Fine Photographs

online only auction | 1 day sale | 4 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Oct 15
12pm

Sale Ends

Thu
Oct 15

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

Notable works from the nineteenth century include Francis Frith's "The Pyramids of Dahshoor, from the East," 1857; and a rare daguerreotype by Felix Jacques Moulin, "Two Prodigal Women," 1860s. The auction further features a significant constructivist composition by Alexander Rodchenko, "Pushkin Square," 1932, and a rare portfolio by Todd Webb previously unoffered on the market.

Further highlights include imagery of the American West with Ansel Adams' "Winter Sunrise, Sierra Nevada from Lone Pine, California," 1944, printed April 1978; and abstraction studies, including ten photographs from the "Seaweed Martha's Vineyard Portfolio," 1943-53, printed 1982, by Aaron Siskind. The auction also features works associated with the Kamoinge Workshop, including Gordon Parks' "American Gothic," 1942; printed circa 1970, and Roy DeCarava's "Man Coming Up Subway Stairs," 1952. Street photography features Fan Ho, "Three Men Walking, Hong Kong," 1962, printed 2006; and Elliott Erwitt's oversized "Arc de Triomphe, Paris," 1956, printed 2000s. Contemporary highlights feature Vik Muniz's "Aftermath (Emerson)," from "the Children of Brazil" project, 1998.

A selection of press photographs documenting civil rights by Bob Adelman and Fred McDarrah, along with examples of vernacular photography, will further enrich the dynamic sale.
Roger Fenton. Plateau of Sebastopol VIII. 1855; published 1856.Andrew J. Russell. A selection of three Civil War photographs. 1863-65.George N. Barnard. Battle Ground of Resacca, GA. No. 1. 1864-65.Francis Frith. The Pyramids of Dahshur from the Southwest. 1858.Felix Bonfils (1831-1885) & Zangaki Brothers (active 1860s-80s), An annotated travel album ofFelix-Jacques Moulin. Two Women. Circa 1850.Double ambrotype of a little girl posing with a lamb in a Victorian dress. Circa 1854-65.Group of three post-mortem daguerreotypes. 1850s.Charles DeForest [Carlos] Fredricks. Daguerreotype of a military figure, likely in Buenos Aires.Gustave Le Gray. Portrait of a Man Sitting with a Cane. Circa 1856-59.David Wilkie Wynfield. Portrait of painter and sculptor George Frederic Watts. 1863.Portrait of the American writer Walt Whitman. Circa 1871; printed 1920s.Anna K. Weaver. He giveth His beloved Sleep. Circa 1876.Eadweard Muybridge. Man swinging a baseball bat, plate 279 from Animal Locomotion. 1887.Frederick H. Evans. Portrait of the artist Aubrey Beardsley (1872-1898). Circa 1894.A double portrait of the artist Henri de Toulouse-Lautrec painting himself. Circa 1892; printedPair of cabinet cards depicting photographers with their cameras. 1890s.Distortion portrait. Circa 1910-20.Wilhelm von Gloeden. Boy with passion flowers in his hair. Circa 1900.Wilhelm von Gloeden. Portrait of Maria Intelisano (1890-1904). Circa 1900.Wilhelm von Gloeden. Giacomo with Nedda. Circa 1900-10.Mug shot of Emma Goldman, "The High Priestess of Anarchy." 1901.Edward S. Curtis. Hastobiga (Navaho Medicine Man), plate 35 from The North American Indian. 1904.Joseph Kossuth Dixon. Go Fated Indian, to the Farthest Verge of Earth's Remotest Shore. 1908-09.Edward S. Curtis. A Hopi Man, plate 420 from The North American Indian. 1921.Carleton E. Watkins. Mirror Lake, Yosemite, CA. Circa 1865; printed 1880s by Isaiah West Taber.Timothy H. O'Sullivan. Black Cañon, Colorado River, Looking Above from Camp 7. 1871.George Fiske. A suite of 10 views of Yosemite and San Francisco Bay. Circa 1884.Ansel Adams. El Capitan, Yosemite. Circa 1935.Edward Weston. Juniper, Lake Tenaya. 1937.Edward Weston. Alcatraz, San Francisco. 1937; printed circa 1950.Ansel Adams. Moonrise, Hernandez, New Mexico. 1941; printed 1963-70.Ansel Adams. Winter Sunrise, Sierra Nevada, from Lone Pine, California. 1944; printed April 1978.Ansel Adams. Group of 11 iconic photographs of Yosemite in a Best's Studio, Yosemite National ParkA family album with approximately 125 photographs of life in California, including scenes fromAnsel Adams. Oak Tree, Sunset City, Sierra Foothills, California. 1962; printed 1973-77.Hill & Adamson, Steichen, Demachy & Alfred Stieglitz. Camera Work Number 11 and Number 16. 1905 andClarence White & Alfred Stieglitz. Camera Work Number 23.Ema Spencer. Album with more than 90 photographs. Circa 1900-14.Arnold Genthe. Ainu woman and child, Hokkaido, Japan. Circa 1908.Clarence H. White. Mother and child. 1910s.Josef Sudek. Pastoral Landscape. Circa 1921.Johan Hagemeyer. Trees on Telegraph Hill. 1925.Doris Ulmann. Dutch Penn Farmer with Green Pepper. Circa 1928-34.Doris Ulmann. Older African American man. 1920s.Adolf Fassbender. Pictorial Artistry: The Dramatization of the Beautiful in Photography. 1937.James Van Der Zee. Kate and Rachel. 1908; printed circa 1970.A Portfolio of Masterpieces. 1848-1907; printed circa 1975 under the supervision of ArthurLewis W. Hine. Making steel rails in a small iron works [Pittsburgh Survey]. Circa 1910.Dorothea Lange. The General Strike, Policeman, San Francisco, 1934; printed 1970s.Dorothea Lange. Migrant Mother, Nipomo, California. 1936; printed 1970s.Walker Evans. Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama. 1936;Walker Evans. Mrs. Frank Tengle and Laura Minnie Lee Tengle, Hale County, Alabama. 1936; printedWalker Evans. Minstrel Poster Detail, Alabama. 1936; printed circa 1970.Dorothea Lange. Towards Los Angeles. 1936; printed 1970s.Dorothea Lange, Three related drought refugee families from homes near Claremore, Oklahoma, 1937.Marion Post Wolcott. Negro going in colored entrance of movie house on Saturday afternoon, Belzoni,Dorothea Lange. Just before the Primary, McLennan County Courthouse, Waco, Texas. 1938; printedAlfred Eisenstaedt. Intermission at the American Ballet School, N.Y.C. 1936; printed 1960s.André Kertész. Ballet, New York. 1938; printed 1975.Edmund Teske. Richard Soakup, Chicago. Summer 1940.A suite of 5 Photomatic self portraits and a vintage Photomatic metal sign. 1940s.Weegee. At Sammy's on the Bowery. 1944; printed 1993 by Sid Kaplan.Wayne Miller. Chorus girls backstage at the Rum Boogie Club, Chicago. 1946.Todd Webb. Boy with Knitted Cap, Detroit. 1942; printed circa 1976.Gordon Parks. American Gothic. 1942; printed circa 1970.Roy DeCarava. Man Coming Up Subway Stairs. 1952.Walter Rosenblum. Two children in the window, East Harlem. 1952; printed circa 1960.Garry Winogrand. Coney Island, New York. 1952; printed 1974.W. Eugene Smith. Untitled, from the A Man of Mercy photo essay. 1954; printed circa 1970.Louis Stettner. Boston Train Station. Circa 1954-58; printed 1975.Dave Heath. Chicago. 1956; printed 1960s.Bruce Davidson. A man with his children, Selma, Alabama, from Time of Change. 1965; printed 1970s.W. Eugene Smith. Welsh Miners. Circa 1950; printed circa 1970.Danny Lyon. Uptown, Chicago. 1965; printed 2000.Baron Adolf de Meyer. Nijinsky, L'Après-midi d'un Faune. 1912; published 1978.Nickolas Muray. A pair of photographs of the dancer Leon Barte, Pavlova Ballet. 1921.Lotte Jacobi. Claire Bauroff, Dancer, Berlin. 1928; printed before 1979.Edward Steichen. Ballerina. Circa 1930s.Howard Dearstyne. Self portrait. 1929.Cecil Beaton. Miss Nancy Beaton as Ophelia. 1930.Ringl + Pit (Grete Stern & Ellen Auerbach). Pit in Veil. 1930; printed 1980s by Ellen Auerbach.André Kertész. Colette, Paris. 1930; printed 1981.Carl Van Vechten. Frida Kahlo. March 19th, 1932; printed circa 1960.Trude Fleischmann. Dolly Haas as Scampolo. 1933.Carl Van Vechten. Florence Deshon. April 9, 1934.Portrait of Dorothea Lange. Circa 1936; printed in 1998 by Rondal Partridge.Boris Lipnitzki. Wassily Kandinsky (1866-1944) in his Paris studio. 1936.Henri Cartier-Bresson. Two portraits of artists: Pierre Bonnard and Augustus John. 1944 and 1950;PaJaMa. Margaret French and Paul Cadmus, Provincetown. 1940s.Horst P. Horst. Bullfighter (Jesús Solórzano) posing at window. Circa 1941.George Platt Lynes. A pair of portraits of Francisco Moncion as Sebastian. 1944.George Platt Lynes. Portrait of the dancer and model Randy Jack. Circa 1947.Arnold Newman. Jackson Pollock, Long Island, NY. 1949; printed 1980s.Weegee. Hedda Hopper. Circa 1950.Herman Leonard. Billie Holiday, New York. 1954; printed 1988.Moneta J. Sleet. Portrait of Billie Holiday. 1956; printed 1980s.Philippe Halsman. Untitled, from Salvador Dali's mustache project. 1953.Robert Doisneau. Picasso et Françoise Gilot. 1952; printed 1980s.Arnold Newman. Pablo Picasso, Vallauris, France. 1954; printed 1970s.Yousuf Karsh. Georgia O'Keeffe. 1956; printed 1990s.Ellen Auerbach. Portrait of Eliot Porter. 1956.Robert Frank. Mary, Andrea, and Pablo in Las Vegas during the making of The Americans. 1955-57;Robert Frank. Portrait of Mary during the Making of The Americans. 1955-57; printed 1960s.Robert Frank. Mary in her Chelsea studio. 1960; printed 1960s.Danny Lyon. Portrait of Robert Frank. 1969.Robert Capa. The Falling Soldier. 1936; printed 1970s.Yousuf Karsh. General Dwight D. Eisenhower. 1946.Dave Heath. Korea. 1953-54; printed 1960s.Philippe Halsman. J. Robert Oppenheimer. 1958.Osvaldo Salas. Con Hemingway (Fidel Castro with Ernest Hemingway). 1960; printed circa 1997.Alberto Korda. Che Guevara. 1960; printed 1980s.Rene Burri. A trio of portraits of Ernesto Guevara (Che), Havana, Cuba. 1963; printed later.Tom Howard. Execution of Ruth Snyder (the first woman to be executed and first photo of execution byPeter Leibing. Leap into Freedom [East German soldier Hans Conrad Schumann jumping barbed wireMalcolm Browne. Burning Monk, South Vietnam. 1963; printed 1969.Eddie Adams. General Nguyen Ngoc Loan Executing Viet Cong Prisoner Nguyen Van Lém, Saigon. 1968Sergeant Robert L. Haeberle. Bodies of women and children are shown on a road leading from theBob Adelman. Joining the flock, West Feliciana Parish, Louisiana. 1963; printed before 1979.Garry Winogrand. Dealey Plaza, Dallas (site of John F. Kennedy's assassination). 1964; printedGordon Parks. Muhammad Ali's Fists. 1966; printed 1980s.Pirkle Jones. Free Huey Rally, Black Panther Party, Sacramento. 1968; printed 1970s.An archive with approximately 65 photographs documenting Black Youth from the Black Star Photo PressBob Adelman. No Man is an Island, Kelly Ingram Park, Birmingham, Alabama (Civil RightsMatt Herron. Vote, Selma March. 1965; printed 1975.Moneta J. Sleet. Mrs. Coretta Scott King and her daughter Bernice at the funeral of Dr. MartinJohn Filo. Kent State Shooting (Mary Ann Vecchio leaning over the body of Jeffrey Miller). 1970;Fred McDarrah. George McGovern and Coretta King, Political Campaign. June 12, 1972.Danny Lyon. Mary, Santa Marta, Colombia. 1972.Susan Meiselas. Before the Show, Tunbridge, Vermont, from the series Carnival Strippers. 1974;George Dureau. Sonny Singleton. Circa 1976.Dawoud Bey. Boy Eating a Foxy Pop, Brooklyn. 1988.Edward Steichen. Heavy Roses, Voulangis, France. 1914; printed 1996.Eugène Atget. Clématites (Clematis). Circa 1915-19; printed circa 1950.Imogen Cunningham. Partridge Aloe. 1925; printed circa 1970.Edward Weston. Nautilus Shell. 1927; printed 1970s by Cole Weston.Edward Weston. Pepper No. 30. 1930; printed 1970s by Cole Weston.Brett Weston. Leaves. 1952; printed circa 1970.Josef Sudek. Egg on Plate. Circa 1962.Minor White. Beginnings, Frosted Window, Rochester, N.Y. 1962; printed circa 1970.Minor White. Ivy, Portland, Oregon. 1964.Paul Caponigro. Sunflower Vase, Millerton, NY. 1970.Marion Post Wolcott. Center of town after blizzard, Woodstock, VT. 1940; printed 1980s.Sol Libsohn. Trucker, from his series "The Trucking Story." 1945.O. Winston Link. Hester Fringer's Living Room on the Tracks. 1955; printed 1999.O. Winston Link. Hotshot Eastbound, Iaeger, West Virginia. 1956; printed 1970s.Eliot Porter. Spruce Trees in Fog, Great Spruce Head Island, Maine. August 20, 1954; printed 1970s.W. Eugene Smith. Lines of Steel, Pittsburgh. 1955-56; printed circa 1970.A vast archive of more than 1000 photographs depicting American trains and locomotives. CircaO. Winston Link. Ghost Town, Stanley, VA. 1957; printed 1993.Wynn Bullock. Floating Logs. 1957.Ralph Steiner. Fire Escape. 1965.Kenneth Josephson. Honolulu (Shopping cart). 1968; printed 1970s.Paul Caponigro. Redding Woods, Connecticut. 1968; printed 1990s.George A. Tice. Rooftops, 21st Ave. and King St., Paterson, NJ * Lawrence & River St., Paterson, NJ.George A. Tice. Woods, Port Clyde, Maine. 1971; printed 1975.Harry Callahan. Cape Cod. 1972.Ray K. Metzker. New Mexico (72 CX-7). 1972.Lee Friedlander. Albuquerque. 1972; printed 1978.William Clift. Black Mesa, San Ildefonso Pueblo, New Mexico. 1973.William Clift. Factory Butte, Utah. 1975.Henry Wessel. Buena Vista, Colorado. 1973.Henry Wessel. Tucson, AZ. 1976.Brett Weston. Reeds, Oregon. 1975; printed 1980.Michael Kenna. The Rouge, Study 15, Dearborn, Michigan. 1993.Howard Dearstyne. Coil of wire around a beer bottle, arranged for Joseph Albers' preliminary course.Ladislav Sutnar, attributed to. Stemmed glasses. Circa 1930s.Aaron Siskind. Study of a 19th-century door latch mechanism. Circa 1935.György Kepes. Solid Forms. 1939; printed circa 1977.Brett Weston. Portfolio entitled Abstraction No. 2. 1927-80; printed 1980.Aaron Siskind. A selection of 10 photographs from the portfolio Martha's Vineyard Sea Weed. 1944-53;Edmund Teske. Jane Lawrence. Circa 1950s.Aaron Siskind. New York 2. 1951; printed 1970s.Ralph Eugene Meatyard. Man with furnace. Late 1950s-early 60s.Lev Borodulin. Ornament of Sport, Moscow. 1956; printed 1970s.Clarence John Laughlin. Leg-a-head and His Operating Device (Homage to Paul Klee). 1961.Jerry Uelsmann. Navigation Without Numbers. 1971.Jerry Uelsmann. Untitled (Philosopher's Desk). 1976; printed 1990s.György Kepes. Fading Numbers. 1979.György Kepes. Abstraction (circles). 1981.E.J. Bellocq. Storyville portrait. 1911-13; printed 1970s by Lee Friedlander.Edward S. Curtis. Sunset Trail. Circa 1922.James Van Der Zee. Nude, Harlem. 1923; printed 1974.Edward Weston. Nude (Tina Modotti on the Azotea). 1923; printed 1970s by Cole Weston.Frantisek Drtikol. Triptych of Salomé. Circa 1925.Albert Arthur Allen. The Model, Series No. 1. 1925.Albert Arthur Allen. Sex-Appeal Series No. 1, No. 2, and No. 3. Circa 1925-29.Edward Weston. Nude (Charis, Santa Monica). 1936; printed 1970s by Cole Weston.PaJaMa (Paul Cadmus, Jared French, and Margaret French). John Butler. 1943.Harry Callahan. Eleanor, Chicago. 1949; printed 1970s.Ruth Bernhard. Untitled (nude). 1954.Imogen Cunningham. The Unmade Bed. 1957; printed early 1970s.Harry Callahan. Eleanor, Aix-en-Provence. 1958; printed 1970s.Ruth Bernhard. In the Box - Vertical. 1962; printed 1980s.Ruth Bernhard. Nude in the Box - Horizontal. 1962; printed 1992.Duane Michals. The Fallen Angel. 1968.Judy Dater. Imogen and Twinka at Yosemite. 1974; printed 2005.Marie-Claire Montanari. Self-portrait. Circa 1980s.Kenneth Josephson. Chicago (nude). 1980.Christopher Makos. Nude study. 1989.Joel-Peter Witkin. Waiting for de Chirico in the Artist's Section of Purgatory, New Mexico. 1994.Peter Henry Emerson. A Winter Pastoral, from Marsh Leaves. 1895.Eugène Atget. Petit Trianon. 1902.André Kertész. Circus, Budapest. 1920; printed circa 1970.Eugène Atget. Storefront, avenue des Gobelins. 1925; printed circa 1960 by Berenice Abbott.André Kertész. Les Midinettes, Paris. 1926; printed 1970s.August Sander. The Painter Anton Räderscheidt, Cologne. 1926; printed 1970s by Gunther Sander.Laszlo Moholy-Nagy. Europe. 1926-34; printed by Yuichi Idaka circa 1946.Laszlo Moholy-Nagy. Europe. 1929; printed by Yuichi Idaka circa 1946.Werner Mantz. Industrial interior. 1928.August Sander. The Boxers. 1928; printed in 1990 by Gerd Sander.August Sander. Lackarbeiter [Varnisher]. 1932; printed 1970s by Gunther Sander.Aleksandr Rodchenko. Pushkin Square. 1932.Bill Brandt. Early morning in Piccadilly Circus. 1930s; printed 1970s.Bill Brandt. Homeless Girl. 1930s; printed 1970s.Henri Cartier-Bresson. Hyères, France. 1932; printed 1980s.Brassaï. Armoire à glace dans un hôtel de passe, rue Quincampoix, Paris. 1932;Alfred Eisenstaedt. Ice Skating Waiter, Grand Hotel, St. Moritz. 1932; printed 1990.Lisette Model. Famous Gambler, Monte Carlo. 1934; printed 1977.Brassaï. L'Île de la Cité, Paris. 1937; printed 1960s.Roman Vishniac. My coachman, Slonim. 1937.Roman Vishniac. Heder, Slonim, Russia. 1938; printed 1970s.Willy Georg. A suite of 7 prints, from In the Warsaw Ghetto series. Summer 1941.Jindrich Styrsky. Store window. 1942.Brassaï. Picasso's studio, rue des Grands-Augustins, with his dog, Kazbek. 1944; printed 1970s.Erwin Blumenfeld. Paris. 1949; printed circa 1965.Dorothy Bohm. Paris. Early 1950s.Dorothy Bohm. L'Île de la Cité, Paris. 1950s.Robert Doisneau. Un Banc au Palais Royal, Paris. 1950; printed circa 1990.Louis Stettner. Farmer by the Sea, Normandy. 1951; printed circa 1970.Willy Ronis. Bois de Boulogne. 1954; printed 2005.Elliott Erwitt. Arc de Triomphe, Paris. 1956; printed 2000s.Willy Ronis. Les Amoureux de la Bastille. 1957; printed 2005.Ruth Orkin. American Girl in Italy, Florence. 1951; printed 1960s.Mario Giacomelli. Storie di Terra, from Paesaggio. 1956; printed circa 1980.Todd Webb. A Retrospective Set with 25 Photographs. 1946-83; printed circa 1980.Josef Sudek. Walkway through park, Prague. Circa 1940s-50s; printed circa 1970.Édouard Boubat. Femme aux fleurs, Portugal, from the portfolio Édouard Boubat. 1958;Willy Ronis. Venice. 1959; printed 2005.Irving Penn. Young Gypsy Family, Extremadura, Spain. 1965; printed 1986.Bruce Davidson. White Horse (Welsh Miners). 1965.Paul Caponigro. Running White Deer, Wicklow, Ireland. 1967.Manuel Álvarez Bravo. Retrato de lo Eterno [Portrait of the Eternal]. 1935; printed circa 1980.Irving Penn. Farmer and Son, Cuzco, Peru. 1948; printed 1949.Rosalind Fox Solomon. Catalin Valentin's Lamb, Ancash, Peru, from the series Here or There. 1981;Graciela Iturbide. Angelito Mexicano (Mexican Cherub), Chalma. 1984.Graciela Iturbide. Tehuantepec, Oaxaca. 1985; printed 1990s.Graciela Iturbide. Los Pollos, Juchitan, Mexico. 1970; printed 1990s.Ellen Auerbach. Ain Karim, Palestine. 1935; printed 1980s.Marc Riboud. Nigeria. 1961; printed 1990s.Malick Sidibé. Portrait presented in Sidibé's custom frame with colorful reverse paintedMalick Sidibé. Le chasseur et le photographe [The Hunter and the photographer]. 1974; printedEmmet Gowin. Ürgüp, Turkey. 1985; printed 1986.Marc Riboud. Istanbul. 1998.Hedda Hammer Morrison. Temple of Heaven, Beijing. 1933-46.Hedda Hammer Morrison. Tai Miao, Beijing. 1933-46.Fan Ho. Demolishing, Hong Kong. 1956; printed 2006.Fan Ho. Three Men Walking, Hong Kong. 1962; printed 2006.Henri Cartier-Bresson. Last Days of the Kuomintang, Peking. 1949; printed 1984.Henri Cartier-Bresson. Last Days of the Kuomintang, Peking. December 1948; printed 1984.A rare archive of more than 350 photographs documenting the RMK-BRJ construction consortium'sLee Friedlander. Kyoto, Japan. 1977; printed 1978.David Gahr. Portrait of Diane Arbus. 1967; printed 1980s.Jim Marshall. A suite of 8 portraits of musicians. 1960-75; printed 1990s.Billy Name. The Factory: Group portrait with Andy Warhol, Susan Bottomly, Nico, and Mary Woronov *Don McCullin. The Beatles. July 28, 1968; printed 1980s.Iain Macmillan. John Lennon and Yoko Ono. 1972; printed 1980s.Albert Watson. Alfred Hitchcock, Los Angeles. 1973.Nicholas Nixon. The Brown Sisters, New Canaan, Conn. 1975.Herb Greene. Dark Star (Jerry Garcia). 1979; printed 2006.Peter Hujar. Keith, N.Y. 1981.Christopher Makos. Andy Warhol in Drag. 1981; printed 1990s.Andy Warhol. Jerry Hall & Grace Jones, Palladium nightclub, New York. May 1985.Robert Mapplethorpe. Two color portraits (Edward Mapplethorpe). 1983.Andy Warhol. Henry Geldzahler. 1979.Herb Ritts. Portrait of David Hockney, Los Angeles. 1989.Bruce Weber. Greg Louganis, Los Angeles, California, 1983; printed 1990s.Bruce Weber. Spike Lee. Circa 1990s.Richard Avedon. The pop duo Eurythmics, Annie Lennox and Dave Stewart. Circa 1999.Sante D'Orazio. Patricia Velasquez. 2004; printed before 2012.An album with 27 photographs featuring tableaux of mannequins in store windows and studios. 1920s.Horst P. Horst. Diana Barrymore for Vogue. 1938.Louise Dahl-Wolfe. Mizza Bricard at Dior, Paris. Circa 1950; printed circa 1975.Cecil Beaton. Christian Dior's Paris Salon for Cadillac. 1955.William Klein. Smoke + Veil, Paris (Vogue). 1958; printed 1990s.Richard Avedon. Dovima and Colin Fox as Newlyweds for Harper's Bazaar. Circa 1955.A pair of portraits of beauty brand entrepreneur and art collector Helena Rubinstein, one by PatrickWilliam Klein. Nina & Simone, Piazza di Spagna, Rome (Vogue). 1960; printed 1990s.Melvin Sokolsky. Betsy Updraft, New York, for Harper's Bazaar. 1960; printed 2009.Melvin Sokolsky. Cathee Dahmen for Harper's Bazaar. Circa 1968.Iconic Harper's Bazaar issue featuring the rare Richard Avedon/Jean Shrimpton lenticular “Helmut Newton. Karl Lagerfeld. Circa 1983; printed 1990s.Horst P. Horst. Model dressed in an evening gown posing in an artist's studio. Circa 1985.Len Prince. Ford Models Swimsuit Sequence V. 1991.Deborah Turbeville. Ballerina, from the series Studio St. Petersburg. 1995.Deborah Turbeville. Lisbon, Portugal (Models on Sofa), from W Magazine. 1999.Helmut Newton. SUMO. 1999.Steven Meisel. Linda Evangelista. 2002.Cathleen Naundorf. La Libellule, Haute Couture Collection Jean-Paul Gaultier, Paris. 2008; printedErnst Haas. Locksmith's sign, New York. 1952; printed 2014.Ernst Haas. Blue Winter, Yosemite National Park. 1966; printed 2014.Robert Heinecken. Untitled #275 (Glamour Magazine). 1971.John Baldessari. Throwing Three Balls in the Air to Get a Straight Line. (Best of Thirty-sixWilliam Eggleston. A suite of 8 images from the Jamaica Botanical series. 1978.Jan Saudek. Flowers. Circa 1982.Jeff Brouws. Mohawk, Delano, California. 1989; printed 2025.Joel Meyerowitz. From the Bay/Sky series, Provincetown. 1991.Mitch Epstein. Butterfly on Bicycle Chain, Hue, Vietnam. 1992.Susan Derges. The Observer and the Observed #16. 1991.Hiroshi Sugimoto. Plates #338 and #347 from the "Time Exposed" portfolio. 1990; printed 1991.James Welling. Harper's Ferry, WV. 1991.James Welling. East Rock, from the Light Sources series. 1996.John Patrick Dugdale. Self Portrait with Madonna Lily. 1992.Christopher Bucklow. The Beauty of the World, 2.53 pm 18th November 1993. 1993.Cássio Vasconcellos. Voo Rio São Paulo [Rio Sao Paulo Flight]. 1994; printed 1999.Abelardo Morell. 1841 Book of Proverbs for the Blind #1. 1995.Toshio Shibata. Weir Dam, Sullivan County, TN. 1997.Evelyn Hofer. Pewter Pitcher with Grapes (Still Life No. 7), New York. 1997.Vik Muniz. Aftermath (Emerson), from the Children of Brazil project. 1998.Abelardo Morell. Water Alphabet. 1998.John Patrick Dugdale. A suite of 4 photographs, from The Clandestine Mind. 1997-99; printed 1999.John Patrick Dugdale. Spectacle. 1999.Mona Kuhn. Merle. 2003.Lynn Davis. Iceberg II, Disko Bay, Greenland. 2004; printed 2005.Duane Michals. A mini archive of 10 signed and out-of-print volumes.Duane Michals. Forty-Three Eggs and Five Feathers. 2007.Bruce Rae. Rose XV. Circa 2007.Cig Harvey. Syd, Boxing Day. 2008.Tom Fels. Catalpa Triptych. September 16, 2019.

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