PRINTS, MULTIPLES + WORKS ON PAPER: Day Two

online only auction | 1 day sale | sale is over
Location
Santa Fe, NM 87505
Dates

Sale Starts

Thu
Mar 14
10:30am
2024

Sale Ends

Thu
Mar 14
2024

Terms & Conditions

TERMS & CONDITIONS
The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s ("Santa Fe Art Auction") and its agents' and consignors' entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.
(a) All property is sold "AS IS." There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall
be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. Buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 27% of the final bid price of each lot up to and including $500,000, 20% of the excess of the final bid price above $500,000, and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. The buyer's premium is calculated separately for each lot.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.
Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, California, Colorado, Florida, Illinois, Massachusetts, Michigan, Missouri, New York, Nebraska, Oklahoma, Pennsylvania, Texas, Utah, Washington, Wyoming. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

? Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and
Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.
? Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

TERMS & CONDITIONS OF SALE
SANTA FE ART AUCTION 173

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.
(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer. (b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters "nr") are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico's rules concerning conflicts of laws.

13. Prospective bidders, bidders and Buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which are explained in the shipping form enclosed in this catalogue. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to Buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer's successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a "room" bid, the "room" bid generally will take precedence. "Room" bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
Santa Fe Art Auction Logo

Santa Fe Art Auction

Description & Details

Santa Fe Art Auction's annual Prints, Multiples, + Works on Paper is a two-day sale featuring a fine collection of prints, drawings, paintings, and collages. Explore works from over 200 renowned artists from around the world, as well as New Mexico regionalists, printmakers, and prominent Native American artists. The diverse range of artworks cover multiple periods and movements in the art world dating from the late 19th century to the present day.
Ron Adams, A Picture is Worth a Thousand Words, 1998Patrick Bruce Oliphant, Saint Barack, 2008Robert Wyland, Humpback, 1982Robert Wyland, Grey Whale and Calf, 1982Yvonne Jaquette, Brooklyn Bridge Reflected, Night, 1983Dorothy Hood, Little Tixo, 1979Dorothy Hood, UntitledPeregrine Honig, Mascaras de Madre, 2014Luis Jimenez, Reasonable Force, 1992Luis Jimenez, Dead Coyote, 1989Luis Jimenez, Study for Denver Mustang, 1997Luis Jimenez, Blackjack, 1997Donna Howell-Sickles, Pretty Redwing, 1993Kirk Hughey, Slicker, 1982Kirk Hughey, Untitled (Rodeo)Kirk Hughey, UntitledKirk Hughey, Untitled (Horse and Rider)Kirk Hughey, Fast Lane, 1982Kirk Hughey, UntitledDulany Lingo, Pair of Prints: Untitled (Cowboy Boots I + II), 1989Dulany Lingo, Pair of Prints: Untitled (Cowboy Boots III + IV), 1989Dulany Lingo, Red Boots, 1989Steve Rosser, Flamingo Boots, 1988Steve Rosser, Cowboy Thinker, 1989Steve Rosser, UntitledSteve Rosser, Untitled (Masked Cowboy)Tom Palmore, Pecos BillDon Stambler, Local Merchant, 1990Don Stambler, Wild West, 1991Don Stambler, Palomino Hotel, 1992Don Stambler, Endless SummerGary Myers, Pair of Lithographs: Liquid Assets, 1982 + The Horse Trader, 1991Gary Myers, Two Lithographs: Blood, Sweat and Steers, 1991 + Swell-Fork Saddle, 1991Kevin Red Star, Running RabbitKevin Red Star, Bull Shows and Red Shirt, 1980Kevin Red Star, (Crow, b. 1943), Crow War Dancer, original lithograph on Buff Arches paper, 23/80Kevin Red Star, (Crow, b. 1943), Crow Ladies, original stone lithograph on Buff Arches paper, 23/80Kevin Red Star, (Crow, b. 1943), Crow Woman and Grandchildren, ca. 1977, original 8-colorKevin Red Star, Crow Hot DancersKevin Red Star, Winter State IIEarl Biss, Along the Yellow Shore, 1979Earl Biss, War Canoes, 1980Earl Biss, Winter Storm, 1976Earl Biss, Victory Dance, 1979Veloy Joseph Vigil, Gray HillFritz Scholder, Snake Dancer, 1979Fritz Scholder, Portrait of a Dream, 1982Fritz Scholder, Portrait of a Werewolf, 1982Fritz Scholder, Night Butterfly, 1979Fritz Scholder, Sarcophagus, 1979Tony Abeyta, Woman with Three Bluejays, lithograph, Naravisa Press Impression, 36 1/8 x 25 3/4 in.Paul Pletka, Whirlwind Warrior, 1974Bruce C. Nowlin, Quest, 1981Dan Namingha, West of HopiDan Namingha, Dusk, 1979Dan Namingha, Nampeyo Motif, 1991Roy Dean De Forest, Untitled, 1986Roy Dean De Forest, Untitled, 1981David P. Bradley, Awakening From A Dream, 1981David P. Bradley, Wild West, 1981David P. Bradley, Surrounded by Indians, 1982David P. Bradley, Story Teller, 1985David P. Bradley, Enchanted Mesa, 1984David P. Bradley, Homage to Botero, 1984David P. Bradley, Indian Market, 1982David P. Bradley, Monopoly, 1985Steve Forbis, Two Works: Arrow, 1986 + New BuckskinSylvia Bancroft-Hunt, Group of Three Lithographs: Buffaloes and Wolves, 1981 + Plains Tipi, 1983 +Veloy Vigil, Sun Dog, 1982Veloy Vigil, Las Mujeres, 1982Veloy Vigil, Night RiderVeloy Vigil, Blue Roan, 1980Veloy Vigil, Late Summer, 1982Dick Mason, Moonlit Sky, 1990Gilbert Lujan, Styling in Santa Fe, 1991Gilbert Magu Lujan, Group of Three Drawings: Cruising, 1997 + Untitled (San Francisco) + WaitingChristian Heckscher, Alphie, 1983Christian Heckscher, Nocturnal Escape, 1982Zara Kreigstein, Group of Four LithographsCarlos Ferreyra, Untitled (Dinner Scene), 1993Carmen Lomas Garza, Camas Para Suenos, 1993Joe Baker, Pussy and Fish, 1982Joe Baker, Big Momma and Her Old Dog, 1982Charley Brown, Two Prints: Homage to Van Eyck, 1979 + Untitled, 1980Van Dyke Jones, Saint Rex, 1988Markus Pierson, Group of Lithographs: Bohemia + Just the Two of Us + Putting Some Hop In It, 1994Francis Picabia, Petite Solitude au Milieu des Soleils (A Little Solitude in the Midst of Suns)Clinton Adams, Venus Series VII, 1977Nathan Joseph Roderick Oliveira, Tamarind Suite 1Michael Bergt, Preliminary Study for Winds of Change, 1991Roger Broer, Coyote Visits Bear Butte, 1984Roger Broer, Untitled (Seeing Red)Russell Hamilton, Untitled, 1981Russell Hamilton, Surrounded Trees, 1987Earl W. Stroh, Untitled (Mirage)Bruce Stark Lowney, New Mexico Landscape, 1977Paladine Roye, Twilight, 1985Paladine H. Roye, The Sacred Circle is No Longer, 1987Jerry Ingram, Crow Warrior, 1986Jerry Ingram, Sacred MannerJerry Ingram, Mother and ChildHenry Gobin, In the Eye of the Whale, 1981Charles Lovato, Untitled, 1984Michelle Tsosie Naranjo, Retrospect - My Tewa World, ca. 1985Douglas Walter Johnson, Pair of Lithographs: La Bandera, 1981 + Offering to my Dead, 1980Neil David Sr., Two Prints: Our Father the Sun, 1983 + Untitled, 1989Neil David Sr., A Pair: Shoe Thief, 1989Neil David Sr., Two Lithographs: Melon Dreamer, 1988 + Mudhead Carver, 1988Lowell Talasohoma Sr., Morning PrayersDonald Vann, Tribal Games (State II), 1985Donald Vann, Pair of Lithographs: Winter Visitors, 1988Donald Vann, White BuffaloDon Seegmiller, Untitled (Girl with Pot)King Kuka, Two Prints: Many Years Healing, 1980 + Rider #1, 1980Sam Scott, Ancestor, 1982Sam Scott, Spirit Father IV, 1984Barbara Erdman, Pair of Monotypes: War of the Worlds, 1988 + Lovers from Elsewhere, 1988Mary Lou Zelazny, UntitledMaximino Javier, The Alphabet Tree II, 1983Eddie Domingez, UntitledRobert Rivera, Anasazi Summer, 1993Wulf Erich Barsch, Untitled, 1988Wulf Erich Barsch, Untitled (Seascape), 1988Wulf Erich Barsch, Untitled, 1988Rudy Fernandez, Desert Romance II 3, 1990Rudy Fernandez, Pair of Woodcuts: Flor de Vida, 1994 + Frida, 1994Rudy Fernandez, Flor de Los Cerrillos, 1991Rudy Fernandez, White Skirt, 1991Rudy Fernandez, Modern Heros, 1998Pat Peters + Margaret Nes, Two Lithographs: Red Pansy, 1996 + Still Life With Fruit, 1996Sally Anderson, Pair of Lithographs: Blue Rose, 1983 + Rose, 1983Sally Anderson, Pair of Lithographs: Deer Park, 1983 + Lilly, 1982Bob Nugent, Botao, 2005Jeanette Pasin Sloan, Untitled, 1995Susan Rothenberg, Untitled, 2002C J Wells, Santa Fe WildflowersAndrea Rosenberg, Group of Four Lithographs: Untitled (Pears)Steve Hanks, Girl by WindowLeonard Baskin, Untitled, 1892Jeri Moore, Couple by the River, 1994James McGarrell, Two Lithographs: Three Color Improvisation for an Ellipse to be Drawn (badly), 1977James McGarrell, Porco EducatoClaude Ronald Bentley, Untitled, 1982Lloyd Martin, Finestrae 2, 2008Jonathon Thomas, Untitled (XO), 2000Clayton Campbell, R.S.V.P.Denise G. Green, Pair of Works: Table, 1976 + Untitled, 1976Travis Whitfield, Untitled (Winter)Louis Ewing, Indian SummerMelinda Miles, Two Twenty Eight, 1991Jean Kallina, Rue de Cherche Midi - One Chair, Paris, 1988Angela Grauerholz, The Bar, 1986,Justin Partyka, Pair of PhotographsDaniel Fiverson, A Group of PhotographsBernhardt Prinz, Vabanque, 1987Igor Vladimirovich Mukhin, Coat Check Discs, 1988After Gilbert Prousch + George Passmore, The Rudimentary PicturesDavid Nakabayashi, Glandbique, 2010Todd Abbott Winters, Buffalo Dream, 1991Presley LaFountain, Owl, 2015Sandy Scott, Pronghorn, 1981John James Audubon, Common Flying Squirrel, 1843Savigny, Group of Two Prints from Histoire Naturelle Zoologie OiseauxSavigny, Group of Two Prints from Histoire Naturelle Zoologie OiseauxGeorge Catlin, Buffalo Hunt, Under the White Wolf SkinGeorge Catlin, Group of Three Chromolithographs, ca. 1880-1913Karl Bodmer, Mato-Tope, 1839Eschebach & Schaefer, Sardinische Race + Rum?nische Race (Moldau), ca. 1874 + Rum?nische RacePaul Gavarni, Two Lithographs from Masques et Visages, ca. 1853Nicolas Eustache Maurin, Lafayette, from Celebrities Contemporaines, ca. 1842Nathaniel Currier + James Merritt Ives, A Pair: Jesus on the Cross + Saint Mary, ca. 1872 - 1874Nathaniel Currier & James Merritt Ives, Pair of Lithographs: American Homestead Summer, ca. 1857 -Nathaniel Currier & James Merritt Ives, Group of Three Lithographs: Winter Morning + A Home on thePair of Vintage Lithographs, ca. 1855 - 1865Group of Five Vintage LithographsWilliam Matthews, Ragnell Farm, near Oxford, England, 1977Edward S. Mogg, Mogg's Strangers Guide to London, 1837Albert Wood, Satin Skin Advert, ca. 1903

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