Fall Estates Auction | November 2023

auction | 1 day sale | sale is over
Address
The address for this sale in Bedford, NY 10506 will no longer be shown since it has already ended.
Dates
Sun
Nov 19
10:30am
2023

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Please see our website and/or the catalog for full terms and conditions of sale.
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Butterscotch Auction

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Description & Details

Fall Estates Auction | November 2023

 

Sunday, November 19th

Beginning at 10:30 AM

Online | Phone | Absentee | & Live Bidding

 

View the complete catalog on our website:

www.butterscotchauction.com

 

- Van Cleef & Arpels and other fine jewelry from a distinguished New York lady

- An important lifelong collection of Chinese porcelain and earthenware

- Mid-century art and design from the Bedford, NY Estate of a noted Industrial and Graphic Designer

- Items from a historic Bedford, NY homestead

- Early American art and fine silver from a noted doctor, Manhattan, NY

- An extensive collection of fine and important porcelain from a Greenwich, CT woman

- A rare Thomas Tompion watch descended through a South Salem family

- Over 100 lots of fine estate jewelry, silver, and much more!

 

PREVIEW: Saturday, Nov. 18 from 11:00 am - 5:00 pm

ABEL GEORGE WARSHAWSKY (1883-1962) | Paris on Parade, 1922. Oil on canvas. h. 32 w. 39 in. Identified on old label, Artist Colorman on verso, no apparent signature. Overall: 37 x 44-1/2 in.JOHN PHILLIP OSBORNE (AMERICAN, B. 1951) | Autumn Hills. Oil on canvas. h. 12 w. 16 in. (sight) Signed lower right, titled on verso. Overall: 19-1/2 x 23-1/2 in. (frame)ZENOWIJ ONYSHKEWYELL (UKRAINE/AMERICAN, 1929-2018) | Monastery overlooking orchard Oil on canvas. h. 18 w. 24 in. Signed lower right. Overall: 22 x 27-3/4 in. (frame)JOSEPH MARGULIES (AMERICAN, 1896-1984) | Roadside view of a country village. Oil on canvas. h. 23-1/2 w. 29-1/2 in. (sight). Signed lower right. Overall: 32-1/4 x 38-1/4 in. (frame)JULIUS DELBOS, NA (AMERICAN, 1879-1970) | Tennessee Silhouette. Oil on canvas. h. 28 w. 41 in. (sight). Signed lower right, depicting a farmstead on a hill, framed. Overall: 31-3/4 x 44-3/4 in. (frame)JULIUS DELBOS, NA (AMERICAN, 1879-1970) | Oak tree with cattle grazing. Oil on canvas. h. 32-1/4 w. 35 in. (sight). Signed lower right. Overall: 36-1/2 x 40 in. (frame)CARLTON WIGGINS (AMERICAN, 1848-1932) | Cow in pasture. Oil on canvas. h. 18-1/2 w. 22 in. (sight) Signed lower left. Overall: 26-1/4 x 22-3/4 in. (frame)PAUL GOTTLIEB WEBER (AMERICAN, 1823-1916) | Landscape with boater. Oil on canvas. h. 20 w. 30 in. Signed and dated 1864 lower left. Condition. Old relining retains original stretcher. GUSTAVE WIEGAND (AMERICAN, 1870-1957) | Waning Winter. Oil on canvas. h. 14 w. 20 in. Signed lower left Gustave Wiegand, titled on plaque attached to frame, appears to retain original period frame. Overall: 24 x 30 in. (frame)MARY SHEPARD GREENE BLUMENSCHEIN (1869-1958) | Stylized portrait of a woman. Oil on canvas h. 30-1/4 w. 21 in. Signed with initials "MGB" and dated 1914 lower left, and signed on verso, original frame with label Albert Mil----, Manufacturer of frames, NYC; inscribed on verso, "Bar---" (?) Overall: 34-1/2 x 25-5/8 in. (frame)FRANK KNOX MORTON REHN (AMERICAN, 1848-1914) | Seascape off Point Pleasant. Oil on canvas h. 22 w. 34 in. Signed lower left, in a period American gilt composition cove frame. Overall: 35 x 49 in. (frame) BAYARD HENRY TYLER (AMERICAN, 1855-1931) | Eastern -----, LI. Beach Scene. Oil on canvas h. 18 w. 24 in. Signed and dated 1907 lower right, titled: Eastern ---, L.I. on stretcher. Overall: 22 x 28-1/2 in. (frame)VERNON BROE (AMERICAN, 1930-2011) | Sailboats at sea. Oil on board. h. 18 w. 28 in. Signed lower right, framed. Overall: 23 x 33 in. (frame)WILLIAM GAY YORKE (BRITISH/CANDIAN, 1817-1892) | Yacht Wanderer (Slave Ship) Oil on canvas mounted on board. h. 18 w. 26 in. Was active/lived in New York, New Brunswick / England, Canada, signed lower left, titled on plaque attached to frame. Overall: 23 x 31-1/2 in. (frame)CARLO LEVI (ITALIAN, 1902-1975) | Sottobosco, 1963. Oil on canvas. h. 28-3/4 w. 36-1/4 in. Abstract trees with high impasto; signed on verso, and with Galleria Annunciata, Milano label on verso. Overall: 36-1/2 x 44 in. (frame) PIERO DORAZIO (ITALIAN, 1927-2005) | Choix, 1981. Pastel on brown paper. h. 34-1/2 w. 46 in. (sheet). Signed and dated 1981 lower right; framed and backed by masonite, copy of Certificate of Authenticity (not legible) attached to old insurance appraisal (consignor's family may have original). Overall: 39-3/4 x 51-1/2 in. (frame)GEORGES BRAQUE (FRENCH, 1882-1963) | Bird Lithograph in colors. h. 57-1/2 w. 45 in. (sight). No apparent signature. Overall: 65-1/2 x 52 in. (frame)LOUISE NEVELSON (AMERICAN/RUSSIAN, 1899-1988) | Black Cubist Wood Assemblage. Black painted wood. h. 15-1/4 w. 15-3/4 d. 2-1/4 in. 1980, ed. of 101; justification label on versoCARMELO CAPPELLO (ITALIAN, 1912-1996) | Bronze. h. 32 w. 19 d. 6 in. (bronze only). With copy of letter of authenticity signed by the artist. - Overall: h. 76 x 20 x 20 in. (on stand)PETER CALLAS (B. 1951) STONEWARE CHARGER | Untitled. Anagama (wood) fired pottery w. 23 d. 6 in. without glaze, signed "CALLAS 06" on foot. (ATTRIB) PETER VOULKOS (1924-2002) CHARGER | Untitled. Incised anagama fired stoneware w. 21-1/2 d. 5 in. No apparent signatureJAMES ROSENQUIST (AMERICAN, 1933-2017) | Stars and Stripes at the Speed of Light. Lithograph in colors. h. 45-1/2 w. 30-1/2 in. (sheet). Second state, signed, titled, dated 2004, and numbered A.P. 21/30 lower margin. Overall: 54 x 39 in. (frame)JAMES ROSENQUIST (AMERICAN, 1933-2017) | Katonah Muse, 1993. Offset lithograph in colors h. 27-1/2 w. 21-1/4 in. (sheet). Signed, titled, dated, and numbered 46/100, published by Tyler Graphics, Ltd., Mount Kisco, NY, with their blind stamp, framed. - Overall: 34 x 27-1/2 in. (frame)FRANK STELLA (AMERICAN, B. 1936) | Fattipuff (from Imaginary Places II). Mixed media print in colors w. 32 in. (sheet). Signed, dated 1996, and numbered "AP 7" lower left with the blindstamp of the publisher Tyler Graphics Ltd., Mount Kisco, NY. Overall: 36 x 36 in. (frame)FRANK STELLA (AMERICAN, B. 1936) | Plutusia (from Imaginary Places II). Mixed media print in colors w. 25-3/4 in. (sheet). Signed, dated 1996, and numbered 8/38 lower right, on TGL handmade paper, with the blindstamp of the publisher Tyler Graphics, Ltd., Mount Kisco, New York, framed, with original receipt. Overall: 30-1/2 x 30 in. (frame)GEORGE RODRIGUE (AMERICAN, 1944-2013) | Galerie Blue Dog Carme. Screenprint in colors. h. 33-1/2 w. 25-1/4 in. (sight). Edition 19/90, signed and numbered. Overall: 39-1/2 x 31-3/4 in. (frame)ROBERT NATKIN (AMERICAN, 1930-2010) | Abstract. Mixed media on paper. h. 21 w. 21-3/4 in. (sight). Signed lower margin. Overall: 28-1/4 x 29-1/4 in. (frame)(ATTRIB) ROBERT NATKIN (AMERICAN, 1930-2010) | Abstract. Acrylic over printed matter on canvas From Palimpsest Series, c. 1981, no apparent signature. overall: 29 x 16 in.JOSEPH CORNELL (1903-1972) | Hotel du Nord Color screenprint. h. 19 w. 15 in. (sight). Ed. 3/125, pencil signed, dated 1972. Overall: 31 x 25 in. (frame)LEONARD BASKIN (AMERICAN, 1922-2000) | The Great Bird Man. Woodcut. h. 70 w. 36 in. (sight). Executed 1963. Overall: 76-1/2 x 46-1/2 in. (frame)O. WINSTON LINK (AMERICAN, 1914-2001) | Sometimes the Electricity Fails, 1956. Gelatin silver print. h. 15 w. 19 in. (sight). Printed later, the negative of this photograph is registered with the Estate of O. Winston Link as NW 1122. Overall: 22 x 26 in. (frame)GERRIT THOMAS RIETVELD (1888-1964) CHAIR | In red, black, and yellow paint. h. 34-1/2 w. 25-3/4 d. 35 in.PAIR WASSILY ARMCHAIRS | Chrome-plated steel and black leather, no apparent labels. h. 28-1/2 w. 27 d. 31 in.LE CORBUSIER LC4 CHAISE LOUNGE CHAIR | An anatomically shaped chair with black leather upholstery on a polished chrome frame, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand. h. 29 w. 64 d. 22 in.PAIR EARLY CASSINA HORSEHAIR & LEATHER ARMCHAIRS | A pair of early Cassina LC1 Basculant chairs designed by Perriand, Jeanneret, Le Corbusier, sling chairs with horsehair seats/backrests and leather arms. POUL KJAERHOLD MARBLE TOP COFFEE TABLE | White marble top with steel base. h. 14 w. 31-1/2 d. 31-1/2 in.(4PC) PEPE CORTES FOR AMAT, JAMAICA STOOLS | Chrome-plated stools, impressed JAMAICA STOOL / DESIGN BY PEPE CORTES / FOR AMAT / MADE IN SPAIN. h. 32 dia. 20 in.BOLIER & CO. BY DECCA WRITING DESK | Contemporary writing desk by Bolier & Company by Decca: X Table in walnut veneer with X Desk Pad h. 30 w. 72 d. 36 in.EAMES FOR HERMAN MILLER | Time-Life executive office chair, with light brown leather upholstery. VLADIMIR KAGAN PLEXIGLASS OFFICE CHAIR | Plaque under seat reads: Hand Made in the Workshop of script signature, Vladimir Kagan Designs, NY h. 47 w. 29 d. 34 in.LORIN JACKSON ART DECO STEP-BACK CABINET | Circa 1935, Zebrawood and Philippine mahogany cabinet with lucite crown, spindle doors, and engaged columns, the lower case with mirrored glass panels, designed by Lorin Jackson for Grosfeld House. h. 87-1/2 w. 54 d. 16-3/4 in. FINE CHINESE HONGMU & HUAMU BARREL-FORM TABLE | 19th century, drum or barrel-form, well-carved with archaistic scrollwork, the top inset with burled huamu. h. 32 w. 34 in. (approx.)FINELY CARVED CHINESE KANG TABLE | 19th century, Huanghuali or similar fruitwood, of rectangular shape with finely-carved aprons and incurved legs decorated with archaistic scrollwork. h. 13-1/4 w. 37-1/4 d. 25-1/4 in.UNUSUAL CHINESE ROSEWOOD LOW TABLE | Possibly Huanghuali, with a slightly stepped paneled top, conforming apron, and relief-carved feet. h. 12 w. 39 d. 17-1/4 in.LARGE CHINESE CARVED ROSEWOOD ALTAR TABLE | Early – mid 20th century, jichimu and other woods, having archaistic scroll ends, pierced braided link apron, and panels inset with contrasting woods h. 40-3/4 w. 85-3/4 d. 18 in.PAIR LARGE JAPANESE SILK EMBROIDERED PANELS | 20th century, a pair of mirrored scenes with various armored figures and a dragon, embroidered in silk and metallic threads, mounted on a rolling track (track included). h. 96 w. 52 in. (each)TIBETAN THANGKA, 18TH CENTURY | Seated figure with attendants. Opaque pigment on fabric. h. 28-1/4 w. 25 in. Depicting a seated white-skinned teacher figure, possibly Padmasambhava or Tsongkhapa, wearing a cap, holding a lotus in one hand and a manuscript in his lap, surrounded by flowers and attendants, with inscriptions lower margin and throughout. Overall: 29-3/4 x 26-1/4 in. (frame)TIBETAN THANGKA OF PADMASAMBHAVA, 18TH CENTURY | Padmasambhava and attendants Opaque pigments on fabric. h. 18-1/4 w. 13-3/4 in. (sight). Depicting a seated Padmasambhava surrounded by deities and bodhisattvas/attendants; double framed under glassBUDDHIST CARVED & POLYCHROMED STELE | Buddha flanked by two attendants, each with flame mandorla. h. 15 w. 8-3/4 d. 1 in.CHINESE SCROLL PAINTING, 18TH/19TH CENTURY | Filial Exemplars, also translated as the Twenty-four Paragons of Filial Piety (a classic text of Confucian filial piety written by Guo Jujing during the Yuan dynasty), depicting from top to bottom: Dong Yong after He Sold Himself for His Father’s Funeral (no. 8), Jiang Je as He Labored to Support His Mother (no. 14), and Tian Yu Shun in His Filial Piety Moves Heaven and Earth (no. 1, Elephant helping Yu Shun plow the field), signed Shao Chuan (?), with gourd-shaped seal. h. 32 w. 11-1/2 in. (subject). Overall: 70 x 21-1/2 in. (scroll)ATTRIBUTED TO QIU YING (CHINESE, C. 1494-1552) | Shou Lou with staff. Ink on silk. h. 40 w. 16 in. Inscribed "shi fu Qiu Ying zhi', (made by real father Qiu Ying), with a gourd-shaped seal reading "shi zhou" (ten states). PAIR JAPANESE MIXED METAL VASES, MEIJI PERIOD | Marked on underside. h. 6 dia. 2-1/2 in.PAIR KANGXI PORCELAIN POINT BOTTLES | Leaf underglaze blue mark. h. 7-1/2 dia. 3-1/2 in.PAIR CHINESE CLOISONNE JARDINIERES | Depicting landscape scenes, with conforming carved wood stands. h. 3 w. 6 d. 4-1/2 in. (jardinieres). Overall: h. 6-1/2 in. (on stand)CHINESE STONE CARVED HEAD OF GUANYIN | Mottled grey stone, the Goddess of Mercy, well articulated and depicted with headdress and downcast eyes. h. 10-1/2 w. 6 d. 5-1/2 in.CHINESE FAMILLE ROSE PORCELAIN BOWL | Qing dynasty, 19th century, the interior with insects among flowers centering a man in a boat with calligraphy, the rim with cranes among clouds, the exterior with scrolling flowers, with gallery labels indicating Tongzhi reign (1862-1874) production. h. 3-1/4 dia. 8-5/8 in.CHINESE BLUE & WHITE PORCELAIN DISH | Qing dynasty (1644-1911), depicting a pine with two cranes, one poised in flight, the other standing, in a springtime landscape, and an additional two cranes with pine in flight among clouds around the borders, with apocryphal Xuande reign mark within a double circle. h. 1-7/8 dia. 8-1/4 in.CHINESE KANGXI BLUE & WHITE PORCELAIN DISH | Kangxi reign (1662-1722), decorated with a central peony among prunus and other flowers on a floral ground, with Lingzhi mark, with old gallery labels h. 1-3/8 dia. 8-1/4 in.CHINESE YAOZHOU CELADON JAR | Song dynasty (960-1279), possibly a rice measure, of globular form with carved floral decoration, with fitted box h. 2-1/2 dia. 3-1/4 in.CHINESE GANZHOU 'RICE MEASURE' JAR | Southern Song / Yuan dynasty, 13th/14th century, jar with persimmon glazed neck over a band of white glazed dots and a line-incised imitation basketwork stoneware body. h. 3 in.FINE CHINESE DING WARE DISH | Northern Song - Jin dynasty (960-1234), with shallow, flaring sides, covered in an ivory-toned glaze except for the raised outer edge on the flat, everted rim, which reveals the pale porcelain body. dia. 7-1/2 in.CHINESE QINGBAI PORCELAIN BOX AND COVER | Southern Song-Yuan dynasty (1127-1368), of circular shape with molded floral decoration and ribbed sides h. 1-3/4 dia. 3-3/4 in. CHINESE JIAN WARE HARE'S FUR TEA BOWL | Southern Song dynasty (1127-1279), of standard shape with "hare's fur" glaze. h. 2 dia. 5 in.CHINESE LONGQUAN CELADON BOWL | Song dynasty (960-1279), shallow rounded sides with dish-shaped rim and raised lip, covered in a bluish green glaze, with Robert McPherson labels and hand-written label, "Ex-Collection Marie Vergottis". h. 2-1/4 dia. 8-5/8 in.CHINESE LONGQUAN CELADON SAUCER | Song dynasty (960-1279), shallow bowl with slightly lobed 'chrysanthemum' exterior, covered in a bluish-green glaze. dia. 5 in.CHINESE LONGQUAN CELADON OVOID VASE | Ming dynasty (1368-1644), of slender ovoid shape with carved floral decoration and crackled green glaze, with conforming wood stand. h. 6-1/2 in.CHINESE LONGQUAN CELADON CHARGER | Ming dynasty (1368-1644), with scalloped, barbed rim, fluted cavetto and lightly impressed floral decoration at center, covered in a thick sea-green glaze except for a ring on the base which is burnt orange from the firing dia. 11 in.CHINESE FAHUA PRUNUS VASE, MEIPING | Ming dynasty (1368-1644), with carved prunus decoration in turquoise and white on an aubergine ground, with reticulated wood stand, with old partial gallery label "J.T. Tai ..." and Christie's label. h. 8-1/2 in.CHINESE DEHUA PORCELAIN TRIPOD CENSER | Chongzhen period (1628-1644), of cylindrical shape with lipped rim, three bowstring bands, an impressed key-fret band around the center, and three ruyi-head feet, all covered with an even, ivory-white glaze, old labels for L. Michon, Paris and Robert McPherson h. 2-5/8 dia. 3 in.RARE CHINESE IMITATION 'BRONZE' PORCELAIN CENSER | Kangxi/Yongzheng reign (1662–1723), the porcelain tripod censer of Ge-type, having double handles over a squat bulbous body raised on three tapering feet in imitation of a Ming dynasty bronze form, covered in a 'bronze' colored glaze over a white body with characteristic Ge 'golden thread and iron line' crackle; base with recessed 'burnt' foot-rim; with conforming wooden lid. h. 3 dia. 4-3/4 in.CHINESE WUCAI PORCELAIN JUG | Kangxi period, an export piece in the form of a jug or stein with single handle, decorated with floral designs in underglaze blue and overglaze enamels in green, yellow, and copper red, with conforming silver lid. h. 6-3/4 in.CHINESE DEHUA PORCELAIN GU VASE | Kangxi period (1662-1722), of gu shape with a central section carved with freely drawn lotus blooms set on scrolling foliate stems and bounded by two sets of bowstring lines, covered in an overall white glaze. h. 10-7/8 in.CHINESE DEHUA LEAF-FORM BRUSH WASHER | Late Ming - Early Qing dynasty, 17th-18th century, a shallow dish molded in the form of a leaf, with slightly incised ribs on interior, and flowering branches curling underneath the exterior to form the foot, wood stand w. 5 in.FINE CHINESE COPPER-RED GLAZED VASE, MEIPING | 18th century, meiping shape, possibly of 'Langyao' type, covered in an even copper-red glaze coming to a neat end by the foot. h. 6 in.PAIR CHINESE FAMILLE ROSE PORCELAIN JARS & COVERS | Tongzhi (1862-1874) reign marks and of the period, each with gourd-shaped reserves showing figures, one inscribed Dai wan sunzi (Daiwan grandson or Sun Tzu), the other similarly inscribed Ge cheng zi __ (Each becomes a son ___), on a red ground with floral scrollwork. h. 12-1/2 dia. 10 in. (approx). Overall: h. 17-1/2 in. (on stand)CHINESE FAMILLE ROSE PORCELAIN SEAL PASTE BOX | Tongzhi (1862-1874) reign marks and of the period, round lidded seal paste box decorated with dragon and phoenix among clouds, the sides with green bats and red Shou characters, with Tongzhi reign mark on bottom. h. 2-1/2 dia. 4-1/4 in.CHINESE QING DYNASTY PALE CELADON JADE GUANYIN | Quan Yin, on a conforming carved wood stand. h. 8 w. 5 in. (jade only). Overall: h. 9-1/2 x 6 in. (on stand)JADE BEADED NECKLACE | Hand-knotted beads with 14k yellow gold floral-shaped clasp, with beads approx. 6-7mm diameter. w. 33 in.TIFFANY & CO. 18K YELLOW GOLD CHAIN BRACELET | Flexible chain bracelet, with double safety clasp signed "Tiffany & Co. 750"; 15.4g w. 7 in.DIAMOND & 14K GOLD BROOCH/PENDANT | Having nine 0.60ct. old mine-cut diamonds (approx. 5.4cttw) in a gold filigree openwork surround, color range I-J, clarity I1-I2, with articulated bail, signed 14k on the brooch clasp; 9.6g14K GOLD & OLD MINE CUT DIAMOND BRACELET | Mesh bracelet with 28 full old mine cut diamonds and 1 imitation colorless stone (at end), each approx. 0.25 ct, approx. 7 cttw; stamped on clasp, "Ruser"; bracelet weighing 44g, 7 in.14K FRENCH GOLD & GEMSTONE BRACELET | With chevron link design, inset with various precious stones, with indistinct hallmarks, tests to 14k; 101.9gHEAVY DIAMOND & 18K GOLD CHAIN LINK NECKLACE | Heavy 18k yellow gold necklace with approx. 30 melee diamonds; 165g. h. 1/2 w. 15-1/4 in.DIAMOND & 14K FESTOON NECKLACE | Having 22 full-cut diamonds set in 14k white gold, with 11 bezel-set stations, each with an articulated, prong-set diamond drop suspended from the chain, clasp signed with fineness mark, chain length approx. 15 in.; 13.81g18K WHITE GOLD FILIGREE DIAMOND SHAPE PIN | Consisting of a center-round pearl approx. 4.5 mm with 22 mostly full-cut melee diamonds, each approx. 0.03 cts dispersed in an extremely fine, worked white gold setting, no fineness mark, tested to 18k; 8g w. 2 in.PAIR 0.90CT OVAL MIXED CUT DIAMOND & PEARL EARRING | Set in white gold, no fineness mark; 6.2g(2PC) VAN CLEEF & ARPELS 18K & ONYX DEMI- PARURE | Comprising a hard bracelet with 21 full cut melee diamonds and black onyx set in textured 18k yellow gold (38.6g); with a matching chevron-shape ring with nine diamonds and onyx (size 4, 5.0g.); both signed VCA , numbered, and with French assay marks; together 43.6gVAN CLEEF & ARPELS DIAMOND, 18K & ONYX LADY'S RING | "Phillipine" ring with two bands of onyx centering 18 melee diamonds, set in 18k yellow gold; size 1.75, 5.4g(2PC) VAN CLEEF & ARPELS DEMI-PARURE DIAMOND, 18K | Comprising a textured gold hard bracelet set with full cut melee diamonds & coral, signed "VCA (c) 75 750" on the clasp, with matching chevron-shape ring with coral and diamonds, signed "VCA (c) 77 France 18k", size 4; 42.4gVAN CLEEF & ARPELS MELEE DIAMOND & 18K RING | Of chevron / v-shape, fully marked VCA and numbered inside the band; size 4, 4.8gVAN CLEEF & ARPELS 18K GOLD FLOWER BROOCH | Circa 1950s, textured yellow gold, having 8 brilliant round diamonds (F color, VVS clarity) 1 cttw., signed "VCA 750 (c) 61, BIO25A4", with VCA pouch; 20.8g. h. 1-3/8 w. 1-5/8 in.VAN CLEEF & ARPELS DIAMOND, EMERALD & 18K RING | With cabochon emerald (approx. 0.90ct) surrounded by melee diamonds (approx. 1.19 cttw) set in 18k yellow gold, marked VCA and numbered inside the band; size 1.5, 3.7gVAN CLEEF & ARPELS DIAMOND, RUBY & 18K LADIES RING | With cabochon ruby (approx. 0.90 ct) surrounded by melee diamonds set in 18k yellow gold (diamonds approx. 1.19 cttw), marked VCA and numbered inside the band; size 1/75, 3.7gPAIR VAN CLEEF & ARPELS 18K GOLD EARRINGS | Circa 1970, hoops of twist tapering design (Paire de Creoles), with 1 ct full cut round pave-set diamonds; signed VCA, numbered, and with French assay mark, maker's mark; with original VCA box; 20.7g h. 3/4 in.EMERALD, DIAMOND & PLATINUM RING | Accompanied by Oscar Heyman & Brothers, Inc. invoice stating emerald of Zambia origin, 0.63ct., quality very fine, color F-G, clarity VS, flanked by 2 trillion-cut diamonds, size 4-1/2; 4.8gCAZZANIGA 18K GEM STONE RING BANK | 18k yellow gold, with engraved and applied gold decoration, comprising a faceted ruby center stone (1.05 ct), two flanking emeralds (0.44 ct), and melee diamonds; without fineness mark, tested to 18k; with original Cazzaniga receipt dated 1979 and original box; size 5.5EMERALD & DIAMOND 18K LADY'S RING | Yellow gold ring size 7-3/4, consisting of an emerald-cut emerald approx. 1 ct., flanked by 2 trillion-cut diamonds, each approx. 0.2 ct., signed 18k, 6.7g(2PC) LADY'S POCKET WATCHES | Including one in gold with garnets and melee diamonds, the other sterling silver with blue enamel; together 38.2gOMEGA 18K GOLD MENS WRISTWATCH | Manual wind, silver face with baton numerals, sub seconds dial, on a fine 14k gold link band, case dia. 37mm, 65.2g, with inscribed dedication dated 1957ROLEX PRECISION WRISTWATCH | With original brown leather band; 36g total weight.

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