Mid Century Modern Design + Art Online Auction: Eames, Knoll, Dali, Danish, Bertoia, Herman Miller

online only auction | 16 day sale | sale is over
Location
Kansas City, MO 64105
Dates

Sale Starts

Fri
Jan 26
5pm
2024

Sale Ends

Sat
Feb 10
10am
2024

Terms & Conditions

Circle Auction Terms & Conditions

Thank you for bidding with Circle Auction. We appreciate your business. The following terms & conditions contain important information that bidders need to review and understand prior to bidding. For your convenience, we have bulleted a few of the most important terms & conditions for your quick review. Please understand that the terms & conditions is a legal agreement and you need to read them in their entirety.

-To Bid: You will need to register for an auction. We will get contact and payment information from you.

-Buyer’s Premium: A buyer’s premium is an additional charge to the winning bidder It is a percentage of their bid and is added to the winning bid amount. The buyer’s premium of 19% of the final hammer price.

-Condition: For the convenience of our buyers we take detailed photos of the auction items, as well as note any condition issues that we see. We highly encourage you to come to the pre-auction preview and look at the items in person. We will not give refunds for condition issues.

-Payment: If you are a winning bidder you will need to pay for your item within 5 business days. You won’t be able to pick up or ship your item(s) until it has been paid in full.

-Pick-up: After your item(s) has been paid for you can pick up your item in person at our offices by appointment. Please email Info@Circle-Auction.com to schedule your pick-up

-Shipping: Circle Auction does not have in-house shipping. We can recommend 3rd party shippers. You are responsible for arranging for shipment and paying all costs involved. We are unable to give refunds due to shipping issues.

If you have any questions regarding these terms please contact Circle Auction by email at : Info@Circle-Auction.com
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All lots listed in the auction are offered by Circle Auction LLC (“Circle”) as seller’s agent or owner, are subject to the following terms and conditions. These terms may be supplemented or amended by us at any time prior to the start of an auction. Registering for an auction by Circle or bidding on any lot by any means, including, but not limited to, in-person, by telephone, or online bidding platforms and applications, establishes the bidder’s agreement and acceptance to be bound by these auction terms and conditions.

Before you place a bid at Circle Auction

General Lot Condition: Circle strongly recommends, if at all possible, prospective bidders to examine lots in person prior to placing a bid. Circle representatives make every attempt to note any issue(s) with condition or item damages in the lot description as a courtesy to bidders, but it is the responsibility of the bidder to determine lot condition prior to bidding. The lack of any note by Circle as to the condition of the lot does not imply that the lot is free of wear and tear and/or in mint condition.
Circle representatives are not professional restorators or conservators, and we suggest interested parties consult with conservation professionals for a more detailed opinion. Unless otherwise stated, all lots are sold “AS IS, WHERE IS,” and all sales are final.

Artist Attribution Convention:
“Artist Name”: Our opinion is that this is a work by the named artist.
Attributed to “Artist Name”: Our opinion is that this is probably a work by the named artist, though with less certainty.
Studio of “Artist Name”: Our opinion is that this a work by an unknown hand in the studio of the named artist, which may or may not have been executed under the artist's direction.
Circle of “Artist Name”: Our opinion is that this a work by an unidentified yet distinct hand closely associated with the named artist, but not necessarily his pupil.
Style of…..; follower of “Artist Name”: Our opinion is that this is a work by an artist working in the named artist's style, contemporary or nearly contemporary, but not necessarily his pupil.
Manner of “Artist Name”: Our opinion is that this is a work in the style of the named artist and of a later date.
After “Artist Name”: Our opinion is that this is a copy of a known work of the named artist.

The term signed and/or dated and/or inscribed means that our opinion is that the signature, date, and/or inscription are from the hand of the artist.
The term bears a signature and/or date and/or inscription means our opinion is that the signature and/or date and/or inscription have been added by another hand.
With signature..., With date..., With inscription...: Our opinion is that the signature/date/inscription is by a hand other than that of the named artist.

Jewelry Lot Condition: All jewelry has been inspected by our in house IIJA Registered Gemologist Appraiser. Unless otherwise stated all grading is done without removing the gemstones from the settings and all weights, measurements and grades are approximate as far as the setting permits. Gemstones are often subjected to various treatments to enhance their appearance. Most often these treatments are normal and acceptable within industry standards. When a treatment is detected that is not normal it will be noted in the description. Identification of some treatments require sophisticated equipment not found in the standard gemological lab and no binding representation can be made for the existence of such a treatment.
All metals and construction methods are identified only to the extent the item permits. Any metal marking stamps are listed in the item description and an acid test is conducted as deemed necessary, and when no metal markings are present on the item.
Any descriptions from outside jewelry appraisals or certifications are not guaranteed by Circle Auction to be accurate, but may be provided for the benefit of the bidder. Different laboratories can differ on their terms and grade assessments. Any paperwork noted to accompany a piece is for the bidders reference and may not be usable to obtain insurance. Most companies and appraisers will update paperwork to a new owner for an additional fee. Circle Auction is not responsible for any transfer of an appraisal to the bidder’s name. It is the bidder's responsibility to obtain a usable insurance report.

Diamond Grading Convention:
We utilize the GIA Color scale when identifying lots that include diamonds. You can refer to this guide here: https://www.gia.edu/gia-about-4Cs-Color. Clarity refers to the impurities in a diamond. All diamonds are graded under 10x magnification. The lower number in a category will have less and/or smaller inclusions than the higher number in the same category.

FL-Flawless-No impurities or blemishes on the surface
IF-Internally Flawless-No impurities and only insignificant blemishes on the surface
VVS1 & VVS2-Very Very Slightly Included-Extremely difficult inclusions to see to the trained eye and only visible under magnification.
VS1 & VS2-Very Slightly Included-Difficult to see to the untrained eye and only visible under magnification.
SI1 & SI2-Slightly Included-Easy to see inclusions when viewed under magnification but not visible without magnification.
I1, I2, I3-Included-Inclusions are visible without magnification. I3 inclusions may affect the stones durability.

Warranty: Neither Circle nor its seller(s) make any representation or warranty, either express or implied, as to the description, quality, authenticity, period, source, or significance of any lot sold, except as to warranty of title. No statements by Circle, its agents, representatives or employees, whether in writing or spoken orally, shall create any representation, warranty or assumption of liability, nor that the winning bidder will receive any reproduction rights or copyrights to lots they purchased. Circle retains and reserves the rights to reproduce photography of lots sold.

Estimates: Estimates for each lot include a low and a high figure. They are provided for the convenience of bidders but do not constitute a guarantee or warranty that the item or lot will close at or between the estimates.

Lots Withdrawn: Circle reserves the right to withdraw any lot prior to the start of the auction and shall not incur liability for withdrawal of said lot(s).

Registering to Bid: To Bid with us, you are required to Register to Bid in advance of the start of the sale. In addition to our general registration requirements, we reserve the right to require the following items: photo identification, bank references, credit card pre-authorization for the low estimate, a deposit (we will refund the deposit if you are not high bidder and winner of the lot. Any deposit will be applied to any item for which you are the high bidder).

Bidding with Circle Auction

Circle Discretion: Circle has full discretion to decide the flow of each auction, including pre-bids, rejection of a Bid, lot passed or withdrawn, dispute resolution, and to re-offer or resell any lot. In any case, the decision of Circle is final, and is binding to any and all participants in the auction.

Risks & Assumed Costs: By placing a Bid, you understand that a submitted Bid can and may be the High and/or Winning Bid for a particular lot. Additionally, your Bid on any lot is considered a legally binding agreement to purchase the lot at your Bid price, if accepted by the auctioneer, or in a timed auction. By placing a Bid you agree that to assume personal responsibility to pay for the item at your high Bid price, plus any Buyer’s Premium and additional charges or costs that may become payable in connection with your purchase, such as shipping, insurance, sales tax, or other costs. If the lot is closed by the auctioneer and your Bid is the highest Bid, you agree to purchase the lot, and you assume risk of loss and damage to the purchased lot. All Sales are as is / where is and final.

Internet During Live & Online Auctions: Circle cannot be held liable for any Internet failure or outage either of the bidder’s service or Circle’s. Items sold before a failure/outage remain sold to the respective winning bidder previously recorded by Circle and/or the online platform(s) being utilized. In the event of a failure of Circle’s Internet service, items unsold at the time of the failure or outage will be opened for bidding as soon as service is restored and subject to the original auction process and conditions. Similarly, the item currently opened by the auctioneer at the time of failure/outage will be reopened when service resumes.

Auctioneer Control: During an auction, the Auctioneer is the final arbiter of sales. Bids are called for and recognized incrementally. Placing a bid online or in the auction room does not guarantee the bid will be recognized by the auctioneer owing to the current intensity of bidding or bids already received in increments or amounts already above this bid. Items or lots receiving little or no attention may be “passed” by the Auctioneer and are not subject to a later re-opening of the bidding process or post-auction sale.

Reserves: Some consignors establish reserves on their lots when they send their lots to auction. Reserves are confidential and establish a minimum price under which the lot will not be sold. Reserves must be established no greater than the low end estimate of the lot as published in the catalogue. Circle may open the bidding on reserved lots below the reserve amount by placing a bid on the consignor’s behalf. Circle may continue bidding on the consignor’s behalf up to the amount of the reserve by placing bids in answer to other bidders. Circle will not bid on the consignors behalf above the amount of the established reserve. Consignors are contractually prohibited from bidding on their own lots.

Confidentiality: Circle will not reveal to the public personal names, platform user names, or any contact information of winning bidders.

Absentee & Telephone Bids: Circle accepts absentee bids before and during the auction preview in person, by phone, fax, email and on CircleAuction.co. Online absentee bids may be placed on your preferred online auction platform as a pre-bid beginning when the catalog is posted and opened.
For absentee bids registered with us by email, fax, or telephone, an experienced auction house employee will act as the bidding agent during the auction and make all reasonable efforts to place bids competitively, purchasing each lot with the lowest competitive bid possible for the absent bidder up to their stated maximum amount. Please note: We will not exceed this amount. Between identical high bids, preference shall be given to the bid received first. A $100.00 minimum bid is required on all lots. Absentee bids will be executed according to our standard bidding increments. Circle executes all absentee bids at its discretion and makes no guarantee nor accepts any liability for any human or electronic failures, oversights or omissions in our absentee or telephone bidding processes.
Bidders who wish to competitively place their bids by telephone during the auction must register with us by completing telephone bidder form no later than one day before the auction is scheduled to begin. During the auction a bidding agent will call you two or three lots before your lot opens in order to establish contact and prepare you for the opening of bidding. Telephone bids will only be accepted for lots with low estimates of at least $300.

After the Auction

Buyer’s Premium: Unless otherwise stated by Circle, the winning bidder is responsible for, and agrees to pay the final hammer pricer, a buyer’s premium, and any applicable sales tax within five (5) business days of auction close. A buyer’s premium of 19% will be paid on all winning bids through Circle’s website and app, and 24% on all winning bids on third party auction platforms, such as Live Auctioneers & Invaluable.

Payment: Payment in full is due within five (5) business days of the close of the auction. Circle accepts cash, credit, debit, wire transfers, personal and certified checks. No lot may be picked up until payment is made in full, including any applicable fees and costs as outlined in these Terms & Conditions. Circle reserves the right to hold lots until a check has cleared the bank. Payments are accepted in US Dollars only and any fees for currency conversion are the responsibility of the winning bidder. All returned checks will be assessed a fee of $45 which must be paid along with the winning bid amount and any other applicable fees before the lot may be picked up.
If payment in full is not made within thirty (30) days of the close of the sale Circle has the discretion to pursue one or more of the following options: a) process the full amount due on the winning bidder’s credit card on file, b) charge a late fee equal to one and a half percent (1.5%) of the total amount due per thirty (30 days) with a minimum finance charge of $10 per lot per month. c.) cancel the sale in its entirety d.) resell the lot by public or private sale with no reserve, with the original winning bidder responsible for costs and commissions under Circle’s Agreement, as well as any deficiency remaining after the second sale e.) defalt bidder’s name and information may be shared with bidding platforms as a bidder in default.
f.) begin legal proceedings to collect the past due amount along with legal fees, costs, and interest.

Sales Tax: The winning bidder is responsible to pay state and local sales tax as required by law. Exempt bidders should file a tax exemption form with Circle to have sales tax removed.

Pick Up, Packing, & Shipping: Winning bidders may pick up their lots, once paid in full, at Circle’s auction office during regular business hours. If packing and shipping is required, we can provide you with a list of recommended shippers by request. You will be responsible to contact, arrange shipment, and pay 3rd party shippers. Circle will not be responsible for loss or damage of purchased lots handled or shipped, nor for acts and omissions, by 3rd party shippers, whether recommended by us or not. Circle will not release the lot for shipment until payment has been made in full and a buyer’s written shipping authorization form has been received. Winning bids may not be retracted, canceled or rescinded due to issues with shipping including, but not limited to, costs or prohibitions. It is the responsibility of the bidder to account for shipping prior to bidding.

Failure to Pick Up & Storage: Winning bidders must pick up or have lots shipped within 15 calendar days of the close of the auction. On the 16th day from the close of the auction Circle has the right to charge the winning bidder a storage fee of $5 per lot per day. Lots that have been paid for, but remain on our premises sixty (60) days from the close of the auction may be sold by Circle, with no notice to the buyer. Any funds in excess of the purchase price, commissions, applicable costs, and storage fees remitted to the original winning bidder. Lots left with Circle after the 16th day from the close of the auction are stored at the buyer’s risk.

Liability for Purchased Lots: If a lot that that been purchased and paid in full cannot be presented to the winning bidder in the same condition as it was at the time of the auction, or should a lot be lost, stolen or mis-delivered, Circle's liability shall be limited to the the full amount paid by the winning bidder and shall in no event include any compensatory, incidental or consequential damages. 3rd party shippers remain fully responsible for loss or damage to lots they have handled.

Choice of Law: These Terms and Conditions will be governed by and construed in accordance with the laws of the State of Kansas, without giving effect to its conflict of laws provisions or bidder’s actual state or country of residence. Any claims, legal proceeding or litigation arising in connection with the service will be brought solely in Johnson County, Kansas, and all bidders consents to the jurisdiction of such court. The invalidity or unenforceability of any provisions herein shall not affect the validity or enforceability of any other provision, which shall remain in full force and effect. Circle has the full discretion to waive or modify any and all of the terms and conditions contained herein.
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Circle Auction

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Description & Details

Online auction focused on mid century modern design, contemporary and modern art, and sculptures. 

 

Open for bidding January 26th – February 10th. Final bidding starts February 10th at 10am CST. 

 

200+ lots of artwork, design, sculptures, furniture, paintings, and more. Highlights by Knoll, Herman Miller, Noguchi, Paul Evans, Harry Bertoia, Val Bertoia, Paul McCobb, Wilbur Niewald, Warren Platner, Joan Miro, Ib Kofod-Larsen, danish modern, large scale paintings, mcm lithographs and prints, Alvar Aalto, Eero Saarinen, Edward Wormley for Dunbar, and more.  All bidding takes place online. You can register for the auction and view all the items here

 

-Explore The Full Auction Here-

 

  • Free home delivery in the Kansas City area for items under 200lb and within 20 miles of our offices. 
  • Sign up for phone bidding here.
  • Sign up for absentee bidding here
  • Open house auction preview:
    • Thursday, February 8th from 10am-8pm
    • Friday, February 9th from 10am-8pm
    • Free wine and cocktails from 4pm-8pm
    • 901 Woodswether Rd. Kansas City, MO 64105
  • Shipping info: For shipping info and quotes, please view our shipping page here.   
  • First time bidders: We’ve put a brief Intro Guide to walk you through the process and answer any of your questions.
  • If you already have an account, you can also find the auction on our partner sites:  LiveAuctioneers & Invaluable

 


 

Circle Auction is proud to offer this unique and exciting assortment of modern design and contemporary art, assembled from various collections in Kansas City and around the region.

 

Headlining the modern design is a rare and impressive 1972 Paul Evans Studio sculpted bronze cabinet. The line-up of furniture includes many of the 20th century's greatest icons: an Eames lounge chair, Eero Saarinen's Womb chair, a pair of Mies van der Rohe's Barcelona chairs, Alvar Aalto's Paimio chair, Harry Bertoia's Bird chair, and an Isamu Noguchi coffee table. Explore a wide variety of American designs by Adrian Pearsall, George Nelson, Edward Wormley, Warren Platner, Milo Baughman, Paul McCobb, and Harvey Probber, and Danish modern designs by Ib Kofod-Larsen, Kai Kristiansen, Niels Koefoed, Erik Buch, and Sven Ellekaer. Decorative arts include a large screen of Higgins glass Rondelays, as well as lamps, rugs, and assorted objects.

 

Highlighting the contemporary and modern art is a 2003 suite of Allan McCollum graphite works entitled "The Recognizable Image Drawings," as well as two iconic Edward Weston photographs, "Pepper #30" and "Two Shells." Among the prints and multiples are works by Sol Lewitt, Robert Rauschenberg, Salvador Dali, Rene Magritte, Joel-Peter Witkin, Roger Shimomura, William Wiley, Peter Max, Victor Vasarely, Yaacov Agam, John Buck, Sabra Field, and Leonard Baskin. Unique works by Moses Soyer, Val Bertoia, Wilbur Niewald, Dean Mitchell, Guy Anderson, Akio Takamori, Barbara Frets, Noel Rockmore, Paolo Soleri, Warren Rosser, Rita Blitt, Pascal Cucaro, and Michael Ott. Selections from the estates of painters Nick Vaccaro and Marleen Gold and photographer John Gutowksi.

 

Viewing Information

All lots will be available for preview on Thursday, February 8th from 10am-7pm and Friday, February 9th from 10am-8pm at our office in the West Bottoms.

 

-Register for the auction and bid here-

24.  Paul Evans Studio Sculpted Bronze Cabinet (1972)1.  Christo "Wrapped Walkways" Fabric and Signed Book2.  Salvador Dali "The Laser Unicorn" (1974 Drypoint and Litho)3. Vintage Isamu Noguchi Akari Light4. 1972 Wool Axminster Rug after Paul Klee5.  Ib Kofod-Larsen for Selig Pair of Lounge Chairs (ca. 1960)6. Sven Ellekaer for Albert Hansen Rosewood Shelving System (1960s)7.  Erik Buch for Oddense Maskinsnedkeri Teak Desk (1960s)8.  William Jensen for Skrillinge Mobelfabrik Teak Secretary Desk9.  1965 Abstract Wool Kilim10.  Ronald Slowinski "Hopi Flower" Series (1976 Acrylic on Canvas)11.  Nick Vaccaro "XIII (Rust)" (Oil on Canvas, ca. 1982)12.  Sol Lewitt "Curvy Brushstrokes II" (1997 Color Aquatint)13.  Eero Saarinen for Knoll Womb Chair and Ottoman (1948/1999)14.  George Nelson for Herman Miller Lift-Top Blanket Chest (ca. 1950s)15.  Alvar Aalto for Artek Paimio Chair16.  Edward Wormley Coffee Table (ca. 1950s)17. Robert Rauschenberg "Lichen" (1972 Signed and Limited Serigraph/Offset)18.  Karen Zuegner Abstract Interior (Oil ca. 1979)19.  Marleen Gold Untitled Portrait (Oil ca. 1980s)20.  Nick Vaccaro "The Wall" (1964 Oil on Canvas)21.  Eames for Herman Miller Lounge Chair & Ottoman (1956/1982)22.  Isamu Noguchi for Herman Miller IN-50 Coffee Table (1944/1996)23.  Mies van der Rohe for Knoll, Pair of Barcelona Chairs25. Val Bertoia Sonambient Sculpture B-2786 (2023)26.  George Nelson for Howard Miller 4755 Ball Clock27.  Frances & Michael Higgins "Rondelay" Glass Screen (54 Pc.)28.  Val Bertoia "Sounding Gong B-2645" (2022)29.  Roger Shimomura "Kabuki Party" (1988 Serigraph)30. Roger Shimomura "Oriental Masterprint - 7" (1975 Serigraph)31.  Roger Shimomura "Oriental Masterprint - 6" (1975 Serigraph)32.  Akio Takamori Stoneware Platter with Nude Figure (1989)33. Jim Leedy "Sky Art over Kansas City" (1979 Serigraph) 34.  Peter Max "Sailing New Worlds" (1976 Color Lithograph)35.  Edward Weston "Two Shells" (Gelatin Silver Print)36.  Edward Weston "Pepper #30" (Gelatin Silver Print)37.  Allan McCollum "The Recognizable Image Drawings" (2003 Graphite Suite of 24)38.  Nick Vaccaro "Theme to the West #19 (Dreamland)" (1989 Acrylic)39.  Adrian Pearsall for Craft Associates 1611-C Wing Chair (ca. 1960)40.  Adrian Pearsall for Craft Associates Daybed (ca. 1950s)41.  Edward Wormley for Dunbar 8' Marble-Top Sideboard42. Edward Wormley for Dunbar Even-Arm Sofa (ca. 1950s)43. Pair of Carved Mahogany NOGI Scuba Awards (1960s), Vero Puccio44.  Eleanor DuQuoin "Relative Formation" (Carved Mahogany ca. 1960)45.  Rene Magritte "Ma Mere l'Oye" (1968 Color Lithograph)46.  Moses Soyer "The Actress" (1959 Oil)47.  Joan Miro 1953 Original Color Lithograph for "Recent Paintings"48.  Nick Vaccaro "Enigmatic Dynasty" (1961 Oil on Canvas)49.  After Joan Miro "Affice pour l'Exhibition Miro - Artigas" (1963 Color Litho)50.  Luella Vaccaro "Once" (Oil on Canvas, ca. 1960s)51.  Warren Platner for Knoll Lounge Chair (ca. 1970s)52.  Milo Baughman for Thayer-Coggin Coffee Table (ca. 1970s)53. 2 Milo Baughman for Thayer-Coggin T-Back Cube Chairs54.  LC4-Style Lounge Chair after Le Corbusier, Perriand, and Jeanneret55.  Wilbur Niewald Watercolor Landscape56.  Marleen Gold Oil Still Life with Cow Skull (ca. 1970s)57.  Marleen Gold "Francis at 46th" (1981 Oil on Canvas)58. Marleen Gold Untitled View of an Intersection (Oil ca. 1980s)59. Niels Koefoed "Oval Klap" Teak Gateleg Table (ca. 1960s) 60.   Harvey Probber Set of Six Dining Chairs (ca. 1950s)61.  Paul McCobb for Calvin 1066 Cabinet (ca. 1954)62. Paul McCobb for Calvin 1072 Serving Cart (ca. 1954)63.  William Wiley "Spooky on the Line" (1979 Lithograph)64.  John Buck "Les Grand Eclipse" (1982 Color Woodcut)65. Noel Rockmore Cemetery Scene with Spirits (Oil on Masonite)66.  William Wiley "Planks Pool" (1980 Etching)67.  Joel Peter Witkin "Birth of Venus, N.Y.C." (1982 Gelatin Silver)68.  Two Richard Loftis Figural Photographs (1981/83 Gelatin Silver Prints)69.  John Gutowski Untitled 1981 Large Format Polaroid70.  John Gutowski Pair of Untitled Kallitypes (1994)71.  Stainless Steel Brno Chair, Attributed to Knoll72.  Harry Bertoia for Knoll "Bird" Chair (1952/1971)73.  Russell Woodard 4-Piece Patio Lounge Set (ca. 1950s)74.   Russell Woodard 4-Piece Patio Lounge Set (ca. 1950s)75.  Elli Zimmer "Woman in a Lounge Chair" (Oil ca. 1946)76.  William Wiley "Green Shoes" (1977 Color Etching)77.  Salvador Dali "Divine Back of Gala" (1974 Etching)78.  Salvador Dali "Desert Jewel" [Time Suite] Signed Color Litho79.  William Wiley "Eerie Grotto? Okini" (1982 Color Woodcut)80. Georges Rouault (after) "Parade (from Cirque de l'Etoile Filante)" (1938)81.  Atelier Marolles (attr.) Iron Fireplace Screen (ca. 1950s-60s)82.  Alvino Bagni for Raymor "Sea Garden" Vase (1960s)83.  Einar Barnes for P.S. Heggen Norway Teak Waste Bin (1960s)84. Mid-Century Bronze and Chalcedony Geode Bonsai85.  John Gutowski Untitled Landscape Gelatin Silver Print86.  John Gutowski 1993 Mexico Series Gelatin Silver Print87.  John Gutowski 1984 Mexico Series Gelatin Silver Print88.  John Gutowski Untitled 1981 Polaroid 20x24 Print89. Nick Vaccaro "Jazz Seen XVI" (1985 Collage)90.  Nick Vaccaro "Jazz Seen XIV" (1985 Collage)91. Nick Vaccaro "Jazz Seen II" (1984 Collage)92.  Nick Vaccaro "Jazz Seen IX" (1985 Collage)93.  16 Eames for Herman Miller DSS Stacking Chairs (1959-63)94.  12 Eames for Herman Miller DSS Stacking Chairs (1959-63)95.  Gerard van den Berg for Montis "Loge" Easy Chair (ca. 1990s)96.  Dietmar Scharping for Dauphin "Bobo" Lounge Chair and Ottoman97.  Dean Mitchell "Plaza Pipes" (Watercolor ca. 1990s)98.  Barbara Frets "Street Stripe #7" (1980 Acrylic)99.  Stewart Hitch "Landscape Showing Effects of Too Much..." (1968 Oil)100.  Sabra Field "On the Snow a Shadow Tree" Color Woodcut101.  Yaacov Agam "Woman" (Serigraph ca. 1980s)102.  Victor Vasarely "Marsan II" (Serigraph ca. 1964)103.  Michael Ott "On the Line" (1990 Color Litho)104.  Michael Ott "Image and Reality" (Watercolor ca. 1990)105.  Alvar Aalto for Artek Pair of 406 "Pension" Chairs (1946/ca. 1980s)106.  Alvar Aalto for Artek 153A Bench107. Alvar Aalto for Artek Set of Five K65 High Stools108.  Mid-Century Sliding-Door Cabinet109. Oil on Canvas, Signed "EK 69"110.  Warren Rosser "Togu-Na V" (1984 Watercolor)111.  Warren Rosser "Avebury Swing No. 1" (1981 Color Litho)112.  Karel Appel (after) "Faces" (1973 Serigraph)113.  Guy Anderson "Woman Feeding Pigeons" (Drawing ca. 1950s)114. Oil of an Art Studio, Circle of Stanley Lewis (ca. 1970s)115.  Nick Vaccaro "Ascent" (Early 1960s Oil on Canvas)116.  Nick Vaccaro "Drama" (1965 Oil on Canvas)117. Loet Vanderveen Glazed Ceramic Goat118. Unidentified Abstract Bronze119.  Mid-Century Figural Bronze120. Dimitri Omersa for Valenti Leather Donkey (ca. 1960s)121.   Paul McCobb for Calvin Side Table (ca. 1950s)122.  Paul McCobb for Calvin 8712 Irwin Nightstand (ca. 1954)123.  Paul McCobb for Calvin 1306 Stool (ca. 1950s)124.  RCA Orthophonic Hi-Fi Cabinet125.  Rita Blitt 1997 Acrylic Sculpture126.  Per Lutken for Holmegaard, 8 Glass Articles (1956-62)127.  Barbaglia & Colombo for PAF Studio "Dove" lamp128.  Space Age Green Ceramic Lamp, Manner of Colani (ca. 1960)129.   Nick Vaccaro "Tablescape" (1997 Mixed Media Collage)130.  Nick Vaccaro "Beyond the Balcony" (1997 Mixed Media Collage)131.  Nick Vaccaro "Blackboard" (1998 Mixed Media Collage)132.  Nick Vaccaro "Reunited" (1999 Mixed Media Collage)133.  Pascal Cucaro Oil on Board (ca. 1960s)134.  Pascal Cucaro Oil on Board (ca. 1960s)135.  Pascal Cucaro Oil on Board (ca. 1960s)136.  Pascal Cucaro Oil on Board (ca. 1960s)137.  Swid Powell Flatware, Robert Venturi & Denise Scott Brown (36 pc.)138.  Swid Powell "Tuxedo" Coffee Service, Gwathmey Siegel (10pc.)139. Five Modernist Color Prints (Marini, Ernst, Baj, Manessier, Parker)140.  "Cote d'Azur" Poster after Pablo Picasso (Mourlot, 1962)141.  "Paris l'Opera" Poster after Marc Chagall (Mourlot, 1964)142.  Paul Peter Piech, Group of 5 Linocuts (1978-90)143. Jim Knowlton "Penises of the Animal Kingdom" (1985 Lithograph)144. Warrington Colescott "Welcome to Watt Park" Etching (1985)145. Nick Vaccaro Group of Three Atlas Collages (2000)146.  Nick Vaccaro "Disaster" (1972 Spray Paint & Collage)147.  Paolo Soleri Arcosanti Bronze Wind Bell148.  Paolo Soleri Arcosanti Bronze Wind Bell149. Paolo Soleri Small Wind Bell with Another Unrelated Bell 150.  Pair of Jens Quistgaard Dansk Candle Holders151.  Marleen Gold Desert Landscape (Oil ca. 1990s)152.  Marleen Gold "Near Puye Cliffs" (Watercolor ca. 1980s)153.  Marleen Gold New Mexican Vista (1985 Watercolor)154.  Marleen Gold "View from Quality Hill" (Oil ca. 1979)155. Woven Cord Loveseat, Manner of Michael van Beuren156. Woven Cord Armchair, Manner of Michael van Beuren157. Woven Cord Rocking Chair, Manner of Michael van Beuren158.  Kai Kristiansen Teak Nesting Tables (ca. 1960)159.  Nick Vaccaro "XXIII (For Arshile)" (1982 Oil on Canvas)160.  Nick Vaccaro "XXXII (For Joseph)" (Oil on Canvas, ca. 1985)161.  Nick Vaccaro "XIX" (Oil on Canvas, ca. 1985)162.  Nick Vaccaro "XXVIII" (Oil on Canvas, ca. 1985)163.   Barbara Roberts "Jamaica #4" (1981 Acrylic, with Pastel Study)164.  Nick Vaccaro "Colored Grid" (1968 Acrylic)165. Scandanavian Mid-Century Wool Rya Area Rug, 8' x 10'166.  Pair of Flair Cantilever Flatbar Barrel Chairs (ca. 1970s)167.  Milo Baughman for Thayer Coggin, Pair of 8101 Chairs (1970s)168. Charles Hollis Jones Style Lucite Armchair (ca. 1970s)169.  Wilbur Niewald "View from Penn Valley Park" Etching (1989)170. Gabor Peterdi "Oregon Coast" (1961 Etching)171. 6 Eduard Buk Ulreich Works on Paper172.  Tilly Woodward Portrait of a Soldier (1983 Charcoal and Pastel)173.  Nick Vaccaro "Batman & Robin" (Assemblage, ca. 1970s)174.  Nick Vaccaro "For John Cage" (1972 Assemblage)175.  Nick Vaccaro "Puzzle No. 1" (Assemblage)176.  Nick Vaccaro "Nevada Dice" (Assemblage ca. 1990s)177.  Nat Clinton Untitled 2017 Acrylic178.  Nat Clinton Untitled 2017 Acrylic179.  Nat Clinton Untitled 2018 Acrylic180. Abstract Oil on Wood Panel, circa 1994181.  Post-Modern Plywood Chair (2001)182. Driftwood Two-Light Lamp (ca. 1960s)183.  Pair of Naturalistic Teak Ball Stools184.   Mid-Century Table Lamp, Loevsky & Loevsky (ca. 1960)185.  Nick Vaccaro "Theme to the West #18 (Panorama)" (1989 Acrylic)186.  Nick Vaccaro "Theme to the West #30 (Rainbow's End)" (1990 Acrylic)187.  Nick Vaccaro "Theme to the West #13 (Four Corners)" (1989 Acrylic)188.  Nick Vaccaro "Theme to the West #8 (For Spacious Skies)" (1989 Acrylic)189.  Nick Vaccaro "Nocturne" (1960s Oil on Canvas)190. Nick Vaccaro Untitled Oil on Canvas191.  Luella Vaccaro Untitled Oil on Canvas (ca. 1960s)192.  Unsigned Abstract Oil on Canvas (ca. 1960s)193.  Pair of Borge Mogensen Style Armchairs (ca. 1940s-50s)194.  Pair of Risom-Style Floating Benches195.  Edward Wormley for Dunbar 4478 Walnut Cabinet (ca. 1960)196. Edward Wormley for Dunbar 4474 Lamp Table (ca. 1960)197.  Leonard Baskin "Pig" (1969 Etching)198.  Leonard Baskin "Ahab with a Hat" (1970 Color Litho)199.  Nick Vaccaro "To a Trap Lozenge" (1969 Color Relief Print)200.  Nick Vaccaro "Four Traps Plus" (1969 Color Relief Print)201.  Louis Rice for Apollo Studios "Skyscraper" Vanity Box (1928)202.  Lalique "Deux Danseuses" Frosted Glass Sculpture203.  Nick Vaccaro "To a Trap XIV" (1969 Color Relief Print)204.  Nick Vaccaro "To a Trap IX" (1969 Color Relief Print)205.  Nick Vaccaro "To a Trap XVI" (1969 Color Relief Print)206.  Nick Vaccaro "To a Trap VIII" (1969 Color Relief Print)207.  William Bracker Slouching Vase (ca. 1980s)208.  William Bracker Sgraffito Pottery Vase (ca. 1970s)209.  Asante Adu Marko Faceted Urn (1977)210.  Asante Adu Marko Sgraffito Floor Vase (1978)211.  Nick Vaccaro "To a Trap XI" (1969 Color Relief Print)212.  Nick Vaccaro "To a Trap X" (1969 Color Relief Print)213.  Nick Vaccaro "To a Trap XII" (1969 Color Relief Print)214.  Nick Vaccaro "To a Trap XIII" (1969 Color Relief Print)215. Shane Lutzk "Final 2" Stoneware Sculpture216. Ehren Tool, Five Cups (ca. 2005-07)217.  Mina Conant "Scholar Prince" (1960 Oil)218.  Nick Vaccaro Untitled (1968 Acrylic on Canvas)219.  Nick Vaccaro Untitled (1968 Acrylic on Canvas)220.  Horst Schwab Nude Oil on Board (1961)221.  Ron Graff Untitled Still Life (1977 Oil on Paper)222.   Barbara Roberts "Stamp and Other Small Things" (1983 Watercolor)223.  Nick Vaccaro Untitled Acrylic on Canvas (ca. 1968)224.  Nick Vaccaro Untitled Acrylic on Canvas (ca. 1968)225. Eames for Herman Miller LTR Low Side Table (ca. 1970-84)226.  Bramin Mobler Danish Teak Armchair (ca. 1970s)227.  Barbara Roberts "KM Fruit" (1983 Watercolor)228. Richard Haas "Puck Corner" (1978 Color Etching)229.  Dana Forrester "The Overall Wall" (Watercolor)230.  Dana Forrester "Fontella Cigars" (Watercolor)231.  Paul McCobb for Calvin Pair of Twin Headboards (1950s)232. George Nelson for Herman Miller Walnut Twin Headboard (ca. 1950s)233. Larry Bakke Assorted Sketches and Paintings on Paper (ca. 1958)234. Assorted Roger Shimomura Exhibition Posters and Postcards235.  Richard Linder 1969 German Exhibition Poster236.  Marino Marini (after) "Le Chevalier" Serigraph on Canvas (1955)237. MediCom Toy BE@RBRICK X NIKE SB 1000% Figure238. Allen Dwight Carved Marble Sculpture239. Cheryl Gepford Vintage Wooden Assemblage240. String Art Sculpture (ca. 1970s)241.  Mase Lucas Self-Portrait with Peacock (1998 Oil)242.   Theo Humblet 1959 Monotype243.  Theo Humblet "De Schilder" (1960 Aquatint)244.  Mid-Century French Oil on Board, Signed Geismar245.  Bolivar Penafiel-Moran "La Pareja Nocturna" (1974 Oil)246.  George Bogart "Herbarium" (2001 Oil & Oil Stick)247.  Akio Takamori "Summer 89" (Lithograph)248.  Akio Takamori Pencil Sketch249.  Akio Takamori Pencil Sketch250.  Akio Takamori Pencil Sketch251.  Nick Vaccaro "House of the Alcolorist" (1983 Assemblage)252.  Nick Vaccaro "Hid in the Grid" (1993 Assemblage)253.  Nick Vaccaro "In to My Sea" (Assemblage)254.  Nick Vaccaro "Spring" (Assemblage)255.  Carol Brown 1988 Mixed Media Collage on Canvas256.  Raphaelle Goethals "Blue Line" (2000 Encaustic)257.  Robin Rose "Reliquary No. 8" (1982 Encaustic on Panel)258. Douglass Freed "Sanctuary" (1984 Color Lithograph) 259.  Douglass Freed "Reversal Structure, Green/Wine" (1985 Acrylic)260.  Douglass Freed "Proscenium, Osage, No. 11" (1980 Acrylic)261.  David McCullough Mysterious Traveler Series Painting on Paper (1979)262.  Will Northerner "Passion Leads" (1982 Linocut on Velour)263.  "Summer Nite" Trompe L'oeil Drawing (1982)264.   Nick Vaccaro "Plane & Solid" (Assemblage)265.  Nick Vaccaro "Sacred Circles" (Assemblage)266. Nick Vaccaro "Gun Case" (1980s Assemblage)267.  Nick Vaccaro "Barrier" (1998 Mixed Media Collage)268.  Nick Vaccaro Untitled 1998 Mixed Media Collage269.  Nick Vaccaro "Patches" (1998 Mixed Media Collage)270.  Nick Vaccaro "Blocked By Black" (1998 Mixed Media Collage)271. Nick Vaccaro "Forces" (1999 Collage)272. Dan Snow "Trash Dogs of 75th Street" (1983 Lithograph)273.  Polish School Oil, Late 20th c.274.  Adolf Gerhard "Figur Orange" (Oil on Canvas)275.   Bonnie Berggren Encaustic on Masonite (ca. 1960s)276. 20th c. Red and Blue Drip Painting277.  Abstract Oil on Canvas (ca. late 20th c.)278. Nick Vaccaro Untitled Mixed Media Collage (1999)279.  Nick Vaccaro Pair of Mixed Media Collages (1995)280.  Nick Vaccaro "Eurasian" (1960s Collagraph)281.  Nick Vaccaro "Apparition" (1960s Collagraph, Two States)282.  Nick Vaccaro 1960s Collagraph (Two States)283.  Hugh Merrill "Suzy Bridge I" (1985 Woodcut)284.  "Guernica" Offset after Picasso, Stedelijk Museum (Amsterdam)285. Assorted Printed Graphics (1968-1990)286.  Two 1960s Color Lithographs287.  Larry Marty "The Lovers II" (1972 Etching)288.  Adriana Mas "Hacia Donde" (2005 Acrylic & Mixed Media)289. Home Studio Work Station of Wilbur Niewald

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