THE REAL McCOY IS IN EAST HANOVER W/CURTIS JERE SCULPTURE!
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Real McCoy
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LIFE FITNESS ELIPTICAL IS NOT FOR SALE-MY MISTAKE!
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CURTIS JERE BIRDS IN FLIGHT WALL SCULPTURE
(C. Jeré is a metalwork artist of wall sculptures and household accessories. C. Jeré works are made and marketed by the corporation Artisan House. Curtis Jere is a compound nom-de-plume of artists Curtis Freiler and Jerry Fels. The two founders combined pieces of their own names to create the C. Jeré signature.
Modernism magazine interviewed Jerry Fels shortly before his death in October 2008. According to the resulting article in the Spring 2007 issue of Modernism magazine page 116, the company was founded in 1963 by Fels and his brother-in-law Curtis (Kurt) Freiler. Freiler was the production chief and Fels was head of design. Their goal was to produce "gallery-quality art for the masses". Kurt and Jerry sold Artisan House in 1972. Sold and resold, the company still produces metal sculptures including reintroductions of popular mid-century designs. Artisan House sculptures are no longer made in California. Production went overseas to China in 2003.
Writer Mitchell Owens wrote a two page article on the history of C. Jere for the November 2010 issue of Elle Decor. In it he states that "Today those pieces are attracting the admiration of leading dealers in vintage chic". He goes on to say that after launching in 1964 Jere sculptures were "distributed by Raymor, a cutting edge studio in New York City, and retailed at Gump's in San Francisco and other high quality emporiums". He also reported that "Under Freiler's meticulous direction, the workers - a number of whom were minorities or handicapped - sheared, crimped, torched, and welded brass, copper, and other metals before coating them with luminous patinas."
C. Jeré works range from representational to highly abstract. Some of the older techniques, such as enameling, using resin, and the bronzes, haven't been used in decades.)
RONALD STEPHAN RIDDICK 1977 LITHOGRAPH ON PAPER 9/250
(R. S. Riddick Born: 1952 - Santa Monica, California Known for: Western figure, genre and landscape paintings-IndiansRonald Stephen Riddick: Born in Santa Monica, California, Ron Riddick became a painter of the southwest, doing a range of subjects including cowboys, Indians and still life.
His art was encouraged by his father who was an art director for a major corporation. As a kid, Ron growing up in southern California, was enamored of Roy Rogers and western movies. He studied extensively at the Art Center College of Design in Los Angeles and then worked as a commercial artist.
His life changed when he enrolled in a painting class by Sergei Bongart, who freed him to paint for himself instead of clients and to strive for art that is emotional and touches the soul.
In 1979, Ron moved to Arizona and in October, 1997, was elected to the Cowboy Artists of America. His studio is a 5000 square foot building ten miles east of Tucson. He has one studio for teaching, an important part of his life, and another for himself. His wife, Natalie, handles the business affairs of his career. With plein-air easel, he frequently attends roundups.
He tries very hard not to get stereotyped because he thinks art should reflect life, which is a rich composite. In 2000, Riddick won the Frederic Remington Award at the Prix de West, Cowboy Hall of Fame in Oklahoma City, for his painting of two Lakota Sioux sisters, "Lakota Water Maidens."
Riddick was awarded a gold medal for his gouache painting, Prairie Storm Coming" at the 37th Annual (2002) Cowboy Artists of America Sale and Exhibition at the Phoenix Art Museum.)
JOHNNY FRIEDLANDER LITHOGRAPH 197
(Johnny Gotthard Friedlaender Born: 1912 - Pless, Silesia, Poland Died: 1992 - Paris, France Known for: Aquatint etching, illustration.was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer.Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds.After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950.Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan, and Graciela Rodo Boulanger. Like Friedlaender, these students were expert in the lithographic* and etching arts. 1978 brought a retrospective of Friedlaender's works at the Musee d'Art Moderne de la Ville de Paris. He was awarded the Lovis Corinth Prize in Regensburg three years later. On his 75th birthday, Friedlaender was given a retrospective in the Bremen Art Museum. On his 80th birthday he held a retrospective exhibition in Bonn at the municipal council offices. Friedlaender died in Paris at the age of 89.)
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