Mid Century Modern Design and Modern Art Auction / Eames, Knoll, Herman Miller, Calder, Noguchi

online only auction | 16 day sale | sale is over
Location
Kansas City, MO 64105
Dates

Sale Starts

Fri
Jul 14
5pm
2023

Sale Ends

Sat
Jul 29
12pm
2023

Terms & Conditions

Circle Auction Terms & Conditions

Thank you for bidding with Circle Auction. We appreciate your business. The following terms & conditions contain important information that bidders need to review and understand prior to bidding. For your convenience, we have bulleted a few of the most important terms & conditions for your quick review. Please understand that the terms & conditions is a legal agreement and you need to read them in their entirety.

-To Bid: You will need to register for an auction. We will get contact and payment information from you.

-Buyer’s Premium: A buyer’s premium is an additional charge to the winning bidder It is a percentage of their bid and is added to the winning bid amount. The buyer’s premium of 19% of the final hammer price.

-Condition: For the convenience of our buyers we take detailed photos of the auction items, as well as note any condition issues that we see. We highly encourage you to come to the pre-auction preview and look at the items in person. We will not give refunds for condition issues.

-Payment: If you are a winning bidder you will need to pay for your item within 5 business days. You won’t be able to pick up or ship your item(s) until it has been paid in full.

-Pick-up: After your item(s) has been paid for you can pick up your item in person at our offices by appointment. Please email Info@Circle-Auction.com to schedule your pick-up

-Shipping: Circle Auction does not have in-house shipping. We can recommend 3rd party shippers. You are responsible for arranging for shipment and paying all costs involved. We are unable to give refunds due to shipping issues.

If you have any questions regarding these terms please contact Circle Auction by email at : Info@Circle-Auction.com
__________________________________________________________________________

All lots listed in the auction are offered by Circle Auction LLC (“Circle”) as seller’s agent or owner, are subject to the following terms and conditions. These terms may be supplemented or amended by us at any time prior to the start of an auction. Registering for an auction by Circle or bidding on any lot by any means, including, but not limited to, in-person, by telephone, or online bidding platforms and applications, establishes the bidder’s agreement and acceptance to be bound by these auction terms and conditions.

Before you place a bid at Circle Auction

General Lot Condition: Circle strongly recommends, if at all possible, prospective bidders to examine lots in person prior to placing a bid. Circle representatives make every attempt to note any issue(s) with condition or item damages in the lot description as a courtesy to bidders, but it is the responsibility of the bidder to determine lot condition prior to bidding. The lack of any note by Circle as to the condition of the lot does not imply that the lot is free of wear and tear and/or in mint condition.
Circle representatives are not professional restorators or conservators, and we suggest interested parties consult with conservation professionals for a more detailed opinion. Unless otherwise stated, all lots are sold “AS IS, WHERE IS,” and all sales are final.

Artist Attribution Convention:
“Artist Name”: Our opinion is that this is a work by the named artist.
Attributed to “Artist Name”: Our opinion is that this is probably a work by the named artist, though with less certainty.
Studio of “Artist Name”: Our opinion is that this a work by an unknown hand in the studio of the named artist, which may or may not have been executed under the artist's direction.
Circle of “Artist Name”: Our opinion is that this a work by an unidentified yet distinct hand closely associated with the named artist, but not necessarily his pupil.
Style of…..; follower of “Artist Name”: Our opinion is that this is a work by an artist working in the named artist's style, contemporary or nearly contemporary, but not necessarily his pupil.
Manner of “Artist Name”: Our opinion is that this is a work in the style of the named artist and of a later date.
After “Artist Name”: Our opinion is that this is a copy of a known work of the named artist.

The term signed and/or dated and/or inscribed means that our opinion is that the signature, date, and/or inscription are from the hand of the artist.
The term bears a signature and/or date and/or inscription means our opinion is that the signature and/or date and/or inscription have been added by another hand.
With signature..., With date..., With inscription...: Our opinion is that the signature/date/inscription is by a hand other than that of the named artist.

Jewelry Lot Condition: All jewelry has been inspected by our in house IIJA Registered Gemologist Appraiser. Unless otherwise stated all grading is done without removing the gemstones from the settings and all weights, measurements and grades are approximate as far as the setting permits. Gemstones are often subjected to various treatments to enhance their appearance. Most often these treatments are normal and acceptable within industry standards. When a treatment is detected that is not normal it will be noted in the description. Identification of some treatments require sophisticated equipment not found in the standard gemological lab and no binding representation can be made for the existence of such a treatment.
All metals and construction methods are identified only to the extent the item permits. Any metal marking stamps are listed in the item description and an acid test is conducted as deemed necessary, and when no metal markings are present on the item.
Any descriptions from outside jewelry appraisals or certifications are not guaranteed by Circle Auction to be accurate, but may be provided for the benefit of the bidder. Different laboratories can differ on their terms and grade assessments. Any paperwork noted to accompany a piece is for the bidders reference and may not be usable to obtain insurance. Most companies and appraisers will update paperwork to a new owner for an additional fee. Circle Auction is not responsible for any transfer of an appraisal to the bidder’s name. It is the bidder's responsibility to obtain a usable insurance report.

Diamond Grading Convention:
We utilize the GIA Color scale when identifying lots that include diamonds. You can refer to this guide here: https://www.gia.edu/gia-about-4Cs-Color. Clarity refers to the impurities in a diamond. All diamonds are graded under 10x magnification. The lower number in a category will have less and/or smaller inclusions than the higher number in the same category.

FL-Flawless-No impurities or blemishes on the surface
IF-Internally Flawless-No impurities and only insignificant blemishes on the surface
VVS1 & VVS2-Very Very Slightly Included-Extremely difficult inclusions to see to the trained eye and only visible under magnification.
VS1 & VS2-Very Slightly Included-Difficult to see to the untrained eye and only visible under magnification.
SI1 & SI2-Slightly Included-Easy to see inclusions when viewed under magnification but not visible without magnification.
I1, I2, I3-Included-Inclusions are visible without magnification. I3 inclusions may affect the stones durability.

Warranty: Neither Circle nor its seller(s) make any representation or warranty, either express or implied, as to the description, quality, authenticity, period, source, or significance of any lot sold, except as to warranty of title. No statements by Circle, its agents, representatives or employees, whether in writing or spoken orally, shall create any representation, warranty or assumption of liability, nor that the winning bidder will receive any reproduction rights or copyrights to lots they purchased. Circle retains and reserves the rights to reproduce photography of lots sold.

Estimates: Estimates for each lot include a low and a high figure. They are provided for the convenience of bidders but do not constitute a guarantee or warranty that the item or lot will close at or between the estimates.

Lots Withdrawn: Circle reserves the right to withdraw any lot prior to the start of the auction and shall not incur liability for withdrawal of said lot(s).

Registering to Bid: To Bid with us, you are required to Register to Bid in advance of the start of the sale. In addition to our general registration requirements, we reserve the right to require the following items: photo identification, bank references, credit card pre-authorization for the low estimate, a deposit (we will refund the deposit if you are not high bidder and winner of the lot. Any deposit will be applied to any item for which you are the high bidder).

Bidding with Circle Auction

Circle Discretion: Circle has full discretion to decide the flow of each auction, including pre-bids, rejection of a Bid, lot passed or withdrawn, dispute resolution, and to re-offer or resell any lot. In any case, the decision of Circle is final, and is binding to any and all participants in the auction.

Risks & Assumed Costs: By placing a Bid, you understand that a submitted Bid can and may be the High and/or Winning Bid for a particular lot. Additionally, your Bid on any lot is considered a legally binding agreement to purchase the lot at your Bid price, if accepted by the auctioneer, or in a timed auction. By placing a Bid you agree that to assume personal responsibility to pay for the item at your high Bid price, plus any Buyer’s Premium and additional charges or costs that may become payable in connection with your purchase, such as shipping, insurance, sales tax, or other costs. If the lot is closed by the auctioneer and your Bid is the highest Bid, you agree to purchase the lot, and you assume risk of loss and damage to the purchased lot. All Sales are as is / where is and final.

Internet During Live & Online Auctions: Circle cannot be held liable for any Internet failure or outage either of the bidder’s service or Circle’s. Items sold before a failure/outage remain sold to the respective winning bidder previously recorded by Circle and/or the online platform(s) being utilized. In the event of a failure of Circle’s Internet service, items unsold at the time of the failure or outage will be opened for bidding as soon as service is restored and subject to the original auction process and conditions. Similarly, the item currently opened by the auctioneer at the time of failure/outage will be reopened when service resumes.

Auctioneer Control: During an auction, the Auctioneer is the final arbiter of sales. Bids are called for and recognized incrementally. Placing a bid online or in the auction room does not guarantee the bid will be recognized by the auctioneer owing to the current intensity of bidding or bids already received in increments or amounts already above this bid. Items or lots receiving little or no attention may be “passed” by the Auctioneer and are not subject to a later re-opening of the bidding process or post-auction sale.

Reserves: Some consignors establish reserves on their lots when they send their lots to auction. Reserves are confidential and establish a minimum price under which the lot will not be sold. Reserves must be established no greater than the low end estimate of the lot as published in the catalogue. Circle may open the bidding on reserved lots below the reserve amount by placing a bid on the consignor’s behalf. Circle may continue bidding on the consignor’s behalf up to the amount of the reserve by placing bids in answer to other bidders. Circle will not bid on the consignors behalf above the amount of the established reserve. Consignors are contractually prohibited from bidding on their own lots.

Confidentiality: Circle will not reveal to the public personal names, platform user names, or any contact information of winning bidders.

Absentee & Telephone Bids: Circle accepts absentee bids before and during the auction preview in person, by phone, fax, email and on CircleAuction.co. Online absentee bids may be placed on your preferred online auction platform as a pre-bid beginning when the catalog is posted and opened.
For absentee bids registered with us by email, fax, or telephone, an experienced auction house employee will act as the bidding agent during the auction and make all reasonable efforts to place bids competitively, purchasing each lot with the lowest competitive bid possible for the absent bidder up to their stated maximum amount. Please note: We will not exceed this amount. Between identical high bids, preference shall be given to the bid received first. A $100.00 minimum bid is required on all lots. Absentee bids will be executed according to our standard bidding increments. Circle executes all absentee bids at its discretion and makes no guarantee nor accepts any liability for any human or electronic failures, oversights or omissions in our absentee or telephone bidding processes.
Bidders who wish to competitively place their bids by telephone during the auction must register with us by completing telephone bidder form no later than one day before the auction is scheduled to begin. During the auction a bidding agent will call you two or three lots before your lot opens in order to establish contact and prepare you for the opening of bidding. Telephone bids will only be accepted for lots with low estimates of at least $300.

After the Auction

Buyer’s Premium: Unless otherwise stated by Circle, the winning bidder is responsible for, and agrees to pay the final hammer pricer, a buyer’s premium, and any applicable sales tax within five (5) business days of auction close. A buyer’s premium of 19% will be paid on all winning bids through Circle’s website and app, and 24% on all winning bids on third party auction platforms, such as Live Auctioneers & Invaluable.

Payment: Payment in full is due within five (5) business days of the close of the auction. Circle accepts cash, credit, debit, wire transfers, personal and certified checks. No lot may be picked up until payment is made in full, including any applicable fees and costs as outlined in these Terms & Conditions. Circle reserves the right to hold lots until a check has cleared the bank. Payments are accepted in US Dollars only and any fees for currency conversion are the responsibility of the winning bidder. All returned checks will be assessed a fee of $45 which must be paid along with the winning bid amount and any other applicable fees before the lot may be picked up.
If payment in full is not made within thirty (30) days of the close of the sale Circle has the discretion to pursue one or more of the following options: a) process the full amount due on the winning bidder’s credit card on file, b) charge a late fee equal to one and a half percent (1.5%) of the total amount due per thirty (30 days) with a minimum finance charge of $10 per lot per month. c.) cancel the sale in its entirety d.) resell the lot by public or private sale with no reserve, with the original winning bidder responsible for costs and commissions under Circle’s Agreement, as well as any deficiency remaining after the second sale e.) defalt bidder’s name and information may be shared with bidding platforms as a bidder in default.
f.) begin legal proceedings to collect the past due amount along with legal fees, costs, and interest.

Sales Tax: The winning bidder is responsible to pay state and local sales tax as required by law. Exempt bidders should file a tax exemption form with Circle to have sales tax removed.

Pick Up, Packing, & Shipping: Winning bidders may pick up their lots, once paid in full, at Circle’s auction office during regular business hours. If packing and shipping is required, we can provide you with a list of recommended shippers by request. You will be responsible to contact, arrange shipment, and pay 3rd party shippers. Circle will not be responsible for loss or damage of purchased lots handled or shipped, nor for acts and omissions, by 3rd party shippers, whether recommended by us or not. Circle will not release the lot for shipment until payment has been made in full and a buyer’s written shipping authorization form has been received. Winning bids may not be retracted, canceled or rescinded due to issues with shipping including, but not limited to, costs or prohibitions. It is the responsibility of the bidder to account for shipping prior to bidding.

Failure to Pick Up & Storage: Winning bidders must pick up or have lots shipped within 15 calendar days of the close of the auction. On the 16th day from the close of the auction Circle has the right to charge the winning bidder a storage fee of $5 per lot per day. Lots that have been paid for, but remain on our premises sixty (60) days from the close of the auction may be sold by Circle, with no notice to the buyer. Any funds in excess of the purchase price, commissions, applicable costs, and storage fees remitted to the original winning bidder. Lots left with Circle after the 16th day from the close of the auction are stored at the buyer’s risk.

Liability for Purchased Lots: If a lot that that been purchased and paid in full cannot be presented to the winning bidder in the same condition as it was at the time of the auction, or should a lot be lost, stolen or mis-delivered, Circle's liability shall be limited to the the full amount paid by the winning bidder and shall in no event include any compensatory, incidental or consequential damages. 3rd party shippers remain fully responsible for loss or damage to lots they have handled.

Choice of Law: These Terms and Conditions will be governed by and construed in accordance with the laws of the State of Kansas, without giving effect to its conflict of laws provisions or bidder’s actual state or country of residence. Any claims, legal proceeding or litigation arising in connection with the service will be brought solely in Johnson County, Kansas, and all bidders consents to the jurisdiction of such court. The invalidity or unenforceability of any provisions herein shall not affect the validity or enforceability of any other provision, which shall remain in full force and effect. Circle has the full discretion to waive or modify any and all of the terms and conditions contained herein.
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Description & Details

Online auction focused on mid century modern design, contemporary and modern art, and sculptures. 

Open for bidding July 14th – 29th. Final bidding starts July 29th at 10am CDT. 

 

200+ lots of artwork, design, sculptures, furniture, paintings, and more. All bidding takes place online. You can register for the auction and view all the items here

 

-Explore The Full Auction Here-

 

  • Free home delivery in the Kansas City area for items under 200lb and within 20 miles of our offices. 
  • Sign up for phone bidding here.
  • Sign up for absentee bidding here
  • Open house auction preview:
    • Thursday, July 27th from 10am-7pm
    • Friday, July 28th from 10am-7pm
    • 901 Woodswether Rd. Kansas City, MO 64105
  • Shipping info: For shipping info and quotes, please view our shipping page here.   
  • First time bidders: We’ve put a brief Intro Guide to walk you through the process and answer any of your questions.
  • If you already have an account, you can also find the auction on our partner sites:  LiveAuctioneers & Invaluable

 


 

Circle Auction is excited to present Modern + Contemporary, an online auction featuring 20th and 21st century paintings, prints, sculpture, and modern design.

 

The auction features modern design including Herman Miller designs by Charles and Ray Eames and George Nelson; Knoll designs by Warren Platner, Jens Risom, Harry Bertoia, and Marcel Breuer; Isamu Noguchi for Akari and Vitra, Joe Colombo for Kartell, Edward Wormley for Dunbar, Paul McCobb Planner Group, Hans Wegner, Vladimir Kagan, Milo Baughman, Thomas Moser, Peter Lovig Nielsen, Kipp Stewart, and Pace Collection.

 

Art highlights include a pair of original Val Bertoia Sonambient sounding sculptures, an original 1920’s oil by Alfred Maurer, two signed serigraphs by Joseph Albers, two signed lithographs by Alexander Calder, a collection of large scale paintings by Nick Vaccaro, a Richard Corben sculpture, several original works by Cleve Gray and Nicolas Africano, and pieces by artists including Yayoi Kusama, Duran, Salvador Dali, Ken Ferguson, and Ian Young.

 

Viewing Information

All lots will be available for preview on Thursday, July 27th from 10am-7pm and Friday, July 28th from 10am-8pm at our office in the West Bottoms.

 

-Register for the auction and bid here-

Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureExplore the full auction at: https://auctions.circle-auction.com/auctions/1-7R9K9U/contemporary-modern-art-design1 . SALVADOR DALI "DREAM OF FREEDOM" (1978 LITHO)2. MARINO MARINI "L'IDEE" (1950 ETCHING)3. JOSEF ALBERS "CHRYSOPRASE" (1965 PENCIL-SIGNED SERIGRAPH)4. JOSEF ALBERS "SILENT" (1965 PENCIL-SIGNED SERIGRAPH)5. VICTOR VASARELY "SIGNE 14" (1960 SERIGRAPH)6. ISAMU NOGUCHI PAIR OF PRISMATIC TABLES, VITRA PRODUCTION7. ISAMU NOGUCHI PAIR OF AKARI LIGHT SCULPTURES (1A)8. ISAMU NOGUCHI PAIR OF AKARI LIGHT SCULPTURES (BB1-30DL)9. ISAMU NOGUCHI AKARI LIGHT SCULPTURE (12A)10. VAL BERTOIA "TALL SOUNDS (B-2715)" SONAMBIENT SCULPTURE11. GEORGE NELSON CSS WALL UNIT (HERMAN MILLER, 1960S)12. VAL BERTOIA B-2725 SONAMBIENT SOUNDING SCULPTURE13. ALEXANDER CALDER "COMPOSITION: BLUE BOOMERANG" (1962, SIGNED)14. ALEXANDER CALDER "PETITE STABILE" (COLOR LITHO)15. ALFRED MAURER "STILL LIFE" (1920S OIL)16. MARCELO ELI SARMIENTO ABSTRACT (2019 MIXED MEDIA PAINTING)17. HANS WEGNER PEACOCK CHAIR (JOHANNES HANSEN, CA. 1970S)18. THOMAS MOSER CHERRY CONTINUOUS ARM CHAIR (1993)19. CLEVE GRAY "RED SUNSET" (1955 OIL ON CANVAS)20. CLEVE GRAY "Maremme #7" (Oil on Canvas)21. CLEVE GRAY 1961 Mixed Media Painting on Paper22. NICK VACCARO "Secluded Dynasty" (1965 Oil)23. Italian Modern Mirrored Dry Bar (ca. 1950s)24. Bench-Made Wormley-Style Magazine Tree25. NICK VACCARO "Life Line" (1964 Oil, Nelson-Atkins Exhibited)26. NICK VACCARO "Thaw" (1965 Oil, Nelson-Atkins Exhibited)27. NICK VACCARO Untitled Abstract Oil (ca. late 1950s-60s)28. NICK VACCARO "Vibration" (1963 Oil)29. MARCEL BREUER Pr. Wassily Chairs (Gavina & Knoll, 1968)30. MARCEL BREUER (After) Four B 64 Armchairs (ca. 1986)31. WARREN PLATNER Knoll Dining Table32. VLADIMIR KAGAN Capricorn Chairs (1958 Pair)33. KEHINDE WILEY (After) "Three Boys" (2013 Framed Silk Scarf)34. YAYOI KUSAMA X THE BROAD "With All My Flowering Heart"35. PHILIPPE BERTHO "Yayoi Kusama Portrait" (2018 Acrylic)36. PHILIPPE BERTHO "Tchegueso - Love 1" (2008 Serigraph)37. PHILIPPE BERTHO "The Best-Looking Cosmonaut" (2018 Pigment Print)38. RICHARD CORBEN "Reclining Nude" (ca. 1977)39. CORNO "Torso" (Acrylic & Watercolor on Arches Paper)40. CORNO "Face" (Oil on Canvas)41. Modern Teak Rocker and Arm Chair (ca. 1960s)42. JENS RISOM Pair of Knoll 654 Armless Lounge Chairs43. JENS RISOM Knoll 654 Armless Lounge Chair44. JENS RISOM Knoll 654 Armless Lounge Chair45. KYOHEI INUKAI Untitled Oil "Property of Andy Warhol"46. ANDY WARHOL (After) "Mechanical Terrier" (CMOA Print)47. VICTOR SKREBNESKI "Andy Warhol, 'The Factory' NY, 1972"48. TIDE "Madonna Vogue Collection" (Limited Giclee Series)49. GEORGE RODRIGUE "Washington Blue Dog" (Signed by Reps)50. DURAN "Love Story II" (2001 Oil on Canvas)51. DURAN "Clair de Lune II" (2010 Oil on Canvas)52. NICK VACCARO Untitled Abstract Oil (ca. 1980s)53. Pair of Unique Oversized Chairs, Manner of Paul Evans54. Unique Game Table with Pieces, Manner of Paul Evans55. FRANK MARIANI Set of 8 Pace Collection "Lugano" Chairs56. MILO BAUGHMAN Pair of 8101 Chairs (Thayer Coggin, 1970s)57. NICOLAS AFRICANO "Anna's Mistake" (1989-90 Suite)58. NICOLAS AFRICANO "Gnossienne" (1991 Serigraph)59. NICOLAS AFRICANO "Salvador" (1992 Lithograph)60. NICOLAS AFRICANO "Cherries in the Snow"61. EAMES Herman Miller Lounge Chair & Ottoman (1977)62. MILO BAUGHMAN 3426 Cube Chair, Thayer Coggin (1979)63. NICK VACCARO "VIII (For David O. Ray)" (Oil ca. 1982)64. NICK VACCARO "XXXI (For Nick Jr.)" (1985 Oil)65. NICK VACCARO "VI (For Joan Miro)" (Oil ca. 1982)66. NICK VACCARO "XXIV (For Herman)" (1985 Oil)67. MILO BAUGHMAN Chest of Drawers, Drexel (1950s)68. PETER LOVIG NIELSEN Danish Teak Desk (1960s)69. JOSE VAN GOOL "Boys" (1994 Charcoal)70. CHAIM GROSS Untitled 1944 Sketch (Mother and Child)71. LARRY BAKKE Abstract Expressionist Oil (1957)72. LARRY BAKKE Abstract Expressionist Oil (1957-58)73. NICK VACCARO "Bolted Bread" (1972 Sculpture)74. NICK VACCARO "Crated for Brancusi" (1973 Sculpture)75. Jeff Koons (after) Balloon Dog by GP Editions76. STIK Pair of Stik Figure Doodles (2018)77. COPE2 "True Legend" (2016 Graffiti Throw-Up on Canvas)78. Marcelo Eli Sarmiento "Heroes Get Remembered..." (2016)79. Marcelo Eli Sarmiento "Work" (2015 Mixed Media)80. Marcelo Eli Sarmiento "500 Million" (2015 Mixed Media)81. Marcelo Eli Sarmiento "Focus Influence Important Power" (2015 Mixed Media)82. MARCELO ELI SARMIENTO "CHI-RAQ" (2015 MIXED MEDIA)83. GEORGE NELSON STORAGE HEADBOARDS, HERMAN MILLER (1940S)84. GEORGE NELSON 2225 TRIANGLE CLOCK (1955)85. GEORGE NELSON 2202B SPIKE CLOCK (1950S)86. GEORGE NELSON 2213 ASTERISK CLOCK (1950S)87. GEORGE NELSON 2202C SPIKE CLOCK (1950S)88. GEORGE NELSON 2213 ASTERISK CLOCK (1950S)89. GEORGE NELSON 4758 WALL CLOCK (DESIGNED 1949)90. GEORGE NELSON 2213 ASTERISK CLOCK (1950S)91. MARC QUINN "WE SHARE OUR CHEMISTRY WITH THE STARS" (2015)92. ANNIKA VON HAUSSWOLFF "VANITY FAIR" (2015)93. BENCE BAKONYI "NO. 13" (2013/15 LAMBDA COLOR PRINT)94. ANN HAMILTON & CYNTHIA SCHIRA "AN ERRANT LINE" (2013)95. HERMES (PARIS) THREE "CARNETS D'EQUATEUR" ARTICLES96. CHRISTOFLE UNI LARGE METALLIZED GLASS VASE97. VERSACE / VENINI "MURRINE" CHARGER (1999 ART GLASS)98. ULRICA HYDMAN-VALLIEN KOSTA BODA "CARAMBA" VASE99. PAUL MCCOBB PLANNER GROUP 1536 ARM CHAIRS (1960S PAIR)100. PAUL MCCOBB PLANNER GROUP 1540 LOW TABLE (1950S)101. NICK VACCARO "SUMMER DYNASTY" (1960 OIL)102. NICK VACCARO "AUSTIN GIRL W/ LANDSCAPE" (TWO 1960 OILS)103. NICK VACCARO "GREEN THEME HARPER" (1959 OIL)104. NICK VACCARO "MI DYNASTY" (OIL CA. 1960)105. FRANCOIS CARRE PAIR OF SUNBURST CHAIRS (1866/1930S)106. SIX VINTAGE THONET-STYLE BENTWOOD BISTRO CHAIRS107. KATHE KOLLWITZ (AFTER) "TOD, FRAU UND KIND" (ETCHING)108. ERNST BARLACH "WALK IN THE SHADOW" (1922 LITHOGRAPH)109. NICK VACCARO "CRISIS" (1960S OIL)110. NICK VACCARO "A SPACE IN THE SUN" (1968 ACRYLIC)111. NICK VACCARO "SOMEWHERE ELSE OVER THE RAINBOW" (1968 ACRYLIC)112. NICK VACCARO UNTITLED ACRYLIC (CA. 1969)113. PAUL MAYEN RATTAN AND IRON LAMP (1960S)114. CARLO NASON MAZZEGA MURANO FLOOR LAMP (CA. 1960S)115. KIYOSHI SAITO "CHILDREN OF AIZU" (TWO COLOR WOODBLOCKS)116. NANAE ITO "SENSO-JI TEMPLE" (WATERCOLOR)117. NICOLAS AFRICANO "MEMOIR" (1986 LITHOGRAPH)118. NICOLAS AFRICANO "A MAN AND WOMAN FISHING" (1975)119. EAMES HERMAN MILLER LCM LOUNGE CHAIRS (PAIR CA. 1950S)120. MILO BAUGHMAN TIERED CORNER TABLE (MURRAY, CA. 1950S)121. EAMES VINTAGE HERMAN MILLER PAC SWIVEL SHELL CHAIR122. MEL BOGART FELMORE WEDGE END TABLE (1950S)
123. NICOLAS AFRICANO "MAGIC FLUTE" (1990 WATERCOLOR)124. NICOLAS AFRICANO "FLESH ARMOR" (1986 LTD. MIXED MEDIA)125. NICOLAS AFRICANO PAIR OF LITHOGRAPHS (1986)126. NICOLAS AFRICANO "TROIS POEMES D'AMOUR" (MIXED MEDIA)127. EAMES 4 HERMAN MILLER DSS STACKING CHAIRS (1950S)128. VINTAGE ITALIAN TRAVERTINE CONSOLE129. HARRY BERTOIA PAIR OF KNOLL WIRE SIDE CHAIRS (1972)130. KIPP STEWART PAIR OF DREXEL DECLARATION TABLES (1960S)131. NICK VACCARO "WIDESPREAD" (1965 OIL)132. NICK VACCARO "G VS. G" (1966 OIL)133. NICK VACCARO "SURROUNDINGS" (OIL CA. 1960S)134. NICK VACCARO "PORTAL" (OIL CA. 1965)135. NICK VACCARO THREE METAL COLLAGE BLOCKS136. SIGNORETTI MURANO GLASS SCULPTURE137. EDWARD WORMLEY PAIR OF WALNUT ARMCHAIRS, DUNBAR (1960S)138. PAIR OF LANE "MONTE CARLO" STEPPED END TABLES (1960S)139. IAN YOUNG "MZ. PAC-MAN" (2014 ACRYLIC ON CANVAS)140. IAN YOUNG "DIG DUG" (2015 ACRYLIC ON CANVAS)141. IAN YOUNG "FROGGER" (2014 ACRYLIC ON CANVAS)142. IAN YOUNG "AZTEROIDS" (2014 ACRYLIC ON CANVAS)143. ABSTRACT WELDED STEEL SCULPTURE144. ABSTRACT STONE SCULPTURE145. IAN YOUNG "ROBOTRONIC" (2014 ACRYLIC ON CANVAS)146. IAN YOUNG "ABDUCTED" (2013 ACRYLIC ON CANVAS)147. IAN YOUNG "OPERATING TABLE" (2013 ACRYLIC ON CANVAS)148. IAN YOUNG UNTITLED (2013 ACRYLIC ON CANVAS)149. WALTER KNABE "MANKIND I" (MIXED MEDIA PRINT ON CANVAS)150. JOE COLOMBO SET OF 10 KARTELL "UNIVERSALE" CHAIRS151. EAMES 20 HERMAN MILLER DSS STACKING CHAIRS (1959-63)152. EAMES 20 HERMAN MILLER DSS STACKING CHAIRS (1959-63)153. EAMES 20 HERMAN MILLER DSS STACKING CHAIRS (1959-63)154. RICHARD HUNT "BLACK & WHITE TAMARIND" (1970S LITHO)155. RICHARD HUNT "MOUNTAIN SHIFT" (2015 COLOR LITHOGRAPH)156. ROBERT RAUSCHENBERG (AFTER) TWO VINTAGE FRAMED GRAPHICS157. JASPER JOHNS (AFTER) "NUMBERS" SERIGRAPHIC POSTER, 1974158. NICK VACCARO "THEME TO THE WEST #21" (ACRYLIC CA. 1989)159. NICK VACCARO "THEME TO THE WEST #26" (1989 ACRYLIC)160. NICK VACCARO "THEME TO THE WEST #16" (ACRYLIC CA. 1989)161. NICK VACCARO "YELLOW" (OIL ON CANVAS, CA. 1960S)162. IVAR ALENIUS BJORK PAIR OF YSTAD LILY CANDLE HOLDERS163. LIVIA GORKA TWO MID-CENTURY POTTERY ARTICLES164. KEN FERGUSON GLAZED STONEWARE VASE165. JESSE SMALL CERAMIC MILITARY VEHICLE WITH TRAILER166. UNIDENTIFIED POTTERY HEAD167. NICK VACCARO "TO A TRAP IX" (1969 COLOR RELIEF PRINT)168. NICK VACCARO "TO A TRAP XI" (1969 COLOR RELIEF PRINT)169. NICK VACCARO "TO A TRAP II" (1969 COLOR RELIEF PRINT)170. NICK VACCARO "TO A TRAP XV" (1969 COLOR RELIEF PRINT)171. CHUCK JOHNSON UNTITLED STILL LIFE (1980 WATERCOLOR)172. ALLEN GINSBERG "UNTITLED #3" (1998 LITHO/ SERIGRAPH)173. GEORGE BOGART STILL LIFE (1995 OIL ON PAPER)174. NICOLAS AFRICANO "SEPTEMBER" (1988 COLOR LITHO)175, NICOLAS AFRICANO UNTITLED WOODBLOCK PRINT (1990)176. NICOLAS AFRICANO "THE CONCERTINA PLAYER..." (1990 MIXED MEDIA)177. NICOLAS AFRICANO "AN OCCASION FOR HOPE" (1988 INK)178. NICOLAS AFRICANO TWO PRINTS (1986/ 1989)179. C. JERE MIXED METAL WALL SCULPTURE (1992)180. LISA KROHN BEEHIVE STOOL (1994)181. GEORGE NELSON WALNUT HEADBOARD, HERMAN MILLER (CA. 1960)182. JOSEF ALBERS (AFTER) "HOMAGE TO THE SQUARE" (SERIGRAPH)183. JOSEF ALBERS (AFTER) "HOMAGE TO THE SQUARE" (SERIGRAPH)184. HAROLD ALTMAN "STANDING FIGURE" (1958 PEN DRAWING)185. JUAN MARTINEZ "EL HOMBRE QUE AUN SUEÑA" (1978 PAINTING)186. ADRIANA MAS "HACIA DONDE" (2005 ACRYLIC & MIXED MEDIA)187. FRANK FRAZIER UNTITLED (1992 MIXED MEDIA COLLAGE)188. SOREN ARUTJUNJAN "THE OLD CAR IN SANDANA" (1977 GOUACHE)189. NICK VACCARO "JAZZ SEEN III" (1984 COLLAGE)190. NICK VACCARO "JAZZ SEEN IV" (1984 COLLAGE)191. JEAN MIOTTE UNTITLED ABSTRACT LITHOGRAPH192. ANDRE MASSON "CORPS MAGIQUE" (1961 ETCHING)193. JACQUES VILLON "JAPON" (1965 COLOR LITHOGRAPH)194. JACQUES VILLON UNTITLED (1965 COLOR LITHOGRAPH)195. NICK VACCARO "APPARITION" AND UNTITLED (1997)196. NICK VACCARO "EXTERIOR RADIANCE" (1996 MIXED MEDIA)197. NICK VACCARO "SHERBERT" (1998) & TORN (1998)198. NICK VACCARO "APPROACH" (1999 MIXED MEDIA COLLAGE)199. NICK VACCARO "IMPROVISATION" (1996) & "SERENADE" (1996)200. NICK VACCARO THREE EARLY ABSTRACT WATERCOLORS (1957-58)201. NICK VACCARO "SPRING BOUQUET" (EARLY 1960S COLLAGRAPH)202. NICK VACCARO "QUEEN" (EARLY 1960S COLLAGRAPH)203. NICK VACCARO THREE ABSTRACT COLLAGRAPHS (CA. 1961)204. NELSON DE LA NUEZ "HAPPY HOUR" (LTD. CANVAS)205. JUDITH BERNSTEIN "TRUMP'S CABINET OF HORRORS" (2018)
206. NICK VACCARO UNTITLED "MAGIC BOX" ASSEMBLAGE (1970S)207. NICK VACCARO "ROY ROGERS BOX" (ASSEMBLAGE CA. 1970S)208. NICK VACCARO "MIRROR MIRROR" (1972 ASSEMBLAGE)209. NICK VACCARO "ABRACADABRA" (1970 ASSEMBLAGE)210. MARC CHAGALL "LE PEINTER EN ROSE" (1959 LITHO POSTER)

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