PRINTS, MULTIPLES + WORKS ON PAPER: Day One

online only auction | 1 day sale | sale is over
Location
Santa Fe, NM 87505
Dates

Sale Starts

Wed
Mar 13
10:30am
2024

Sale Ends

Wed
Mar 13
2024

Terms & Conditions

TERMS & CONDITIONS
The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s ("Santa Fe Art Auction") and its agents' and consignors' entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.
(a) All property is sold "AS IS." There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall
be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. Buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 27% of the final bid price of each lot up to and including $500,000, 20% of the excess of the final bid price above $500,000, and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. The buyer's premium is calculated separately for each lot.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.
Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, California, Colorado, Florida, Illinois, Massachusetts, Michigan, Missouri, New York, Nebraska, Oklahoma, Pennsylvania, Texas, Utah, Washington, Wyoming. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

? Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and
Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.
? Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

TERMS & CONDITIONS OF SALE
SANTA FE ART AUCTION 173

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.
(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer. (b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters "nr") are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico's rules concerning conflicts of laws.

13. Prospective bidders, bidders and Buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which are explained in the shipping form enclosed in this catalogue. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to Buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer's successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a "room" bid, the "room" bid generally will take precedence. "Room" bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
Santa Fe Art Auction Logo

Santa Fe Art Auction

Description & Details

Santa Fe Art Auction's annual Prints, Multiples, + Works on Paper is a two-day sale featuring a fine collection of prints, drawings, paintings, and collages. Explore works from over 200 renowned artists from around the world, as well as New Mexico regionalists, printmakers, and prominent Native American artists. The diverse range of artworks cover multiple periods and movements in the art world dating from the late 19th century to the present day.
Gene Kloss, A Morning in April, 1967Gene Kloss, Watching a Winter Dance, 1971Gene Kloss, The Visitor's Tale, 1971Gene Kloss, The Journey, 1967Gene Kloss, Drooping Sail, 1926Gene Kloss, Oak Near Stephen's Union, ca. 1925Gene Kloss, Apaches A-Visiting, 1967Gene Kloss, Taos Figures, graphite on paperGene Kloss, Old Pueblo Road, 1975Gene Kloss, The Interpreter, 1950Gene Kloss, ManuelitaGene Kloss, Old Mesilla, 1976Gene Kloss, Arched Bridge, 1927Gene Kloss, Ceremonial Day at Taos, 1953Gene Kloss, Christmas Processional at Taos, 1948Barbara Latham, Taxco Kitchen, 1932Mary Lightfoot, Church at TalpaAgnes Tait, El Caminito (Lane in Santa Fe), 1942Beulah E. Stevenson, Set of Two Lithographs: Silo and Barn, Virginia, 1948Charles M. Capps, Mexican Barber Shop, 1938Charles Merrick Capps, The Pool - Monterrey, 1949William J. Dickerson, Santa Fe ? Street Scene, 1947Ted Hawkins, Sleepy Afternoon, 1949Irwin D. Hoffman, Winter Feeding, 1939Bernard Joseph Steffen, Upland, 1940James Prescott Chaplin, Las Campesinas, ca. 1930Julian Robles, Taos Deer Dance, 1980Rockwell Kent, Sophia, 1933Kenneth M. Adams, Portfolio of Lithographs: New Mexico Artists Series No. 1William Howard Shuster Jr., 'Sanctuario' Chimayo, NM, 1928William Howard Shuster Jr., Pueblo Girl, 1928William Howard Shuster Jr., Untitled (Approaching Town)B. J. O. Nordfeldt, Untitled (Hillside Houses, Santa Fe), ca. 1920B. J. O. Nordfeldt, Portfolio of Eight Santa Fe Etchings, ca. 1920Frank Huntington Stack, Taos ChurchPeter Moran, The Church of San Miguel and Pueblo House, Santa Fe, NM, 1882Howard Norton Cook, Palacio Real, 1926Willard Nash, Landscape, Santa Fe (Farm), 1925Willard Ayer Nash, New Mexico Street, Adobe Tower, ca. 1930Willard Ayer Nash, Landscape, ca. 1930Willard Ayer Nash, Bridge Over Rushing River (New Mexico Adobe), ca. 1930Willard Nash, On The Mountain (Sangre de Cristo), 1922Carl Oscar Borg, On the Rim, Grande Canyon, ca. 1920Carl Oscar Borg, Hopi Snake Priest, 1923Gustave Baumann, An Eagle Ceremony at Tesuque Pueblo, 1932Coy Avon Seward, Grasshopper Peak ? Taos, 1931Coy Avon Seward, Squirrel Nests, 1930John Sloan, Snow on the Range, 1937John Sloan, Indian Detour, 1927John Sloan, Knees and Aborigines, 1927John Sloan, Winnowing Wheat, 1937John Sloan, 7-Toed Pete, 1929John Sloan, Girl in Kimono, 1913Leon Kroll, Sleeping FemaleDoel Reed, Nude With Spring LandscapeDoel Reed, Spring, 1941Anders Leonard Zorn, The Crown Princess (Margaret of Sweden), 1914Raphael Soyer, Study for Pedestrians, 1965Eugene Edward Speicher, Female PortraitJack Levine, Gangster's FuneralJoseph Stella, PortraitErnest Hemingway, woodcut, edition 3 of 20Charles Meryon, Cathedral Interior, 1853Joseph Pennell, City GateRandall Davey, Harness HorsesTheodore Van Soelen, The Cook, 1952Theodore Van Soelen, Bridling the BuckskinNick Eggenhofer, Fur Trapper, 1963William Herbert Dunton, The Bronco Buster, 1931Joseph Henry Sharp, Little BeaverHenry Cornelius Balink, Taos IndianNicolai Ivanovich Fechin, The PhilosopherHenry Francois Farny, 'Tablet Dance' at Santo Domingo Pueblo, NMGeorge Catlin, North American Indians, ca. 1844George Copeland Ault, Untitled (Seaside Docks), 1922Gustave Baumann, MarigoldsGustave Baumann, From Hillside GardensGustave Baumann, Summer Rain, 1956Gustave Baumann, Ranchos de Taos, 1930Gustave Baumann, Torrey Pine, 1961Gustave Baumann, Plum and Peach Bloom, 1913Gene Kloss, Grand Canyon LandscapeGene Kloss, Watching the ClownsWilliam Thomas Lumpkins, Untitled, 1962John Nieto, Corn Dancers, ca. 1989John Nieto, Moonlight, ca. 1989John Nieto, Rabbit (After Durer), 1994R. C. Gorman, Santa Fe Woman (State I), 1972R.C. Gorman, Pueblo, 1982R.C. Gorman, Flowers of Los Lunas, 1987R.C. Gorman, Pajeha PP, 1980R. C. Gorman, Woman and ChildRobert E. Wood, Female PortraitGina Gray, Animal SpiritsTony Abeyta, Navajo BullHarry Fonseca, Coyote Koshare, ca. 1988Luis Jimenez, American Dream, 1972David P. Bradley, The HolidayPaul Pletka, Daybreak PeopleFritz Scholder, Mystery HorseFritz Scholder, Snake CharmerFritz Scholder, Portrait in Barcelona 2Fritz Scholder, Self Portrait in Barcelona, 1982Fritz Scholder, LoversFritz Scholder, Magic Warrior, 1981Fritz Scholder, Portrait in Barcelona, ca. 1982Fritz Scholder, Face #3Fritz Scholder, Mask of Mystery Woman, ca. 1981Fritz Scholder, Mask of the ArtistFrank Howell, Matrix, 1982Dan Namingha, Night Pueblo, 1979Pablo Picasso, Don Quixote, 1955Joseph Solman, Untitled (Woman on Park Bench), 1966Ben Shahn, Case HistoryBen Shahn, Resting FigureLouis Leon Ribak, Sentinels, 1969William Thomas Lumpkins, Images are Transformed, 1948William Thomas Lumpkins, Gold Light, 1981William Thomas Lumpkins, Derivation, from High Desert Series, 1962Barbara Latham, UntitledBarbara Latham, Rust CollageJanet Lippincott, The Old, Old Vase, 1997Janet Lippincott, Landscape in China, 1993Janet Lippincott, Untitled, 1990Janet Lippincott, Untitled, 1995Janet Lippincott, Two Works: The Long Farewell, 1988 + Six A.M. + Other IdeasJanet Lippincott, Three Monotypes: Wind Streak + Indian Mask Remembered + UntitledLoran A. D. Montgomery, Three Figures, 1984Loran A. D. Montgomery, Woman with Umbrella #1, 1988Loran A. D. Montgomery, Broken Figure, 1986Keith Allen Crown Jr., Patio Landscape, Mountain ViewKeith Allen Crown Jr., Taos Mountain From My Place, 1996Keith Allen Crown Jr., A View of Arroyo MirandaDana Forrester, Untitled (Ghost Signs)Earl W. Stroh, Late LightEd Mell, Full Speed Ahead, ca. 1985Ed Mell, Red Rock Afternoon, ca. 1983Ed Mell, Gunsight Butte, ca. 1981Ed Mell, Coal Mine CanyonWilliam Thomas Lumpkins, In the Vall, 1973Doug West, Untitled (Landscape), ca. 1985Doug West, Fall Fruition, 1994William Matthews, Rainbow Tonic, 1973Chris Ferguson, Taos AfternoonGlenn Wheete, Moonlight in Mexico, 1936Douglas Walter Johnson, The Race, 2009Douglas Walter Johnson, Trading Exotic Birds for Turquoise, Chicilticale, 2007Beatin Yazz, Untitled (Appaloosa)Neil David Sr., Night Dance - Walpi Kiva, ca. 1980Neil David Sr., Pair of Works on Paper: Hemis Katsina (Home Dancer), ca. 1979 + Break TimeNeil David Sr., Four Works on PaperNeil David Sr., Soyoko March - Walpi Village, ca. 1980Baje Whitethorne, Untitled (Yei Dancers), 1980Baje Whitethorne, Pair, 1986: Yei-Bi-Chei + Spirit WomanRance Hood, Feather SpiritRance Hood, Medicine ManArchie Blackowl, Eagle DancerRobert Redbird, Sr., Chief & Sky Mother, 1971Robert Redbird, Sr., Kiowa Chief, 1983Robert Redbird, Sr., Eagle Mother, 1983Robert Redbird, Kiowa Warrior, 1982Robert Redbird, Sr., Chief Two FeatherPercy Sandy (Kai-Sa), The Zuni Rain GodWillard Clark, Book Arts Festival PosterDon Louis Perceval, Buffalo Dancer (Hopiland)Early 20th Century, Pair of Vintage Buffalo Ranch Real Wild West PostersRandy Lee White, Hand GraphicPablita Velarde [Tse Tsan], Untitled (The Pottery Market at Santa Clara)Dale Faulstich, Suite of 5: Northwest Coast Native Collector Series, 1989Charles Lovato, Thrust Into the MazeVeloy Joseph Vigil, Untitled (Dancer)Amado Maurillo Peòa Jr., Tres en Negro, 1981Russell Hamilton, Untitled (Daylight)Frank Howell, A Difference of Time, 1991Bogomir Bogdanovic, Winter LandscapePerry Kohn, Savoy, 1986Laura Robb, Bouquet and Fruit Still LifeBrooks Willis, Untitled (Floral)Inger Jirby, Two Watercolors: Untitled (Morning) + Untitled (Market Scene),Inger Jirby, Two Watercolors: Untitled (Lavender Fields) + Untitled (Village Scene)Fran Larsen, FlamingosFran Larsen, Fine Art Show (Miami), 1982Fran Larsen, Untitled (Moon), 1974Carol Summers, Quark, 1981Carol Summers, PassDeborah Williams Remington, Praia, 1983Carol Mothner, Green ApplesCarol Mothner, Untitled (Roses)Carol Mothner, Two Prints: Suzanna + Watering LadyCarol Anthony, Napa Grapes, 2001Carol Anthony, Elaine's Room: Twin Homage, 1996Carol Anthony, Pinon Field, New Mexico, 1998Kaoru Kawano, Two Woodblock Prints: Maria Kwannon + UntitledJeanette Pasin Sloan, Dots II, 2008Robin Brown, Natural StructuresAngie Coleman, Lizardo Arch Rivals, 1988Angie Coleman, Saguaro Sway, ca. 1990Bruce Stark Lowney, Home Sweet Home, 1977Stanley Woodward, Scene with BoatsLaurence Philip Sisson, November SteepleLaurence Philip Sisson, Fire SunLaurence Philip Sisson, Japanese TapestryPansy Yolanda Dawes, Untitled (Landscape), 1928John Buonarotti Papworth, Mediterranean Landscape, 1829

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