ART OF THE WEST: Day Two

online only auction | 1 day sale | 8 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Wed
May 6
9:30am

Sale Ends

Wed
May 6

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
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Santa Fe Art Auction

Description & Details

Day Two begins with works on paper, with offerings including a wonderful selection of Gene Kloss prints and a wide variety of both classic and contemporary original + editioned works. Native paintings will be next on the block, as well as important historic works by key New Mexico modernists. The sale will conclude with a collection of Edward Curtis prints and photogravures.
George Arthur Carlson, A Tarahumara Portfolio, 1983R. C. Gorman, Untitled (Two Women with Umbrella)John Nieto, Last American Survivor, 1982Arlene LaDell Hayes, Untitled (Three Horsemen), 2011Arlene LaDell Hayes, Untitled (Diptych), 2004Arlene LaDell Hayes, At the Edge of the Mesa, 2010John Nieto, NavajoJohn Nieto, Wild HorseLeonard Baskin, Crazy Horse, 1974Earl Biss, Autumn Mountain Haze, 1996Howard Norton Cook, White Faced Cattle, 1935Gene Kloss, Deer Dance, 1969Gene Kloss, Tranquility of Winter, 1944Gene Kloss, January Morning, 1973Gene Kloss, Afternoon on Mount Diablo, 1946Gene Kloss, Enduring Sanctuary, 1973Gene Kloss, Song of Creation, 1949Gene Kloss, Processional - Taos, 1948Gene Kloss, Christmas Eve - Taos Pueblo, 1946Gene Kloss, Gorge Shadows, 1945Oscar Edmund Berninghaus, Santiago of Taos Pueblo, ca. 1930Gustave Baumann, Cliff Dwellers Ceremonial (from Frijoles Canyon Pictographs), 1966Gustave Baumann, An Eagle Ceremony at Tesuque Pueblo, 1932Gustave Baumann, Frijoles Canyon Pictographs, 1939John Nieto, Nieto: Les Livres des Peintres, 1996Doel Reed, What of this Day?, 1940Edward Borein, Robes and MeatEdward Borein, The Covered WagonsEdward Borein, Arizona Cowpunchers Printing PlateEdward Borein, Navajo Visitors at Oraibi Printing PlateEdward Borein, Two Printing Plates: Trail Boss + Little Bucking HorseAndrew Dasburg, Trees and Fence, Taos, New Mexico, 1964Andrew Dasburg, Houses with Mountains in the Distance, 1975William Matthews, Untitled (Cowboy and Friend)George Arthur Carlson, Matachine Leader, 1977Frank Howell, Blue Light, Summer Night, 1994Jim Prindiville, Untitled (Warrior with Shield)William Matthews, Untitled (Winter Farm Scene), 1984Karl Larsson, Untitled (Southwest Village)Don Brackett, Untitled (Farmhouse)Rick Brogan, Sadalia FarmNils Hogner, Untitled (Churchgoers), 1936William Matthews, Untitled (Willow), 2001William Matthews, Untitled (Pelican), 2017Leon Loughridge, Mill RoadWilliam Thomas Lumpkins, Untitled (Church)Fran Larsen, Bright Fields Below, 1996Fran Larsen, The Green Chair, 1995Fran Larsen, Sunset Minor, 1996Barbara Latham, Fall Glory Crinum Stars and StripesJim Prindiville, Canyon de Chelly, from the RimMartyl Schweig Langsdorf, New Mexico (White Rock), 1986Ted Larsen, Looking Under Aspens, ca. 1997Ted Larsen, Between Yellow Barns, ca. 1998Spike Ress, Cross in the Shadow, ca. 1991Emil J. Bisttram, Late Summer, 1928John Hauser, Untitled (Leaving Camp at Dawn)Emil James Bisttram, Grand Canyon Landscape, 1945Carl Von Hassler, Autumn in QuestaHoward Norton Cook, Winter Landscape – Taos, 1941Frank G. Applegate, Untitled (New Mexico Landscape)Gustave Baumann, Pine and Aspen, ca. 1920Gustave Baumann, Salt Creek, 1919 / 1927Andrew Wyeth, In the Orchard, 1973Oscar Edmund Berninghaus, A Corner in Taos Pueblo, 1908Ernest Lawson, Rocky MountainsGeorge Catlin, Puncah PrinceMalcolm Furlow, Untitled (Chief and Diner)Malcolm Furlow, Charging BisonJohn Nieto, Wolf Portrait, 2009J. D. Challenger, Warrior's Circle, 1993J. D. Challenger, Ceremonial Series No. 3, 2008Lawrence W. Lee, Song Dreamer, 1990Mike Larsen, Untitled (Native Portrait with Shield)Nathan Solano, Dances with Coup Stick, 1997Robert Lee Taylor, Untitled (Portrait with with Bear Tooth Necklace and Pipe)Jim Prindiville, A Noble PastRueben Richards, Untitled (Single Yei), 2007Neil Boyle, Buffalo ChildPoteet Victory, And They Carried The Prayers of The PeoplePoteet Victory, Spirit SentinelPoteet Victory, Untitled (Abstract Katsina)Poteet Victory, Evening PrayersJ. D. Challenger, Koskimo Mask, 1996Frank Howell, Desert Rose, 1987Nathan Solano, Apache Scout, 1998Edward Holmes, Crow Warrior, 1998Burt Harwood, Manuel LujanEmil James Bisttram, Embracing Couple (Consolation), 1931Dorothy Eugenie Brett, Untitled (Pueblo Man), 1937Dorothy Eugenie Brett, Untitled, 1941Dorothy Eugenie Brett, Trail to Blue Lake, Taos, 1969Judith Nylin, Pair of Pueblo Dance ScenesRobert Ottokar Lindneux, Untitled (Navajo Weaver), 1930Walt Johnston, Northern Traditional DancerWalt Johnston, Laguna Eagle DancersWalt Johnston, Eagle Shadow Dancer - TaosMark Rohrig, Untitled (Walk in Snow), 1979Carlos Hall, Untitled (Winter at Taos Pueblo)Ross Stefan, Taos Dancers, 1983Ross Stefan, Yazzie Longvalley Comes to Town, 1969Ross Stefan, The Cottonwood Grove at ChinleInger Jirby, San Antonio in Arroyo Seco, 1997Marshall Noice, Yellow WillowsDarren Vigil Gray, Variation on an Abiquiu Landscape #97, 1997David Barbero, Two Buttes, 1989Bill Schenck, Skies Dashing About The Mesas, 1996Kim Douglas Wiggins, Rising Moon Over Chimayo, 2013Harold Joe Waldrum, Triangulo Rosado, 1982Howard Behling Schleeter, New Mexico Landscape No. 16, 1955Howard Behling Schleeter, Marble Quarry, 1968Howard Behling Schleeter, Dark Horse, 1964Louis Leon Ribak, Untitled (from the Canyon Series)Mary Shiras, Adobe in LlanoCarlos Vierra, Untitled (Adobes, Ristras and Cottonwoods)Joseph Henry Sharp, Taos Mountain Early SpringJoseph Amadeus Fleck, Ranchos de Taos, ca. 1929Oscar Edmund Berninghaus, Fiesta Day in Taos Pueblo, 1940Bert Geer Phillips, Winter in TaosRobert A. Daughters, Untitled (Chamisa Landscape)Gary Ernest Smith, The Hay Derric, 1982Gary Ernest Smith, Farmers, 1982Gary Ernest Smith, Western Homestead, 1983Eli Levin, Bully, 1977Carrie Fell, Cowboy Rock, 1996Louis Leon Ribak, Aegean Series #17 (Dream Horses)William Thomas Lumpkins, Untitled (Abstract), 1987Sharron Evans, Walking in Grace and Truth, 2001Jill Soukup, Orange Surge, 2014Jill Soukup, Buckskin Baby, 2011Gary Robert Swanson, Great Kiabab Mules, 1985John Moyers, The DonkeyClark Hulings, Looking for Shade, 1977Valoy Eaton, Over the Ridge, 1990Frank C. McCarthy, Waiting for the SignalOleg Stavrowsky, Stop Look and ListenRobert Elmer Lougheed, Early Snows, 1980Leslie H. Peters, Untitled (Buffalo and Bears), 1964Leslie H. Peters, Untitled (Antelope at Sunrise)Robert Elmer Lougheed, Grizzly CountryThomas Patrick Jr Quinn, Summer Passages, 1999Colt Idol, High Plains Monarch, 2018Zygmunt Menkes, Still Life Composition (Red & Yellow Day Lillies)Alfred Gwynne Morang, Untitled (Still Life with Blue Vase), 1945Alfred Gwynne Morang, Street Scene (Double Sided Painting)Alfred Gwynne Morang, Untitled (Path to the Village), 1949Billie Hutt, Train Journey Through Rural Life, 1996Joseph Adam Imhoff, Taos, New MexicoWarren Eliphalet Rollins, Summer Santa Fe, ca. 1915Warren Eliphalet Rollins, Christmas Eve, Taos, 1924Joseph Henry Sharp, Canal near Dordrecht, Holland, 1896Walter Ufer, Untitled (New Mexico Landscape)John Young-Hunter, A Corner of TaosJohn Fabian Carlson, Sunlit ShallowsCarl Von Hassler, Untitled (Dirt Road in the Foothills)Forrest Moses, Desert Water at Abiquiu #3Agnes Pelton, Untitled (Mountain Landscape with Sagebrush)Terri Kelly Moyers, Lengthening Shadows - Taos, 2011Henriette Wyeth, Our House in Spring, 1930Andrew Dasburg, Tulips on a TableArturo Antonio Chávez, Arroyo Cuyamungue, 2003Arturo Antonio Chávez, Where the Buffalo Roam, 2005Jerry Jordan, The Town of Eagle Nest, 2005Wayne Justus, Silent ObserverRoss Stefan, Out Wolf PassRoss Stefan, Windy Point, 1968Ross Stefan, Afternoon LightsAugustus William Dunbier, Sangre de CristoAugustus William Dunbier, Taos Mountain MeadowAugustus William Dunbier, Mission, San Jose, TexasGeorge Fischer, Taos Landscape at SunsetFord Ruthling, Snowscape from Kitchen Door, 1968Clyde Aspevig, Winter LandscapeRay Stanford Strong, Shandon CountyBetty Jean Sabo, Untitled (Mountain Stream)Joellyn Duesberry, Crossroads at Chimayo, April, 1988Jurgen Wilms, Georgia's CountryIrby Graves Brown, River ColorIrby Graves Brown, Untitled (Ghost Ranch, Abiquiu, New Mexico)Irby Graves Brown, Untitled (Landscape North of Santa Fe)Kevin Macpherson, Winter GlowRod Goebel, Taos September HillsideRod Goebel, Untitled (Mountain Landscape)Michael Stack, Storm Over Taos, 1982William Scott Jennings, Final GloryNicholas Coleman, Deer CampMichael Lynch, Summer Shadow, 2004George Pate, New Mexico Village, 2000Randy Van Beek, Juamano Scout at Bosquillas Canyon, 2021Robert William Wood, Huasteca Canyon, ca. 1956Heinie Hartwig, Sioux EncampmentHeinie Hartwig, Cheyenne (Colorado Camp)Arturo Antonio Chávez, Morning Shadows, 2005Mian Situ, Untitled (Cliff Dwellings)Michael Stack, Sundown over the Rio Grande, 1995James Disney, Walking Sky, 1982Tom Lockhart, Sunrise on Horn Peak, 1991Frank Croft, Clearing Storm, Ghost Ranch, 2002Wayne Wolfe, Santa Fe, New MexicoWilliam Haskell, Pecos Canyon, ca. 2008William Haskell, Untitled (Cows in the Road), ca. 2008William Haskell, Alone, ca. 2008Bruce Cody, West TheatreJim Woodson, Self Time - Concealing Potentialities, 2012Jim Prindiville, Canyon ViewRaymond Nott, Land of the Hopi - ArizonaNils Hogner, Untitled (Farmland)Barry Atwater, Trails End Ranch (Hillside, Colorado), ca. 1950Ralph Edward Oberg, Two Cuttings, 1995Bruce Eastman, Untitled (Fall in the Mountains)Frank Gervasi, Placitas, New MexicoRoger Williams, Cloud DanceMichael Lynch, Red Willow - Frying Pan River, 2014Carl Redin, Untitled (Forest Scene)Jean Parrish, New Mexico Landscape, 1967Charles Partridge Adams, Untitled (Mountain Landscape)Eliza Rosanna Lamb Barchus, Mt. HoodJames Everett Stuart, Sunset Glow (Mt. Adams), 1905James Everett Stuart, Sunset Glow, Mt. Hood (from the Columbia River, Oregon), 1895 - 1916Elbridge Ayer Burbank, Group of Six Paintings: Depictions of Native American and Western LifeWilliam B. Hannum, Point Lobos TreesWilliam B. Hannum, Untitled (Golden Landscape)Elmer Page Turner, The River ValleyLaurence Philip Sisson, Hidden CanyonsWilliam M. Berra, View of PositanoRon Hicks, Evening in ItalyGregory Block, Mogader Blue No. 1, 2014Leon Shulman Gaspard, Portrait Of Carl F. Clark, 1952Edward S. Curtis, A Walpi Man, 1900Edward S. Curtis, Self-Portrait, 1899Edward S. Curtis, Head-dress - Atsina, 1908Edward S. Curtis, Placating the Spirit of a Slain Eagle - Assiniboin, 1926Edward S. Curtis, Signal Fire to the Mountain God, 1909Edward S. Curtis, Esipermi - Comanche, 1927Edward S. Curtis, Pima Baskets, 1907Edward S. Curtis, Masked Dancers in Canoes- Qa’gyuhl, 1914 (variant)Edward S. Curtis, Antelopes and Snakes at Oraibi, 1921Edward S. Curtis, Group of Winter Dancers - Qágyuhl, 1914Edward S. Curtis, Two Southwest PhotogravuresEdward S. Curtis, Group of Three Southwest PhotogravuresEdward S. Curtis, Two Southwest Portrait PhotogravuresEdward S. Curtis, Group of Three Southwest Photogravures, 1925Edward S. Curtis, Group of Three Southwest PhotogravuresEdward S. Curtis, Group of Four Great Plains Hand-colored PhotogravuresEdward S. Curtis, Group of Five Hand-colored Photogravures: Southwest + Northwest Coast + GreatEdward S. Curtis, Group of Four Hand-colored Photogravures: Great Plains + Northwest CoastEdward S. Curtis, Group of Five Photogravures: Northwest Coast Masked Ceremonial Images, 1914Edward S. Curtis, Group of Six Photogravures: Northwest Coast Masked Ceremonial Images, 1914Edward S. Curtis, Group of Four Photogravures: Southwest + Great PlainsEdward S. Curtis, Group of Nine Prints: Edward Curtis Portrait + In the Land of the Head HuntersEdward S. Curtis, Group of Six Reference Prints: Northwest Coast + SouthwestEdward S. Curtis, Custer Battle-field Map, 1891

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