembered” dated ‘96, signed, size 20”W x 20”H. From our large collection of original paintings by Muskegon, Michigan outsider artist Dennis L. Olejarczyk. Paint on board, signed. “Peter Rabbit aka Easter Bunny”, dated ‘06, size 20”W x 18”H; “Ha! Ha! Ha!” dated ‘96, signed, size 20”W x 22”H; "Construction" dated ‘97, signed, size 24”W x 28”H; “Empty Tumblers” dated ‘97, signed, size 22”W x 24”H.Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “The Hat” dated ‘96, size 20”W x 18.5”H; “The Tray Toss” dated ‘96, size 19”W x 17”H; “Love Ate First Sight” dated ‘89, size 22”W x 18H; “Broken Latter” dated ‘96, size 18.25”W x 19.75”H. From our large collection of original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “Green Horn Lovers”, dated ‘95, size 18”W x 17.25”H; “GARS” dated ‘92, signed, size 18”W x 20”H; "Toucan" dated ‘96, signed, size 15.5”W x 17.5”H.Original paintings by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Paint on board, signed. “More YoYos” dated ‘96, size 23.5”W x 21.5”H; “A A Aerobics I” dated ‘96, size 27-3/4”W x 19-5/8”H; “A A Aerobics II” dated ‘96, size 27-3/4”W x 23-3/4”H."Gossip on a Stairwell" – original oil painting on board by Michigan outsider artist Dennis L. Olejarczyk. Signed and titled on the back, framed, total size 25"W x 27"H.Original painting on board by Muskegon, Michigan outsider artist Dennis L. Olejarczyk. Signed and dated ‘99, untitled; framed size 23-3/4”W x 25-1/4”H.“The Real Easter Rabbit” original painting on board by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Signed and dated ‘96, framed size 20” x 20”."Those Extreme Masochists" – a painting by outsider artist Dennis L. Olejarczyk. Signed lower right corner; framed."Self Portrait" original painting on board by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Signed lower right corner, dated '95. Framed size is 22"W x 24-1/2"H."Frisbee" original painting on board by outside artist Dennis L. Olejarczyk of Muskegon, Michigan. Signed and dated '00. Framed size is 15"W x 16-1/2"W."The Path of Matty's House" - an original painting by outsider artist Dennis L. Olejarczyk. Signed and dated '90. Framed size 27-1/2"W x 25-1/2"H.Original painting by outsider artist Dennis L. Olejarczyk. Signed lower right corner and dated '03. Framed size 20"W x 21"H."Go Fetch! Yes Dear" - original oil painting by outsider artist D. L. Olejarczyk of Muskegon, Michigan. Oil on board, signed and dated '91 lower right corner. Framed size 24"W x 27"H.Original painting titled "Jackson" by outsider artist D. L. Olejarczyk. Titled, signed, and dated '98 on the reverse. Framed size is 25"W x 27"H."Regretful Stroll" - original painting by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan.  Signed and dated '96. Framed size 19-1/4"W x 20-1/2"H."High Wind" - original painting by Michigan outsider artist D. L. Olejarczyk. Signed and dated '01. Framed size  21-1/2"W x 23-1/2"H.An original, untitled and signed painting by outsider artist D. L. Olejarczyk. Framed size 26-1/2"W x 30-1/2"H."Obama" original painting by outsider artist Dennis L. Olejarczyk. Acrylic on board, framed, signed and dated '09 lower right corner. Framed size 21"W x 25"H."Jolson Remembered" - original oil painting by outsider artist Dennis L. Olejarczyk. Signed and dated '96 in lower right corner. Framed size is 22-1/2"W x 24-1/4"H."J. R. Welsh" - original painting by Michigan outsider artist Dennis L. Olejarczyk. Signed and dated '01. Framed size 20.5"W x 21"H."Craig Broksted" painted by outsider artist Dennis L. Olejarczyk of Michigan. Signed and dated '96 at lower right. Framed size 16.75"W x 18.75"H.Original signed painting "Old Fruit" by outsider artist Dennis L. Olejarczyk of Muskegon, Michigan. Signed and dated '06 lower right corner; title, signature and date also on reverse. Framed size 25"W x 22-1/2"H.Original painting by Muskegon, Michigan outsider artist Dennis L. Olejarczyk. Signed lower right corner; framed size is 15"W x 27-1/4"H."Cattail" original painting by outsider artist Dennis L. Olejarczyk. Signed and dated '99 on front and back. Framed size is 23-1/4"W x 25"H."Head Cheese" - an original painting by outsider artist Dennis L. Olejarczyk. Signed and dated '96 on the reverse. Framed size 21-3/4"W x 23-1/4"H.Original framed paintings by Dennis L. Olejarczyk, outsider artist from Muskegon, Michigan. "Inspection Time 3 of 5", "Inspection Time 4 of 5," "Inspection Time 2 of 5," each signed and dated '96, and "The Big Frown" signed and dated '02.

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