The New York Sale

online only auction | 1 day sale | 4 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Sep 24
12pm

Sale Ends

Thu
Sep 24

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Description & Details

If residing in New York City isn?t enough of a daily reminder of the glory of this metropolis, we are proud and delighted to bring to market our New York Sale. This year's selection of books, historical prints, maps, paintings, photographs, posters, and prints is as joyful as a walk in Central Park in early spring?invigorating and happy-making.

Many of the city's wonderful aspects will be represented, including bridges, rivers, subways, buildings, parks, people, personalities, historical events, and locations like Lincoln Center, Herald Square, the World Trade Center, Greenwich Village, the Empire State Building, the Statue of Liberty, the Woolworth Building, even the Brooklyn Botanical Gardens.

For those who appreciate photographs, there are classic works by Berenice Abbott, Alfred Eisenstadt, Louis Faurer, Stieglitz, Feininger, Ruth Orkin, plus many others. Additionally, there are many historic and captivating images from more recent times, including Robert A. Cumins' suite of six photographs depicting the World Trade Center on September 11, 2001.

Vintage poster fans will be able to relish works by Nembhard Culin, Weimer Pursell, Milton Glaser and Saul Bass, to name a few: David Klein?s iconic TWA image featuring Times Square, the original 1956 printing; Leslie Ragan?s Rockefeller Center Poster for the New York Central Lines, circa 1936; Horace Taylor?s wonderfully modern image for the Royal Mail Lines, showing red-shadowed skyscrapers reaching into the blue starry sky forming an abstract but immediately recognizable image of the American flag; and the 1913 poster advertising the Modern Art Show at the armory right across the street from Swann Galleries, where America was first introduced to Modern Art.

Art aficionados can marvel at works by John Sloan, Abraham Walkowitz, Bernard Buffet, Armin Landeck, Andy Warhol, Richard Haas, Joseph Delaney and many others. .
Ilse Bing, Chrysler Building, 1936.Ilse Bing, Dead End I, Queensborough Bridge, 1936.Helen Greene Blumenschein, Lower New York from Brooklyn Bridge, Lithograph, 1936.Luigi Kasimir, New York, Brooklyn Bridge, Color etching and aquatint, 1937.Luigi Kasimir, Fog and Mist, New York, Color aquatint and etching, 1936.James Edward Allen, Four Pipelines, Lithograph, 1937.Catharine C. Lewis, Pair: Night Watchman And Elevated Train with Pedestrians, Two Ink Drawings.Designer Unknown, "Spices of 1936" / Sensational New York Revue, 1936.Nembhard N. Culin, In 1939 The New York World's Fair, 1937.S. Hine, This Year . . . Fly to the Fair! / Eastern Air Lines, 1939.Leslie Ragan, The Scenic Route to New York World's Fair / New York Central System, 1939.Mortimer Borne, Columbus Circle, Etching, 1938.Herman Rose, 59th Street From the Park, Oil on canvas mounted to masonite. Circa 1950s.Walter Rosenblum, Flea Market, Pitt Street, New York, 1938; printed 1960s.Walter Rosenblum, Gypsy Children Playing Cards, Pitt Street, New York, 1938; printed 1960s.William Witt, Street Peddler, 1939; printed mid-late 1950s.Leon Bibel, Lexington Avenue Subway, 1938.Leon Bibel, Subway Entrance, 1939.Leon Bibel, Polo Grounds, 1939.Edward Schwartz, Love and Romance in N.Y. City (East River Pier about East 22nd St.), June 1939.Irving Wolfson, Boys Playing, Central Park, circa 1940.Elias Grossman, Adventure Calls, City Yacht Basin, circa 1940.William Sharp, East River & 34th Street. Circa 1940.William Sharp, Under the Brooklyn Bridge. Circa 1940.Elias Grossman, The Subtreasury Building, Trinity Church.Weegee [Arthur Fellig], On the Fire Escape, 1940.Weegee, Strike Two (bolt of lightning apparently striking the Bank of Manhattan Trust Building, NewJoe DeBiase, Times Square at Night, 1940s.Margaret Bourke-White, An aerial view of Park Avenue, including the Waldorf Astoria, 1940.Harry Gottlieb, Statue of Liberty, Color screenprint, 1940.A composite of the Empire State Building and Statue of Liberty, circa 1940.Sol Libsohn, Where Will You Spend Eternity?, the Gospel Mission at James Slip, Manhattan, circaJohn R. Grabach, Canyons of New York, circa 1940.William Sharp, Chess Game in Alley Pond Park, Queens, Oil on canvas, circa 1940.William Sharp, Landscape with Felled Trees, Alley Pond Park, Oil on canvas, circa 1940.Ray Euffa, Fulton Market, Color screenprint, 1940.Witold Gordon, 6 illustrations, New York Storefronts, 1934-1943.Helen Levitt, Untitled (Face on Tin), N.Y.C, circa 1939; printed 2000.Helen Levitt, N.Y. (children playing), circa 1942; printed 1970s.Matty Zimmerman, New Year's Eve Partygoers at Times Square, 1942.Lisette Model, Lower East Side, 1942.Ezra Jack Keats, The Plaza, Lithograph, circa 1945.Godfrey Frankel, Store Window, Bronx, 1948.Andreas Feininger, 42nd Street, New York as Viewed from Weehawken, N.J, 1942; printed circa 1980.Andreas Feininger, Brooklyn Bridge in the fog, New York, 1948; printed circa 1995.Ruth Orkin, People waiting to cross Sixth Avenue, New York City, 1945; printed later.Todd Webb, On the Bowery Under the 3rd Avenue El, New York, 1946; printed 1970s.Todd Webb, LaSalle Street and Amsterdam, Harlem, New York, 1946; printed 1980s.Paul Baker Remmey, NY Public Library, 42nd Street and 5th Avenue, 1947.Reginald Marsh, Untitled, Under the El and Walking Girl (Double Sided), 1949-1950.Keith Howland, Fly BCPA to America / [Times Square], Circa 1947.August Mosca, Subway Tunnel, Lithograph, circa 1947.August Mosca, Pair of lithographs. 1990s.August Mosca, Two lithographs, Lithograph, 1997.Ted Croner, Central Park South, 1947-48; printed 1999.Louis Faurer, Queensborough Bridge, New York, 1947; printed circa 1990.Todd Webb, Brooklyn Bridge, New York, 1946; printed 1970s.Andreas Feininger, George Washington Bridge, 1950; printed 1990.Arthur Leipzig, Garbage Scows, NY, 1967; printed circa 1980.Arthur Leipzig, Divers, East River, 1948; printed 1980s.d'AprĂšs Vernon Howe Bailey, Sleepy Hollow Land / New York Central System, Circa 1950.Designer Unknown, [Trans World Airlines / New York], Two posters. Circa 1950.Louis B. Schlivek, New York City street scene, circa 1950.Ernst Haas, New York (man sitting on car reading), 1952; printed 2025.Burris Jenkins, 4 editorial cartoons for The New York Journal, 1952-1960.Diane Arbus, Woman with a headless dummy, NYC, 1956; printed 2003 by Neil Selkirk.David Klein, New York / Fly TWA, 1956.Weimer Pursell, American Airlines to New York, 1956.Designer Unknown, To All North America / Greyhound, 1957.Alfred Eisenstaedt, Central Park after a Snowstorm, New York, 1959; printed 1994.Stow Wengenroth, Lower Fifth Avenue, Lithograph, 1959.Malcolm Myers, City at Night., Intaglio, Etching, Aquatint and Colored Stencil, 1958-59.W. Eugene Smith, Children with pumpkin, from As From My Window I Sometimes Glance, 1957-58.Bruce Davidson, Couple, Coney Island, from Brooklyn Gang, 1959; printed 1998.Designer Unknown, Naughty New York / Greenwich Village After Dark!, 1959.Rod Ruth, New York / Go Greyhound, Circa 1960.Designer Unknown, Northwest Orient Airlines / New York, Circa 1960s.Designer Unknown, Visitez Les Etats - Unis / Decouvrez un Nouveau Monde, Circa 1960.Ben Shahn, Lincoln Center Philharmonic Hall, 1962.Saul Bass, 2nd New York Film Festival / Philharmonic Hall / Lincoln Center, 1964.Allan D'Arcangelo, 14th N.Y. Film Festival, 1976.Bernard Buffet, Empire State Building, Color lithograph, 1963.Bernard Buffet, New York Skyline, Color Lithograph, 1967.Joseph Solman, Man Seated on the Subway, circa 1965.Liliana Porter, The Duchess of Alba drives through McDougal Street, Etching and aquatint, 1965.Danny Lyon, Uptown, 1965; printed 1980.Bruce Davidson, East 100th Street, 1966; printed 1970s.An immense and wide-ranging archive with more than 700 street photographs Sy Rubin, 1960s-80s.Jim Michaelson, New York, 1967.Arthur Leipzig, Fulton Fish Market, 1969.Joseph Delaney, NYC Park, Mixed-media on canvas, circa 1960s.Various Artists, [Lincoln Center Events], Group of 4 Posters. 1960s-80s.Various Artists, Lincoln Center Community Holiday Festival, Group of 3 posters. 1970s.Various Artists, [Lincoln Center Events & Theater], Group of 9 posters. 1960s-80s.Various Artists, Alvin Ailey, Group of 20 posters. 1970s.Milton Glaser, [New York Events & Venues], Group of 11 posters. 1960s-1990s.Garry Winogrand, Metropolitan Museum of Art Centennial Ball, New York City, New York, 1970.Ernst Haas, Lights of New York City, 1970; printed later.Red Grooms, Rat, Color lithograph, 1971.Red Grooms, Taxi Pretzel, Color lithograph on ivory wove paper, 1971.Red Grooms, Ruckus Taxi, 1982.György Lörinczy, New York, New York, 1972.Armin Landeck, Black House, Bleecker Street, Engraving, 1972.Herbert Loebel, New York / Finnair. Circa 1973.N. Jay Jaffee, Under the El, Brighton Beach, Brooklyn, NY, 1973; printed 1981.Robert A. Caro The Power Broker. Uncorrected Page Proofs. New York: Alfred A. Knopf, 1974.Werner Stegemeyer, Sunday Afternoon in Central Park, 1974.Nicholas Nixon, North View from Wall Street, New York, 1975; printed 2004.John Lanphear-Costello, 20th Century, Group of 4 Subway Studies, Watercolor, marker and pencil onJonathan Becker, Saturday Night Live in Elaine's Kitchen, 1975; printed circa 1980.Designer Unknown, New York City / Eastern, Circa 1970s.Designer Unknown, New York / National Airlines, Circa 1970s.George Forss, Queen Elizabeth II in New York (with the Twin Towers), 1977.Designer Unknown, Lufthansa [World Trade Center], Circa 1985.George Forss, Statue of Liberty / City in Fog, 1978.Ruth Orkin, Sunlit Streets...East Sixties, N.Y.C., 1977; printed 1983.Ruth Orkin, White Trees, 1958; printed 1978.Louis Stettner, Twin Towers, 1979; printed 1990s.Larry Rivers, New York Public Library, Color offset lithograph, 1977.Henry Chalfant, NYC subway graffiti panorama (purple lettering), 1979; printed 2011.Henry Chalfant, NYC subway graffiti panorama (red and yellow), 1979; printed 2011.Henry Chalfant, NYC subway graffiti panorama (pink and orange), 1979; printed 2011.Danny Lyon, IRT 2, NYC, 1980.Designer Unknown, Alka Seltzer / NYC Subway Card, 1980.Fred Mitchell, Statue of Liberty Ferry, 1980.Fred Mitchell, In New York Harbor, Quartet from the Ferry.David MacAulay, Statue of Liberty construction, 1980.David MacAulay, Empire State Building construction, 1980.Malcolm Myers, Walking the Dog in NYC (White Poodle), Watercolor on paper, 1980.Patrick Angus, Four works on paper of Central Park. 1980.Patrick Angus, Three works on paper of New York. Circa 1980.Robert Motherwell, Untitled, Color lithograph with embossing, 1982.Arthur Morris Cohen, Bridge Silhouette (Brooklyn Bridge), Etching and aquatint on Rives, 1982.Robert Indiana, The Brooklyn Bridge, Color screenprint, 1983.Jed Devine, Brooklyn Bridge, circa 1980s; printed before 1993.George Forss, Brooklyn Bridge from Front Street, 1986.Letizia Pitigliani, Harbor Festival, Group of 3 subway posters. 1980s.Barbara Ess, White Columns / Sonic Youth / Danceteria. 1982.Robert Passantino, Downpour Spoils Diana's concert. 1983.James Rosenquist, New York Says It, 1983.Bruce Cratsley, Centennial Fireworks, Brooklyn Bridge, May 1983.Sheldon Greenberg, The Greatest Show On Earth, Circa 1985.Hilary Knight, Harlem Homecoming / Dance Theatre of Harlem, 1986.Frederick Brosen, Mid-Day, Greenwich Street, Watercolor, 1990.John Mart Opie, Statue of Liberty and Fireworks, New York City Skyline, Circa 1990.Designer Unknown, Ronzoni. It's a BIG Thing in New York, 1991.Nathaniel Lieberman, A suite of 4 photographs of Central Park in each season, circa 1990.Peter KlĂșcik, New York, Etching printed in purplish-black, 1993.Frederick Mershimer, Rivals, Mezzotint, 1993.Andrew Lenaghan, Rearview Cornices and Satellite, Oil on Canvas Board, 1993.Andrew Lenaghan, Red Tower on Gowanus, from 2nd Ave, Oil on panel, 1996.Andrew Lenaghan, Eroding Pier N. 10th Street, Williamsburg, BK, Oil on canvas, 1998.Diana Horowitz, Manhattan Bridge, Oil on linen, 1996.Diana Horowitz, Grey Turn on the River, Oil on panel, 1997.Diana Horowitz, The Bridges, Spring, Oil on canvas, 1997.Diana Horowitz, Ninth Street, Oil on canvas, 2000.Nicholas Evans-Cato, 20th/21st Century, Arch (Prospect Park, Brooklyn, NY), Oil on canvas, 1998.Nicholas Evans-Cato, Gowans from 3rd St, Bridge, Oil on canvas, 1999.Nicolas Evans-Cato, Manhattan Bridge (From Corner of Pear and John St. Brooklyn, N.Y.), Oil onTom Baril, Chrysler Building at Night, 1997; printed 2004.Tom Otterness, Untitled (Penny Lifters), Plaster, circa 1995.Robert A. Cumins, A suite of 6 photographs depicting the World Trade Center on September 11, 2001Gottfried Salzmann, September 11th - XVI, Acrylic on photograph, 2001.Tom Moran, Two paintings from the Rescue series. 2001.Albert Lorenz, The Renaissance Reborn, 2001.Richard Haas, American Radiator Building, Color etching and aquatint with hand coloring, 2005.Richard Haas, Cities Service Building, Color etching and aquatint with hand coloring on Rives BFK,Abelardo Morell, Camera Obscura: Brooklyn Bridge in Bedroom, 2009.Leslie Gerry. New York Reflections. New York: The Whittington Press for Leslie Gerry Editions, AprilRobert Passantino, Liberty, 2024.

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