African American Art

online only auction | 1 day sale | 4 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Apr 2
1pm

Sale Ends

Thu
Apr 2

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

The spring offering of African American Art will include a selection of the iconic artists you have come to expect from the house from a significant group of modern, post-war and contemporary stalwarts.

Of note is Charles White’s 'Woman in Blue,' 1965-66, a scarce example of an oil-on-canvas by the artist. This large painting of a serene, shrouded woman was an important subject for the White throughout his career.

Also featured is a painting by Hughie Lee-Smith, an evocative 1953 composition of urban decay that epitomizes the artist’s career-defining body of work from Detroit. Lee-Smith rose to national prominence in 1953 when he was awarded the Founders Prize by the Detroit Institute of Arts.

Works on paper include Romare Bearden’s 'Jazz Men,' 1970, a vibrant collage that was the inspiration for his popular print, 'Alto Saxophone,' and a beautiful 1963 abstract watercolor by Beauford Delaney from his Paris period that comes from the family of its original French owner.

Two iconic and scarce prints by Elizabeth Catlett and Charles White, both printed at Taller de Gráfica Popular, Mexico City, will feature. The auction also will offer an early proof of Catlatt’s linocut 'Sharecropper,' 1952, and a numbered impression of White’s lithograph, 'Awaiting His Return,' 1936.

The sale will also feature a special selection of 26 artworks from the estate of J. Eugene Grigsby Jr.
Edward Mitchell Bannister (1828-1901), Untitled (Rhode Island Seascape), circa 1880s.James Vanderzee (1886-1986), Untitled (Garveyite Family, Harlem), 1924.James Vanderzee (1886-1986), Daydreams, circa 1926.James Vanderzee, Untitled (Bride and Groom), 1926.Hale Aspacio Woodruff (1900-1980), A Village Street, circa 1928-29.James Lesesne Wells (1902-1993), Sidewalk Lunch Stand, 1929.Joseph Delaney (1904-1991), Untitled (Three Women), circa 1930s.John N. Robinson (1912-1994), Sarge, 1938.Beauford Delaney (1901-1979), Untitled (Portrait of a Young Man in Suit and Tie), circa 1940.Beauford Delaney (1901-1979), Untitled (Portrait of A Young Man), circa 1937-40.Charles White (1918-1979), Design for Block Print, circa 1937-38.Charles White (1918-1979), Untitled (Young Man Sketching), circa 1935-38.Charles White (1918-1979), Untitled (Two Profile Studies), circa 1937-38.Ramon Gabriel (1911-1987), Untitled (Workers), circa 1940s.Richard Dempsey (1909-1987), Parade in Harlem, 1944.Ellis Wilson (1899-1977), Untitled (Girls Jumping Rope), circa 1940s.Charles White (1919-1979), Awaiting His Return, 1945.Charles White (1918-1979), John Brown, 1949.Roy E. LaGrone (1921-1993), Solitude, 1947.Carroll Harris Simms (1924-2010), Untitled (Figure), 1949.Norman Lewis (1909-1979), Untitled (Abstraction), circa late 1940s.J. Eugene Grigsby, Jr. (1918-2013), Joyce, circa 1940s.Hale Aspacio Woodruff (1900-1980), Desert Rocks, circa 1949.John Biggers (1924-2001), Cotton Pickers, 1952.John Biggers (1924-2001), Two Heads, 1952.J. Eugene Grigsby, Jr. (1918-2013), Self-Portrait, circa 1950s.John Anansa Thomas Biggers (1924-2001), Market Women, Ghana, 1957.Rip Woods (1933-2025), Board with 5, 1961.Rip Woods (1933-2001), For Where Thou Goest, 1963.J. Eugene Grigsby, Jr. (1918-2013), Enduring Women, circa 1960s.J. Eugene Grigsby, Jr. (1918-2013), Totem, 1964.John Biggers (1924-2001), Hazel, 1964.John Biggers (1924-2001), Fanti Fishing Boat, 1964.John Biggers (1924-2001), Portrait of Eugene Grigsby, 1964.John Biggers (1924-2001), Broken Stone, 1966.Jacob Lawrence (1917-2000), The Builders (The Family), 1974.John Biggers (1924-2001), Wedding Dance, See Saw, 1975.J. Eugene Grigsby, Jr. (1918-2013), Yemenja's Eden, 1975.Elizabeth Catlett (1915-2012), Lovey Twice, 1976.Hale Woodruff (1900-1980), A Celestial Gate, 1977.J. Eugene Grigsby, Jr. (1918-2013), Enchantress, 1979.Paul F. Keene, Jr. (1920-2009), Solomon's Bride, 1980.Elizabeth Catlett (1915-2012), For My People..., 1987.Robert H. Colescott (1925-2009), 'Fraid of the Dark (Frayed), 1993.J. Eugene Grigsby, Jr. (1918-2013), The Family, 2008.Walter Williams (1920-1998), Untitled (Man with Watermelon), circa 1950s.Charles Sebree (1914-1985), Mystic Ceramic, circa 1950s.Charles Sebree (1914-1985), Voodoo Orientalist, circa 1950s.Elizabeth Catlett (1915-2012), Sharecropper, circa 1952.Joseph Delaney (1904-1991), Girl Reading Poetry, circa 1950s.Hughie Lee-Smith (1915-1999), Untitled, 1953.Hughie Lee-Smith (1915-1999), Head-Woman in Turban, 1950s-60s.Paul F Keene, Jr. (1920-2009), United (Head of a Woman), 1954.Eldzier Cortor (1916-2015), L'Abbatoire III, 1950s.Beauford Delaney (1901-1979), Ibiza,1956.Geoffrey Holder (1930-2014), The Family, 1958.Ves Harper (1930-2004), Revelation (Wade in the Water, Female Dancer), circa 1959-60.Ves Harper (1930-2004), Revelation (Sinnerman, Male dancer in Revelation, 4 Sketches), circa 1959-60Loïs Mailou Jones (1905-1998), Untitled, circa 1960s.Geoffrey Holder (1930-2014), Carmen, circa 1960.Walter Williams (1920-1998), Marguerite, 1961.Clifford Jackson (1927-2007), Children, 1962.Beauford Delaney (1901-1979), Untitled (Abstract Composition), 1963.Claude Clark (1915-2001), Soaring (Flying), 1963.Alfred Lee Bright (1940-2019), Untitled (Abstraction), 1964.Hayward Oubre (1916-2006), Manikins, circa 1966.Hartwell Yeargans (1915-2005), Three Dancers, 1966.Benny Andrews (1930-2006), Top Floor, 1965.Robert A. Sengstacke (1943-2017), Selma to Montgomery Marchers with Flags, 1965.Charles White (1919-1979), Woman in Blue (Woman with Folded Arms), 1965-66.Charles White (1918-1979), Head, 1967.Walter Williams (1920-1998), Moon Moth, 1968.Samella Lewis (1923-2022), Home Sweet Home, 1968.Elizabeth Catlett (1915-2012), Olmec Bather, 1967.Elizabeth Catlett (1915-2012), Malcolm X Speaks for Us, 1969-2004.Elizabeth Catlett (1915-2012), The Torture of Mothers, 1970.Cliff Joseph (1922-2020), Humpty-Dumpty, circa 1970.Hughie Lee-Smith (1915-1999), Young Woman, PEACE Banner, circa 1970s.Charles White (1919-1979), Blues, 1971.Robert Blackburn (1920-2003), Sunburst, 1967-69.Stephanie E. Pogue (1944-2002), Patterns.Earl J. Hooks (1927-2005), Untitled (Biomorphic Footed Form), circa 1967.Hale Woodruff (1900-1980), Torso Study, circa 1970-77.Alma Woodsey Thomas (1891-1978), Untitled, 1971.Sam Gilliam (1933-2022), Untitled,1971.William T. Williams (b. 1942), HKL Portfolio, 1970.Norman Lewis (1909-1979), Play, 1972.Melvin Edwards, (b. 1937), Night Chains, 1974.Samuel Joseph Brown (1907-1994), Mask Alphabet, circa 1970.Alvin C. Hollingsworth (1928-2000), Untitled (Woman in Landscape), circa 1970.James Denmark (1936-), Untitled (Portrait Study), circa 1970s.Romare Bearden (1911-1988), Mother and Child, 1972.Cliff Joseph (1922-2020), The Attica Crucifixion, 1972.Tom Feelings (1933-2003), Untitled (Woman in profile), circa 1970s.James Vanderzee (1886-1986), Untitled (Wedding Couple), 1928.Romare Bearden (1911-1988), Untitled (Nude in Forest), circa 1971.Ed Clark (1926-2019), Yucatán Series, 1976.Ernest Crichlow (1914-2005), Lady and Child, 1977.James Denmark (b. 1936), Untitled (Portrait of a Woman), circa 1980s.Adger W. Cowans (b. 1936), Untitled (Mask), nd.Sam Gilliam (1933-2022), Written At the Pace of a Hoof Beat, 2003.Sam Gilliam (1933-2022), Yellow, Yellow, 2003.Maurice Sisson Blanchard (1929-1981), Owls, circa 1970s.Mose Tolliver, (1925-2006), Pair of paintings. George Washington and Angel, circa 1980s.Black Joe Jackson, (1922-1997), Pair of Paintings. Dog and Lady.Bernice Johnson Sims (1926-2014), Hog Killing and Cooking, circa 2000s.Barbara Johnson Zuber (1926-2019), Boys with Kites, circa 1972-74.Barbara Jones-Hogu (1938-2017), I'm Better Than These Mother Fuckers and They Know It, 1968.Barbara Jones-Hogu (1938-2017), When Styling, 1973.Charles Searles (1937-2004), Untitled, 1974.José Joseph Williams (1934-2023), Girl on a Swing, 1976.Betty Blayton-Taylor (1937-2016), Sound Realized, 1974.Vivian E. Browne (1929-1993), Horseman, 1974.Elizabeth Catlett (1915-2012), There is a Woman in Every Color, 1975.Ernest Crichlow (1914-2005), Young Worker, 1974.Hartwell Yeargans (1915-2005), Woman, 1975.Benny Andrews (1930-2006), A Presence, 1975.Jacob Lawrence (1917-2000), Bumbershoot ’76, 1976.Jacob Lawrence (1917-2000), John Brown remained a full winter in Canada, drilling Negroes for his coJacob Lawrence (1917-2000), Carpenters, 1977.Jacob Lawrence (1917-2000), Morning Still Life, 1976.Earl Beauford Miller (1930-2003), Manhattan Savoy, 1975.Mildred Thompson (1936-2003), Open Window Series, 1977.Emma Amos (1937-2020), Woman With Hat, 1979.Vivian E. Browne (1929-1993), Trein-t'an', 1979.Dan Concholar (1939-2017), Hollywood Hills, 1979.Dan Concholar (1939-2017), Spirit and Hollywood (Hollywood Series), 1979.Romare Bearden (1911-1988), Group of 5 color screenprints from the Odysseus Suite, 1979.Romare Bearden (1911-1988), Jazz Men, 1972.Romare Bearden (1911-1988), Jamming at the Savoy, 1981-82.Romare Bearden (1911-1988), The Lantern, 1979.Romare Bearden (1911-1988), The Falling Star, 1980.Wadsworth A. Jarrell (b. 1929), Black Moses, circa 1980s.Benny Andrews (1930-2006), Wheels Queen, 1982.Gloria R. Bohanon (1938-2008), Mama, What Makes Black, circa 1980.McArthur Binion (b. 1946), Untitled, 1980.Sam Gilliam (1933-2022), 1981-82, Installation, 1981.Al Loving (1935-2005), Untitled (Wild Goose Lake Series), 1981.Felrath Hines (1913-1993), Crowd Scene, 1983.Felrath Hines (1913-1993), Sepia Image, 1982.Richard Hunt (1935-2023), Untitled, 1982.Frank Wimberley (1926-2025), A Light Through, 1987.James Little (b. 1952), Sharpeville, 1960.Martin Puryear (b. 1941), Untitled (Navy Pier), 1985.Richard Hunt (1935-2023), Hybrid Muse, 1985.Melvin Edwards and Jayne Cortez, For the Brave Young Students in Soweto, 1984.Eldzier Cortor (1916-2015), Jewels/Theme No. II, 1985.James Denmark (b. 1936), Untitled (Nude Figure in Profile), circa 1985.James Denmark (b. 1936), Untitled (Portrait of a Woman), circa 1980s.Vincent D. Smith (1929-2003), Ko-Ko, 1986.Richard Yarde (1939-2011), The Savoy Ballroom, 1986.Willie Birch (b. 1942), The Future Home, Cross Road Baptist Church, 1986.Alison Saar (b. 1956), Dig, 1987.Jacob Lawrence (1917-2000), General Toussaint L'Ouverture, 1986.Jacob Lawrence (1917-2000), To Preserve Their Freedom, 1988.James Lesesne Wells (1902-1993), Sailboat and Fishermen II, 1988.Elizabeth Catlett (1915-2012), Latch Key Child, 1988.Elizabeth Catlett (1915-2012), Waving, 1989.Herbert Gentry (1919-2003), Near to You, 1989.Sam Middleton (1927-2015), Untitled (Abstraction), 1987.Calvin B. Jones (1934-2010), I Always Dress Up When I Go Out To Dance, 1988.Bill Hutson, (1936-2022), Valentine Series #17, 1988.Eldzier Cortor (1916-2015), Facets I - XII.Marva Lee Pitchford-Jolly (1937-2012), Untitled (Story Pot), circa 1980s.Marva Lee Pitchford-Jolly (1937-2012), Untitled (Story Pot), circa 1980s.Carrie Mae Weems (b. 1953), Burnt Orange Girl, 1990.Carrie Mae Weems (b. 1953), Untitled (Man Reading Newspaper), 1990/1999, printed 2015.Carrie Mae Weems (b. 1953), Untitled (Woman Feeding Bird), 1990.Benny Andrews (1930-2006), Untitled (Couple Dancing), 1990.Hughie Lee-Smith (1915-1999), Untitled (Young Woman on Stage with Folding Screen), circa 1990s.Hughie Lee-Smith (1915-1999), Untitled (Abstraction and Woman's Portrait), circa 1990s.David C. Driskell (1931-2020), Sunlit Forest, 1992.Loïs Mailou Jones (1905-1998), Route de Civadier, 1994.William Pajaud (1925-2015), Jazz Funeral, circa 1990s.Richard Hunt (1935-2023), Growing, 1990.Sam Gilliam (1933-2022), Epiphany #1, 1991.Sam Gilliam (1933-2022), Aviation VI. 1990.Sam Gilliam (1933-2022), For Xavier, 1990.Maren Hassinger (b. 1947), Stone Garden I, 1990.Emma Amos (1937-2020), Confederates, 1994.Glenn Ligon (b. 1960), Skin Tight (Muhammad Ali Text), 1995.Valerie Maynard (1937-2022), Untitled (Table), circa 1990.Valerie Maynard (1937-2022), Untitled (Head), circa 1990.Hartwell Yeargans (1915-2005), African Musicians, 1990Willie Birch (b. 1942), Blacknuss, 1995.Melvin W. Clark (b. 1944), Power Trio, 1996.Francks Francois Deceus (b. 1966), Three Workers, 1997.Columbus Knox (1923-1999), Untitled (Three Women), circa 1998.Verna Hart (1961-2019), Untitled (Figure Scene), circa 1990s.Otto Neals (b. 1931), African Roots, 1996.Jacob Lawrence (1917-2000), Forward Together, 1997.Richard Yarde (1939-2011), Savoy Series: Heel and Toe, 1995.Richard Yarde (1939-2011), Zora Neale Hurston, 1998.Kara Walker (b. 1969), Canisters, 1997.Kara Walker (b. 1969), Freedom, A Fable: A Curious Interpretation of the Wit of a Negress in TroubleWillie Cole (b. 1955), P.O.V., Iris print, 1998.Lezley Saar (b. 1953), Hottentot Venus, 1999.Cheryl Warrick (b. 1956), Fools Answer, 1998.Sam Gilliam (1933-2022), Think Tank, 1996.Sam Gilliam (1933-2022), Untitled, 1999.David C. Driskell (1931-2020), Untitled, circa 1997.Beverley Buchanan (1940-2015), Untitled (Four Houses), 1997.Beverley Buchanan (1940-2015), Untitled (House), 2002.Verna Hart (1961-2019), Untitled (Brownstone Stoops), circa 2000.Michael A. Cummings (b. 1945), Josephine Baker in Cabaret, 2000-02.Faith Ringgold (1930-2024), Tar Beach 2, 2003.David Hammons (b. 1943), African American Flag, 2003.Vanessa German (b. 1976), Untitled, circa 2016.Wangechi Mutu (b. 1972), Mushwomb 3. 2003-04.Theaster Gates (b. 1973), Untitled (Vessel), 2002.Theaster Gates (b. 1973), Untitled (Two vessels), 2002.Claude Lawrence (b. 1944), Untitled, 2001.Claude Lawrence (b. 1944), Sanity Clause, 2003.David C. Driskell (1931-2020), Untitled, circa 2000s.Larry Walker (1935-2023), Veiled Wall Spirits, 2001.Reginald Gammon (1921-2005), Remembering J, 2001.Willie Torbert (b. 1959), Stone City Jam (Self-Made Series), 2002.Frederick J. Brown (1945-2012), Dexter Gordon, 2005.Elizabeth Catlett (1915-2012), Young Douglass, 2004.Elizabeth Catlett (1915-2012), Gossip, 2005.Richard Wyatt, Jr. (1955-2024), Don't F... With Me Today, 2003.Charly Palmer (b. 1960), I AM. 2004.Samella Lewis (1923-2022), The Farmer, 2006.Leroy Johnson (1937-2022), Untitled (Figure), 2008.Ellen Gallagher (b. 1965), Detective Training, 2004.Carrie Mae Weems (b. 1953), When and Where I Enter—Mussolini’s Rome, 2006.Dianne Smith (b. 1965), acelebrationofyore. 2003.Dianne Smith (b. 1965), very simply so, 2005.Richard Mayhew (1924-2024), Scarlet Journey, 2006.Richard Mayhew (1924-2024), Serenade, 2008.Louisiana Bendolph (b. 1960), Shared Legacy, 2007.Shinique Smith (b. 1968) Untitled, 2008.Peter Tunney (b. 1961), THE TIME IS ALWAYS NOW, 2009.Faith Ringgold (1930-2024), Letter From Birmingham City Jail, 2007.Faith Ringgold (1930-2024), Where Do All the Children Go...?, 2010.Faith Ringgold (1930-2024), Romie We Love You, 2012.Kerry James Marshall (b. 1955), Bride of Frankenstein, 2010.Kerry James Marshall (b. 1955), Frankenstein, 2010.William Pope.L (1955-2023), Purple People Are the Cartoon Network After the Testicles, 2011.William Pope.L (1955-2023), Purple People Are the Joyce of a People Who..., 2011.Ronald Burns (1942-2024), Surreal pencil drawing #1, 2011.Ronald Burns (1942-2024), Surreal Pencil Drawing #4, 2011Eldzier Cortor (1916-2015), Island Momento No. 1, 2012.Chakaia Booker (b. 1953), Stop Look Think, 2013.Danny Simmons (b. 1954), Untitled, 2013Rashid Johnson (b. 1977), Untitled (Good Days), 2014.Simone Leigh (b. 1967), Untitled (Cowrie), circa 2013.Renee Cox (b. 1957), Sacred Geometry series, 2014.Renee Cox (b. 1957), Sacred Geometry series, 2014.Derrick Adams (b. 1970), Countess N and Lizaveta Ivanovna (The Queen of Spades) (Edition A), 2015.Kehinde Wiley (b. 1977), Battle on Anghiari Study II, 2015.Alison Saar (b. 1956), High Yella' Blue, 2016.Louis Delsarte (1944-2020), Visions of the Future, 2015.Awol Erizku (b. 1988), Use Me - Future, 2016.David Shrobe (b. 1974), Incognito, 2017.Cosmo Whyte (b. 1982), Scar Tissue, 2017.Cosmo Whyte (b. 1982), Stranger than the Village, 2015.Kerry James Marshall (b. 1955), Scout Series, 2017.Zanele Muholi (b. 1972), MuMu X, London, 2019.Hank Willis Thomas (b. 1976), All Li es Matter, 2019.February James (b. 1977), Abu, 2018.Amy Sherald (b. 1973), Untitled (Opal), 2019.Timothy Washington (b. 1946), Eye On You, 2021.Adebunmi Gbadebo (b. 1992), Untitled, 2024.Derrick Adams (b. 1970), Parlay 1, 2024.

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