19th & 20th Century Art

online only auction | 1 day sale | 8 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Mar 12
12pm

Sale Ends

Thu
Mar 12

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

An eclectic blend of interesting European, American and Latin American paintings, prints and drawings inlcudes the charming "Beach Scene" by the Impressionist Ruth Alice Temple Anderson, leading American Impressionists, while Modernists are represented by works such as Herman Maril's "Patterns." The sale includes several beautiful landscapes, including two watercolors by the British artist Edward James, known for his scenes of Bermuda in the mid-nineteenth century. Paul Signac's lovely "Pont Royal – Matin lilas" depicts a morning along the Seine, while Lyonel Feininger's "The Golden Gate" illustrates a quiet moment along the strait in San Francisco. Important and painterly prints are also included in the sale, including Kees van Dongen's portrait "Le Collier de Perles" and color pochoirs from Pablo Picasso's "Dix Pochoirs" portfolio.
Honoré Daumier (1808-1879), Le Ventre Législatif, 1834.Honoré Daumier (1808-1879), Deux têtes.Théodore Géricault (1791-1824), Two lithographs.Eugène Delacroix (1798-1863), Two prints.Rosa Bonheur (1822-1899), Enfant et la chat.Édouard Louis Dubufe (1819-1883), Portrait d'un frère et d'une sœur, 1857.François Bonvin (1817-1887), Femme à la perle en toilette, 1858.Jean-François Millet (1814-1875), Les Glaneuses, 1855-56.Jean-Baptiste-Camille Corot (1796-1875), La Jeune Fille et la Mort, 1854.Jean-Baptiste-Camille Corot (1796-1875), Vénus coupant les Ailes de l'Amour, 1869-70.Charles-Émile Jacque (1813-1894), Paysanne.Johann Georg Meyer von Bremen (1813-1886), Zwei Mädchen am Bach, 1845.Edward James (1820-1877), Schooner Laura A. Dodd entering Georgetown, Bermuda, June 12, 1869.Edward James (1820-1877), Clipper Ship.Ernest Higgins Rigg (1868-1947), Mending Boats.Sidney Richard Percy (1821-1886), View Near Dolgellau, North Wales, 1862.Warren W. Sheppard (1858-1937), Moonlit Ship, 1881.Samuel Colman (1832-1920), Landscape, Sunset.Arthur Parton (1842-1914), Cows by a Stream.Arthur Parton (1842-1914), River Scene, 1878.Edmund Darch Lewis (1835-1910), Seascape, circa 1900.William Merritt Post (1856-1935), The Waning Day.James Abbott McNeill Whistler, (1834-1903), Reading by Lamplight, 1859.James Abbott McNeill Whistler (1834-1903), En Plein Soleil, 1858.James Abbott McNeill Whistler, (1834-1903), The Pool, 1859.James Abbott McNeill Whistler, (1834-1903), The Long Gallery, Louvre, 1894.James Jacques Tissot (1836-1902), Le Banc de jardin, 1883.James Jacques Tissot (1836-1902), Octobre, 1878.Jean-Léon Gérôme (1824-1904), Veritas, 1884.Mary Cassatt (1844-1926), Picking Daisies in a Field, circa 1893.Eugène Delâtre (1864-1938), Tête de la Parisienne, 1893.Pierre-Auguste Renoir (1841-1919), Baigneuse assise, circa 1897.Pierre-Auguste Renoir (1841-1919), Femme coucheé (tournée à gauche), 1906.Paul Signac (1863-1935), Le Soir, 1898.Camille Pissarro (1830-1903), Les Faneuses, 1890.Pierre-Auguste Renoir (1841-1919) La Danse à la Campagne, 1890.Eugène Delâtre (1864-1938), Ferme au Coucher du Soleil, circa 1898.Claude Monet (1840-1926) & George W. Thornley (1857-1935), Trois Barques sur la Grève.Edgar Degas (1834-1917) & George W. Thornley (1857-1935), L'Attente de la Chanteuse.Maurice Delcourt (1877-1917), La Coiffure, 1899.Henri-Edmond Cross (1856-1910), Forêt au bord d'un ruisseau.Camille Pissarro (1830-1903), Rue Saint-Romain, à Rouen, 3e planche, 1896.Henri de Toulouse-Lautrec (1864-1901), Ta Bouche, 1893.Henri de Toulouse-Lautrec (1864-1901), Yvette Guilbert, 'A Ménilmontant,' de Bruant.Paul Gauguin (1848-1903), La Orana Maria, 1894-95.Paul Signac (1863-1935), Pont Royal - Matin lilas, 1910.Anders Zorn (1860-1920), Zorn and his Wife, 1890.Anders Zorn (1860-1920), A Toast II, 1893.Adolphe Marie Beaufrère (1876-1960), Petite bretonne, circa 1904.Louis Valtat (1869-1952), Nu debout, 1903-05.Louis Valtat (1869-1952), Baigneuse.Theophile-Alexandre Steinlen (1859-1923), L'Été, 1909.Kees van Dongen, (1877-1968), Le Marché aux Chevaux, circa 1902.Henri Gaudier Brzeska (1891-1915), Study for a Sculpture: Nude with Cat on Shoulder.Marie Laurencin (1883-1956), Jeune fille au violon, circa 1913.Marie Laurencin (1883-1956), Une favorite enfant.Marie Laurencin (1883-1956), Les Robinsonnes or La Barque, 1911.Henri Lebasque (1865-1937), Mère et enfant.Henri Lebasque (1865-1937), Femme nue couchée.Louis Marie Lemaire (1824-1910), Fleurs fraîchement cueillies.Jean-Francois Raffaëlli (1850-1924), La Neige, 1906.Jean-Francois Raffaëlli (1850-1924), Notre-Dame de Paris, 1904.Léon Augustin Lhermitte (1844-1925), Les laveuses de la Marne, circa 1910-12.Gaston Latouche (1854-1913), Le Jet d'eau de Versailles.Max Liebermann (1847-1935), Bij de Hoefsmid (At the Blacksmith).Lovis Corinth (1858-1925), Selbstbildnis, 1920.John Henry Twachtman (1853-1902), Windy Day, circa 1888-89.Louis Eilshemius (1864-1941), Branch with Ribbon, Leaves and Berries, 1877.Louis Eilshemius (1864-1941), Two Nudes in a Glade, circa 1895.Hayley Lever (1876-1958), Buckingham Palace, London, 1902.Hayley Lever (1876-1958), Harbor.Hayley Lever (1876-1958), Clam Morning.Paul Cornoyer (1864-1923), New England Town, 1904.Leon Kroll (1884-1974), Sunlight on the Coast, 1905.Hamilton Hamilton (1847-1928), Blooming Trees in a Clearing.Hiroshi Yoshida (1876-1950), Wisteria Trees, Japan, 1902.Ivan Gregorewitch Olinsky (1878-1962), Portrait of a Girl in Japanese Dress (Triptych), 1899.Franz Bischoff (1864-1929), Stock, 1906.Childe Hassam (1859-1935), The Chase House (Annapolis), 1929.Joseph Pennell (1857-1926), Morning, Martigue.Maurice Sterne (1878-1957), Bali Woman with Twins, circa 1913.Robert Henri (1865-1929), Sketch of a seated model.Maurice Sterne (1878-1957), Portrait of Mabel Dodge, circa 1915.Kimon Nicolaïdes (1892-1938), Lament.Kimon Nicolaïdes (1892-1938), Sketchbook with drawings.Arthur Bowen Davies (1862-1928), Sketch of Model.Louis Eilshemius (1864-1941), Mountain Lake, circa 1900.Bryant Chapin (1859-1927), Apples, 1912.Gustave Baumann (1881-1971) The Town Gossips, 1910.Margaret Patterson (1867-1950) The Swan, circa 1914.Henrietta Dean Lang (1876-1940), Pelicans In Belle Isle.Jane Berry Judson (1865-1935), Reflections.Jane Berry Judson (1865-1935), Our Village Street.Alfred Heber Hutty (1877-1954), Early Snow, circa 1920.Carl William Peters (1897-1980), Winter Church Scene.Aldro Thompson Hibbard (1886-1972), Vermont Mountain Range.Arthur Bowen Davies (1862-1928), Red House.Arthur Bowen Davies (1862-1928), Landscape with Distant Town.Kimon Nicolaïdes (1892-1938), Park Landscape, circa 1920.William S. Rice (1873-1963), Magnolia Bud, circa 1925.George Gardner Symons (1861-1930), Birch Trees Along a Stream, circa 1920.Manuel Valencia (1856-1935), California Scene.Gordon Hope Grant (1875-1962), Wind and Tide, circa 1935.Emil Kosa, Jr. (1903-1968), Sherwood Lake.Leon Kelly (1901-1982), Le couple sur un allée, circa 1925.Beulah Stevenson (1890-1965), Locronan Village, Brittany, circa 1926.Harry Gottlieb (1895-1992), Isle de St. Louis, 1927.Francis Hopkinson Smith (1838-1915), Canal with Boats and Baskets.Arthur Bowen Davies (1862-1928), Landscape Study, Tarquinia, circa 1925.William Spratling (1900-1967), Two pencil drawings from Mexico, 1928.Kimon Nicolaïdes (1892-1938), Model Standing at a Chair.Louis Eilshemius (1864-1941), Mountain Landscape, 1916.Arthur Bowen Davies (1862-1928), Evening- The Bay.Kimon Nicolaïdes (1892-1938), Dark Apples, circa 1930.Luigi Rist (1888-1959) Pears, 1948.Luigi Rist (1888-1959) Scallions, circa 1946.Abraham Walkowitz (1878-1965), Three watercolors of Isadora Duncan., Watercolor, ink and pencil onPeggy Bacon (1895-1987), Promenade Deck,1920.Rockwell Kent (1882-1971), Sketch for Black Jack Chewing Gum, circa 1917.Rockwell Kent (1882-1971), The Quadrant (for Moby Dick), 1927-29.Oscar Bluemner (1867-1938), Between High Buildings, Newark, 1917.Martin Lewis (1881-1962), Above the Yards, Weehawken, 1918.Margaret Lowengrund (1902-1957), Three drawings of New York life, circa 1920.Margaret Lowengrund (1902-1957), Three drawings of New York landmarks, circa 1920.Samuel Halpert (1884-1930), Bridge (Huddlestone Arch, Central Park), circa 1920.Martin Lewis (1881-1962), Study for "Shadow Dance," circa 1930.William Giles (1872-1939), When Winter Wanes, circa 1923.William Giles (1872-1939), Sic Transit Gloria Mundi (Thus Passes the Glory of the World), circaWilliam Zorach (1889-1966), The Creek.Adolphe Marie Beaufrère (1876-1960), Kérandouaré (Bretagne), 1920.Emil Orlik (1870-1932), Vase with Roses, 1919.Natalia Goncharova (1881-1962), Costume design for 'Liturgie': St. Mare, circa 1915.Leo Gestel (1881-1941), Village Landscape, 1923.Gabriel Spat (1890-1967), Portrait de Famille.Auguste Chabaud (1882-1955), Chemineaux Sur le Pont.André Lhote (1885-1962), Lounging Nude, circa 1920.Jacques Villon (1875-1963), Autores de premiers circuits d'aviation, 1937.Pablo Picasso (After), Guitare et partition sur guéridon, circa 1920.,Pablo Picasso (After), Guitare et partition, circa 1920.Edgar Scauflaire (1893-1960), Le carré de chocolat.Portfolio Suite de Seize Lithographies pour Mémoires d'un touriste de Stendhal.Albert Marquet (after), Port de Marseille, 1923-24.Maurice de Vlaminck (After), Paysage.Jean Dufy (1888-1964), Paysage rural.Pablo Picasso (After), Maternité, 1930.Charles Camoin (1879-1965), Nature morte aux fleurs.Kees van Dongen (1877-1968), Le Collier de Perles, 1924.Georges Rouault (1871-1958), Pierrot, 1935.Georges Rouault (1871-1958), Nu de profil, 1936.Henri Matisse (1869-1954), Nu au Bracelet, 1940.Georges Braque (After), Intérieur à la table noir, 1949.Georges Braque (After), La Nappe Jaune, circa 1960.Léonard Tsuguharu Foujita (1886-1968), Nu Assis, 1930.Albert Gleizes (1881-1953), Untitled.Albert Gleizes (1881-1953), Untitled.Elie Nadelman (1882-1946), Female Head, 1920.Elie Nadelman (1882-1946), Standing Nude Figure.Elie Nadelman (1882-1946), High Kicker, 1951.Lyonel Feininger (1871-1956), The Golden Gate.John Sloan (1871-1951), Nude on Posing Stand, 1931.John Sloan (1871-1951), Reclining Nude Reading, 1945.Nils Gren (1893-1940), Margaret, 1932.William Gropper (1897-1977), Despair.Jared French (1905-1988), Study for "Cavalrymen Crossing a River," circa 1939.Jared French (1905-1988), Figure study for "Cavalrymen Crossing a River," circa 1939.Margaret Hoening French (1906-1998), Narcissus, circa 1938.Reginald Marsh (1898-1954), Fan Dance at Jimmy Kelly's.Reginald Marsh (1898 - 1954), Tugboat, 1948.Reginald Marsh (1898-1954), Manhattan Skyline.Adolf Dehn (1895-1968), Central Park Winter, 1965.Antonio Frasconi (1919-2013), Fulton Fish Market, 1952.Lena Gurr (1897-1992), Flowers, circa 1945.Lena Gurr (1897-1992), Wooded Landscape.Ruth A. Anderson (1891-1957), Beach Scene, circa 1920.Theodore Van Soelen (1890-1964), New England.Adolf Dehn (1895-1968), The Apple Orchard.Lawrence Mazzanovich (1872-1959), Cottage, North Carolina.Lawrence Mazzanovich (1872-1959), Autumn Landscape, North Carolina.John R. Grabach (1886-1981), View Above the Rooftops, circa 1940.David Burliuk (1882-1967), Cortez, Florida, 1946.Alexander Brook (1898-1980), Magnolia Pod, 1947.William Sharp (1900-1961), Blue Vase with Mums, New York City, circa 1940.Mervin Jules (1912-1994), Homage to Van Gogh.Paul Lewis Clemens (1911-1992), The Manicure (Still Tired), 1943.Dorothy Winslade (1898-1973), Portrait of a Man.Julius Thiengen Bloch (1888-1966), I Will Lift Up Mine Eyes to the Hills, 1958.Jared French (1905-1988), Study for "Learning," 1945.Jared French (1905-1988), Study for "Elemental Play," circa 1946.Karl Priebe (1914-1976), The Entertainer, 1944.Karl Priebe (1914-1976), The Harbor, 1942.William Sharp (1900-1961), Card Games, Queens, New York City, circa 1950.Mervin Jules (1912-1994), Guitar Players.Lena Gurr (1897-1992), Troubadour, circa 1950.Beatrice Edgerly (1898-1973), Colt and Crescent, circa 1952.Aristodimos Kaldis (1899-1979), Landscape with Cypress and Fence.Herman Maril (1908-1986), Patterns.Stanley W. Hayter (1901-1988), Pegasus, 1951.Stanley W. Hayter (1901-1988), Danse du Soleil, 1951.Milton Clark Avery (1885-1965), Kneeling Nude.Allan Capron Houser (1914-1994), Untitled (Standing Figure).Henry Ellis Mattson (1887-1971), Moonlit Forest, circa 1950.Tony Vevers (1926-2008), Winter Memory, 1959.Paul R. Meltsner (1905-1966), Rhinebeck Fair.William Zorach (1887-1966), The Doers, circa 1955.Moura Chabor (1905-1995), Untitled (Hide-and-Go-Seek).Mervin Jules (1912-1994), Untitled (Connoisseurs).Gustavo Montoya (1905-2003), Niño con caballito,1968.José Luis Cuevas (1934-2017), Interior, 1965-66.William R. Christopher (1924-1973), Christ Dying, circa 1962.Ira Moskowitz (1912-2001), Flowers in Vases, 1967.Salah Yousri (1923-1984), Portrait, circa 1950.Jean Dubuffet (1901-1985), Tête au chapeau melon, 1948.Jean Dubuffet (1901-1985), Dimanche, 1949.Jean Dubuffet (1901-1985), Frontispiece for Le Mirivis des Naturgies, 1962.Fernand Léger (1881-1955), La Racine Noir, 1948.Kees van Dongen (After), Céres (Buste de Femme), 1948.Alexander Archipenko (1887-1964), Coquette, 1950.Marino Marini (1924-1997), From Color to Form VIII, 1969.Marc Chagall (1887-1985), Découverte de Daphnis par Lamon, 1961.Salvador Dalí (1904-1989), Place de la Concorde, 1963.Salvador Dalí (1904-1989), Crazy Horse, 1966-68.Pablo Picasso (1881-1973), Le Colombe Volant (à l'Arc-en-Ciel), 1952.Pablo Picasso (After), Bacchanale, circa 1960.Pablo Picasso (After), Vollard et son chat, circa 1960.Pablo Picasso (After), Le Clown, 1968.Pablo Picasso (1881-1973), Wood-owl with Feathers, 1951.Pablo Picasso (1881-1973), Bird on a Branch, 1952.Pablo Picasso, (1881-1973), Quatre danseurs,1956.Pablo Picasso (After), Mère et enfant au fichu, 1966.Giorgio de Chirico (1888-1978), Teseo, 1970.Max Ernst (1891-1976), Le Musèe de l'homme suivi la Pêche au soleil levant,, 1965-66.René Magritte (After), Le Beau Monde, 1979.Leonor Fini (1907-1996), Sultanes et Magiciennes des Mille et Une Nuits, 1976-79.Leonor Fini (1907-1996), La Tragédie de Romeo et Juliette by Yves Florenne, 1979.Carlo Canevari (1922-1996), Untitled (Concert).Jacques Daufin (b. 1930), Bouquet of Flowers.Enrico Baj (1924-2003), Homme avec lollipop, 1969.Enrico Baj (1924-2003), Orazio Nelson, Duca di Bronte, 1972.Ángel Botello (1913-1986), Niña Jugando con Estrella de Mar.Sacha Moldovan (1901-1982), Le Jardin ensoleille, circa 1964.Pierre Alechinsky (b. 1927), L'inconditionnement humaine, 1970.Pierre Alechinsky (b. 1927), Central Park, 1975.Pierre Alechinsky (b. 1927), Monkey Business, 1976.Pierre Alechinsky (b. 1927), Three prints from "Central Park," 1976.Peter Wilfrid Rogers (b. 1933), Marriage, 1978.Joseph Yoakum (1886-1972), Near Halhul Palestine, circa 1968.Joseph Yoakum (1886-1972), Lake Occachobia near SeeBeriang Florida, 1966.Myron Stout (1908-1987), Sphacteria, 1970.Kiyoshi Saito (1907-1997), Winter in Aizu, 1972.Ray G. Ellis (1921-2013), Winter at Sutton Place.Milford Zornes (1908-2008), On the Battenkill, 1985.André Gisson (1921-2003), In the Park.LeConte Stewart (1891-1990), Shed in Grass Valley, Utah, 1973.John William Hilton (1904-1983), Magic Moment, 1973.George Gibson (1904-2001), Refugio Canyon Ranch, 1981.George Gibson (1904-2001), On Old Creek Road, 1992.Phil L. Dike (1906-1990), Rocky Cliffs.Phil L. Dike (1906-1990), Return to Carlsbad, 1976.Alexander Dzigurski (1911-1995), Seascape.Jean-Pierre Dubord (b. 1949), Sur la plage à Blonville.Robert Kulicke (1924-2007), Landscape with Hills, 1972.Robert Kulicke (1924-2007), Still Life with Fruit and a Jar, 1970.William H. Bailey (1930-2020), Seated Model, 1973.Sally Michel Avery (1902-2003), Untitled (Seated Man), 1968.Hildegarde Haas (1926-2002), Bach - English Suite No. 2 in A Minor - IV Sarabande.Conrad Buff (1886-1975), Monument Valley, circa 1965.Marjorie Apter-McKevitt (1929-1988), Backyard & Neighbor's House, 1979.Charles Seliger (1926-2009), Transfiguration, 1983.Adriaan Hendrik Boshoff (1935-2007), Rocky Landscape with Figures.Rex Lau (b. 1947), Enter Strange Shapes (Four Trees), 1982-83.Jorge Castillo (b. 1933), Mesa de madera esculpida, 1986.John B. Lear Jr. (1910-2008), Shoreline Plumage, 1988.Carolyn Gassan Plochmann (1926-2023), East Village, 1988.Will Barnet (1911-2012), Artist and Son (Portrait of Peter Painting), 2000.

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