THE SIGNATURE SALE: Session Three

online only auction | 1 day sale | 23 days away
Location
Santa Fe, NM 87505
Dates

Sale Starts

Sat
Nov 7
1pm

Sale Ends

Sat
Nov 7

Terms & Conditions

TERMS AND CONDITIONS

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.'s (Santa Fe Art Auction) and its agents and consignors entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise.

1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein.

(a) All property is sold 'AS IS'. There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder.

3. A buyer's premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer's premium of 23% of the final bid price of each lot up to and including $1,000,000 and 18% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. (Note: artwork for pickup is soft-wrapped, starting at $5/lot.)

- Successful Online bidders on third party platforms (such as Invaluable and Live Auctioneers) will be subject to a surcharge by those platforms, currently 5%.

- The buyer's premium is calculated separately for each lot.

- Credit cards are subject to a 4% processing fee.

4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser's responsibility to pay any applicable compensating use tax of another state on the total purchase price.

Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer's premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business.

Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, Colorado, Illinois, Michigan, New Mexico, New York, Texas, Wisconsin. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead.

The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Santa Fe Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon.

Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors.

5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal.

6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction's sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith.

8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

9. On the fall of the auctioneer's gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

(a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer.

(b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale.

10. All lots (unless otherwise indicated by the letters 'nr') are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest.

11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction.

12. These Terms and Conditions of Sale, together with the parties' respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico?s rules concerning conflicts of laws.

13. Prospective bidders, bidders and buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party's own costs of arbitration and attorney's fees.

14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which can be found on our website. If you misplace this form, call or send an email and another form will be provided.

15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders.

16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer?s successors, assigns and representatives.

18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale.

20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a 'room' bid, the 'room' bid generally will take precedence. 'Room' bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction's or on the Buyer's end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer's internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.
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Santa Fe Art Auction

Description & Details

The final session of Santa Fe Art Auction's premier sale of the year offers 193 lots, featuring substantial works by several of the Taos Founders and paintings by 20th Century New Mexico Modernists. Collectors can find paintings by classic and contemporary women artists of the West, contemporary Native American artists, and members of the Cowboy Artists of America.
Gerald Cassidy, Canyon Road in Santa FeAaron Garlick, Chile Season, 2026Chuck Volz, Winter Magic - Upper Acequia Madre, Santa FeKimbal Warren, Taos Valley RanchWilliam Cather Hook, Fall in Forest, 2018William Cather Hook, Valley RoadPaul Strisik, Arroyo Seco, 1971Irby Graves Brown, Untitled (East Side of Santa Fe)John Moyers, Chamisa Trail, 2014Curt Walters, WindsweptCurt Walters, TortuousThomas Silvestre Macaione, Santa Fe, 1955Bert Geer Phillips, Spring LandscapeFremont F. Ellis, Arroyo, 1955Fremont F. Ellis, September - Wagon Wheel Gap, 1970Carl Redin, Saguaros and MountainsBurt Procter, Untitled (Pueblo Scene)David Jonason, Abiquiu Hills, 2010Harvey T. Dunn, Red MesaHarvey T. Dunn, Looking Toward "Great Rock"Laurence Philip Sisson, Nambe Snow TapestryArturo Antonio Chávez, Chinle Wash, 2001Arturo Antonio Chávez, Luz De Los Barrancas, 1997Forrest Moses, Winter CornfieldsCarl Von Hassler, Winter in San Antonio, New MexicoCarl Von Hassler, Early Snow, 1937Carl Von Hassler, Church (Peralta), 1936Carl Schmidt, Navajo GoatherdersRoss Stefan, Autumn, 1964George Dee Smith, Life’s Eternal Beauty, 2007Denis Milhomme, Zion’s Beauty, 2016Gary Lynn Roberts, Bad DecisionJohn Moyers, Taos DrummerZhiwei Tu, Leader of the SiouxD. Edward Kucera, Soulful Belongings, 1997John DeMott, Encampment of the Blackfeet, 1990Dan Mieduch, Her Majesty’s Constabulary, 1997Michael Coleman, Winter HunterJames Ayers, Gaze of Authority, 2012Mark Rohrig, Untitled (Portrait of a Chief with Shield), 1983Mark Rohrig, SunriseGerald Cassidy, WeiniCyrus Afsary, Plains Chief with FeathersR. Brownell McGrew, Untitled (Portrait)Edgar Samuel Paxson, Portrait of a Young Warrior, 1911Esquipula Romero de Romero, Adoration (Esther Romero), ca. 1930Walter Ufer, Indian Mother, Isleta, ca. 1915Kathryn Woodman Leighton, Juan, A Tewa Indian from San Ildefonso, New MexicoDorothy Eugénie Brett, Tired War Dancer, 1964Blanche Chloe Grant, Lazy Juan, 1921Blanche Dugan Cole, Isleta Indian Maiden, ca. 1907Blanche Dugan Cole, Southwestern Scene, 1907Kate Thompson Cory, Moonlight Frolic, 1914Nellie Shepherd, Mexican Cigarette MakerNellie Shepherd, Papago Indian HutVirginia B. Woolley, Taos Street, 1928Ila Mae McAfee, Talpa, ca. 1932Susan Hertel, Whitemore Red Barn DoorSusan Hertel, Sunset with Two Horses (Triptych)Susan Hertel, 2 HorsesFatima Ronquillo, Feeding the Enemy, 2015Gene Kloss, #12 Road into HillsboroughVirginia True, Untitled (Desert Landscape)Dorothy Eugénie Brett, Rider in the ArroyoLouisa McElwain, Badlands and Blue Mountains, 1992Louisa McElwain, White House, MidafternoonLouisa McElwain, Summer MorningLouisa McElwain, Primavera, ca. 2003Joellyn T. Duesberry, Burnt Wetlands, New Mexico, 1996Joellyn Duesberry, Untitled (Reflection), 1983Joellyn T. Duesberry, Pedernal and Sheep Pasture III, 1989Fran Larsen, Mesas Beyond the Lake, Abiquiu, 1998Fran Larsen, Ravens on a Summer Breeze, 2000Fran Larsen, Sun Struck Valley, 1994Sushe Felix, Summer Storm, 2012Sushe Felix, Valley Sunset, 2012Alyce Frank, Taos Blue LakeAlyce Frank, Untitled (Flowering Trees)Beulah Stevenson, Big Hill (Cerro Gordo) in Santa Fe, 1954Vivian Springford, Untitled, 1971Rebecca Salsbury James, White Roses at Twilight, 1941Bror Julius Olsson Nordfeldt, Double Tulips, 1939Ward Lockwood, ZinniasJoseph Henry Sharp, California Chrysanthemums, 1940Joseph Henry Sharp, HollyhocksOscar Edmund Berninghaus, Morning of the Fiesta - Taos PuebloErnest Martin Hennings, Amongst the AspenPeter McIntyre, Redwoods No. 21, ca. 1970Ed Mell, View from Ward Terrace, 1997Elmer Wachtel, Grand CanyonWorthington Whittredge, Indian EncampmentFremont F. Ellis, In High MountainsFremont F. Ellis, In the MountainsFrank Tenney Johnson, Banks of the Little Colorado, 1933Conrad Buff, Late Afternoon, AgathlaJames Guilford Swinnerton, Desert CactusJames Guilford Swinnerton, Smoke Tree in Desert and MountainsCharles Partridge Adams, Mt. Silverheels After RainWilliam Howard Shuster Jr., The BarrancaWilson Hurley, Acoma with Katzimo (Enchanted Mesa), 1974Raphael Lillywhite, At the StreamRaphael Lillywhite, Mountain Landscape, 1945Raphael Lillywhite, Lone RiderEarl Biss, A Ride in the Sweet GrassEarl Biss, The Shadow of the Red Cloud, 1985Kevin Red Star, Apsalooka War Party, 2012John Nieto, American Horse, 1989John Nieto, Strong Medicine, 2012Malcolm Furlow, Indian at the TableMalcolm Furlow, Arapaho War ChiefMalcolm Furlow, Indian with Intruder (after Scholder)Paul Pletka, Untitled (Native Portrait)Walt Wooten, Visit to the Louvre LXII, Deianira Abducted by Centaur Nessus, 2004Walt Wooten, A Young Sioux ChiefSteven Yazzie, Desert Life, 2012Darren Vigil Gray, Variation on an Abiquiu Landscape #2, 1994Tony Abeyta, Gift, ca. 2005Tony Abeyta, The GatheringTony Abeyta, Four Directional FiguresDavid P. Bradley, Ghost Dance Revelations, 2004David P. Bradley, American Gothic, The Farmer's DaughterDavid P. Bradley, The Wish, 1982Jaune Quick-to-See Smith, Group of Three Works: Summer Encampment I - III, 1978 (from the PrairieHelen [Tsa-Sah-Wee-Eh] Hardin, UntitledJaune Quick-to-See Smith, Spring, Weather, Garden, Plastics, 1991Hiroyuki Doi, UntitledDan Namingha, Dream State Image #14, 1998Bruce Carlton Nowlin, Summer, Corrales, New Mexico, 2020Ira Moskowitz, Taos Indian Deer Dance, 1982Richard Ernesti, San Ildefonso (Start of Dance), 1901Homer Dean Boss, NinaGisella Lacher Loeffler, Taos PuebloGisella Lacher Loeffler, Untitled (Pueblo Singers)Logan Maxwell Hagege, Tihu Shadows, 2012Roy DeForest, Night Dogs, 2000Peter Rogers, The Three Muses, 1980Alfred Gwynne Morang, The Women at Claude’sAlfred Gwynne Morang, Deserted on the Dance Floor, 1951Alfred Gwynne Morang, Untitled (Bar Scene), 1954Howard Behling Schleeter, Horse, 1970Kim Douglas Wiggins, Lost Arroyo, 1990Robert A. Daughters, Chamisa MoonRobert A. Daughters, Puye WinterRobert A. Daughters, Untitled (Chamisa and Sunflowers)Robert A. Daughters, Winding RoadRobert A. Daughters, Untitled (Landscape with Chamisa)Jerry Jordan, Late FallBert Geer Phillips, Above Taos PuebloClyde Aspevig, The Two Medicine in June, 1989Clyde Aspevig, The River Bank, 1988Clyde Aspevig, The Fall River, 1988Emil James Bisttram, Untitled (Waterfall), 1963Sheldon Parsons, Ojo Looking Towards JemezSheldon Parsons, Spring LandscapeRaymond Jonson, Summer - Santa Fe, 1922Otis Dozier, Countryside, 1969Logan Maxwell Hagege, Teaching RockForrest Moses, Aspen Fall (Triptych)Nathaniel Volckening, Hope Rising, 2026Peter Hurd, Untitled (Southern New Mexico Ranch)Clark Hulings, Patience, 1973Bill Anton, A New Day Dawns, 2013Tim Cox, Untitled (Two Riders), 2014C. Michael Dudash, Skillful Hands, Watchful EyesC. Michael Dudash, Kickin' Up Some Dust, 2016Andrew Peters, Awaiting Spring, 2013Joseph Piccillo, #17, 1996Tom Browning, Ridin' DragDan Bodelson, The Holy Tree, 2009Steven Lang, Warriors in the WindSteven Lang, Takes the Pipe, Speaks the Truth, 2005Harvey William Johnson, The Great Procession of 1836, 1992Gordon Brown, Changing Light, 1996Ronnie Hedge, Untitled (Grand Canyon View), 1996William A. Slaughter, Untitled (Bluebonnet Sunset), ca. 1991William A. Slaughter, Untitled (Field of Bluebonnets), ca. 1991Alan Wolton, Arizona Light, 1987Gary Ernest Smith, Golden FieldsGary Ernest Smith, Tying Potato Sacks, 1993David Yorke, The Florida WranglerScott Fraser, Catenary CurveJohn Gibson, 4 Colored Balls, 1986Daniel Sprick, Object Project #1, 2006William Acheff, Untitled (Three Pots)Rod Goebel, Still LifeEdmund Daniel Kinzinger, Still Life, 1928Chuck Sabatino, The ChestSue Krzyston, Bridging Cultures, 2010Robert A. Daughters, 1 PoppyIla Mae McAfee, Oriental PoppyRoger Hayden Johnson, Chapel Back, La PuenteRoger Hayden Johnson, Illumination, San JoseBradley Schmehl, Blue Hour

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