The Artists of the WPA

online only auction | 1 day sale | 3 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Jan 29
12pm

Sale Ends

Thu
Jan 29

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Description & Details

In hard times Americans are at their best when they come together rather than turn against one another. During the New Deal programs workers, designers, artists, and government administrators pooled sources and strengthened the nation’s infrastructure with elegant design and beautiful decoration. This was a time, when put to the test, mastery of skills and ideas were honed by those involved. The Artist of the WPA auction at Swann Galleries will open the 2026 season on Thursday, January 29, bringing together a selection of artwork by the artists that participated in these New Deal programs.
Designer Unknown, USA Work Program, circa 1936.Will Barnet, Desolation, 1935.Joseph Biel, The Watchman.Leonard Pytlak, Keeping Warm, circa 1936.Robert James Malone, Alabama Crap Game, circa 1940.Philip Howard Evergood, Farmer's Sorrow, 1938.Peggy Bacon, Tired Eyes, 1935.Margaret Bourke-White, The American Way of Life (At the Time of the Louisville Flood, Kentucky),Marion Post Wolcott, Migrants waiting in line to be paid off for picking cotton, near Mileston,Seymour Fogel, Untitled, 1940.Eli Jacobi, A Nap, 1936.Seymour Fogel, New York No. 1, 1936.Julius Bloch, Resting, 1930.Hyman Warsager, Preserve the Initiative for Children, circa 1937.Rockwell Kent, And Now Where? 1936.Jack Delano, A family standing in a doorway, 1930s.Charles Pollock, Man at the Well, circa 1930.Joseph Vogel, Man on Pier, 1934.A selection of 4 photographs by Dorothea Lange, Ben Shahn, Arnold Eagle/David Robbins, and ArthurArthur Rothstein, Son of a Sharecropper, Mississippi County, Arkansas * Sharecropper's childA selection of 13 F.S.A. photographs by Dorothea Lange, Arthur Rothstein, and Marion Post Wolcott,Stevan Dohanos, Man of the Soil, 1935.Carroll Cloar, Early Arkansan, circa 1940.Dorothea Lange, Wife and child of Negro laborer of the Brazos riverbottoms, Texas, June 1938;Dorothea Lange, Abandoned tenant house seen across tractored fields. Hall County, Texas, June 1938;Carl Mydans, Cotton workers on the road, carrying all they possess in the world, Crittenden Co.,Dorothea Lange, Three related drought refugee families from homes near Claremore, Oklahoma, 1937.John P. Heins, Tompkin's Barn, circa 1937.Russell Lee, A suite of 8 photographs documenting sugar cane farming in Louisiana, 1938.Joe Jones, Missouri Wheat Farmers, 1938.Russell Lee, Sugar Cane Worker in Louisiana * Doll Buggy on farm near Northome, Minnesota, CircaMarion Post Wolcott, Migrant vegetable pickers lined up behind truck in field to be paid off. NearMarion Post Wolcott, Young cotton pickers waiting in plantation store to be paid-off, Mileston,John S. De Martelly, Looking at the Sunshine, 1939.John Vachon, Ozark Mountain Farmer and Family, Missouri, May 1940; printed 1950s.Thomas Hart Benton, Instruction, 1940.Merritt Mauzey, Molten Skies, circa 1943.Leonard Pytlak, Untitled (Winter Farm Scene), circa 1941.Jack Delano, Negro tenant farmer couple living in an old mansion in southern Greene County, Georgia,Georges Schreiber, Rain, 1942.Louis Slobodkin, Mormon Couple, circa 1940s.Louis Slobodkin, Farm Couple, circa 1940s.John Steuart Curry, Sanctuary, 1944.Harry Gottlieb, Untitled (Field Workers).Thomas Hart Benton, The Boy, 1948.Lewis W. Hine, A selection of 16 photographs from the Tennessee Valley Authority documentingArthur Rothstein, Group of three photographs depicting rural America, 1935-42.Ben Shahn, The Home of a Family in the Negro Quarter, Natchez, Mississippi, October 1935.Walker Evans, Washroom and dining area of Floyd Burroughs' home, Hale County, Alabama. Summer 1936,Margaret Bourke-White, Lansdale, Arkansas, 1937.Arthur Rothstein, Girl at Gee's Bend, Alabama, 1937; printed circa 1980.Mabel Dwight, Lonely House, 1938.Ada V. Gabriel, Tree-lined Road, circa 1935.Dox Thrash, Mount Zion, circa 1939-41.Joseph Solman, Untitled (Rural House with Sign), circa 1940.Beatrice Mandelman, The White Church, circa 1941.Howard Cook, Greetings from the House of Weyhe, 1929.Todros Geller, Towers, 1932.James Penney, Crosstown Street - Trucks in the Rain, 1935.Fritz Eichenberg, City Lights, 1934.Mortimer Borne, L Fulton Street, circa 1935.Ruth Chaney, Elevated, circa 1935.Samuel Margolies, Fifty-Ninth and Fifth, 1936.Adolf Dehn, Lower Manhattan, 1936.Berenice Abbott, Cropsey Avenue #2442, Brooklyn, NY, October 1936.Ruth Chaney, Modern Ruins, circa 1936-38.Beulah Stevenson, Brooklyn, NY, circa 1938.Leon Bibel, Upper Harlem River.Jules Halfant, Harlem Shop, 1937.Charles Frederick Surendorf, Russian Town - San Francisco, 1937.Berenice Abbott, Grand Street, 605 to 609, Manhattan, April 1937.Leon Bibel, Railway Station, 1938.Mortimer Borne, East 42nd Street, 1938.Albert Gold, Sunday Trolley, circa 1940.Daniel Ralph Celentano, 125th Street, circa 1940.Erle Loran, San Francisco Bay, 1940.Armin Landeck, West 41st Street, NY, circa 1940.Gerardo Belfiore, Southbound, circa 1935.Leon Bibel, Archway, 1939.Anthony Velonis, Side Street, circa 1939.Beatrice Mandelman, Rockport, Mass, 1938.Albert Pels, Children Playing Soldiers (Boom, Boom, Your Dead), 1948.Philip Reisman, A Pair of Watercolors.Stuyvesant Van Veen, New York Police Headquarters, 1963.Daniel Ralph Celentano, Untitled (Strike Breakers), circa 1934.Leonard Pytlak, 14th Street - May Day, circa 1934.Don Freeman, (1908-1978), To See the Mayor, 1937.Designer Unknown, The State Forests / Pennsylvania, 1930s.Richard H. Jansen, Resettlement Administration / Rural Slums on Worn Out Land, circa 1935.Ben Shahn, Warning! / Inflation Means Depression, 1946.Lester Thomas Beall, Cross Out Slums, 1941.Lester Thomas Beall, Slums Breed Crime, 1941.Arthur Rothstein, Rally for the Townsend Plan, Kansas, 1936, (printed circa 1980).Charles Krutch, Downstream Face of the Wheeler Dam * Tennessee Valley Authority (TVA) FertilizerCharles Krutch, Generator Hall of the Tennessee Valley Authority's Pickwick Landing Dam on theAn archive of more than 150 photographs documenting construction of the Grand Coulee Dam, 1934-45.Harry Sternberg, Construction, 1932.Seymour Fogel, Untitled, (Industry), circa 1930s.Harry Gottlieb, Coal Mine Country, circa 1935.Harry Francis Mack, Night Work, circa 1935.Harry Francis Mack, 6th Avenue Subway (Ground Hogs), circa 1935-39.Charles Turzak, South of the Loop, circa 1934.Daniel Ralph Celentano, Two drawings of New York Scenes, circa 1935.Walker Evans, Mining Town, West Virginia, 1936; printed circa 1960.Harry Gottlieb, Abandoned Coal Mine, 1936.Blanche Grambs, Coal Breaker, circa 1936.Aaron J Goodelman, Untitled, 1954.Samuel Margolies, Idle Colossus, circa 1935-39.Harry Sternberg, Blast Furnace #1, 1937.Charles Keller, Open Cut - 6th Avenue Subway, 1937.Paul Landacre, Amateurs, 1937.Theo Hios, Brooklyn Bridge Workers, 1937.Leon Bibel, Descending, 1938.Paul R. Meltsner, Untitled (Worker).Joseph Vavak, Untitled (Resting Worker), 1939.Edward A. Wilson, Untitled (Pipeline Transport), 1941.Harold Faye, Going West, circa 1935.Louis Lozowick, Steel Valley, 1936.Louis Slobodkin, Worker with Rail, circa 1938.Hananiah Harari, Railroad Signals, 1939.William Gropper, Kilday, Hobbs, & Austin-Wadsworth bills, circa 1930.William Gropper, "Organize fight on unemployment," circa 1935.William Gropper, Car protestors with signs in Yiddish, circa 1935.Reginald Marsh, Café du Dôme, 1928.Lou Barlow, Bar and Grill, circa 1936.Peggy Bacon, Vanity, 1929.Hugo Ballin, Untitled.Walker Evans, Lunchroom Window on the Bowery, People's Restaurant, New York City, 1933-34; printedDon Freeman, Automat Aristocrat, 1934.Donato "Dan" Rico, Evening Meal, circa 1935.Louis Ribak, Dry Goods Depot, circa 1935.Isaac Soyer, Bacteriologist, circa 1936.Ben Shahn, Two men at a General Store, Arkansas, 1936.Blanche Grambs, Workers Homes, 1937-38.Will Barnet, Swing Shift, 1937.Russell Lee, Negro delivery boy, Caruthersville, Missouri, August 1938; printed circa 1970.Hansel Mieth, Workers Alliance Meeting, North Platte, Nebraska, circa 1938.Joe Jones, Luncheon, 1940.Will Barnet, Mary, 1938.Will Barnet, Mary, (Portrait of the Artist's First Wife), 1935.Raphael Soyer, Portrait of Moses Soyer.Moses Soyer, Woman in a White Blouse.Moses Soyer, Untitled (Couple at a Table).Gertrude Abrams Shibley, Untitled (Portrait of an African American Woman), circa early 1940s.Robert Philipp, Figure in Yellow Hat.Robert Brackman, Girl in Red Jacket.David Wu Ject-Key, Woman in Pink Blouse.Abraham Harriton, Portrait of the Artist at his Easel, 1944.Louis Slobodkin, Woman's Head, circa 1940.George Zachary Constant, Head.Josef Presser, Untitled (Three Works).Earl Cavis Kerkam, Self Portrait.Alexander Brook, Madelina, 1954.Dorothea Lange, Migrant Mother, Nipomo, California, 1936; printed 1970s.Chaim Gross, Forbidden Love, 1967.Reginald Marsh, Girl Walking (Elevated), 1945.Benjamin Kopman, Wounded Clown, 1945.Robert Philipp, Half Nude.Leon Bibel, Woman Writing, Artist Painting.Anatol Shulkin, Girl Reading Music with Cat, 1935.Albert Pels, At the Theater.Albert Pels, The Flirt.Abraham S. Baylinson, Nude in Interior, 1945.Hughie Lee-Smith, Untitled (Two Men Talking, With Caps), 1938.Will Barnet, Mother With Little Boys, 1942.Moses Soyer, Dancer in a Red Skirt.Benton Murdoch Spruance, The Lamentation, 1941.Stephen Greene, Untitled, (Prayers Wearing Tefillin), circa 1950.Howard Cook, Eagle Dance, 1942.Eugene Speicher, Repose.Robert Philipp, Untitled (Seated Nude).Alexander Brook, End of Summer, 1948.Robert Brackman, Bathers, 1936.Robert Brackman, Composition #11 (Two Figures), circa 1940.Robert Brackman, Study for Composition.Moses Soyer, Woman in Mirror.Robert Philipp, Untitled (Woman at Tea).Raphael Soyer, Untitled (Woman in a Blue Coat), circa 1940.Raphael Soyer, Bedtime, 1937.Kenneth Hayes Miller, Three Women, 1936.Arthur Rothstein, Sharecropper's Daughter, Wilmington, North Carolina, September 1935.Will Barnet, Untitled (Baby), circa 1950.Will Barnet, Untitled (Baby Eating), circa 1950.Robert Gwathmey, Non-Fiction, 1941.Arnold Blanch, Lynching, 1939.Seymour Fogel, Untitled, Down with Lynches and Hand Holding Lynched man, (Pair).Byron Browne, Artist and Model, 1958.Louis Slobodkin, The Russian Bather, circa 1940s.Louis Slobodkin, Male Figure.William Wallace Rosenbauer, Dancer, 1934.Karoly Fulop, Figure, circa 1940.Karoly Fulop, Figure, circa 1940.Seymour Fogel, Untitled, (Bedroom Chair).Marguerite Zorach, Cat and Flowers, 1929.Jack Markow, Still Life - Materials of War, 1935.Robert Philipp, Rochelle Reading.O. Louis Guglielmi, Gladioli in Vase.Yasuo Kuniyoshi, Peaches in Bowl and Wafers, 1928.William Samuel Schwartz, Lunch Room, 1929.Earl Cavis Kerkam, Still Life.Robert Brackman, Fruit.Henry Varnum Poor, Still Life, 1962.Eugene Speicher, Flowers in a Vase.Nicolai Cikovsky, Still Life with Banjo.Nicolai Cikovsky, White Roses.Nicolai Cikovsky, Untitled (Still Life).Emil Ganso, Still Life with Peaches, 1935.Theo Hios, Peonies, 1947.Jack Tworkov, Still Life.Herman Rose, Decorative Bouquet (Flowers), circa 1950.Herman Rose, Clay Jug and African Mask, circa 1970-75.Herman Rose, Apples and Cups, 1973.Remo Michael Farruggio, Untitled, Still Life, 1949.Hughie Lee-Smith, Landscape, circa 1939.Hughie Lee-Smith, Landscape, 1939.James Goodwin McManus, Landscapes (Pair), circa 1931.James Goodwin McManus, Untitled, Landscape, circa 1950.James Goodwin McManus, The West Branch, 1947.Beatrice Mandelman, Fall, circa 1935.Arnold Rönnebeck, Magic Peak, 1937.Gene Kloss, Tranquility of Winter, 1944.Albertus Eugene Jones, Sand Pit.Alexandre Hogue, Desert Glare, 1945.Nicolai Cikovsky, Untitled (Flower Garden).Hendrik Glintenkamp, Untitled (Fauvist Landscape), 1919.Louis Lozowick, Vacation Country, 1940.Hananiah Harari, House and Trees, 1938.Hananiah Harari, Cubist Figure, 1937.Hananiah Harari, Figures in Interior, 1938.Philip Howard Evergood (1901-1973), Harem Scene.Fred Becker, Lord, My Burden, 1935-40.Fred Becker, John Henry and the Witch Woman, 1935-40.Albert Abramovitz, Unseaworthy, 1936.Albert Abramovitz, Gone, 1935-43.James Michael Newell, Untitled, 1942.Louis Slobodkin, King David and Bathsheba, circa 1940s.Claire Millman Mahl, The Last Still Life, 1938.Rockwell Kent, Drifter, 1933.Rockwell Kent, Beowulf: Genealogical Tree, 1931.Suzanne Miller, Apocalypse, 1938.Paul Landacre, Forest Girl, 1933.Ben-Zion, Acrobats and the Moon, 1934.Arthur Osver, The Yards, 1951.Will Barnet, Strange Bird, 1947.Phil Bard, First Snow, 1939.Charles Turzak, The Kiss, 1932.Emlen Pope Etting, Jr., Aegean Odyssey.Remo Michael Farruggio, Color Game.Catalogues and photos of the work of artist Claire Mahl Moore.Florian Durzynski, Untitled (Mural Study), 1936.Esphyr Slobodkina, Drawing for Mural Sketch #1 and #2, circa 1938.Hananiah Harari, Revised Sketch for WPA Mural Study (New York Harbor), 1937.Hananiah Harari, Revised Sketch for WPA Mural Study (Up & Downtown), 1938.Hananiah Harari, Revised Sketch for WPA Mural Study (The Village), 1937Hananiah Harari, Revised Sketch for WPA Mural Study (The City of New York), 1938.James Michael Newell, Mural Study.Joseph Biel, Fishermen.Philip Bard, Off the Docks, circa 1939.Saul Raskin, Mending Nets, circa 1935.Leon Bibel, Net Menders, 1938.Russell Lee, Salmon Fishing, Calilo Falls, Oregon, 1941; printed 1970s.Erle Loran, Noyo Beach, 1948.John McCrady, The Robert E. Lee and the Natchez, 1945.Herman Volz, Pier 39, 1940.Marion Post Wolcott, Spending cotton picking money on Saturday nite, gambling near Clarksdale,Jack Delano, A young family wonder in which direction they should go at the Vermont County Fair;Philip Reisman, Juggler and Magician, 1942.Angelo Pinto, Shooting Gallery, circa 1936.Karl R. Free, Circus Scene, Princess Lalla, 1926.Reginald Marsh, Drum Majorette, 1940.Yasuo Kuniyoshi, Circus Performer Balanced on a Ball, 1930.Mabel Dwight, Circus, 1930.Boris Gorelick, Circus, circa 1936.Ann Nooney, Amusement Park, 1935-42.Lloyd Lozes Goff, Untitled (Coney Island), 1937.Leon Bibel, At the Movies (Movie Theatre), 1938.Marion Greenwood, Works on Paper, (Pair), circa 1959.Philip Reisman, God's Puppet, 1981.Gertrude Abrams Shibley, Musicians, circa 1950.Fred Becker, Jam Session, 1937.Peggy Bacon, Dance at the League, 1919.Thomas Hart Benton, The Music Lesson, 1943.Don Freeman, (1908-1978), Saturday Night., Lithograph, 1934., Image: 9 1/2 x 12 1/4 in. (24.1 x 31.1Sam Swerdloff, Swingband, circa 1938.Carl Hoeckner, Jazz Age, circa 1935.Martin Rosenthal, Circus Performers.Letterio Calapai, 11:45 P.M., 1947.William Sanger, World's Fair Panorama, 1938.Jerome Myers, The Three Mothers.Adolf Dehn, Afternoon in Central Park, 1936.David Feinstein, Reference Room, circa 1935-43.Paul Cadmus, Polo Spill (Aspects of Suburban Life), 1938.Richard V. Correll, Overweights, circa 1939.Joseph Vogel, Basketball, circa 1935.Ches Cobb, Production Lines are Battle Lines, Circa 1942.Dodge, Manchester Public Forums, circa 1940.William Gropper, Raised fists against Hitler, circa 1940.William Gropper, Hitler hit from the West, East, and South, circa 1935.William Gropper, Hitler's hand pinched with pliers, circa 1940.William Gropper, Soldier chase, circa 1940.BERNARD KARFIOL (1886 - 1952) After the Bath.Don Freemen, Three Works on Paper.

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