Fine Art

online only auction | 1 day sale | 13 days away
Location
Boston, MA 02114
Dates

Sale Starts

Sun
May 3
11am

Sale Ends

Sun
May 3

Terms & Conditions

Please read the following terms and conditions carefully. Bidding at an auction sale constitutes acceptance by you (herein referred to as "you" or "Bidder") of all the Conditions of Sale.

These Terms and Conditions of Sale contain all terms and conditions on which Grogan & Company, Inc. (herein referred to as "Grogan & Co.", "we", "us", or "our") and the consignor's contract with the purchaser relative to the property listed in our catalogue or otherwise offered for sale. These Terms and Conditions of Sale may be amended by Grogan & Co. at any time and from time to time through the time of sale by any notices posted or oral announcements made during the sale.

1. Agency. We act as agent for the consignors of all property described in all catalogues. The contract for the sale of each item is a contract between the owner of the item and the successful bidder (the "Purchaser") for the item.

2. Inspections. Our auctions are sight sales. Regardless of the presence of any condition report with respect to any item, each Bidder must rely on his or her own judgment of an item's description and condition and should inspect the property before bidding to determine its condition, size, and whether or not it has been repaired or restored. You accept all responsibility for such purchase; without limitation, you accept any defects, damages, past repairs, irregularities, and all other physical conditions that could have been determined by your inspection of the property.

3. Estimates and Descriptions. Any estimate of the selling price of an item stated in our catalogue or internet listing is intended as a guide for prospective bidders. Stated estimates should not be relied upon as the value of the item, nor as a statement that this is the price at which the item will in fact sell. All images in catalogues are for identification purposes only and are not intended to represent the actual color or clarity of the item being auctioned. Written and oral descriptions, including, without limitation, catalogue and internet descriptions and condition reports, are our opinions only, and should not be construed or relied upon as statements of fact nor as guarantees of any kind. We and the consignor make no representation or warranty as to whether the Purchaser acquires any copyrights, including, but not limited to, any reproduction rights, in the property. No statement anywhere, whether written or oral, shall be deemed to be a guarantee, a representation, warranty, or assumption of liability of any kind by us. Grogan & Co. is not responsible or liable for the correctness of the catalogue, internet listing, condition reports, or other descriptions, except as expressly provided in Section 20 hereof. Any references to damage, repair or restoration are for guidance only and should be evaluated by personal inspection by the bidder; the absence of such references does not imply that an item is free from defects, repairs, or restoration, nor does a reference to particular defects, repairs or restorations imply the absence of others. Condition of frames on artwork is not generally described. All measurements are approximate. Jewelry descriptions are only estimates as to carat size, precious metal content, number of stones, quality, clarity, and the like.

4. Purchaser's Responsibility. Except as expressly stated in Section 20, all property is sold "AS-IS" and neither we nor the consignor make any guarantees, warranties or representations, expressed or implied, with respect to the property, merchantability, or correctness of the catalogue, internet listings, condition reports or other description of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature, or historical relevance of the property or otherwise. Bidders are responsible for satisfying themselves as to all aspects of property condition and descriptions.

5. Qualification. We may from time to time establish standards of qualification for bidders. We reserve the right, at our sole and absolute discretion, to refuse admission to the premises and/or participation in any auction, and/or to reject any bid.

6. Registration. Prospective bidders are required to register prior to the auction. Registration may be limited to a select number of days prior to the time of the auction. Internet bidders may register through Grogan & Co's online bidding software. PRIOR TO BIDDING, ALL REGISTRANTS ARE REQUIRED TO CAREFULLY READ ALL TERMS AND CONDITIONS OF SALE, THE DESCRIPTIONS FOR THE LOTS ON WHICH THEY INTEND TO BID AND THEY AGREE TO BE BOUND BY THESE TERMS OF SALE. Registrants are responsible for payment of purchases resulting from all successful bids.

7. Internet Bidding. Internet bidding is offered as a service to our customers. Consignors and prospective bidders shall not hold us responsible for any errors or failures in executing bids, nor shall they hold us responsible for any failure or delay as a result of using our online bidding applications, platforms, software including, without limitation, those provided by third party providers.

8. Acceptance and Rejection of Bids. The highest bidder acknowledged by the auctioneer will be the purchaser. In the event of a dispute between bidders, or in the event of doubt on our part as to the validity of any bid, the auctioneer will have the final discretion either to determine the successful bidder or to re-offer and re-sell the article in dispute. If any dispute arises after the sale, our sale record is conclusive. Although at our discretion we will execute order bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

9. Winning Bids. On the fall of the auctioneer's hammer, title to the offered lot will pass to the highest bidder acknowledged by the auctioneer, subject to fulfillment by such Bidder of all of the conditions set forth herein, and such bidder thereupon assumes full risk of loss and responsibility therefore. Any person submitting bids on behalf of a corporation or other entity, by making such bid, agrees to be personally liable for the payment of the purchase price and any related charges and the performance of all Purchaser obligations under the Terms of Sale. GROGAN & CO. IS NOT RESPONSIBLE FOR ANY ERRORS IN BIDDING. All Bidders should make certain to bid on the correct lot and that the bid is in the amount intended. Once the hammer has fallen and the auctioneer has announced the winning bidder, the winning bidder is unconditionally bound to pay for the lot in the amount of the winning bid, even if the winning bidder made a mistake.

10. Reserves. It is our policy to act as agent on behalf of the consignor; we do not permit a consignor to bid on his or her own lots unless expressly agreed between us and the consignor or except as herein set forth. Unless advertised otherwise, some lots may be offered subject to a reserve. A reserve is the minimum price that the consignor is willing to accept for the lot, which may or may not be disclosed, and which may be determined or modified at any time by written or verbal communication between us and the consignor. If the auctioneer decides that any bid is below the value of the lot offered, the auctioneer may reject the same and withdraw the lot from the sale, and if, having acknowledged an opening bid, the auctioneer decides that any advance thereafter is insufficient; the auctioneer may reject the advance and may thereafter withdraw the lot. Unless an auction is announced as "without reserve," each lot offered may be subject to a reserve and we may execute said reserves by bidding on behalf of the consignor; provided, however, that we will not place consecutive bids on behalf of the consignor above the reserve.

11. Withdrawal of Lots. We reserve the right to withdraw any property at any time before the sale and for any reason or no reason. No participant in the auction shall have a right to claim any damages, including, without limitation, consequential damages, if a lot is withdrawn.

12. Buyer's Premium. A buyer's premium of 25% will be added to the successful hammer price and is payable by the Purchaser as part of the total purchase price. Purchases made through Invaluable or LiveAuctioneers will be subject to an additional 5% charge and through Bidsquare an additional 3% charge.

13. Payment. Acceptable forms of payment include cash, check, or wire transfer. Property will not be released until funds equal to the total purchase price clear, unless credit has been previously established, or if a bank letter has been received prior to the sale guaranteeing said personal check. All property must be paid for within five (5) business days following the sale and removed from the gallery within twenty (20) days. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or, in case of bank or cashier's checks, we have confirmed authenticity. GROGAN & CO. DISCLAIMS ANY AND ALL LIABILITY FOR LOSSESS OR DAMAGES THAT MAY OCCUR AS A RESULT OF TRANSPORTING OR STORING UNCOLLECTED PROPERTY.

14. Tax. Unless exempt by law, the Purchaser will be required to pay the Massachusetts sales tax or any applicable compensating use tax of another state on the total purchase price. The rate of sales tax in Massachusetts is 6.25%. For those eligible, a Massachusetts exemption number may be applied for prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, Massachusetts.

15. Shipping. No lots shall be delivered to or collected by the Purchaser until payment in full of the purchase price and all applicable taxes and charges. All lots must be picked up by the Purchaser or the Purchaser's shipper within twenty (20) business days following the close of the auction. Property not removed from the gallery within twenty (20) days will be sent to our warehouse where storage fees may be assessed at the then prevailing rate. We may provide names of packing and shipping agents and you may arrange for service by one of those agents or one of your own choosing to pack and ship the winning lots. Grogan & Co. will not pack or ship; providing names of packing and shipping agents is done as a convenience for our customers and Grogan & Co. shall have no responsibility or liability for loss or damage of property shipped to Purchasers. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the Purchaser. Without limiting the foregoing, in no event will we be liable for damage to glass or frames, regardless of the cause. If property remains in our warehouse on the third anniversary of the close of the auction, we retain the right to resell, as agent for the Purchaser, any such unshipped property, or send the property to another auctioneer for resale. We will send the proceeds of any resale, less any commissions and fees, by mail to the Purchaser's last known address.

16. Remedies for Breach. If any applicable conditions herein are not complied with by a winning bidder, in addition to other remedies available by law, including without limitation the right to hold the winning bidder liable for the total purchase price, we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the winning bidder or (b) resell the property at public auction without reserve or minimum selling price, and the winning bidder will be liable for any deficiency and costs, including handling charges, expenses of both sales, the commission on both sales at regular rates, all other charges due hereunder and incidental damages. In the event of breach by internet bidders of these Terms and Conditions of Sale, Grogan & Co. may file a Non-Paying Bidder Alert to Bidsquare, Invaluable and/or LiveAuctioneers. Grogan & Co. reserves the right to impose a carrying charge of 1.5% per month on past due accounts. Purchasers agree to pay reasonable attorneys' fees and costs incurred to collect past due accounts.

17. Limitation of Liability. IN NO EVENT SHALL THE LIABILITY OF CONSIGNOR OR US, OUR OFFICERS, EMPLOYEES, REPRESENTATIVES AND AGENTS, TO A PURCHASER FOR ANY BREACH, ACT, OMISSION, OR CLAIM OF ANY NATURE, WITH RESPECT TO AN ITEM PURCHASED, EXCEED THE PURCHASE PRICE ACTUALLY PAID BY THE PURCHASER FOR THE ITEM. In no event shall the consignor or us, our officers, employees and agents, have any liability under any circumstances for special, indirect, incidental or consequential damages (including, without limitation, for loss of profits or revenue, costs of obtaining alternative property, claims of customers of Purchaser or otherwise), whether in contract, tort, negligence, strict liability, or otherwise, arising out of, resulting from or in any way relating to the property purchased, or its purchase, sale, delivery or non-delivery. In no event shall consignor or us, our officers, employees and agents, be liable for any claims related to the errors, acts, omissions, websites, or technology of the bidding software.

18. LIMITATION OF WARRANTIES. EXCEPT AS EXPRESSLY SET FORTH IN SECTION 20, ALL LOTS ARE OFFERED, AND ALL PROPERTY IS SOLD, "AS IS" WITH NO GUARANTIES OR WARRANTIES OF ANY TYPE. NEITHER THE CONSIGNOR NOR US, OUR OFFICERS, EMPLOYEES OR AGENTS, MAKE ANY REPRESENTATION, WARRANTY OR GUARANTY, NOR DO ANY OF THE FOREGOING ASSUME ANY LIABILITY OF ANY KIND WITH RESPECT TO THE MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, GRADING, QUALITY, ATTRIBUTION, GENUINENESS, AUTHENTICITY, PROVENANCE, AGE, CONDITION, MATERIALS, AUTHORSHIP, COMPLETENESS, DAMAGE, REPAIR, RESTORATION, ESTIMATE OF VALUE OR ANY OTHER FEATURE. NEITHER THE CONSIGNOR NOR US, OUR OFFICERS, EMPLOYEES, REPRESENTATIVES OR AGENTS, ARE RESPONSIBLE FOR THE CORRECTNESS OF ANY STATEMENT OF WHATEVER KIND CONCERNING ANY LOT, WHETHER WRITTEN OR ORAL, OR FOR ANY ERRORS OR OMISSIONS IN DESCRIPTION OR FOR ANY FAULTS OR DEFECTS IN ANY PROPERTY. THE PURCHASER HEREBY ASSUMES ALL RISKS CONCERNING AND RELATED THE PROPERTY, INCLUDING, WITHOUT LIMITATION, THE GRADING, QUALITY, DESCRIPTION, CONDITION, AUTHENTICITY, AND PROVENANCE OF A LOT.

19. All Sales Final. Items are sold with all faults and are not returnable for any reason except as set forth in the following Section 20.

20. Limited Rescission Right. If within fourteen (14) days of the sale of any lot, the Purchaser gives notice in writing to us that the lot is counterfeit and within ten (10) days after such notice, the Purchaser, at Purchaser's sole cost, risk, and expense, returns the lot to us in the same condition as when sold, and demonstrates to our satisfaction that the lot is a counterfeit, we will refund the purchase price.

21. Severability. No invalidity or partial invalidity or unenforceability of any provision provided herein shall affect or impair the validity of enforceability of any other provision hereof. If any provision or portion thereof of the Terms and Conditions of Sale shall be void, unlawful or unenforceable under applicable law, that provision or portion thereof shall be deemed deleted and severed from the remaining provisions, and shall not affect the enforceability or validity of any of the remaining provisions.

22. Jurisdiction; Governing Law. These Terms and Conditions of Sale as well as the Purchaser's and our respective rights and obligation hereunder shall be governed by and construed and enforced in accordance with the laws of the Commonwealth of Massachusetts. By bidding at an auction whether present in person or by agent, order bid, telephone, or other means, you shall be deemed to have consented to the jurisdiction of the state courts, and the federal courts sitting in the Commonwealth of Massachusetts. In any litigation between us and any Bidders (whether or not the Purchaser) the prevailing party shall be awarded full reimbursement of its actual paid legal fees in connection with the dispute.

23. No Assignment. Unless Grogan & Co. consents in writing, you may not assign your rights or any of your obligations relating to an auction or other sale by Grogan & Co. Any assignment without Grogan & Co.'s written consent will be void.

24. No Waiver. The failure of Grogan & Co. hereto to exercise any right, power or remedy provided hereunder or otherwise available in respect hereof at law or in equity, or to insist upon compliance by any other party hereto with its obligations hereunder, and any custom or practice of the parties at variance with the terms hereof, shall not constitute a waiver by such Grogan & Co. of its right to exercise any such or other right, power or remedy or to demand such compliance.

25. BY BIDDING AT AN AUCTION, WHETHER IN PERSON OR BY AGENT, PROXY, ABSENTEE BID, TELEPHONE, OR OTHERWISE, YOU AGREE TO BE BOUND BY THESE TERMS AND CONDITIONS OF SALE.
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Grogan & Company

Description & Details

Our Fine Art Auction on May 3rd features nearly 200 lots of 19th- and 20th-century American and European art, alongside A Modern Collection of Works on Paper, a single-owner group of over 100 works from the 20th and 21st centuries. The sale includes paintings by William Trost Richards, Aldro Thompson Hibbard, Frank Weston Benson, and Frank Swift Chase. Highlights from the modern collection include works by Helen Frankenthaler, Richard Serra, Robert Motherwell, and Julian Opie. A notable feature is a first printing of the New England Chronicle from July 15, 1776, presenting the full text of the Declaration of Independence.
HERMANN DUDLEY MURPHY, (American, 1867-1945), Golden Scarf: A Floral Still Life, oil on canvas, 30 xLAURA COOMBS HILLS, (American, 1859-1952), Roses in a Pottery Basket, pastel on paper laid on board,LAURA COOMBS HILLS, (American, 1859-1952), Rosy Morns, pastel on paper, sight: 19 3/8 x 15 3/8 in.,ABBOTT FULLER GRAVES, (American, 1859-1936), Roses, oil on canvas, 8 x 12 in., frame: 11 1/2 x 16JOHN OTTIS ADAMS, (American, 1851-1927), Young Girl in the Hollyhock Garden, oil on canvas, 24 x 18LAURA COOMBS HILLS, (American, 1859-1952), A Breezy Summer Garden, pastel on paper, sight: 17 3/8 xJOHN APPLETON BROWN, (American, 1844-1902), Blooming Trees, pastel on paper, sight: 13 1/2 x 17 1/2TIFFANY STUDIOS 'Narcissus' Paperweight Glass Vase, ca. 1910 height: 17 1/4 in., diameter at mouth:JOHN JOSEPH ENNEKING, (American, 1841-1916), Pasture with Flowering Trees and Sheep, 1895, oil onJOHN JOSEPH ENNEKING, (American, 1841-1916), Big Blue Through the Trees, oil on board, 9 7/8 x 14JOHN JOSEPH ENNEKING, (American, 1841-1916), Antique Cape with Flowering Garden, 1888, oil on board,ALDRO THOMPSON HIBBARD, (American, 1886-1972), Spring Cows, Vermont, 1919, oil on canvas, 25 x 30ALDRO THOMPSON HIBBARD, (American, 1886-1972), Spring, oil on canvas, 30 x 34 in., frame: 34 1/2 xARTHUR CLIFTON GOODWIN, (American, 1864-1929), Looking Toward a River, oil on canvas, 19 1/4 x 24ARTHUR CLIFTON GOODWIN, (American, 1864-1929), Fall Landscape, oil on canvas, 25 3/8 x 30 1/4 in.,EMILE ALBERT GRUPPE, (American, 1896-1978), Birches, oil on canvas, 25 1/4 x 30 in., frame: 33 1/2 xEMILE ALBERT GRUPPE, (American, 1896-1978), Covered Bridge, oil on canvas, 25 x 30 in., frame: 31ALDRO THOMPSON HIBBARD, (American, 1886-1972), West River Valley View, oil on canvas, 38 x 48 in.,ALDRO THOMPSON HIBBARD, (American, 1886-1972), Winter Landscape with Red Barn, oil on canvas, 24 xALDRO THOMPSON HIBBARD, (American, 1886-1972), Sawmill, Vermont, oil on canvasboard, 18 x 24 in.,EMILE ALBERT GRUPPE, (American, 1896-1978), Logging Scene, oil on canvas, 25 x 30 in., frame: 31 xEMILE ALBERT GRUPPE, (American, 1896-1978), Filling the Silo, oil on canvas, 25 x 30 in., frame: 31CHARLES PAUL GRUPPE, (American, 1860-1940), The Breakfast Table, oil on canvas, 25 1/4 x 30 1/4 in.,REYNOLDS BEAL, (American, 1866-1951), Circus Scene, 1929, colored pencil on paper, sight: 14 1/2 xWALTER EMERSON BAUM, (American, 1884-1956), First Snow at Rocky Dale, oil on canvas, 31 3/4 x 35 5/8WALTER ELMER SCHOFIELD, (American, 1867-1944), Landscape with Barn, oil on canvasboard, 20 x 24 in.,JOHN TERELAK, (American, b. 1942), Migration (Mount Mansfield from Jeffersonville, VT), 1998, oil onCHARLES MOVALLI, (American, 1945-2016), The Barn, oil on canvas, 20 x 24 in., frame: 25 1/2 x 29 1/2DONALD ALLEN MOSHER, (American, 1945-2014), Winter Ice, Gloucester, oil on canvas, 22 x 28 in.,STREETER BLAIR, (American, 1888-1966), Upland Winter, Vermont, 1957, oil on canvas, 24 x 30 in.,ROBERT EMMETT OWEN, (American, 1878-1957), Snowy Village, oil on canvas, 20 x 24 in., frame: 29 1/8JOHN TERELAK, (American, b. 1942), Vermont Winter Scene, 1987, oil on canvas, 20 x 24 in., frame: 29WALTER LAUNT PALMER, (American, 1854-1932), Winter Stream, watercolor and gouache on paper, 20 x 24OGDEN MINTON PLEISSNER, (American, 1905-1983), Mount Equinox, Manchester, Vermont, watercolor onOGDEN MINTON PLEISSNER, (American, 1905-1983), Sand Dunes and Spanish Bayonets, Sea Island, Georgia,AIDEN LASSELL RIPLEY, (American, 1896-1969), Ruffed Grouse, watercolor and gouache on paper, sight:FRANK WESTON BENSON, (American, 1862-1951), Eiders (Ducks Aflight), 1924, watercolor on paper, 14ALDRO THOMPSON HIBBARD, (American, 1886-1972), The Catboat, 1917, oil on canvas, 20 1/2 x 16 1/4MILTON JAMES BURNS, (American, 1853-1933), Off for a Day's Sport, 1884, oil on canvas, 11 x 16 in.,WALTER LOFTHOUSE DEAN, (American, 1854-1912), Gloucester Schooner, oil on board, 9 1/8 x 12 3/4 in.,HAYLEY LEVER, (American, 1876-1958), Fishing Boats, St. Ives, Cornwall, oil on panel, 6 1/8 x 9 3/8HARRY AIKEN VINCENT, (American, 1864-1931), In the Harbor, oil on board, 12 x 16 in., frame: 18 7/8GEORGE LOFTUS NOYES, (American, 1864-1954), Venetian Canal, oil on board, 10 1/4 x 8 1/4 in., frame:FRANK SWIFT CHASE, (American, 1886-1958), A Summer's Day, oil on board, 8 1/8 x 10 1/4 in., frame: 9FRANK SWIFT CHASE, (American, 1886-1958), Bathers, oil on canvasboard, 8 1/8 x 10 1/4 in., frame: 9ANNA RICHARDS BREWSTER, (American, 1870-1952), Pair of Italian Views, 1933, oil on canvasNELSON AUGUSTUS MOORE, (American, 1824-1902), Reflection, 1896, oil on canvas, 15 1/2 x 26 in.,WILLIAM TROST RICHARDS, (American, 1833-1905), Graycliff: The Artist's Conanicut Island Home, 1882,WILLIAM TROST RICHARDS, (American, 1833-1905), Artist's Bluff, Franconia, New Hampshire, 1872,WILLIAM HENRY BARTLETT, (British, 1809-1854), Centre Harbour on Lake Winnipesaukee, New Hampshire,WILLIAM LOUIS SONNTAG, (American, 1822-1900), Hudson River Scene, 1854, oil on canvas, 18 x 24 in.,The Declaration of Independence., The New-England Chronicle. Volume VIII. Numb. 413, Boston: PowarsHERMANN OTTOMAR HERZOG, (German-American, 1832-1932), Storm Battered Pier, oil on canvas, 20 1/8 xHERMANN OTTOMAR HERZOG, (German-American, 1832-1932), Pier with Stormy Seas, oil on canvas, 18 x 27ALLEN DEAN COCHRAN, (American, 1888-1971), Lone Sailboat off the Coast of Maine, oil on canvasboard,ARTHUR VIDAL DIEHL, (American, 1870-1929), Dunes, oil on board, 9 x 11 3/4 in., frame: 10 5/8 x 13WALTER FARNDON, (American, 1876-1964), Fishing Shack, Rockport, oil on canvasboard, 14 x 18 in.,HARRY AIKEN VINCENT, (American, 1864-1931), At the Wharf, oil on canvas, 25 x 30 in., frame: 32 1/4MARGUERITE STUBER PEARSON, (American, 1898-1978), Rockport Harbor, oil on canvas laid on board, 14 xOTIS COOK, (American, 1900-1980), Harbor View, oil on canvas, 30 x 25 in., frame: 34 3/8 x 29 3/8SOL WILSON, (American, 1896-1974), The Shack, oil on masonite, 10 x 8 in., frame: 15 3/8 x 13 3/8SOL WILSON, (American, 1896-1974), Country Road, oil on canvasboard, 11 7/8 x 16 1/8 in., frame: 15WILLIAM THON, (American, 1906-2000), Ship in Stormy Sea, oil on masonite, 17 x 25 1/4 in., frame: 22LEON KROLL, (American, 1884-1974), Portrait of Hilda, 1929, oil on canvas, 18 1/4 x 15 1/4 in.,ALFRED MAURER, (American, 1868-1932), Still Life, Vase of Flowers, 1926, gouache on paper, sight: 20KARL KNATHS, (American, 1891-1971), Still Life (Lilacs), oil on canvas, 30 x 40 in., frame: 37 1/4 xEMILY EVELETH, (American, b. 1960), African Violet, 1990, oil on canvas, 14 x 24 in., frame: 15 1/2BERNARD CHAET, (American, 1924-2012), Three Tangerines, oil on canvas, 27 x 16 in., frame: 27 5/8 xSTANLEY BIELEN, (Polish-American, b. 1957), Pink Hollyhocks, 2000, oil on paper laid on board, 13 xSTANLEY BIELEN, (Polish-American, b. 1957), Malmaison Roses, 2003, oil on paper laid on board, 7 3/4KIB BRAMHALL, (American, b. 1933), Fence in the Dunes, oil on canvas, 30 1/8 x 48 1/4 in., frame: 31JAMES EDWARD FITZGERALD, (American, 1899-1971), Vermont Barn, 1938, watercolor, sight: 19 x 23 1/4ANNE PACKARD, (American, b. 1933), Red Buildings, 1984, oil on canvas, 15 x 18 in., frame: 22 x 24CYNTHIA PACKARD, (American, b. 1957), Mother and Daughter, oil on canvas, 48 x 48 in., frame: 49 1/4TADASHI ASOMA, (Japanese, 1923-2017), Half Moon, 1973, oil on canvas, 54 1/2 x 50 1/4 in., frame: 55AMOS FERGUSON, (Bahamian, 1920-2009), Date Tree, enamel on paperboard, 35 3/8 x 30 3/8 in., frame:AMOS FERGUSON, (Bahamian, 1920-2009), The Fishermen, enamel on paperboard, 35 3/4 x 29 1/2 in.,THOMAS ADRIAN FRANSIOLI, (American, 1906-1997), Mt. Etna from Taormina, 1971, oil on canvas, 15 x 27ROBERT STERLING NEUMAN, (American, 1926-2015), Yellow Tail, 1990, oil on canvas, 34 x 42 in., frame:JAMES ROSENQUIST, (American, 1933-2017), Drawing #24 for Time Colors Time, 1980, airbrushed acrylicRICHARD SERRA, (American, 1938-2024), Untitled, 1987, fiber-tipped pen on paper, 25 x 27 in.GRANT MacDONALD, (Canadian, 1909-1987), Portrait of Estrellita Karsh, 1964, watercolor on paper,ALBERT HIRSCHFELD, (American, 1903-2003), Portrait of Yousuf Karsh, ink and pencil on paper, sight:EMILIO GRECO, (Italian, 1913-1995), Portrait of Estrellita Karsh, bronze, height: 14 in.; mounted onJACQUES LIPCHITZ, (French-American, 1891-1973), Portrait of Yousuf Karsh, 1970, bronze, height: 13GIACOMO MANZU, (Italian, 1908-1991), Portrait of Estrellita Karsh, 1970, bronze, height: 18 1/2 in.DAVID HOSTETLER, (American, 1926-2015), Standing Woman, bronze, height: 39 1/2 in.GEORGE FRANKLIN ARBUCKLE, (Canadian, 1909-2001), Karsh Photographing Santa, oil on canvas withHENRI LEOPOLD MASSON, (Canadian, 1907-1996), Winter Scene, oil on canvas, 15 7/8 x 19 1/2 in.,FREDERICK HORSMAN VARLEY, (Canadian, 1881-1969), Landscape with Tree, oil on board, 12 1/8 x 15 1/8CHARYL WEISSBACH, (American, 20th/21st century), Botanical Series 2 and Spring: Celadon, encausticLOUISE NEVELSON, (American, 1899-1988), Two Figures, 1930, pen and ink on paper, sheet: 10 7/8 x 8PIERRE SOULAGES, (French, 1919-2022), Lithographie No. 14, 1964, lithograph in colors, sheet: 25 1/2HENRY SPENCER MOORE, (English, 1898-1986), Reclining Figures, lithograph in colors, plate: 17 3/4 xLARS BO, (Danish, 1924-1999), Fourteen Etchings from Auguries of Innocence, the complete folio withLARS BO, (Danish, 1924-1999), La Petite Sirene (The Little Mermaid), 1977, the complete folio withEDWARD WESTON, (American, 1886-1958), Shell, gelatin silver print, 9 1/4 x 7 1/4 in., housed in aANSEL ADAMS, (American, 1902-1984), Clearing Winter Storm, Yosemite National Park, California,NICHOLAS NIXON, (American, b. 1947), View of Park Street and the Massachusetts State House, Boston,MARGARET BOURKE-WHITE, (American, 1904-1971), Women Working in the Defense Industry, Gary, Indiana,GORDON PARKS, (American, 1912-2006), Ingrid Bergman, on Location for the Film 'Stromboli', 1949,MARTHA HOLMES, (American, 1923-2006), Jackson Pollock Painting in His Studio, Springs, Long Island,CAROLEE SCHNEEMANN, (American, 1939-2019), Portrait Partials, 1970, thirty-five gelatin silverPAOLO ROVERSI, (Italian, b. 1947), Hands of Ines de la Fressange (Le Mani di Ines per ChristianHORST P. HORST, (German/American, 1906-1999), Table Setting, Oyster Bay, New York, 1949, gelatinABELARDO MORELL, (Cuban-American, b. 1948), Light on Wall: County Clare, Ireland, 1978, gelatinANTONIO MURADO, (Spanish, b. 1964), Untitled (Abstract Landscape), 2015, acrylic on canvas, 34 x 49ANTONIO MURADO, (Spanish, b. 1964), L?zaro, 2006, oil on canvas, 34 1/4 x 24 in.HAERI YOO, (Korean, b. 1970), Death of the Witness, 2009, mixed media on canvas, 72 x 60 in.HAERI YOO, (Korean, b. 1970), Sick Bed, 2010, mixed media, 11 3/4 x 8 3/4 in.HENRI HECHT MAIK, (French, 1922-1993), Le clown, 1988, oil on canvas, 13 x 9 1/2 in., frame: 14 1/4JULES OLITSKI, (American, 1922-2007), Pouncer: Yellow and Violet, 2001, watercolor, gouache, andVACLAV VYTLACIL, (American, 1892-1984), Untitled, 1952, gouache on paper, 27 1/8 x 21 1/4 in.,VICKY USLE, (Spanish, b. 1981), Untitled, mixed media on canvas, 59 1/4 x 45 1/2 in.WITOLD LESZEK KACZANOWSKI, (Polish/American, 1932-2025), Solitude, acrylic on canvas, 31 1/4 x 23PETER BUSA, (American, 1914-1985), Untitled, mixed media on paper, sight: 10 1/2 x 13 1/4 in.,DIEGO RIVERA, (Mexican, 1886-1957), Girl with Wheat, graphite on paper, sight: 7 3/4 x 5 3/4 in.,GEORGES BRAQUE, (French, 1882-1963), Thei?re et profil f?minin, ink and ink wash on paper, 11 3/4 xULISSE CANTAGALLI, (Italian, 1839-1901), A Large Damascus-Style Pottery Dish, ceramic, diameter: 15RICHARD GUINO (French/Spanish, 1890-1973) after PIERRE-AUGUSTE RENOIR (French, 1841-1919), TheABASTENIA ST. LEGER EBERLE, (American, 1878-1942), Omar Khayyam Bookends, 1913, bronze, height: 6AMERICAN SCHOOL , (19th century), Portrait of Young Girl, oil on board, 18 x 15 1/2 in., frame: 23ENGLISH SCHOOL , (18th century), Portrait of Girl with Flowers, oil on canvas, 30 x 25 in., frame:Manner of FRANS POURBUS II, (Flemish, 1569-1622), Portrait of Henriette de Joyeuse, oil on canvas,Manner of ALEXANDER ADRIAENSSEN, (Dutch, 1587-1661), Sea Fish with Lobster, oil on canvas, 14 x 17Manner of LAMBERT LOMBARD, (Belgian, 1505-1566), The Last Supper, oil on panel, 27 3/8 x 32 1/2 in.,CONTINENTAL SCHOOL , (18th century), Pair of Battle Scenes, oil on canvas, each: 16 1/2 x 36 in.,Attributed to GASPAR VAN WITTEL, (Dutch, 1652/53-1736), The Opening of the Porto di Ripetta, oil onFRANZ von DEFREGGER, (German, 1835-1921), The Toy, 1881, oil on board, 16 1/2 x 12 1/4 in., frame:FLORIS ARNTZENIUS, (Dutch, 1864-1925), Street Scene (The Kurhaus, Scheveningen), watercolor andARTHUR MELVILLE, (Scottish, 1855-1904), On the Bank of the Seine, 1879-80, watercolor on paper,CHARLES NAPIER HEMY, (English, 1841-1917), Ship Beached along a Rocky Coast, oil on canvas, 26 1/4 xHERMANN DAVID SALOMON CORRODI, (Italian, 1844-1905), Venetian Fishermen at Rest, oil on canvas, 34 xHENRI-JOSEPH HARPIGNIES, (French, 1819-1916), Le Loing: vue prise dans le bois de la Tr?mellerieJEAN-BAPTISTE-CAMILLE COROT, (French, 1796-1875), L'etang au bouleau et la vach?re, oil on canvas,FELIX FRANCOIS GEORGES PHILIBERT ZIEM, (French, 1821-1911), The Bucentar at the Mouth of the GrandLOUIS VALTAT, (French, 1869-1952), Le village dans la vall?e, oil on canvas, 23 5/8 x 32 in.THEODORE EARL BUTLER, (American, 1861-1936), Fish Weirs, Quiberville, 1904, oil on canvas, 25 3/4 xANTONIO JACOBSEN, (American, 1850-1921), Morro Castle, 1902, oil on canvas, 18 1/8 x 30 1/8 in.,ENGLISH SCHOOL , (19th century), Fortuna at Sail, 1855, oil on canvas, 20 1/4 x 30 1/8 in., frame:CHINESE SCHOOL , (19th century), Praya Grande, View of Macao Harbor, oil on canvas, 18 1/8 x 31 1/4CHINESE SCHOOL , (19th century), Steam and Sail, oil on canvas, 11 5/8 x 16 1/4 in., frame: 16 3/8 xCHINESE SCHOOL , (19th century), Ship Portrait, oil on canvas, 17 3/8 x 22 5/8 in., frame: 22 1/2 xCHINESE SCHOOL , (19th century), Ship Portrait, oil on canvas, 17 1/2 x 22 1/2 in., frame: 22 1/2 xCHINESE SCHOOL , (19th century), River View, oil on canvas, 18 3/8 x 23 5/8 in., frame: 22 1/8 x 27Henry Bonnard Bronze Company Monumental Bronze Bear-Form Andirons and Fireplace ToolsALEXANDER PHIMISTER PROCTOR, (American, 1860-1950), Princeton Tiger, 1912, bronze, height: 10 in.,EDWARD KEMEYS, (American, 1843-1907), Two Tigers, bronze, height: 7 1/2 in., length: 13 in.EDWARD KEMEYS, (American, 1843-1907), In the Presence of the Queen, bronze, height: 6 3/4 in.,EDWARD KEMEYS, (American, 1843-1907), Elk, bronze, height: 21 1/2 in., length: 15 in.WILLIAM M. MCVEY, (American, 1905-1995), Old Grizzly, bronze, height: 7 3/4 in.CARL RUNGIUS, (American, 1869-1959), Three Old Gentlemen, etching, plate: 8 x 11 in., sheet: approx.NEIL WELLIVER, (American, 1929-2005), Trout and Reflection, 1980, hand colored etching on paper,CARROLL SARGENT TYSON, JR., (American, 1877-1956), Snowy Owl, from Twenty Birds of Mount DesertCARROLL SARGENT TYSON, JR., (American, 1877-1956), Great Blue Heron, from Twenty Birds of MountCARROLL SARGENT TYSON, JR. (American, 1877-1956), Two Works from Twenty Birds of Mount Desert IslandCARROLL SARGENT TYSON, JR. (American, 1877-1956), Four Works from Twenty Birds of Mount DesertCARROLL SARGENT TYSON, JR. (American, 1877-1956), Six Works from Twenty Birds of Mount Desert IslandYarde, Richard and Alexander Eliot. Richard Yarde's The Savoy Ballroom.RUFINO TAMAYO, (Mexican, 1899-1991), Venus Noire, from Las Mujeres, 1969, lithograph in colors, 29After PIERRE BONNARD, (French, 1867-1947), Les Raisins (The Grapes), from Album Pierre Bonnard, byJOAN MIRO, (Spanish, 1893-1983), Terres de grand feu, 1956, lithograph in colors, plate: 26 5/8 x 20PABLO PICASSO, (Spanish, 1881-1973), Femme assise et dormeuse (B. 455, M. 104), 1947, lithograph inPABLO PICASSO, (Spanish, 1881-1973), Figure Noire (M. 126, B. 577), 1948, lithograph, sight: 24 3/4MAX BECKMANN, (German, 1884-1950), Nachtanze (Night Dance), lithograph, sight: 19 3/8 x 15 3/8 in.,RICHARD DIEBENKORN, (American, 1922-1993), Seated Woman with Hands Crossed, 1965, lithograph, sheet:HENRY SPENCER MOORE, (English, 1898-1986), Reclining Figure Interior Setting, 1977, lithograph,ROBERT MOTHERWELL, (American, 1915-1991), Gesture III, 1976-77, aquatint and etching on paper,ROBERT MOTHERWELL, (American, 1915-1991), Untitled, multiple, sight: 6 3/8 x 6 in., frame: 11 3/4 xHOWARD COOK, (American, 1901-1980), Harbor Skyline, 1930, etching and aquatint on paper, plate: 9ROCKWELL KENT, (American, 1882-1971), Forest Pool, 1927, wood engraving on paper, plate: 5 1/2 x 7JAMES ABBOTT McNEILL WHISTLER, (American, 1834-1903), Rotherhithe, 1860, etching on paper, plate: 10REMBRANDT VAN RIJN, (Dutch, 1606-1669), Self Portrait with Saskia, etching on paper, sheet: 4 1/2 xCHAUCER, GEOFFREY (c. 1343-1400), The Woorkes of Geffrey Chaucer, newly printed, with diversAttributed to JACQUES-LOUIS DAVID, (French, 1748-1825), Pair of Chair Studies, pen and ink wash onAttributed to RICHARD WILSON, (English, 1713-1782), Still Life and Landscape Study, chalk on paperAttributed to ANTONIO ZANCHI (Italian, 1631-1722), Supper at EmmausITALIAN SCHOOL (17th/18th century), Three Old Master DrawingsITALIAN SCHOOL (17th/18th century), Three Female Figure DrawingsAttributed to FRANCESCO HAYEZ, (Italian, 1791-1882), Study of Reaching Man, pencil on paper, sight:ROBERT MOTHERWELL, (American, 1915-1991), Beau Geste I, lithograph on paper, sheet: 21 3/4 x 14 7/8HELEN FRANKENTHALER, (American, 1928-2011), A Slice of the Stone Itself, 1969, lithograph in colors,HELEN FRANKENTHALER, (American, 1928-2011), Earth Slice, 1978, etching and aquatint on paper, sheet:LOUISE NEVELSON, (American, 1899-1988), The Archaic Figure (Goddess from the Great Beyond), 1953-55,BARBARA HEPWORTH, (British, 1903-1975), Rangatira I, 1970, screenprint on paper, sight: 28 x 21 3/4HOWARD HODGKIN, (British, 1932-2017), Dawn, 2000-02, etching and aquatint with hand coloring onHOWARD HODGKIN, (British, 1932-2017), Lace Curtain, 2015-16, aquatint with carborundum relief andFRANK GEHRY, (American, 1929-2025), Puzzled #6, 2011, lithograph in colors on paper, sheet: 22 x 17GRACE HARTIGAN, (American, 1922-2008), Untitled (River Bathers), 1953, screenprint in colors onALEX KATZ, (American, b. 1927), Stonington, Maine, woodcut on paper, sight: 8 x 11 1/4 in., frame:DAVID HOCKNEY, (British, b. 1937), A Picture of Ourselves (from The Blue Guitar), 1976-77, etchingWILLIAM KENTRIDGE, (South African, b. 1955), Artist and Reflected Model [Handspring I], 2009,WILLIAM KENTRIDGE, (South African, b. 1955), Typewriter I, 2003, etching with aquatint on paper,WILLIAM GEAR, (Scottish, 1915-1997), Abstraction, 1956, lithograph in colors on paper, sight: 21 3/8JOHN PIPER, (British, 1903-1992), Travel Notes: Castle Ashby Avenue, screenprint in colors on paper,WILLIAM TILLYER, (British, b. 1938), High Force, 1974, screenprint in colors on paper, sheet: 35 3/4JULIAN OPIE, (British, b. 1958), Roadscape, 2001, inkjet print and watercolor on paper, sheet: 8 1/4JULIAN OPIE, (British, b. 1958), City Walkers 2, 2014, powder coated steel, overall height: 10 3/4JULIAN OPIE, (British, b. 1958), Cityscape?, 1998-9, screenprint on paper, sheet: 23 3/4 x 57 in.,RICHARD SERRA, (American, 1938-2024), Venice Notebook #15, 2002, etching on paper, sight: 11 1/2 xRICHARD SERRA, (American, 1938-2024), Ballast I, 2011, etching on paper, sheet: 29 5/8 x 15 1/2 in.,RICHARD SERRA, (American, 1938-2024), Untitled, 1991, etching on paper, sight: 18 1/2 x 19 in.,SOL LeWITT, (American, 1928-2007), Black Loops & Curves No. 4, 1999, sugar lift aquatint on paper,TARA DONOVAN, (American, b. 1969), Untitled, 2004, etching on paper, sheet: 14 x 14 in., frame: 15TARA DONOVAN, (American, b. 1969), Untitled, 2004, etching on paper, sheet: 14 1/8 x 14 1/8 in.,FELIX GONZALEZ-TORRES, (Cuban-American, 1957-1996), Untitled (Ross in LA), 1993, lithograph onPAUL MORRISON, (English, b. 1966), Two Works: Calathidium 3 and 8, 2006, screenprints on paperGILLIAN CARNEGIE, (English, b. 1971), Duenna, 2010-11, etching on paper, sheet: 23 1/2 x 17 1/4 in.,GILLIAN CARNEGIE, (English, b. 1971), Untitled, 2010-11, etching on paper, sheet: 23 5/8 x 17 1/8GILLIAN CARNEGIE, (English, b. 1971), Untitled, 2010-11, etching on paper, sheet: 23 5/8 x 17 1/4GILLIAN CARNEGIE, (English, b. 1971), Untitled 1 (from the Ponoka portfolio), 2003, etching andLAURIE REID, (American, b. 1964), Elements, 2000, the complete set of three aquatints, each plate: 9CHRISTIANE BAUMGARTNER, (German, b. 1967), Plantage, 2009, woodcut on paper, sheet: 27 x 35 1/4 in.,CHRISTIANE BAUMGARTNER, (German, b. 1967), Untitled, 2011, woodcut on paper, sight: 7 3/8 x 9 1/2CHRISTIANE BAUMGARTNER, (German, b. 1967), Beelitz, 2006, woodcut on paper, sheet: 19 x 25 in.,ROBERT BECHTLE, (American, 1932-2020), 20th Street Capri, 2002, aquatint and etching in colors onROBERT BECHTLE, (American, 1932-2020), House Near Stinson Beach, 1998, etching in colors on paper,ANDRE KERTESZ, (Hungarian, 1894-1985), The Daisy Bar, Montmartre, gelatin silver print on paper,PAUL WINSTANLEY, (British, b. 1954), Veil 5, 2008, etching on paper, sight: 18 3/8 x 16 5/8 in.,EBERHARD HAVEKOST, (German, 1967-2019), Ewigkeit [Eternity] 6, 2007, screenprint in colors on paper,DEXTER DALWOOD, (British, b. 1960), The Deluge, 2007, inkjet digital print, sheet: 28 1/4 x 43 1/4CATHERINE YASS, (British, b. 1963), Northwest F6, from Invisible City, 2001, inkjet print on paper,ELIZABETH MAGILL, (Canadian, b. 1959), Parlous Land, 2006, etching in colors on paper, sheet: 23 5/8TOKO SHINODA, (Japanese, 1913-2021), Dream B, lithograph in colors on paper, sheet: 17 x 12 in.,ANTONI TAPIES, (Spanish, 1923-2012), Untitled, etching on paper, sheet: 13 x 19 3/4 in., frame: 20TERRY WINTERS, (American, b. 1949), Untitled, 2001, etching on paper, sheet: 14 x 11 in., frame: 18RICHARD DIEBENKORN, (American, 1922-1993), Untitled #7, 1993, lithograph in colors on paper, sheet:JAMES ROSENQUIST, (American, 1933-2017), Zone (G. 53), 1972, lithograph on paper, sheet: 31 x 30PETER DOIG, (Scottish, b. 1959), Border House (from Ten Etchings), 1996, etching with aquatint onANTONY GORMLEY, (British, b. 1950), Untitled (Some of the Facts), 2001, aquatint on paper, sheet: 22WERNER DREWES, (German, 1899-1985), Untitled, 1944, engraving on paper, sight: 14 3/8 x 7 1/2 in.,SIR TERRY FROST, (British, 1915-2003), The Quay, 2003, photogravure and aquatint on paper, sheet: 20STANLEY WILLIAM HAYTER, (British, 1901-1988), Cronos, 1944, soft ground etching and engraving onAfter ALBERTO GIACOMETTI, (Swiss, 1901-1966), In the Studio, from "Derri?re le miroir," No. 127,BILL JACKLIN, (British, b. 1943), Incident, Grand Central, 1998, etching and aquatint on paper,MICHELE ZALOPANY, (American, b. 1955), Theater, 1998, mezzotint on paper, sight: 13 3/4 x 10 3/4After JOHN BUCKLAND WRIGHT, (British, 1897-1954), Cafe Dansant No. 2, woodcut on paper, sight: 9 xJOHN BUCKLAND WRIGHT, (British, 1897-1954), Sunbathers, 1940, wood engraving on paper, sight: 3 1/4ANA MARIA PACHECO, (Brazilian, b. 1943), Three Works from 'As Proezas de Macuna?ma', 1995, etchingAUGUST MACKE, (German, 1887-1914), Komposition (Drei Weibliche Akte), 1913, woodcut on paper, sight:JOHN BELLANY, (Scottish, 1942-2013), Woman with Lapdog, etching, plate: 22 3/4 x 14 3/4 in., frame:ERIC GILL, (British, 1882-1940), Standing Female Nude, 1937, wood engraving, sheet: 10 3/8 x 6 in.,PETER HOWSON, (Scottish, b. 1958), Man with Cigarette, 1982, lithograph, plate: 17 1/4 x 14 1/4 in.,NICOLA TYSON, (British, b. 1960), Gossip, 2006, drypoint on paper, sight: 11 3/4 x 16 1/4 in.,DOROTHY HEPWORTH, (British, 1894-1978), Patricia Preece, Hair Down II, 1930, graphite on paper,PHILIP LESLIE HALE, (American, 1865-1931), Profile Young Woman, 1929, pencil on paper, sight: 10 x 7BLAIR HUGHES-STANTON, (English, 1902-1981), The Maze, 1929, woodcut, plate: 5 3/4 x 4 3/4 in.,WILLIAM BAILEY, (American, b. 1944), Montepulciano, 1996, aquatint and etching on paper, plate: 29TONY CRAGG, (British, b. 1949), Two Bottles, 1988, aquatint on paper, sheet: 17 x 14 3/8 in., frame:RICHARD HAAS, (American, b. 1936), Corner, Broome and Broadway, 1973, etching on paper, sight: 28EWAN GIBBS, (British, b. 1973), San Francisco, linocut on paper, sight: 11 3/4 x 8 1/4 in., frame:GREGORY HALILI, (Filipino, b. 1975), Broadway Looking Towards Downtown, 2006, watercolor on paper,GEORGE SHAW, (British, b. 1966), Short Walks (Plates 7, 8, 9, 10, 11, and 12), 2005, etching onSIR PETER BLAKE, (British, b. 1932), Lilly Smalls in the Wash House, 2013, color print on paper,THOMAS, DYLAN (Welsh, 1914-1953) and PETER BLAKE (English, b. 1932) Under Milk WoodWERNER DREWES, (German, 1899-1985), Nausikaa, 1951, celloprint on paper, sight: 20 1/2 x 15 3/8 in.,LARRY RIVERS, (American, 1923-2002), Paris Review, 1991, screenprint in colors on paper, sheet: 28FRANCIS LISA RUYTER, (American, b. 1968), The Women 2, 2010, woodcut in colors on paper, sheet: 34JERONIMO LOPEZ RAMIREZ (DR. LAKRA), (Mexican, b. 1972), Tattoo Lady, digital print, sight: 13 1/4 xMARIE HARNETT, (British, b. 1983), Smoke, Factory Girl, 2012, mezzotint on paper, sight: 3 3/8 x 5THOMAS ZIPP, (German, b. 1966), Snow, from Black Dada, 2006, etching on paper, sheet: 29 5/8 x 22ROBERT COTTINGHAM, (American, b. 1935), Star, 1985, screenprint on paper, sight: 16 1/4 x 16 in.,MALCOM MORLEY, (British/American, 1931-2018), SS Rotterdam, lithograph in colors on paper, sight: 25PAVEL PEPPERSTEIN, (Russian, b. 1966), Landscapes of Future, 2919 in the Valley, 2006, watercolorAARON FINK, (American, b. 1955), Banana Spilt, 2013, watercolor and ink on paper, image: 5 3/4 x 8MAYA HEWITT, (British, b. 1981), Untitled, 2008, watercolor and gouache on paper, sheet: 6 1/4 x 7FAY GRAJOWER, (American, 20th/21st century), After the Rain, pigmented paper pulp, triptych,LISA MILROY, (Canadian, b. 1959), New York Summer, 1999, monotype on paper (3 sheets), sheet: 11 1/2ROLPH SCARLETT, (Canadian, 1889-1984), Untitled (Orange & Brown), gouache on paper, sight: 5 1/2 x 8VACLAV VYTLACIL, (American, 1892-1984), Cityscape, gouache on paper, sheet: 8 1/4 x 6 3/4 in.,VACLAV VYTLACIL, (American, 1892-1984), Untitled, gouache on paper, sheet: 7 1/4 x 6 in., frame: 14ELIZABETH MURRAY, (American, 1940-2007), Untitled (Small Cup), 2004, mezzotint in colors on paper,NICOLA LOPEZ, (American, b. 1975), Untitled, 2004, etching and aquatint in colors on paper, sight: 7ADJA YUNKERS, (American, 1900-1983), Las Lolitas, 1952, lithograph in colors on paper, sight: 19 5/8GINO SEVERINI, (Italian, 1883-1966), Pas de Deux, lithograph in colors on paper, sight: 17 3/8 x 13OSCAR DOMINGUEZ, (Spanish/French, 1906-1957), Tauromachie, lithograph in colors on paper, sight: 20LOUIS SCHANKER, (American, 1903-1981), Two Works, woodcut in colors on paperJESSIE OONARK, (Inuk, 1906-1985), A Terrifying Challenge, 1973, stencil on paper, sight: 17 3/4 x 22DAVID ALFARO SIQUEIROS, (Mexican, 1896-1974), Two Works from 13 Grabados, 1931, woodcuts on paperJOSEF ALBERS, (German, 1888-1976), Aquarium (from the American Block Print Calendar), 1939, woodcutJOANNE GREENBAUM, (American, b. 1953), Untitled, 2004, etching, sugar lift aquatint, and drypoint onBILL WOODROW, (British, b. 1948), Beekeeper, 2000, linocut in colors, sheet: 35 3/4 x 23 1/2 in.,

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