Art, Subculture & LGBTQ+ History

online only auction | 1 day sale | 4 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Feb 5
12pm

Sale Ends

Thu
Feb 5

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

We’re excited to introduce a new sale, Art, Subculture, & LGBTQ+ History to the Swann Calendar this season. The sale offers a material-culture-focused view of twentieth century subversion in art, politics, and the queer community. Fine Art highlights include a kaleidoscopic tarot painting by Dutch artist Marijke Koger of The Fool Collective, known for her frequent work with the Beatles in their Sgt. Pepper era, a scarce collection of 22 screen-prints from Gordon Matta-Clark's 1972 installation Walls Paper, and a strong selection of photography from powerhouses including David Wojnarowicz, Katsumi Watanabe, and George Platt Lynes. Collectors of political material will find an array of anti-war ephemera from 1960s protest movements and fans of the Beats will find scarce offerings, including a collection of silkscreened posters advertising Hunter Thompson’s run for sheriff in Colorado, and selections of ephemera inscribed by William Burroughs.
Portrait of the dancer, artist, and eventual gay icon Paul Swan (1883-1972) in costume. 1926.Jared French, Untitled (Seated naked man and naked woman). Circa 1920s.Jared French, Untitled (Seated male nude). 1931.Jared French, Untitled (Portrait of a Man). 1937.Various Designers, Bachelor. The first six issues of an early "queer-coded" mass-market magazine.Jared French (PaJaMa), Paul Cadmus. 1937.Jared French (PaJaMa), Jose Martinez, Fire Island. 1939.George Platt Lynes, Jared French in his studio. 1949.Avel De Knight, Untitled (Four Drawings). Each circa 1940s.Avel De Knight, Untitled (Four Drawings). Each circa 1940s.Avel De Knight, Four Drawings. Each circa 1940s.Bernard Perlin, Untitled. 1942.Bernard Perlin, Untitled (Self Portrait). circa 1940s.Perry Davis, Rehearsal. Circa 1940s.Carl Van Vechten, Portrait of Christopher Isherwood. Circa 1940s.Carl Van Vechten, Portrait of Alice B. Toklas with Her Dog in Paris. October 7, 1949.Cecil Beaton, Self portrait on the set of My Fair Lady. 1963; printed 1970s.George Platt Lynes, Wilbur "Billy" Pippin. Circa 1951.George Platt Lynes, Alexander Jensen Yow on Bed. Circa 1952.Theodore "Teddy" Haseltine, The Kingdom is There for the Will of the People. Circa 1952.John B. Lear Jr., Untitled (Nude Sketch). 1959.John B. Lear Jr., Otter. 1983.Bob Mizer, Ted Bentley & Dick Kreutel * Roy Webb & Robert Jackson * Gene Wilkinson. Circa 1950s;Bruce Bellas (Bruce of LA), A collection of 39 Bruce of LA male physique "beefcake" photographs.Pierre Molinier, Autoportrait aux bas (Self-portrait with stockings). Circa 1960.Loomis Dean, Man Ray and Allen Ginsberg at the English Bookshop, Paris. 1961.Jack Smith, The Beautiful Book. Circa 1960.Andy Warhol, Flowers. 1964.Bob Adelman, Andy Warhol on the Fire Escape of the Factory. 1965; printed 2008.Bob Adelman, Andy Warhol in the silvered bathroom at the Factory. 1965; printed 2008.Andy Warhol, Cow. 1970.Andy Warhol, The Velvet Underground & Nico. 1973.Lou Reed, Two long playing record covers, each Signed and Inscribed, "To Steve"JnJnJ Design, Manhattan Video Photo Project. 1984.Designer Unknown, Bob Dylan in His First New York Concert.. Program. 1961.Designer Unknown, A Hard Day's Night. 1964.Designer Unknown, New Orleans' 1st International Jazz Festival. 1968.Designer Unknown, James Brown / "A show for the entire family". 1969.The Religious Significance of LSD, broadside for a panel featuring Dr. Richard Alpert (Ram Dass).Official program for the Woodstock festival, with two related underground newspapers. 1969.Elliott Landy, A trio of photographs documenting the seminal Woodstock Festival. 1969.Marijke Koger, Major Arcanum. Enamel on board. 1972.Whistl'n Dixie, Two promotional brochures for Atlanta graphics design firm. 1969, 1974.Brooke, Blues & Folk Marathon. 1971.Designer Unknown, The World Surrealist Exhibition Blues Show! 1976.Amazingrace Coffeehouse, Group of 11 posters advertising programming at the coffeehouse and musicAnnie Elliot, Jefferson Airplane / Hot Tuna / Leo Kottke. 1971.John Moore, The Ohio University Music Festival. 1973.Designer Unknown, Train Now, Campaign '68.Group of protest and political literature. Circa 1970s.Group of conscientious objector, SDS, and related fliers collected or created by a University ofNational Interreligious Service Board for Conscientious Objectors. Amnesty Education Packet. 1970s.Clergy and Laymen Concerned About Vietnam, Group of two posters. Circa 1970.Hand-Drawn Protest Shirt. Circa 1970.Designer Unknown, Student Protests. Group of three posters and two pieces of ephemera.Mario Díaz and Manuel Cabieses, Punto Final. Seven editions of the Chilean political magazine.Designer Unknown, Federacion de Estudiantes de Concepcion. Group of four Chilean protest posters.Thomas W. Benton, Thompson for Sheriff / Aspen, Colorado. 1970.Thomas W. Benton, Thompson for Sheriff / Aspen, Colorado. Group of 10 practice proofs. 1970.Thomas W. Benton, Gonzo. Two silkscreen posters. 1971.Designer Unknown, Did you ever want to kill your boss? (2) Circa 1977.Josh Gosfield, Censorship is UnAmerican. 1990.Yoko Ono & John Lennon, War is Over! / If you want it. 1969.Yoko Ono and John Lennon, This Is Not Here. 1971.Eileen Boxer, Group of Ubu Gallery mail art invitations. 1995-98.George Maciunas, Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic,Peter Moore, Charlotte Moorman performing Wolf Vostell’s Morning Glory. September 9, 1966;Katsumi Watanabe, A selection of 8 portraits taken in the Shinjuku district of Tokyo. 1965-69.JEB (Joan E. Biren), Four Feminists, NYC (Ti-Grace Atkinson, Florynce "Flo" Kennedy, Gloria Steinem,Gordon Matta-Clark, Walls Paper (Group of 22 screen-prints). 1972.JEB (Joan E. Biren), Commie Dykes, Washington D.C. 1987; printed 2025.Creating an Aesthetic for the Female Genitals and "Festival of Lithographs and Altarpieces". TwoPaul Stinson, Group of 2 Fantasy illustrations. 1975.Le Guide Gris, 1965.Two editions of the International Guild Guide. 1967 and 1970.Come Out: A Liberation Forum for the Gay Community, three original issues. 1970-1971.Mick Rock, Rocky Horror - The Transylvanians. 1974.Tom Jung, Star Wars. 1977.Berry Horton, Untitled. Circa 1970s.Victor Hugo, Black Series: I-IV. 1976.Victor Hugo, Two Drawings (Untitled & Martin Cock alias Chad Douglas). 1978.Max's Kansas City, Wayne County and the Back Street Boys. Two Flyers. 1976.Leee Black Childers, Max's Easter Rock Festival. 1976.Dirk Rowntree, Maquette for Hot Lunch flyer. 1977.Meat Loaf, Photograph Signed and Inscribed, "Let me sleep on it / Meat / Loaf,"Various Designers, The Police. Three posters. 1978.The Police, Remo 14" Weather King Ambassador Batter drumhead Signed, by each member of the band,Designer Unknown, CBGB / Best New, New Wave. 1978.Designer Unknown, The Specials / New Album. Two copies. 1979.Barney Bubbles (Colin Fulcher), Elvis Costello. Two Posters. 1979-1980.The Ramones Radio Sampler: Music From the Original Motion Picture Sound Track of Rock 'N Roll HighDeadline Advertising and Design, The Clash / Bond International Casino. 1981.Various Designers, The Young Hegelians / CBGB. 1983.The Cramps, "Smell of Female" silkscreen tour poster. 1984.Various Designers, Richard Lloyd. Group of three posters., Screenprint and offset lithographPatti Smith, Four items, each Signed, "pattismith": Printed poem entitled "ps/alm 23 revisited" *Tara Collins and David King, Danceteria [Opening Night] (4) and The Artists and Models Ball. 1979.Unknown Artist, R.E.M. at Danceteria, Printer's proof. 1982.Designer Unknown, Two flyers for opening night at Danceteria. 1982.Various Designers, Danceteria. Group of 4 posters. Circa 1982.Designer Unknown, Danceteria. Two posters. 1982.John Sex, Two posters from Garden of Fuzz. 1982.Tseng Kwon Chi, In Person! John Sex and the Pooh Poo's. Circa 1980s.Various Designers, [Underground Music, Art and Theatre in NYC.] Group of 9 offset lithographLawrence Charles Weiner, New Order. 1983.U2 War Long playing record cover, Signed by Bono, The Edge, and Adam Clayton ("AClayton")East Village Eye. 1985-1987.Various Designers "The Saint at Large." Large group of posters and circulars from the famed New YorkTwo binders of Madonna fan letters from the early 1990s.JEB (Joan E. Biren), Grace Jones, Washington D.C. 1978; printed 2025.Jerry Dreva, Self Portrait. Photographs on illustration board. 1981.Klaus Nomi, Press Photograph Signed and Inscribed, "All My Love". 1983.Dirk Rowntree, David Wojnarowicz at Window with Camera. 1977; printed 2025.Dirk Rowntree, Peter Hujar with Light Meter at Pier 34 * Peter Hujar's Camera at Pier 34. 1983;David Wojnarowicz, Group of three photos of Jesse Hultberg taken during the filming of BeautifulRobert Giard, Man in His Bathroom. 1978.Robert Giard, Male Nude, Rearview, Wicker Torso. 1990.George Dureau, Wing Ding at the Mantle. 1978.George Dureau, Raymond Maxwell Hall. Circa 1979.Constantine Manos, Spring Break, Daytona Beach, Fl. 1981.Karl Bissinger, Untitled (Two Drawings). Circa 1980s.Luis Frangella, Untitled (Portrait of John Duffy). Circa 1980s.Jenny Potter, Three photographs of Quentin Crisp. Circa 1980s.Barton Lidicé Beneš, Holy. 1980.Kenneth Hunt Goodman, Untitled. 1981Andy Warhol (After), Querelle. 1982.Bruce Weber, Calvin Klein on O'Keeffe's Bed. 1983.An album of approximately 147 bodybuilding competition snapshots. May 1981.Jim French (Colt Studio), An archive of 20 sets of male physique images. Circa 1970-80s.Jim French, John Pruitt, Bow and Arrow. 1984; printed 1990s.Jim French, John Pruitt, Studio. 1984.Designer Unknown, The Difference is Consent. (2 copies) Circa 1980.Bruce Rapp, Mr. Silverlake Leather. 1984.Bruce Rapp, Boot. 1986.Michael Halsband, Warhol - Basquiat / Paintings. 1985.Keith Haring, Keith Haring / Shafrazi Gallery. Two offset posters. 1984-1988.Keith Haring, Three works from the Keith Haring at Tony Shafrazi Gallery Catalog. 1982.Keith Haring, Keith Haring: Tony Shafrazi Gallery exhibition catalogue. 1982.Keith Haring, "Party of Life" invitation. 1984.Keith Haring & Sean Kalish, Untitled. 1989.Keith Haring, [Keith Haring Merchandise] Group of pins, badges, and patches from the Pop Shop.Keith Haring & William S. Burroughs, Apocalypse. 1988.Keith Haring (after), Invitation to the memorial tribute honoring Haring, featuring his artwork.John Lotte, And That's How The Rent Gets Paid. Offset lithograph poster. 1984.Carl Apfelschnitt, 1984 NYC (Tree of Life). 1985.Carl Apfelschnitt, Nero 1984 (Devil). 1985.Carl Apfelschnitt, NYC 1982 (Mummy). 1985.Herb Ritts, Veiled Torso - Close up, Los Angles, CA. 1985.Christian Thompson, Windswept, Ventura * Half Draped Torso. 1989.Michael James O'Brien, Gilbert & George, London. 1987.Duane Michals, Narcissus, a suite of 5 photographs. 1985.Silence=Death Collective, Silence=Death. 1987.ACT UP T-shirt signed by activist Larry Kramer.ACT UP is Watching T-shirt. 1990.Me Company, The Act Up Revue / Jimmy Somerville Live. 1990.William S. Burroughs, Group of 7 books, each Signed and Inscribed, to George Kaull or Audrey Leamon.(William S. Burroughs.) Group of ephemera, including 7 items Signed by Burroughs, two t-shirts withWilliam S. Burroughs, Painting on PVC pipe. Circa 1992.Richard Bernstein, Woman with Hat. 1993.Blake Little, Nude with mask. 1990.Felix Gonzalez-Torres, Untitled. 1989-90.Felix Gonzalez-Torres, Untitled" (Girlfriend in a Coma). 1990.Felix Gonzalez-Torres, 1957-1996, "Untitled" (Double Portrait)., Print on paper, 1991., 39.32 x 27Felix Gonzalez-Torres, "Untitled". 1991.Felix Gonzalez-Torres, "Untitled" (Ross in L.A.). 1991.Felix Gonzalez-Torres, "Untitled" (NRA). 1991.Vincent Cianni, Couple, Christopher Street Piers, NYC, NY. Circa 1992.Vincent Cianni, Chris on Boulder. 1995.John Patrick Dugdale, Carlos and Darrell, N.Y.C. 1993.Reed Massengill, Jonathan. 1993.Designer Unknown, Nirvana / Rock for Choice. 1991.Mother Love Bone with Alice in Chains Flyers, Orange and Yellow. 1989.Mother Love Bone with Alice in Chains Flyers, Green and White. 1989.Ames Brothers, Pearl Jam. 1995.Nirvana. Nevermind, vinyl long playing record and cover sealed in original packaging. 1996Run of programs for the annual Wigstock drag festivals from 1990 to 1995.Richard Morrison, Untitled (Lingum Series). Circa 1990s.Richard Morrison, Untitled (Lingum Series). Circa 1990s.Joseph Holtzman, editor., Nest: A Quarterly of Interiors. 1997-2004.Glen Hanson and Allan Neuwirth, Chelsea Boys #5, I'm Soiree, Baby! 1998.Glen Hanson and Allan Neuwirth, Chelsea Boys #6 - The Roomies at Dinner. 1998.Glen Hanson and Allan Neuwirth, Chelsea Boys #10 - Nathan and Richard at the Piers. 1998.Pedro Palanca, Untitled (Action Man and Surfer). 1998.Alice O'Malley, DanceNoise @ Mother. 1999; printed 2009.Red Hot Chili Peppers, Poster Signed by Chad Smith, Anthony Kiedis, Flea ("Love, / FLEA / [smallBanksy, Blur "Think Tank". 2003.Armando Alleyne, 1959, Rice Noodles & Green Tea #2. 2004.Jonathan Ned Katz, Untitled (Nude Portrait). Circa 2011.Nicole Eisenman, I'm with Stupid. 2016.Renee Cox, Untitled. 2014.Renee Cox, Reginald Barnes. 2014.

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