Fine Art, Jewelry & Antiques Online Auction
Sale Starts
Nov 23
11amSale Ends
Dec 10
5pmTerms & Conditions
Thank you for bidding with Circle Auction. We appreciate your business. The following terms & conditions contain important information that bidders need to review and understand prior to bidding. For your convenience, we have bulleted a few of the most important terms & conditions for your quick review. Please understand that the terms & conditions is a legal agreement and you need to read them in their entirety.
-To Bid: You will need to register for an auction. We will get contact and payment information from you.
-Buyer’s Premium: A buyer’s premium is an additional charge to the winning bidder It is a percentage of their bid and is added to the winning bid amount. The buyer’s premium ranges between 19% to 24% (depending on buying platform) of the final hammer price.
-Condition: For the convenience of our buyers we take detailed photos of the auction items, as well as note any condition issues that we see. We highly encourage you to come to the pre-auction preview and look at the items in person. We will not give refunds for condition issues.
-Payment: If you are a winning bidder you will need to pay for your item within 5 business days. You won’t be able to pick up or ship your item(s) until it has been paid in full.
-Pick-up: After your item(s) has been paid for you can pick up your item in person at our offices by appointment. Please email Info@Circle-Auction.Com to schedule your pick-up
-Shipping: Circle Auction does not have in-house shipping. We can recommend 3rd party shippers. You are responsible for arranging for shipment and paying all costs involved. We are unable to give refunds due to shipping issues.
If you have any questions regarding these terms please contact Circle Auction by email at : Info@Circle-Auction.com
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All lots listed in the auction are offered by Circle Auction LLC (“Circle”) as seller’s agent or owner, are subject to the following terms and conditions. These terms may be supplemented or amended by us at any time prior to the start of an auction. Registering for an auction by Circle or bidding on any lot by any means, including, but not limited to, in-person, by telephone, or online bidding platforms and applications, establishes the bidder’s agreement and acceptance to be bound by these auction terms and conditions.
Before you place a bid at Circle Auction
General Lot Condition: Circle strongly recommends, if at all possible, prospective bidders to examine lots in person prior to placing a bid. Circle representatives make every attempt to note any issue(s) with condition or item damages in the lot description as a courtesy to bidders, but it is the responsibility of the bidder to determine lot condition prior to bidding. The lack of any note by Circle as to the condition of the lot does not imply that the lot is free of wear and tear and/or in mint condition.
Circle representatives are not professional restorators or conservators, and we suggest interested parties consult with conservation professionals for a more detailed opinion. Unless otherwise stated, all lots are sold “AS IS, WHERE IS,” and all sales are final.
Artist Attribution Convention:
“Artist Name”: Our opinion is that this is a work by the named artist.
Attributed to “Artist Name”: Our opinion is that this is probably a work by the named artist, though with less certainty.
Studio of “Artist Name”: Our opinion is that this a work by an unknown hand in the studio of the named artist, which may or may not have been executed under the artist's direction.
Circle of “Artist Name”: Our opinion is that this a work by an unidentified yet distinct hand closely associated with the named artist, but not necessarily his pupil.
Style of…..; follower of “Artist Name”: Our opinion is that this is a work by an artist working in the named artist's style, contemporary or nearly contemporary, but not necessarily his pupil.
Manner of “Artist Name”: Our opinion is that this is a work in the style of the named artist and of a later date.
After “Artist Name”: Our opinion is that this is a copy of a known work of the named artist.
The term signed and/or dated and/or inscribed means that our opinion is that the signature, date, and/or inscription are from the hand of the artist.
The term bears a signature and/or date and/or inscription means our opinion is that the signature and/or date and/or inscription have been added by another hand.
With signature..., With date..., With inscription...: Our opinion is that the signature/date/inscription is by a hand other than that of the named artist.
Jewelry Lot Condition: All jewelry has been inspected by our in house IIJA Registered Gemologist Appraiser. Unless otherwise stated all grading is done without removing the gemstones from the settings and all weights, measurements and grades are approximate as far as the setting permits. Gemstones are often subjected to various treatments to enhance their appearance. Most often these treatments are normal and acceptable within industry standards. When a treatment is detected that is not normal it will be noted in the description. Identification of some treatments require sophisticated equipment not found in the standard gemological lab and no binding representation can be made for the existence of such a treatment.
All metals and construction methods are identified only to the extent the item permits. Any metal marking stamps are listed in the item description and an acid test is conducted as deemed necessary, and when no metal markings are present on the item.
Any descriptions from outside jewelry appraisals or certifications are not guaranteed by Circle Auction to be accurate, but may be provided for the benefit of the bidder. Different laboratories can differ on their terms and grade assessments. Any paperwork noted to accompany a piece is for the bidders reference and may not be usable to obtain insurance. Most companies and appraisers will update paperwork to a new owner for an additional fee. Circle Auction is not responsible for any transfer of an appraisal to the bidder’s name. It is the bidder's responsibility to obtain a usable insurance report.
Diamond Grading Convention:
We utilize the GIA Color scale when identifying lots that include diamonds. You can refer to this guide here: https://www.gia.edu/gia-about-4Cs-Color. Clarity refers to the impurities in a diamond. All diamonds are graded under 10x magnification. The lower number in a category will have less and/or smaller inclusions than the higher number in the same category.
FL-Flawless-No impurities or blemishes on the surface
IF-Internally Flawless-No impurities and only insignificant blemishes on the surface
VVS1 & VVS2-Very Very Slightly Included-Extremely difficult inclusions to see to the trained eye and only visible under magnification.
VS1 & VS2-Very Slightly Included-Difficult to see to the untrained eye and only visible under magnification.
SI1 & SI2-Slightly Included-Easy to see inclusions when viewed under magnification but not visible without magnification.
I1, I2, I3-Included-Inclusions are visible without magnification. I3 inclusions may affect the stones durability.
Warranty: Neither Circle nor its seller(s) make any representation or warranty, either express or implied, as to the description, quality, authenticity, period, source, or significance of any lot sold, except as to warranty of title. No statements by Circle, its agents, representatives or employees, whether in writing or spoken orally, shall create any representation, warranty or assumption of liability, nor that the winning bidder will receive any reproduction rights or copyrights to lots they purchased. Circle retains and reserves the rights to reproduce photography of lots sold.
Estimates: Estimates for each lot include a low and a high figure. They are provided for the convenience of bidders but do not constitute a guarantee or warranty that the item or lot will close at or between the estimates.
Lots Withdrawn: Circle reserves the right to withdraw any lot prior to the start of the auction and shall not incur liability for withdrawal of said lot(s).
Registering to Bid: To Bid with us, you are required to Register to Bid in advance of the start of the sale. In addition to our general registration requirements, we reserve the right to require the following items: photo identification, bank references, credit card pre-authorization for the low estimate, a deposit (we will refund the deposit if you are not high bidder and winner of the lot. Any deposit will be applied to any item for which you are the high bidder).
Bidding with Circle Auction
Circle Discretion: Circle has full discretion to decide the flow of each auction, including pre-bids, rejection of a Bid, lot passed or withdrawn, dispute resolution, and to re-offer or resell any lot. In any case, the decision of Circle is final, and is binding to any and all participants in the auction.
Risks & Assumed Costs: By placing a Bid, you understand that a submitted Bid can and may be the High and/or Winning Bid for a particular lot. Additionally, your Bid on any lot is considered a legally binding agreement to purchase the lot at your Bid price, if accepted by the auctioneer, or in a timed auction. By placing a Bid you agree that to assume personal responsibility to pay for the item at your high Bid price, plus any Buyer’s Premium and additional charges or costs that may become payable in connection with your purchase, such as shipping, insurance, sales tax, or other costs. If the lot is closed by the auctioneer and your Bid is the highest Bid, you agree to purchase the lot, and you assume risk of loss and damage to the purchased lot. All Sales are as is / where is and final.
Internet During Live & Online Auctions: Circle cannot be held liable for any Internet failure or outage either of the bidder’s service or Circle’s. Items sold before a failure/outage remain sold to the respective winning bidder previously recorded by Circle and/or the online platform(s) being utilized. In the event of a failure of Circle’s Internet service, items unsold at the time of the failure or outage will be opened for bidding as soon as service is restored and subject to the original auction process and conditions. Similarly, the item currently opened by the auctioneer at the time of failure/outage will be reopened when service resumes.
Auctioneer Control: During an auction, the Auctioneer is the final arbiter of sales. Bids are called for and recognized incrementally. Placing a bid online or in the auction room does not guarantee the bid will be recognized by the auctioneer owing to the current intensity of bidding or bids already received in increments or amounts already above this bid. Items or lots receiving little or no attention may be “passed” by the Auctioneer and are not subject to a later re-opening of the bidding process or post-auction sale.
Reserves: Some consignors establish reserves on their lots when they send their lots to auction. Reserves are confidential and establish a minimum price under which the lot will not be sold. Reserves must be established no greater than the low end estimate of the lot as published in the catalogue. Circle may open the bidding on reserved lots below the reserve amount by placing a bid on the consignor’s behalf. Circle may continue bidding on the consignor’s behalf up to the amount of the reserve by placing bids in answer to other bidders. Circle will not bid on the consignors behalf above the amount of the established reserve. Consignors are contractually prohibited from bidding on their own lots.
Confidentiality: Circle will not reveal to the public personal names, platform user names, or any contact information of winning bidders.
Absentee & Telephone Bids: Circle accepts absentee bids before and during the auction preview in person, by phone, fax, email and on CircleAuction.co. Online absentee bids may be placed on your preferred online auction platform as a pre-bid beginning when the catalog is posted and opened.
For absentee bids registered with us by email, fax, or telephone, an experienced auction house employee will act as the bidding agent during the auction and make all reasonable efforts to place bids competitively, purchasing each lot with the lowest competitive bid possible for the absent bidder up to their stated maximum amount. Please note: We will not exceed this amount. Between identical high bids, preference shall be given to the bid received first. A $100.00 minimum bid is required on all lots. Absentee bids will be executed according to our standard bidding increments. Circle executes all absentee bids at its discretion and makes no guarantee nor accepts any liability for any human or electronic failures, oversights or omissions in our absentee or telephone bidding processes.
Bidders who wish to competitively place their bids by telephone during the auction must register with us by completing telephone bidder form no later than one day before the auction is scheduled to begin. During the auction a bidding agent will call you two or three lots before your lot opens in order to establish contact and prepare you for the opening of bidding. Telephone bids will only be accepted for lots with low estimates of at least $300.
After the Auction
Buyer’s Premium: Unless otherwise stated by Circle, the winning bidder is responsible for, and agrees to pay the final hammer pricer, a buyer’s premium, and any applicable sales tax within five (5) business days of auction close. A buyer’s premium of 19% will be paid on all winning bids through Circle’s website and app, and 24% on all winning bids on third party auction platforms, such as Live Auctioneers & Invaluable.
Payment: Payment in full is due within five (5) business days of the close of the auction. Circle accepts cash, credit, debit, wire transfers, personal and certified checks. No lot may be picked up until payment is made in full, including any applicable fees and costs as outlined in these Terms & Conditions. Circle reserves the right to hold lots until a check has cleared the bank. Payments are accepted in US Dollars only and any fees for currency conversion are the responsibility of the winning bidder. All returned checks will be assessed a fee of $45 which must be paid along with the winning bid amount and any other applicable fees before the lot may be picked up.
If payment in full is not made within thirty (30) days of the close of the sale Circle has the discretion to pursue one or more of the following options: a) process the full amount due on the winning bidder’s credit card on file, b) charge a late fee equal to one and a half percent (1.5%) of the total amount due per thirty (30 days) with a minimum finance charge of $10 per lot per month. c.) cancel the sale in its entirety d.) resell the lot by public or private sale with no reserve, with the original winning bidder responsible for costs and commissions under Circle’s Agreement, as well as any deficiency remaining after the second sale e.) defalt bidder’s name and information may be shared with bidding platforms as a bidder in default.
f.) begin legal proceedings to collect the past due amount along with legal fees, costs, and interest.
Sales Tax: The winning bidder is responsible to pay state and local sales tax as required by law. Exempt bidders should file a tax exemption form with Circle to have sales tax removed.
Pick Up, Packing, & Shipping: Winning bidders may pick up their lots, once paid in full, at Circle’s auction office during regular business hours. If packing and shipping is required, we can provide you with a list of recommended shippers by request. You will be responsible to contact, arrange shipment, and pay 3rd party shippers. Circle will not be responsible for loss or damage of purchased lots handled or shipped, nor for acts and omissions, by 3rd party shippers, whether recommended by us or not. Circle will not release the lot for shipment until payment has been made in full and a buyer’s written shipping authorization form has been received. Winning bids may not be retracted, canceled or rescinded due to issues with shipping including, but not limited to, costs or prohibitions. It is the responsibility of the bidder to account for shipping prior to bidding.
Failure to Pick Up & Storage: Winning bidders must pick up or have lots shipped within 15 calendar days of the close of the auction. On the 16th day from the close of the auction Circle has the right to charge the winning bidder a storage fee of $5 per lot per day. Lots that have been paid for, but remain on our premises sixty (60) days from the close of the auction may be sold by Circle, with no notice to the buyer. Any funds in excess of the purchase price, commissions, applicable costs, and storage fees remitted to the original winning bidder. Lots left with Circle after the 16th day from the close of the auction are stored at the buyer’s risk.
Liability for Purchased Lots: If a lot that that been purchased and paid in full cannot be presented to the winning bidder in the same condition as it was at the time of the auction, or should a lot be lost, stolen or mis-delivered, Circle's liability shall be limited to the the full amount paid by the winning bidder and shall in no event include any compensatory, incidental or consequential damages. 3rd party shippers remain fully responsible for loss or damage to lots they have handled.
Choice of Law: These Terms and Conditions will be governed by and construed in accordance with the laws of the State of Kansas, without giving effect to its conflict of laws provisions or bidder’s actual state or country of residence. Any claims, legal proceeding or litigation arising in connection with the service will be brought solely in Johnson County, Kansas, and all bidders consents to the jurisdiction of such court. The invalidity or unenforceability of any provisions herein shall not affect the validity or enforceability of any other provision, which shall remain in full force and effect. Circle has the full discretion to waive or modify any and all of the terms and conditions contained herein.
Circle Auction
Description & Details
Circle Auction proudly presents our last auction of the year. We’re excited to present Fine Art, Jewelry & Antiques, estate collections from around the Kansas City area. Pre-bidding begins on Wednesday, November 23rd and live online bidding begins Saturday, December 10th at 11am Central.
Highlights include lithographs by Thomas Hart Benton and Birger Sandzen, James McNeill Whistler etching and drypoint, paintings by Robert Sudlow, Archie Gunn, Georges Warzee, Ascan Lutteroth, William Tacke, Guglielmo Giusti, and Kitt Sapp; 19th and 20th century European decorative arts, 19th century antique furniture, and a collection of fine jewerly including a Cartier watch, diamond, and gemstone pieces.
The catalog is live from November 23rd - December 10th. Live online bidding begins December 10th at 11am CDT.
All lots will be available for viewing at our offices on Thursday, December 8th and Friday, December 9th from 10am-7pm. 901 Woodswether Rd. Kansas City, MO 64105
| 1: PIERRE AUGUSTE RENOIR "Femme Nue Couchee" (First Plate) | Pierre-Auguste Renoir (French, 1841-1919) Femme Nue Couchee (Tournee a Droite), 1906 1re planche (first plate) Etching and drypoint on paper 5" x 7 1/2" Signed with the artist's stamp to the bottom margin. Delteil 13, Stella 13. Presented behind glass in a frame that measures 12 1/4" x 14 3/4". Of Renoir's three 1906 etchings of reclining nudes, Femme Nue Couchee (Tournee a Droit) is widely considered the most sophisticated, the linework softly elegant, rendered with a deftness astonishing for an artist who suffered from rheumatoid arthritis. Femme Nue Couchee stands as among the finest of Renoir's etchings. Provenance: Acquired from Sam Heller Fine Art (Chicago) in 2006, with accompanying Certificate of Authenticity.
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| 2: REMBRANDT VAN RIJN "The Persian" (2nd State, Basan) | Rembrandt van Rijn (Dutch, 1606-1669) The Persian, circa 1632 Etching on thin cream laid paper Second state of four (Usticke) 4 3/8" x 3 1/8" A good Basan impression, circa 1789-1809, with thread margins. Initialed and dated in the plate. Float-mounted over silk liner behind glass in an archival frame that measures 19" x 17 5/8". Provenance: Bears an Atlas Galleries (Chicago) gallery tag to the reverse, complete with accompanying Certificate of Authenticity.
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| 3: JAMES ABBOTT MCNEILL WHISTLER "Old Hungerford Bridge" Etching | James Abbott McNeill Whistler (American, 1834-1903) Old Hungerford Bridge, 1861/ 1871 Etching and drypoint on laid paper 5 3/8" x 8 3/8" A fine late 19th century impression, inscribed in pencil to the bottom margin: "Coll. F. Goulding" (master-printer Frederick Goulding, 1842-1909) and "Old Hungerford Bridge W 80." (Wedmore 80). The plate was created circa 1861 and originally published in 1871 in A Series of Sixteen Etchings of Scenes on the Thames. Third state of three (Kennedy 76). Presented behind glass in a frame that measures 21 1/4" x 25 1/4". Provenance: Acquired from Atlas Galleries, with accompanying Certificate of Authenticity.
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| 4: THOMAS HART BENTON "New England Farm" (1951 Lithograph) | Thomas Hart Benton (Missouri, 1889-1975) New England Farm, 1951 Lithograph on paper 9" x 13 15/16" Edition of 300 Pencil-signed to the bottom margin. Presented behind anti-glare glass in a light gray mat and wooden frame that measures 16 1/8" x 20 1/2". The print was commissioned and circulated by the Friends of Art of Kansas State University. Benton's explanation of the image was that it was "a haying scene on the Martha's Vineyard farm of Denys Wortman, famous N.Y. newspaper cartoonist" (Fath, 76). Literature: Fath, Creekmore. The Lithographs of Thomas Hart Benton, University of Texas Press (Austin), 1969, 76.
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| 5: 18k VARNA diamond and gemstone pendant | Varna A unique large 18k yellow gold pendant with a variety of diamonds and gemstones. The center stone is an oval cut faceted smokey quartz. There is a total of 21 diamonds with 2.57 carat total weight with a variety of sizes and cuts including an old mine cut, round cuts and marquises. Other gemstones include an emerald, ruby, Tahitian pearl, three sapphires and three golden topaz. Diamond Attributes: There are 21 diamonds with an estimated 2.57 carat total weight, vs/I clarity, G/I color. Gemstone Attributes: Smokey quartz 17.96mm x 13.13mm faceted oval 10.0 carats. Emerald cut emerald 1.20 carat. Three marquise cut blue sapphires with 0.90 carat total weight. Round faceted ruby 1.20 carats. Three pear cut golden topaz with 2.10 carat total weight. Pearl Attributes: Round Tahitian pearl 11mm round, with high luster and no blemishing. Setting Type: Prong set. Metal: 18k yellow gold. Weight: 26.0 dwt. Measurements: 2.75" x 2.75". Markings: "Varna 18K".
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| 6: 14k Omega Necklace: 8mm wide, 28.4 dwt | A wide Omega style necklace in a polished 14k yellow gold. Clasp Type: Fold over clasp. Metal: 14k yellow gold. Weight: 28.4 dwt. Measurements: 8mm wide x 8" long. Markings: "14K".
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| 7: Platinum Burma Ruby and Diamond Ring | A platinum Art Deco style ring featuring a center oval faceted Burmese ruby surrounded with diamonds. Diamond Attributes: 42 round diamond with approximately 0.36 carat total weight, SI1/SI2 clarity, G/H color. Gemstone Attributes: An oval cut faceted Burma ruby approximately 0.60 carats. with no heat treatment. Setting Type: Prong set and bead set. Metal: Platinum (electronically tested) Weight: 2.0 dwt. Ring Size: 4 Markings: ".72"
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| 8: Cartier Tank Francaise 18k Diamond Watch #2385 | Cartier Cartier Tank Francaise ladies watch #2385 in 18k yellow gold with a diamond bezel with the secret signature at 10 o'clock. Dial: Black roman numerals with minuet tick marks, blue steel batons and white enamel dial. Movement: Quartz. Diamond Attributes: 24 round cut diamonds with approximately 0.50 carat total weight. Setting Type: Bead set. Clasp Type: Butterfly clasp. Metal: 18k yellow gold. Weight: 48.3 dwt. Measurements: The case is 25mm x 20mm not including the crown. The watch is 6.25" long. Markings: The back of the case is marked "Cartier, water resistant, 750, 651197CD, 2385" along with hallmarks. The bracelet is marked "Cartier, Swiss made, 18k 750" along with hallmarks.
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| 9: LOUIS ASTON KNIGHT "A Sea Breeze, Indian Neck" (Oil) | Louis Aston Knight (French/ American, 1873-1948) A Sea Breeze, Indian Neck, Connecticut Oil on canvas 32" x 46" A large coastal New England landscape, signed to the bottom left corner ("Aston Knight / Paris") and titled on a tag to the reverse. Presented in a frame that measures 41 1/2" x 54 3/4". Louis Aston Knight, the son of American expatriate painter Daniel Ridgway Knight, was born in Paris, and there he studied and grew to acclaim as an artist. He is celebrated for his picturesque plein air landscapes of Normandy and the Northeastern United States. Aston Knight was a friend of Claude Monet, occasionally visiting the Impressionist master at his Giverny home to marvel at his gardens. His work was favored by world leaders, including President Warren Harding, who purchased a painting to hang in the White House. Today, Aston Knight's paintings may be found in notable collections around the globe, from the Luxembourg Museum to the Hudson River Museum.
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| 10: SIR JOHN GILBERT "The Royal Messenger" (1865 Oil) | Sir John Gilbert, R.A. (English, 1817-1897) The Royal Messenger, 1865 Oil on canvas 42 1/4" x 30 1/4" Artist's monogram and date to the bottom right. The reverse of the canvas is stamped "Prepared by Charles Roberson / 99 Long Acre, London." Presented in a frame that measures 49" x 37". John Gilbert was an accomplished oil painter, watercolorist, and illustrator whose affinity for Romantic narrative scenes gained him the nickname "the Scott of painting" (a parallel to novelist Sir Walter Scott). Gilbert served as president of the Royal Watercolor Society in the 1870s, he was knighted in 1872, and he was inducted into the Royal Academy in 1876. Today, his paintings are held in numerous permanent museum collections across the UK and around the world. Provenance: Acquired from Henry Ruth Fine Arts (Kansas City).
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| 11: FREDERICK BALLARD WILLIAMS "The Sunny Glade" (1905 Oil) | Frederick Ballard Williams (American, 1871-1956) The Sunny Glade, circa 1905 Oil on canvas 14 5/8" x 22 7/8" Signed to the bottom right edge, and titled to the reverse. Presented in the original period frame, measuring 22" x 31". Frederick Ballard Williams was a noted American painter whose romantic landscapes populated with finely dressed figures were informed by his travels to Europe and exposure to Rococo and Barbizon masterpieces. Today his idyllic paintings may be found in numerous permanent collections, including the Metropolitan Museum of Art, the National Gallery of Art, and the Los Angeles County Museum of Art. Provenance: Acquired from Sam Heller Fine Art (Chicago) in 2006, with accompanying Certificate of Authenticity. The reverse also bears an antique Findlay Art Galleries (Kansas City) tag.
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| 12: ARCHIE GUNN "Harlequin Dancers" (Oil on Canvas) | Archie Gunn (New York, 1863-1930) Harlequin Dancers (Columbine and Harlequin) Oil on canvas 24" x 18" Signed to the bottom left corner. Presented behind glass in a frame that measures 29 1/2" x 23 1/2".
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| 13: Schoeffel Diamond and Pearl Drop Necklace in 18k | Schoeffel An 18k white gold diamond and pearl drop necklace featuring a Tahitian pearl and a pink rose' freshwater pearl and 86 diamonds with 1.20 carat total weight. The chain is comprised of thin and thicker bar links and is finished with a lobster clasp. Diamond Attributes: There are 86 round cut diamonds with approximately 1.20 carat total weight, Vs2/Si1 clarity, G/H color. Pearl attributes: One round freshwater pink rose' pearl measuring 11mm. with excellent luster and no blemishing. One Tahitian teardrop pearl measuring approximately 15mm x 16mm with excellent luster and minor blemishing. Clasp Type: Lobster. Metal: 18K white gold. Weight: 16.5 dwt. Measurements" 15" long with a 2.25" drop. Markings: "Schoeffel 750".
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| 14: Longines 14k Diamond Ladies Watch w/14k Brick Link Band | Longines A 14k yellow gold Longines diamond watch with a quartz movement in a textured gold case with a textured brick link bracelet. The case is boarded with round diamonds with 0.77 carat total weight. The dial is marked "Longines" and is textured yellow gold with black bars for the hour indices and two black spade batons. Diamond Attributes: 22 round cut diamonds with 0.77 carat total weight and VS1 / VS2 clarity. Setting Type: Bead set. Clasp Type: Push lever box clasp with safety latch. Metal: 14k yellow gold. Weight: 24.2 dwt. without the movement, 26.2 dwt. total. Measurements: 7.5 inches long. Markings: The exterior of the case and the band are both marked "14K". The dial is marked "Longines". The movement is marked "One Jewel, France Ebauches." The interior of the case is marked with "Cased and Timed in U.S.A By Longines".
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| 15: Corum Sugarcube Diamond Watch | Corum "Sugarcube" stainless steel diamond watch by Corum with a square case with a diamond bezel and a square link diamond articulating band. The dial is a plain white face with two black steel batons and a beveled crystal. The crown has a light blue gemstone cabochon. There is 1.06 carat total weight in diamonds. Comes with a Corum watch box. Diamond Attributes: There are 24 diamonds around the dial and 33 diamonds along the bracelet with a total of approximately 1.06 carat total weight. Gemstone Attributes: Light blue gemstone crown cabochon. Setting Type: Bead set. Clasp Type: Fold over clasp. Metal: Stainless steel. Weight: 20.3 dwt. Measurements: The case is 16mm x 16mm not including the crown. The watch is 6.75" long. Markings: The back of the watch is marked "Corum, 137.426.47, 681489". The side of the case is marked "Corum". The bracelet is marked "Corum".
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| 16: 14k Diamond Ring: 2.09 CTW Diamonds Rows | A 14k white gold ring with three rows of in-line diamonds. The center row features five larger diamonds set higher than the side rows. There is a total of 2.09 carat total weight diamonds. Diamond Attributes: Five center diamonds with seven diamonds on each side. The five center diamonds are approximately 0.25 carats each. The side diamonds are approximately .06 carats each. With a total of 2.09 carat total weight, Si1/Si2 clarity, G/H color. Setting Type: Prong set. Metal: 14k white gold. Weight: 3.1 dwt. Ring Size: 5 Markings: 14k with additional worn marks.
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| 17: Platinum Art Deco Diamond and Emerald Ladies Watch | Hardy & Hayes Platinum Art Deco diamond and emerald watch. There are 72 diamonds with 2 carats total weight and sixteen emeralds with 1.20 carat total weight. It has a Swiss manual International Watch Co. 17 jeweled movement. The bracelet is comprised of articulating diamond studded links and finished with a fold over clasp. Dial: Hours marked with numerals at 12, 3, 6, & 9 with metal dots for the remaining hours. Silver batons. Diamond Attributes: There are 72 diamonds. Round and baguette cut with approximately 2.00 carat total weight. Gemstone Attributes: 16 emeralds with approximately 1.20 carat total weight. Setting Type: Bezel set, Bead set, and channel set. Clasp Type: Fold over clasp. Metal: Platinum. Weight: 18.3 dwt. without the movement, 20.4 dwt. total. Measurements: 6.75". Markings: The movement is marked "International Watch Co. Swiss, Adjusted to two positions, 17 Jewels, 1129007, HXE". The interior of the case is marked "Plat. 82863". The dial is marked "Hardy & Hayes". The bracelet is marked "H&H Plat."
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| 18: BIRGER SANDZEN "Toward Evening" (1942 Linocut) | Birger Sandzen (Swedish-American, 1871-1954) Toward Evening, 1942 Linocut on paper 9" x 12" Pencil-signed and titled to the bottom margin. Presented behind glass in a frame that measures 16 1/4" x 20 1/4". Literature: Charles Pelham Greenough, The Graphic Work of Birger Sandzen, Birger Sandzen Memorial Foundation, 2001, B-88.
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| 19: ROBERT SUDLOW "Sketch of a Snowy Wood" (1965 Oil) | Robert Sudlow (Kansas, 1920-2010) Sketch of a Snowy Wood, 1965/ 1985 Oil on canvas 20" x 24" Signed and dated (1965) to the lower left, and signed, titled, and dated (1965) to the reverse, alongside the artist's note that the painting was re-worked in 1985. Presented in a frame that measures 27" x 31".
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| 20: BIRGER SANDZEN "A Kansas Landscape" (1935 Linocut) | Birger Sandzen (Swedish-American, 1871-1954) A Kansas Landscape, 1935 Linocut on paper 6 3/8" x 9" Pencil-signed and titled to the bottom margin. Presented behind glass in a frame that measures 15" x 19". Literature: Charles Pelham Greenough, The Graphic Work of Birger Sandzen, Birger Sandzen Memorial Foundation, 2001, B-77.
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| 21: JOE EVANS "The Shed" (1894 Oil on Canvas) | Joe Evans (New York, 1857-1898) The Shed, 1894 Oil on canvas 22" x 16" Signed and dated to the bottom right corner. Presented in a frame that measures 28" x 22". 19th century landscape painter Joe Evans studied at the National Academy of Design (New York) and L'Ecole des Beaux Arts (Paris) with Jean Leon Gerome. He was a close friend of painter Dennis Bunker (Massachusetts, 1861-1890), with whom he would frequently paint. Evans served as president of the Art Students League and secretary of the Society of American Artists. Tragically, he passed away at the age of 40 due to ongoing health complications. Gallerist Henry Tully Moss observed that this particular oil painting possesses "a silver quietness... which requires a superb technique to accomplish. The refinement in color harmonies and fineness of execution reflect his training under [Jean-Leon] Gerome." Provenance: From a private collection, acquired from Henry Ruth Fine Arts (Kansas City).
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| 22: Complete Writings of Nathaniel Hawthorne, 1900 (Manse Edition) | The Complete Writings of Nathaniel Hawthorne Manse Edition, 22 volumes (complete) Pub. Houghton Mifflin, Boston/ New York 1900 Three-quarters bound in red Morocco leather over marbled boards, with marbled end papers and gilt top edge. Gilt spines with raised bands. Duodecimo (7 3/4" x 5 1/4"). Illustrated throughout the set.
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| 23: The Writings of Oliver Wendell Holmes, 1899 (Riverside Edition) | The Writings of Oliver Wendell Holmes Riverside Edition, 14 volumes (complete) Pub. Houghton Mifflin & Co., Boston/ New York 1899 Three-quarters bound in dark green and brown Morocco leather over marbled boards, with all marbled edges and end papers. Gilt spines with raised bands. Duodecimo (7 3/4" x 5 1/4").
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| 24: The Works of Henry Van Dyke, Author-Signed & Limited | The Works of Henry Van Dyke Avalon Edition, 16 volumes from the set of 18 Pub. Charles Scribner's Sons, New York 1920-1922 Three-quarters bound in red Morocco leather over silken boards, with marbled end papers and gilt top edge. Gilt spines with raised bands. Octavo (8 1/2" x 5 3/4"). The first volume is hand-signed by the author below the frontispiece portrait, and signed "Charles Scribner's Sons" on the colophon page. Each volume numbered "159" in pen, from an autographed edition of 504.
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| 25: The Works of Washington Irving, 1860s (Hudson Edition) | The Works of Washington Irving Hudson Edition, 27 volumes (complete) Pub. G.P. Putnam's Sons, New York 1860-1869, 1880 Three-quarters bound in green Morocco leather over marbled boards, with marbled end papers and gilt top edge. Gilt spines with raised bands. Octavo (8 1/2" x 5 3/4"). Auto-pen signature to the frontispiece of the first volume of Life and Letters.
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| 26: 11 Arthur Rackham Framed Illustrations, Rip Van Winkle | Eleven framed Arthur Rackham illustrations taken from a 1910 printing of Washington Irving's Rip Van Winkle (William Heinemann, London). The illustrations are color offsets, each measuring 7 3/4" x 5 1/4" and framed to 10 1/2" x 8". Offered with the illustrations is the book from which they were removed, bound in gilt green cloth, 10" x 7 1/2", retaining many more illustrations.
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| 27: J.W. MORRIS "Shepherd with Highland Sheep" (1877 Oil) | J.W. Morris (British, 19th c.) Shepherd and Dog with Highland Sheep, 1877 Oil on canvas 24" x 42" Signed and dated to the bottom right corner, and further identified with a metal plaque affixed to the frame. Presented in an antique frame that measures 32" x 50".
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| 28: EDWARD LLOYD of ELLESMERE "Black Stallion" (1871 Oil) | Edward Lloyd of Ellesmere (English, 1846-1891) Black Stallion, 1871 Oil on canvas 25" x 30" Signed and dated to the lower left. Presented in a wooden frame that measures 28 3/4" x 33 3/4".
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| 29: Works of Thomas Carlyle in Thirty Volumes, 1903 (Edinburgh Edition) | The Works of Thomas Carlyle in Thirty Volumes Edinburgh Edition, 30 volumes (complete) Pub. Charles Scribner's Sons, New York 1903 Three-quarters bound in red Morocco leather over marbled boards, with marbled end papers and gilt top edge. Gilt spines with raised bands. Octavo (8 3/4" x 6"). Auto-pen signature to the frontispiece of Sartor Resartus.
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| 30: Novels and Tales of Robert Louis Stevenson, 1903 | The Works of Robert Louis Stevenson 27 volumes (complete) Pub. Charles Scribner's Sons, New York 1903 Three-quarters bound in brown Morocco leather over red cloth boards, with gilt top edge. Gilt spines with raised bands. Octavo (8 3/8" x 5 1/2").
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| 31: Sixteen Novels by William Harrison Ainsworth, 19th c. | William Harrison Ainsworth (English, 1805-1882) 16 volumes Pub. George Routledge and Sons, London Circa 1857-1880 Three-quarters bound in brown calfskin leather over marbled boards, with all marbled edges and end papers. Gilt spines with raised bands. Octavo (8 1/2" x 6"). Each novel is illustrated throughout by artists George Cruikshank, Sir John Gilbert, and Hablot Browne. The set contains all of Ainsworth's most acclaimed works, including The Lancashire Witches, The Tower of London, Guy Fawkes, Rookwood, Jack Sheppard, and Old St. Paul's. Re-bound as a matching set circa 1880s.
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| 32: The Works of Laurence Sterne in Four Volumes, 1819 | The Works of Laurence Sterne in Four Volumes 4 volumes (complete) Pub. Sharpe & Son, London 1819 Three-quarters bound in brown calfskin leather over marbled boards, having gilt spines with raised bands. Octavo (8 1/2" x 5 1/2").
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| 33: The Novels of George Eliot, 1895 | The Novels of George Eliot 8 volumes in 7 books (complete) Pub. William Blackwood & Sons, Edinburgh/ London Circa 1895 Three-quarters bound in red Morocco leather over marbled boards, with marbled end papers and gilt top edge. Gilt spines with raised bands. Duodecimo (7 1/2" x 5 1/4").
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| 34: Angel Skin Coral Bead Necklace, 32" long | A 32 inches long bead necklace comprised of angel skin coral barbell beads alternating directions, finished with a 14k yellow gold safety clasp. Gemstone Attributes: Angel skin coral barbell beads. Clasp Type: Fish hook safety clasp. Metal: 14k yellow gold. Weight: 63 grams. Measurements: 32" long, 9mm thick. Markings: 14KT.
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| 35: David Yurman Diamond Pendant & RCI 14k chain. | David Yurman A David Yurman diamond cable enhancer pendant on an RCI 14k yellow gold chain with white gold accents. Pendant Details: Diamond Attributes: 21 round cut diamonds with approximately 0.26 carat total weight, SI1/SI2 clarity, K/L color. Setting Type: Pave' Clasp Type: Fold over clip bale. Metal: Sterling and 18k yellow gold. Weight: 4.1 dwt. Measurements: 7/8" x 9/16". Markings: "925, 750, DY". Chain: Clasp Type: Lobster clasp. Metal: 14k yellow and white gold Weight: 3.2 dwt. Measurements: 18" long and is .95mm thick. Markings: "RCI 14K".
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| 36: CIT Omega 18k Yellow Gold Necklace | CIT A 18k yellow gold omega chain by CIT. Clasp Type: push lever with a safety latch. Metal: 18k yellow gold. Weight: 12.9 dwt. Measurements: 17" long. 3.1mm wide, 1.9mm thick. Markings: "CIT 18KT".
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| 37: Italian Flat Herringbone 14k yellow gold chain | 14k yellow gold flat herringbone chain from Italy. Clasp Type: Push lever clasp with safety latch. Metal: 14k yellow gold. Weight: 14.5 dwt. Measurements: 16" long. 6.2mm wide & .97mm thick. Markings: "14 KT Italy".
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| 38: Raymond Weil Parsifal Stainless Steel Diamond Watch #9790 | Raymond Weil Raymond Weil Parsifal stainless steel watch with a diamond bezel, sapphire crown and 18k yellow gold accents. The watch has a Swiss quartz movement and a butterfly clasp bracelet. Dial: White Enamel dial with gold roman numeral hours and minuet boxes. Two gold batons. Diamond Attributes: 32 round full cut diamonds with approximately 0.16 carat total weight. Gemstone Attributes: Sapphire cabochon crown. Setting Type: Bead set. Clasp Type: Butterfly clasp. Metal: Stainless Steel with 18k yellow gold accents. Weight: 65.9 grams. Measurements: The case is 22mm x 28mm not including the crown. The watch is 7" long. Markings: The back of the case is marked "RW 9790 B191209, Patented Model, Water Resistant." The dial is marked "Raymond Weil Geneve, Parsifal, Swiss Made".
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| 39: Two Vintage 14K Diamond Watches | Lady Hamilton Blancpain Lot of two watches with 14K white gold cases and diamond accents. Includes a Lady Hamilton manual white gold watch with six diamonds and a black cord bracelet with a gold filled clasp. The second watch is a square 14k white gold Blancpain manual watch with two diamonds and a black cord bracelet with a gold filled clasp. Lady Hamilton Watch Details: Diamond Attributes: 6 round diamonds .12 total carat weight, VS clarity, G/H color. Setting Type: Bead set. Clasp Type: Fold over. Metal: 14k white gold case and gold filled clasp. Weight: 6.1 dwt. Measurements: The case measures 14mm wide not including the crown and is 29mm long. The watch is 6" long. Markings: The dial is marked "Lady Hamilton". The back of the case is marked "Hamilton 14K gold - Biggs". The interior of the case is marked "Hamilton W. Co, Lancaster. PA, 14K gold 61068". The movement is marked "Hamilton, 22 jewels, 757, ADJ. USA". The bracelet is marked "Gemex". Blancpain Watch Details: Diamond Attributes: Two round diamonds 0.08 carat total weight. Setting Type: Bead set. Clasp Type: Deployment clasp. Metal: 14k white gold case and gold filled clasp. Weight: 8.6 dwt. Measurements: The case measures 14mm wide not including the crown and is 40mm long. A sliding bar on the bracelets adjusts the length from 6" to 6.5" long. Markings: The dial is marked "Blancpain". The interior of the case is marked "WBO 14K Gold, 379198". The movement is marked "Blancpain Rayville, 8A, Switzerland, 17 jewels, unadjusted". The bracelet is marked "Gemex".
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| 40: Diamond Stud Earrings: 2 CTW, 18K | A pair of Diamond stud post earrings with 2 carats total weight. Each earring measures 6.5mm across and is 1 carat each. The diamonds are set with four 18k yellow gold prongs. Diamond Attributes: Two diamonds 1.0 carat each measuring approximately 6.5mm x 6.5mm x 4.0mm, G color, SI1/SI2 clarity. Setting Type: 4 prong set. Metal: 18k yellow gold. Weight: 1.1 dwt. Markings: unmarked.
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| 41: David Yurman Albion Diamond Earrings | David Yurman A pair of sterling David Yurman diamond earrings with pave' diamonds are 18k yellow gold accents from the Albion collection. Diamond Attributes: 58 round diamonds with 0.75 carat total weight, SI1/SI2 clarity, K/L color. Setting Type: Pave' Clasp Type: Omega French clips. Metal: Sterling silver, 18k yellow gold. Weight: 10.5 dwt. Measurements: .75" x .5". Markings: "DY, 925, 750."
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| 42: Designer Diamond Earrings with 0.24 ctw in 18k | A pair of designer 18k yellow gold diamond earrings featuring five strands of gold rope criss-crossing into an X and embellished with 0.24 ctw diamonds. Diamond Attributes: 8 round cut diamonds with 0.24 ctw and SI1/SI2 clarity. Setting Type: Bezel set. Clasp Type: French omega posts. Metal: 18k yellow gold. Weight: 10.0 dwt. Measurements: 3/4" x 5/8". Markings: 18KT with a makers mark.
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| 43: Green Chalcedony Flower Earrings in 18k | A pair of 18k yellow gold flower earrings set with a cluster of round faceted green chalcedony in the center surrounded by textured gold petals. Gemstone Attributes: 38 round faceted green chalcedony gemstones each approximately 2mm each. Setting Type: Prong set. Clasp Type: Lever back. Metal: 18k yellow gold. Weight: 7.8 dwt. Measurements: The flowers measure approximately 1" in diameter. Markings: 18K.
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| 44: Designer Diamond Inside Out Hoop Earrings: 18k, 1.45 ctw | A pair of designer signed 18k white gold inside out diamond hoop earrings with 1.45 carat total weight diamonds. Diamond Attributes: 58 round faceted diamonds with approximately 1.45 carat total weight, Vs1/Vs2 clarity, G/H color. Setting Type: Prong set. Clasp Type: Post. Metal: 18K white gold. Weight: 5.0 dwt. Measurements: 1 1/8" diameter. 2.4mm wide x 2mm thick. Markings: "750" with a makers mark B inside a circle.
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| 45: Orkney Child's Chair, Scottish, Early 20th c. | A small Scottish chair, hand-crafted solid oak with woven rush and straw. Orkney Islands, circa first half 20th century. Of typical form and construction, with removable seat. The chair measures 33 1/2" x 21" x 21", with a 14" seat height.
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| 46: Oak Welsh Dresser, Circa 18th Century | An oak Welsh dresser, consisting of a potboard buffet with three dovetailed drawers and a removable top open hutch. Ten forged pot hooks extend from the upper face rail. British, circa 18th century. Measures 77" x 64" x 18".
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| 47: French Iron Bakers Rack, DuBois (Lyon) | A French wrought iron bakers rack with brass alloy decorative elements, circa mid-20th century. A plaque is affixed near the crest that reads: "DuBois Constructeur / Rue Moliere 18 Lyon." Measures 84 1/2" x 60" x 23".
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| 48: Vintage French Pine Table with Velvet Top | A vintage French pine end table with channeled dusty blue velvet top trimmed with nailheads. Shaped top and carved cabriole legs. Measures 27" x 35" x 22".
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| 49: Articulating Walnut Artists Lay Figure, Early 20th c. | An artist's lay figure maquette, finely hand-carved in walnut and fully articulated with maple ball joints. French or Italian, circa 1920s-30s. Measures 16" high.
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| 50: HENRI DIEUPART for SIMONET FRERES "Nymph in Waves" Vase | Henri Dieupart (1888-1928) for Simonet Freres (Paris) Nymph in Waves vase, circa 1925 Molded glass 8" x 11" An Art Deco period vase with a nude figure dramatically postured in a sea of stylized waves, marked "Dieupart" near the base and "France" to the underside.
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| 51: "Scarf Dancer" Bronze after Agathon Leonard | Agathon Leonard (after) (French, 1841-1923) Scarf Dancer Patinated bronze, marble base 29" x 15" x 8 1/2" Signed "Liberty Co." in the cast.
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| 52: JULES MOIGNIEZ (After) "Love Birds" Bronze | Jules Moigniez (after) (French, 1835-1894) Love Birds Bronze, marble base 12 1/4" x 9 1/2" x 8 1/2" Signed in the cast.
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| 53: ROMEO VILLALVA TABUENA Oil Portrait (1959) | Romeo Villalva Tabuena (Filipino/ Mexican, 1921-2015) Portrait of a man, 1959 Oil on Masonite 25" x 17" An unidentified portrait of a mustachioed man, possibly a self-portrait, signed and dated to the bottom left corner. Presented in a glazed frame that measures 28" x 20".
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| 54: JD CASTRO Still Life with Fruit (1967 Oil) | J.D. Castro (Filipino, 1908-1994) Still Life with Fruit, 1967 Oil on canvas 24" x 36" Signed and dated to the bottom left corner. Presented in a period frame that measures 32 1/2" x 44 1/2".
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| 55: 17th Century Oil Portrait of an Armored Gentleman | A court portrait of an unnamed nobleman, oil on canvas circa early 17th century, bearing some resemblance to Philip III of Spain. The portrait is a three-quarters length view of a gentleman dressed in fine armor with linen ruff and chevron pantaloons, with one hand near his helmet and the other at his sword's hilt. To the top right corner is an unidentified heraldic coat-of-arms. Unsigned. The painting measures 49" x 40", and it is presented in an antique carved and gold-painted frame that measures 58 1/2" x 48".
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| 56: Oil Landscape on Canvas, German School (Keller) | A German school oil landscape on canvas composed of a stream in the foreground and mountains in the background. Signed "Keller" to the bottom left corner (the artist is listed on the reverse as being born in 1901). Measures 20" x 24", presented in a frame that measures 27 1/4" x 30 1/2".
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| 57: GUGLIELMO GIUSTI "Amalfi Coast" (Gouache) | Guglielmo Giusti (Italian, 1824-1916) Friar Surveying the Amalfi Coast Gouache on paper 13" x 18 1/2" (sight) Signed to the bottom left. Presented behind glass in a frame that measures 28" x 33".
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| 58: ASCAN LUTTEROTH Alps Landscape (Watercolor ca. 1900) | Ascan Lutteroth (German, 1842-1922) Untitled (Alps lake landscape), circa 1900 Watercolor on paper 20" x 14 1/4" Signed to the bottom right corner. Presented behind glass in a frame that measures 29 1/2" x 23 1/4".
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| 59: WILLIAM MAW EGLEY "Stone Bridge" (1892 Watercolor) | William Maw Egley (British, 1826-1916) Stone Bridge, 1892 Watercolor on paper 13" x 10 3/8" A bright village scene, signed and dated to the bottom left corner. Presented behind glass in a frame that measures 21 1/4" x 18 1/8".
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| 60: FRANS VAN LEEMPUTTEN "Haying Time" (Oil ca. 1880) | Frans van Leemputten (Belgian, 1850-1914) Haying Time, circa 1880 Oil on canvas 20" x 28" Signed to the bottom right corner, the artist further identified with a metal plaque affixed to the frame. Titled to the reverse. Presented in a frame that measures 27" x 35".
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| 61: Akoya Cultured Cream Rose' Pearl Diamond Necklace 37" | An opera length strand of 111 individually knotted cream rose' Akoya cultured pearls each 7 to 7.5mm in diameter, finished with a 14k white gold clasp set with a round diamond. Diamond Attributes: 1 round faceted diamond weighing 0.02 carats. Pearl Attributes: 111 well matched, near round cultured Akoya pearls with cream rose' color, excellent luster, and mild blemishing measuring 7mm - 7.5mm. Setting Type: Bead set diamond. Clasp Type: Fish hook pearl safety clasp. Metal: 14k white gold. Weight: 58.8 grams. Measurements: 37" long. Markings: 14K.
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| 62: Mikimoto Pearl Necklace w/ 2 Pairs Pearl Earrings | Mikimoto An 18" long strand of Mikimoto pearls with 5mm-6mm pearls and two pairs of pearl stud earrings in two different sizes. Necklace: Pearl Attributes: 74 strung round cream / white pearls ranging from 5.5mm-6mm with good luster and mild blemishing. One round pearl on the clasp 3.8mm. Clasp Type: pearl clasp. Metal: 18k yellow gold. Weight: 21.6 grams. Measurements: 18" long. Markings: M in a clamshell makers mark and 750. Smaller pearl earrings: Two earring pearls well matched in color to each other and the necklace. Measuring 6.3mm each with good luster and mild blemishing. Setting Type: post earrings. Metal: 14k yellow gold. Weight: 1.1 grams. Markings: unmarked. Larger pearl earrings: Two earring pearls well matched in color to each other and the necklace. Measuring 8mm each with good luster and mild blemishing. Setting Type: post earrings. Metal: 14k yellow gold. Weight: 2.0 grams. Markings: 14K with a *** makers mark.
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| 63: Victorian Oval Brooch with Tassel and Seed Pearl in 14k | A Victorian 14k yellow gold brooch with raised triangle detailing, outlined with black enamel lines. Leaf motifs surround a bezel set raised seed pearl. The brooch is completed with a hanging tassel on the bottom. Gemstone Attributes: One cream seed pearl measuring 2mm. Setting Type: Bezel set. Clasp Type: Safety clasp Metal: 14k yellow gold. Weight: 6.2 dwt. Measurements: 34mm x 50mm. Markings: Unmarked.
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| 64: Mikimoto Pearl 14k Tie Clip in Box | Mikimoto A Mikimoto pearl tie clip in 14k yellow gold featuring a single 7mm pearl on a link chain attached to a smooth polished yellow gold clip. Comes with a blue velvet Mikimoto box. Pearl Attributes: 1 cream colored round pearl 7mm, mild blemishing, high orient and high luster. Metal: 14k yellow gold. Weight: 3.2 dwt. Measurements: 2 1/8" long with approximately 2 1/4" drop. Markings: "Mikimoto Tokyo, M in a clamshell, K14".
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| 65: Tahitian Pearl Diamond Wrap Ring in 18k | An 18k yellow gold wrap ring featuring two Tahitian pearls on each end bordered with diamonds. Diamond Attributes: Six round cut diamonds 0.06 carat total weight, VS2 clarity, G/H color. Pearl Attributes: Two Tahitian pearls 9mm in two tones of blueish gray, very good luster, and very mild blemishing. Metal: 18k yellow gold. Weight: 3.5 dwt. Ring Size: 4 Markings: Hallmarked on the exterior of the band.
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| 66: Pair of 10mm Tahitian Pearl Earrings: 14k | A pair of 14k white gold 10mm Tahitian pearl earrings. Pearl Attributes: Two well matched Tahitian pearls, slightly out of round ranging from 10.1mm - 10.4mm. High luster and mild blemishing. Clasp Type: Post. Metal: 14k white gold. Weight: 2.7 dwt. Markings: "14K" S hallmark
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| 67: Vintage Citrine Seed Pearl Enamel Ring: 14k | A vintage 14k yellow gold ring featuring a large oval citrine with gold leaves and a white gold flower, black enamel and seed pearls. Gemstone Attributes: A faceted oval citrine 14mm x 10mm, approximately 6.2 carats. Seed pearls. Setting Type: Bezel set. Metal: 14k yellow gold. Weight: 4.4 dwt. Measurements: The setting measures .75" x 9/16". Ring Size: There is currently a ring sizer in the band which makes the ring size 4.75. Markings:14k with a patent number.
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| 68: Pair of YVEL Freshwater Button Pearl Earrings: 18k | YVEL A pair of freshwater pearl button earrings in two color tones with 18k yellow gold clips. Pearl Attributes: Two 13mm freshwater pearls one champagne and one mauve. Both have very good luster and medium blemishing. Clasp Type: Clip earrings. Metal: 18k yellow gold. Weight: 6.1 dwt. Markings: "750" & "YVEL".
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| 69: American Block Print Calendar 1937 (Sandzen, Baumann, Knaths, Holty, etc.) | A 1937 weekly calendar of over 50 original and reproduction wooblocks, linocuts, and lithographs, published by the Gutenberg Publishing Co. in 1936. Original contributions include: Birger Sandzen "Brook with Poplars" Carl Holty "Composition" Gustave Baumann "New Mexico Interior" Karl Knaths "Autumn" Gregory Orloff "Steel Mills" Bernece Berkman "Lunch Time" Emil Ganso "Bathers" Jean Charlot "Bundle Carrier" Reproduced contributions include: Wharton Esherick "February" William Zorach "Childhood" Stuart Davis "Two Nudes" Thomas Hart Benton "Mississippi River" William Gropper "Construction Workers" Grant Wood "Animals on the Farm" Howard Cook "Fat John" John Steuart Curry "The Tornado" Rockwell Kent "The Bather" The calendar measures 10 1/2" x 7".
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| 70: Artists' Calendar 1940 (Gertrude Abercrombie, Fairfield Porter, etc.) | A 1940 weekly calendar of over 50 original woodblock prints, published by the Chicago Society of Artists in 1939 in an edition of 1000. Contributions include: Gertrude Abercrombie "Clown and Pedestal" Fairfield Porter "Street Corner" Fairfield Porter "Highway Going West" Carl Hoeckner "Eternity" The calendar measures 9" x 10 3/4".
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| 71: ELLA IRANYI "Fisher Boat on the River March" (Linocut) | Ella Iranyi (Austrian, 1888-1942) Fisher Boat on the River March Linocut with chine colle on artist's board 8 1/2" x 10 3/4" Pencil-signed and titled in the bottom margin. Presented behind glass in a frame that measures 14 1/2" x 17 1/2". Ella Iranyi was a Jewish Austrian artist whose lively paintings have sold at auction for sums as high as €16,000. Her artistic prime was cut short with the onset of World War II, when she was arrested by the invading Nazi forces and deported to the Izbica ghetto, where she would tragically perish.
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| 72: MARGARET PATTERSON "Vignole from a Gondola" (Woodcut) | Margaret Jordan Patterson (Massachusetts, 1867-1950) Vignole from a Gondola, circa 1920 Color woodblock print on paper 10" x 7" Pencil-signed in the bottom right corner of the image, and pencil-signed, titled, and numbered (#14/100) to the bottom margin. Float-mounted behind glass in a frame that measures 16" x 12 1/2".
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| 73: AMBROSE PATTERSON "Mount Rainier" (1922 Woodblock) | Ambrose Patterson (Australian/ American, 1877-1967) Mount Rainier, 1922 Color woodblock on paper 14 1/2" x 9 3/8" Ink-signed and titled to the bottom margin. Presented behind glass in a frame that measures 21 1/2" x 16".
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| 74: HIROSHI YOSHIDA "Waiting for the Tide" (1930 Shin-Hanga Woodblock) | Hiroshi Yoshida (Japanese, 1876-1950) Waiting for the Tide, 1930 Color woodblock on paper 10 1/4" x 15 1/4" (sight) Seal-signed to the bottom right, pencil-signed and titled to the bottom margin, and dated to the left margin. Presented behind glass in a frame that measures 17 3/4" x 22".
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| 75: Chinese School Long Calligraphy & Figural Scroll, 20th c. | A long ink brush scroll with a scholar and calligraphic script, signed with red seals. Not framed, but backed with board. Chinese, circa 1970s. Measures 12" high and 7'6" long.
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| 76: Pair of Chinese School Inkbrush & Colors on Silk, 20th c. | A pair of vintage Chinese landscapes painted on silk, one depicting a mountainous region with a pagoda and the other depicting a scholar in his study by a lake. Circa third quarter 20th century. Each measures 10 3/4" x 11 3/4", and each is individually presented in a glazed frame that measures 14 3/4" x 16 1/2".
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| 77: Jumlo Bridal Tunic, Punjab Region | A Punjabi jumlo wedding tunic, dyed cotton decorated with buttons, coins, beads, cowrie shells, and fine silk stitching. Eastern Pakistan, circa second quarter 20th century. The jumlo is presented on a custom wrought metal display stand, measuring 53" high and 13" x 7" at the base. Also included is a torc necklace made by the Banjara nomadic people of Northwestern India. Silver alloy, decorated with many small bells to ward away evil spirits.
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| 78: Bamana Hunter's Shirt with Amulets, Mali | A Bamana hunter's shirt, dyed cotton cloth adorned with amulets including mirrors, shell, claw, leather, horns. Four total pockets (two chest pockets, one pocket on each side). Mali, circa mid 20th century. Measures 50" x 63" x 6" when presented on its custom stand. Alternate spelling: Bambara
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| 79: Bamileke Elephant Mask, Cameroon | A Bamileke elephant mask (mbap mteng), black cloth over burlap, decorated with thousands of polychrome beads in geometric patterns. Cameroon, circa mid-20th c. The mask measures 45" high by approximately 16" wide, and it is displayed atop a custom stand that measures 65" high and 9" x 9" at the base.
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| 80: Kuba Lele Helmet Mask, Democratic Republic of the Congo | A Kuba lele helmet mask, comprised of a carved wooden face, woven fiber and cotton decorated with cowrie shells, beads, and fur. Democratic Republic of the Congo, circa mid-20th century. The helmet mask measures approximately 22" x 9", and 26" high when displayed on its custom metal stand.
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| 81: Dan Wunkirmian Spoon, Ivory Coast | A large wakemia or wunkirmian ceremonial ladle of the Dan people of Cote d'Ivoire, West Africa. A hand-carved anthropomorphic female form incised with linear designs and painted with pigments. Affixed atop an iron base. Measures 20 3/4" x 5" x 5".
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| 82: Bamana Large Polychrome Horse & Rider Marionette, Mali | A polychrome painted marionette of Sotigi (the horseman), from the storied puppetry tradition of the Bamana people of Mali, West Africa. The horseman, here taking the form of a colonial officer, is outfitted in woven fabric and a removable helmet, and armed with a sword and rifle. Measures 35" x 51" x 10" including the custom stand. Alternate spellings: Bambara, Sotiki
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| 83: Baule Goli Kple Kple Triple Mask, Ivory Coast | A kple kple three-face mask of the Baule people of Cote d'Ivoire, West Africa, used as part of goli ceremonies. Two side-by-side kple kple faces surmounted with horns, and unusually, a third face above is supported by a standing figure and a crocodile. Hand-carved, painted with polychrome pigments. Measures 25" x 10 1/2" x 6". Alternate spellings: Baoule, kplekple
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| 84: Bamana Female Chiwara Headdress, Mali | A tall Bamana chiwara headdress, carved wood in the form of a female antelope with child, with hammered metal, leather, and fiber elements. Mali (style typical of the Segou region), circa mid-20th century. Mounted atop a stone base. Measures 48" x 8 1/2" x 4 1/2". Alternate spellings: Bambara, Ci Wara, Chi Wara, Tyi Wara
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| 85: KITT SAPP Oil Landscape on Canvas | Kitt Sapp (Missouri, 1887-1959) Untitled landscape Oil on canvas 25" x 30" Signed to the bottom right corner. Presented in a frame that measures 29 3/4" x 34 3/4".
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| 86: GENNADY MALYSHEV "Chrysanthemums" (Oil on Canvas) | Gennady Iosifovich Malyshev (Ukrainian/ Soviet, 1922-1999) Chrysanthemums, 1990 Oil on canvas 30" x 20" An Odessa school still life, signed and dated to the bottom right corner, titled on a gallery tag affixed to the reverse. Presented in a wooden frame that measures 34" x 24".
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| 87: GENNADY MALYSHEV Odessa School Landscape (Oil on Canvas) | Gennady Iosifovich Malyshev (Ukrainian/ Soviet, 1922-1999) Untitled landscape, 1990 Oil on canvas 22" x 33 1/2" An Eastern European landscape executed in a chilly lilac palette, signed and titled to the bottom right. Presented in a pine frame that measures 26 1/2" x 38".
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| 88: GENNADY MALYSHEV "Autumn in the Garden" (Oil on Canvas) | Gennady Iosifovich Malyshev (Ukrainian/ Soviet, 1922-1999) Autumn in the Garden, 1990 Oil on canvas 27 1/2" x 22 1/2" Signed and dated to the bottom right corner, with a gallery tag affixed to the reverse. Presented in a pine frame that measures 32 1/2" x 27 1/2".
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| 89: 18k Old Mine Diamond Cluster Ring | A vintage 18k old mine cut diamond cluster ring with black enameling on the shank. Diamond Attributes: Nine old mine cut diamonds estimated weight 2.00 carat total weight, SI2 clarity, F-H color. Setting Type: Prong Set. Metal: 18k yellow gold (Electronically tested) Weight: 2.7 dwt. Ring Size: 3 Markings: Unmarked.
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| 90: David Yurman Blue Topaz Renaissance Ring | David Yurman A David Yurman Renaissance Ring in sterling and 18k yellow gold ring with three cushion cut topaz gemstones. Gemstone Attributes: One round cushion cut blue topaz and two trillion cushion cut blue topaz. Setting Type: Bezel set. Metal: 18k yellow gold and sterling silver. Weight: 6.0 dwt. Measurements: The setting is 16.5mm wide tapering down to 6.5mm along the back of the shank. Ring Size: 5.75 Markings: "DY, 925, 750".
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| 91: 18k Vintage Diamond Ring: 1.50 ctw | 18k white gold vintage diamond ring with 1.50 carat total weight. Diamond Attributes: Center diamond is round cut 0.45 carats I1, G color. Twelve surrounding round cut diamonds with 1.05 carat total weight and I1/Si2 clarity. Setting Type: bead set Metal: 18k white gold (electrically tested). Weight: 2.2 dwt. Measurements: The ring setting is 7/8" long. Ring Size: 3.5 Markings: markings worn.
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| 92: 14k Diamond Cocktail Ring: 1.70 ctw | A vintage 14k yellow gold diamond cocktail spray ring with 1.70 carat total weight. Diamond Attributes: 27 round cut diamonds with approximately 1.70 carat total weight, SI2/I1 clarity, G/H color. Setting Type: prong set. Metal: 14k yellow gold. Weight: 4.4 dwt. Measurements: The setting measures approximately 1" x 5/8". Ring Size: 6.5 Markings: markings worn.
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| 93: Flower Gemstone Ring: Diamond, Sapphire, Garnet, 18k | A 18k white gold flower ring featuring yellow sapphire petals, four champagne diamond pistils and tsavorite garnet leaves. Diamond Attributes: 4 round champagne diamonds with 0.07 carat total weight. 2 diamonds with 0.02 carat total weight, SI clarity, G/H color. Gemstone Attributes: 88 round yellow sapphires with approximately 2.6 carat total weight. 13 tsavorite garnets with approximately 0.40 carat total weight. Setting Type: Bead set and bezel set. Metal: 18k white gold. Weight: 6.6 dwt. Measurements: The setting is approximately 1" x 1". Ring Size: 5.5 Markings: "750".
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| 94: Charriol Cable Link Diamond Station Bracelet 18k | Charriol A cable link diamond station bracelet containing six diamonds each set in 18k yellow gold and finished with an 18k yellow gold fold over safety clasp. Diamond Attributes: Five round cut diamonds with an estimated 0.30 carat total weight, VS1/VS2 clarity, G/H color. Setting Type: Bezel set. Clasp Type: Fold over with an interior safety clip. Metal: 18k and stainless steel Weight: 9.4 dwt. Measurements: 7 1/8" long. 6mm wide at the widest point. Markings: "750" with a makers mark of a C with a VX inside it.
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| 95: Italian Twist Motif Hinged Bangle Bracelet 14k, 11.4dwt | An Italian designer 14k yellow gold twisted motif hollow hinged bangle bracelet finished with a hidden push lever clasp and safety latch. Clasp Type: Hidden push lever clasp with safety latch. Metal: 14k yellow gold. Weight: 11.4 dwt. Measurements: Interior of the bracelet is 1 7/16" x 2" and it is 5.5mm thick. Markings: "LNRK Italy 14K" The markings are partially worn.
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| 96: Italian Twist Motif Hinged Bangle Bracelet 14k, 11.6dwt | An Italian designer 14k yellow gold twisted motif hollow hinged bangle bracelet finished with a hidden push lever clasp and safety latch. Clasp Type: Hidden push lever clasp with safety latch. Metal: 14k yellow gold. Weight: 11.6 dwt. Measurements: Interior of the bracelet is 1 5/16" x 2". It is 5.5mm thick. Markings: "LNRK Italy 14K" The markings are partially worn.
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| 97: Native American Silver, Coral, Amber, Turquoise Necklace | Native American silver necklace with a rolled link chain that splits into three strands with hammered silverwork, coral and amber heishi style beads, a center green turquoise and dangling silver blossoms. Gemstone Attributes: Coral and amber heishi style beads. A green turquoise bead. Clasp Type: Hook and clasp. Metal: Silver. Weight: 116.1 grams. Measurements: 16" long with a 2.5" drop. Markings: Unmarked.
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| 98: Frank Patania Thundbird Shop Turquoise Concho Belt | Frank Patania (1899-1964) Santa Fe A sterling Concho belt with eight conchos and a buckle each containing a center sawtooth cut bezel set turquoise cabochon surrounded by stamp work. The conchos are on a brown leather strap. The buckle is stamped with the makers mark for Frank Patina and Thunderbird Shop. Gemstone Attributes: Turquoise with pyrite inclusions. Setting Type: Sawtooth cut bezels. Metal: Sterling silver. Weight: 462.2 grams. Measurements: The buckle is approximately 3.5" x 3". The conchos are approximately 2 3/8" x 3". The leather measures 36" long. Markings: FP makers mark, Thunderbird mark. Sterling.
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| 99: Squash Blossom Mother of Pearl Necklace | A squash blossom necklace with ten blossoms each containing a bezel set oval mother of pearl and Naja that features five matching pearls. They are strung with a a cable wire with a double strand of bench made beads which transitions to one strand and finishes with a hook and eye clasp. Gemstone Attributes: 15 oval Mother of pearl approximately 16mm x 9mm each. Setting Type: Bezel set. Clasp Type: Hook and eye. Metal: Sterling silver. Weight: 103.3 grams. Measurements: The necklace is 23" long . The Naja is 2.5"x 2 3/8". The blossoms are 1.5" long. Markings: unmarked.
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| 100: Salvador Garcia Taxco Sterling Necklace: AJH TJ-21 | Salvador Garcia (Taxico, Mexico) A chunky sterling swirl link necklace by Salvador Garcia. Clasp Type: Push lever clasp. Metal: Sterling silver. Weight: 142.0 grams. Measurements: 16.5" long. 1 1/8" wide at widest point. 3.4mm thick. Markings: AJH Taxco 925 Mexico, TJ-21".
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| 101: RONALD EKHOLM "Figure at the Window" (1968 Oil) | Ronald Ekholm (Finnish-American, b. 1942) Figure at the Window, 1968 Tempera on artists board 16" x 20" Signed to the bottom right corner, dated to the bottom left corner. The Philadelphia Gallery tag to the reverse. Presented in a gilt frame that measures 22 1/4" x 26 1/4". Ekholm studied and worked in Pennsylvania, and took much inspiration from the work of Andrew Wyeth, even sometimes traveling to Chadds Ford to paint.
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| 102: ROBERT "SHOOFLY" SHUFELT "Winter Wooly" (Conte) | Robert "Shoofly" Shufelt (American, b. 1935) Winter Wooly Conte on paper 17 1/2" x 21 1/2" (sight) Signed and titled to the bottom right. Presented behind glass in a walnut frame that measures 25 1/4" x 28 3/4". Provenance: Acquired from Wadle Galleries (Santa Fe) in 1987.
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| 103: ROBERT SUDLOW "Four Mile Corner" (1982 Lithograph) | Robert Sudlow (Kansas, 1920-2010) Four Mile Corner, 1982 Lithograph on paper 12" x 18" Hand-toned with watercolor wash. Pencil-signed, dated, titled, and numbered (#17/ 35) to the bottom margin, and with a Lawrence Lithography chop mark to the bottom right. Float-mounted behind glass in an archival frame that measures 20 1/2" x 26 1/2".
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| 104: ROBERT SUDLOW "Laura's Woods" (1981 Lithograph) | Robert Sudlow (Kansas, 1920-2010) Laura's Woods, 1981 Lithograph on paper 12" x 18" Hand-toned with conte crayon. Pencil-signed, dated, titled, and numbered (#22/ 35) to the bottom margin, and with a Lawrence Lithography chop mark to the bottom left. Float-mounted behind glass in an archival frame that measures 20 1/4" x 26 1/4".
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| 105: ROBERT SUDLOW "McCall's Cabin" (1981 Lithograph) | Robert Sudlow (Kansas, 1920-2010) McCall's Cabin, 1981 Lithograph on paper 10" x 17" Hand-toned with conte crayon. Pencil-signed, dated, titled, and numbered (#12/ 28) to the bottom margin, and with a Lawrence Lithography chop mark to the bottom right. Float-mounted behind glass in an archival frame that measures 18 1/4" x 29 1/2".
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| 106: ROBERT SUDLOW "Northview" (1983 Lithograph) | Robert Sudlow (Kansas, 1920-2010) Northview, 1983 Lithograph on paper 15" x 21" Hand-toned with watercolor wash. Pencil-signed, dated, titled, and numbered (#3/ 31) to the bottom margin, and with a Lawrence Lithography chop mark to the bottom right. Float-mounted behind glass in an archival frame that measures 23 1/4" x 29 1/4".
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| 107: ROBERT SUDLOW Signed Poster & Framed Offset | Two framed Robert Sudlow prints: 1. "A Kansas Landscape" 1978 offset poster, ink-signed by the artist and dated 1980 to the bottom margin. In a glazed frame that measures 37" x 25". 2. A 1983 landscape offset lithograph on paper, in a glazed oak frame that measures 22" x 39".
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| 108: Louis Copt Framed Offset Landscape | An offset lithograph of a Louis Copt landscape. Presented behind glass in a frame that measures 29 1/2" x 37".
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| 109: Caryatid Table Lamp with Slag Glass Shade | A vintage Nouveau-style figural table lamp with a slag glass shade. Two lights, individually controlled with pull chains. Measures 31" x 18".
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| 110: Urn with Cover, Figural Cast Mounts, Early 20th c. | A hand-painted porcelain urn with cast metal mounts, including angel-form handles, a mother and child finial, and a base comprised of lions heads and faces. The painted scenes are two views of Heidelberg Castle (Germany). The lid removes to reveal an enclosed compartment. Circa early 20th century. Measures 24" x 12" x 8 1/2".
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| 111: Stone-Top Plant Stand, Late 19th c. | A gilt metal plant stand with stone slab top, circa late 19th century. A face motif is set into each side of the swag apron. Patent date stamped to the underside that appears to be July 3, 1894. Measures 31" x 13 1/2" x 13 1/2".
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| 112: Large Antique Silverplate Wedding Cake Stand | A silver plate cake stand or plateau of exceptional size, circa 1900, measuring 8" x 24 1/2", with an 18" top surface diameter. Four red oak ball feet, mirrored top supported by an oak under-mounted platform. Gadroon molding and all-over floral decoration.
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| 113: Intaglio Print of Miners, circa Mid-20th c. | A mid-20th century etching and mezzotint on paper of men shoveling in a mine, Continental school (possibly French). Pencil-signed and titled illegibly to the bottom margin. Measures 13 1/2" x 17 1/2", presented behind glass in a frame that measures 24" x 27 1/2".
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| 114: "Vieux Chemin in Ombret" Snowy Pastel Landscape | An original pastel and gouache on paper of a wintery path, Belgian or French school, mid-20th century. Signed indistinctly to the bottom left corner, and titled "Vieux Chemin in Ombret" to the reverse. The pastel measures 20" x 24", and it's presented behind glass in a frame that measures 29 1/4" x 33 1/4".
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| 115: Oil Painting of Columbine and Pierrot | A mid-20th century oil on canvas, mounted to artists board, depicting Harlequinade characters Columbine and Pierrot in a landscape. The work is not signed. Measures 10" x 8 3/4", presented behind glass in a frame that measures 17" x 17".
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| 116: CHARLES HERMET Pair of Hand-Colored Litho Illustrations | Charles Edmond Hermet (French, 1882-1959) Two snowy carriage scenes Hand-colored lithographs on paper 8 1/2" x 13" (each) Each plate-signed "Harry Eliott," Hermet's pseudonym. Each is presented behind glass in a frame that measures 13 1/2" x 17 3/4".
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| 117: Imperial Mantel Clock and Garniture Set | A three-piece garniture set comprised of an Imperial mantel clock and two seven-arm candelabra, gilt metal and green marble, 20th century. The clock is flanked by two figural fauns holding a swag, and runs with a Franz Hermle movement (model 130-070). The dial is marked "made in Italy." The clock measures 24" x 14" x 8", and each candelabrum measures 24" x 11" x 10".
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| 118: Comitti (London) Queen Anne Bracket Clock, Ltd Ed of 50 | A fine Queen Anne style bracket clock by Comitti of London, having a Kieninger (Germany) movement, triple chime with nine bells, and an engraved dial with cherub spandrels, all housed within a glazed walnut case. The clock is numbered 37 in a limited edition of 50, issued in 1995. Measures 19" x 11 1/2" x 9 1/2".
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| 119: Jugendstil Portico Clock, German, First Half 20th c. | A Jugendstil portico clock, cast metal case supported by square glass columns. German, first half 20th century. Measures 16" x 9" x 4 1/2".
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| 120: Sangamo Illinois Pocketwatch with Stand | Illinois Watch Co. 1907 An antique Sangamo pocket watch by Illinois watch co. in a with a watch display stand. Dial: White enamel with Arabic numerals, every five minuets is marked in red around the perimeter with tick marks between the hours. Seconds register at 6'oclock. Blue steel batons. Metal: 25 year gold plated. Weight: 100.7 grams. Measurements: 50mm not including the crown. Markings: The dial is marked ""Illinois Watch Co.". The inside of the case is marked keystone watchcase 8151145, Guaranteed J Boss 25 years". The movement is marked "Sangamo, Illinois Watch Co. Springfield, 2112164, 23 ruby jewels, double roller, adjusted temperature, 6 positions, isochronism". The back cover is monogrammed. Watch Stand details: Measurements: Approximately 4.5" tall. The base is 1.75" x 1.75" Markings: The bottom is marked "Made in USA, AIC, EB, U.S. Pat No. 3062491".
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| 121: GEORGES WARZEE Germanic Castle Oil on Canvas | Georges Warzee (Belgian, 20th c.) Untitled Germanic castle landscape Oil on canvas 28" x 24" Signed to the bottom right corner, and presented in a frame that measures 34 3/4" x 30 3/4".
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| 122: EDUARD MOLEVELD "Delft Still Life" (1970 Oil) | Eduard Peter Moleveld (Dutch, b. 1946) Delft Still Life with Strawberries, 1970 Oil on canvas 12" x 16" Signed and dated to the bottom left corner. Presented in a frame that measures 15 1/4" x 19 1/4".
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| 123: EDWARD BLAMPIED "A Jersey Milkmaid" (1920 Drypoint) | Edward Blampied (British, 1886-1966) A Jersey Milkmaid, 1920 Drypoint engraving on paper 9 3/4" x 6 3/4" Pencil-signed to the bottom margin. Presented behind glass in a frame that measures 18 1/4" x 14 1/4".
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| 124: 1942 United Nations Flags Poster | A WWII-era poster titled "The United Nations Fights for Freedom," designed by Steve Broder (1906-1992) and published by the U.S. Government Printing Office in 1942. OWI Poster #19. In a glazed frame that measures 40" x 28 1/2".
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| 125: Edison C250 Diamond Disc Phonograph with Records | An Edison diamond disc phonograph, model C-250, circa 1915-1920. Rich tiger oak case with casters, housing a turntable with built-in horn, and a bottom cabinet for record storage. Offered with the lot is a collection of approximately 190 assorted records.
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| 126: Leslie Supertyfon Horn from the Towboat Mercury | A Leslie Supertyfon five-bell horn, commonly used in railroad locomotives, salvaged from a towboat. Cast aluminum with red and gray paint. The horn is accompanied by a bronze relief plaque that reads: "Twin Screw Diesel Towboat Mercury / Dravo Corporation / Pittsburgh, PA / 1983 / Designer Builder." The lot also includes a Graham-White (Salem, VA) horn valve. The horn measures 12" x 28" x 26" overall, with bells ranging from lengths approximately 9 1/2" to 24" (5 1/2" to 10 1/2" wide). The plaque measures 12" x 17 3/4", and the Graham-White valve measures about 6" x 9".
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| 127: Large Gilt & Polychromed Wooden Heraldic Wall Crest | An antique continental coat-of-arms wall relief, gilt and polychrome wood and gesso. The banner bears the motto "Deus Protector Meus," and the central shield features arrows, stars, and swans. Measures 27 1/2" x 55" x 5".
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| 128: Ornamental Short Sword & Scabbard | An old ornamental short sword, having a straight blade, polychrome banded hilt with unusually shaped cross guard, and a copper scabbard with engraved linear designs and a wooden knop. The origin is unknown. The sword when sheathed measures 31 3/4" long. The blade measures 21 3/4" long.
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| 129: COLERIDGE SMITH "Strange Fruit" (1940s Mural Design) | Coleridge Smith (Missouri, 20th c.) Strange Fruit, circa late 1940s Ink, graphite, and crayon on paper 16" x 12" Signed and titled to the bottom edge: "Strange Fruit - Sketch / Mural Design / Cole Smith." Presented behind glass in a frame that measures 18" x 14".
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| 130: COLERIDGE SMITH Two Works on Paper (1940s) | Coleridge Smith (Missouri, 20th c.) Two untitled works, circa 1940s 1. Untitled (Matador and Bull), watercolor and graphite on paper, in a glazed frame that measures 12 1/4" x 15 1/4". 2. "So George took one look at me in this skirt and said..." Graphite and colored pencil on paper, in a glazed frame that measures 11" x 11".
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| 131: COLERIDGE SMITH Two Drawings (1940s) | Coleridge Smith (Missouri, 20th c.) Two untitled works, circa 1940s 1. Untitled (Jazz Singer), graphite on paper, in a glazed frame that measures 17 1/2" x 11 1/2". 2. Untitled (Male Figure Study), charcoal on paper, in a glazed frame that measures 22" x 18".
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| 132: COLERIDGE SMITH "Explaining the Game..." (1949) | Coleridge Smith (Missouri, 20th c.) Explaining the Game We Just Hosted, 1949 Ink and watercolor on paper 11 1/2" x 15 1/2" Signed and dated to the bottom right, and titled to the bottom center. Presented behind glass in a frame that measures 17 3/4" x 21 3/4".
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| 133: COLERIDGE SMITH Three Drawings | Coleridge Smith (Missouri, 20th c.) Three works on paper 1. Frank Sinatra Abstraction, colored pencil on paper, in a glazed frame that measures 12" x 9". Circa 1940s-50s. 2. Untitled (Woman in Coat), graphite on paper, in a glazed frame that measures 22" x 18". Circa 1940s-50s. 3. Untitled (Abstract Composition), blue pen and marker on paper, signed and dated 1977 to the bottom left corner, in a glazed frame that measures 9 1/2" x 10 3/4".
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| 134: COLERIDGE SMITH Two Drawings (1940s) | Coleridge Smith (Missouri, 20th c.) Two drawings, circa late 1940s 1. Untitled (African tribal scene), graphite on paper, signed and dated 1948 to the bottom right, in a glazed frame that measures 23 1/2" x 19 1/2". 2. Self-Portrait, charcoal on paper, framed behind plexiglass along with some personal ephemera, 20" x 26".
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| 135: WILTON GLENN COOPER Antique Charcoal Figure Drawing | Wilton Glenn Cooper (Kansas, 1889-1969) Figure drawing Charcoal on paper 23" x 16" Signed to the bottom right, dated "Oct. 11." Cooper studied drawing at the Chicago Art Institute in the 1910s, and would go on to be an illustrator for Capper's Weekly. Presented behind glass in a frame that measures 32 1/2" x 25".
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| 136: CHUCK DODSON Standing Nude Sculpture | Chuck Dodson (American, 1903-1983) Untitled nude figure Cast composition 11" x 4" x 2 1/2" Signed to the back of the figure's right leg. Affixed atop a rough-hewn granite base.
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| 137: WILLIAM TACKE "Dreams" (Oil on Canvas) | William Tacke (American, b. 1930) Dreams Oil on canvas 24" x 30" Signed to the bottom left corner and titled to the reverse. Presented in a frame that measures 25" x 31".
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| 138: CINDY FAUNTZ Beach Scene (1970s Oil) | Cindy Fauntz (American, b. 1948) Untitled beach scene, circa 1970s Oil on canvas 22" x 28" Signed to the bottom right corner. Presented in a frame that measures 29" x 35".
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| 139: Green Jade Bead Necklace | A bright green jade bead necklace individually knotted on a white cord. Gemstone Attributes: 54 round bright green mottled jade with small black fleck inclusions. 11.5mm - 12mm. Clasp Type: Ball push lever clasp. Weight: 123.5 grams. Measurements: 27" long. Markings: The clasp is marked "14/20L". |
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