Old Master Through Modern Prints

online only auction | 1 day sale | 8 days away
Location
New York, NY 10010
Dates

Sale Starts

Thu
Oct 29
10:30am

Sale Ends

Thu
Oct 29

Terms & Conditions

CONDITIONS OF SALE

The property described in this catalogue, as amended by any posted notices or oral announcements during the sale, will be sold by Swann Galleries, Inc. (Swann) as agent for various owners (the Consignors). These CONDITIONS OF SALE, and the LIMITED WARRANTY and ADVICE TO PROSPECTIVE BIDDERS set forth elsewhere in the catalogue are the complete and only terms and conditions on which all property is offered for sale. By bidding at auction (whether present in person or by agent, by written or telephone bid, or by any other means) the buyer agrees to be bound by these Conditions of Sale.

1. THE AUTHENTICITY OF PROPERTY LISTED IN THIS CATALOGUE IS WARRANTED TO THE EXTENT STATED IN THE "LIMITED WARRANTY" EXCEPT AS PROVIDED THEREIN. ALL PROPERTY IS SOLD "AS IS" AND NEITHER SWANN NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, AND IN NO EVENT SHALL THEY BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE. NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.

2. All bids are to be per lot as numbered in the catalogue.

3. NEITHER SWANN NOR THE CONSIGNOR MAKES ANY REPRESENTATION THAT THE PURCHASER OF MANUSCRIPT MATERIAL, PHOTOGRAPHS, PRINTS, OR WORKS OF ART WILL ACQUIRE ANY COPYRIGHT OR REPRODUCTION RIGHTS THERETO.

4. Swann reserves the absolute right (a) to withdraw any property at any time before its actual final sale, including during the bidding, and (b) to refuse any bid from any bidder. The auctioneer is the sole judge as to the amount to be advanced by each succeeding bid.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, rescission of the sale and refund of the purchase price; and without limitation, no purchaser shall be entitled to damages of any kind.

6. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have the absolute discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, Swann's sales records shall be conclusive as to the purchaser, amount of highest bid, and in all other respects.

7. The purchase price paid by a purchaser shall be the sum of the final bid and a buyer's premium of 27% of the final bid on each lot up to and including $100,000; 22% of the the portion of the hammer price above $100,000 up to and including $1,000,000; and 12% of the portion of the hammer price above $1,000,000 ("the Buyer's Premium"), plus all applicable sales tax. An additional buyer?s premium may be charged on any purchase made through a live online auction as posted by Swann in accordance with such live online auction. For Invaluable.com and Liveauctioneers.com, the additional buyer's premium is 5%.

8. On the fall of the auctioneer's hammer, title to the offered lot or article will pass to the highest acknowledged bidder, who thereupon (a) immediately assumes full risk and responsibility therefor, (b) will immediately sign a confirmation of the purchase therefor, setting forth his name and address, and (c) will immediately pay the full purchase price therefor. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to Swann and the Consignor by law (including without limitation the right to hold the purchaser liable for the bid price), Swann, at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) resell the property, either publicly or privately, for the account and risk of the purchaser, and in such event the purchaser shall be liable for the payment of all deficiencies plus all costs, including warehousing, the expenses of both sales, and Swann's commission at its regular rates and all other charges due hereunder. Swann may also impose late charges of 1.5% per month (or the highest rate allowed under applicable law, whichever is lower) on any amounts unpaid.

9. All property shall be removed from Swann by the purchaser at his expense no later than five (5) days following its sale, and if not so removed may, at Swann's option, be sent by Swann to a public warehouse at the account, risk and expense of the purchaser. Whether sent to a warehouse or stored by Swann, the purchaser shall be liable for all actual expenses incurred plus a storage charge of 5% of the purchase price.

10. Except as noted in this paragraph, all lots in this sale are offered for the account of a third party, without any interest (direct or indirect) of the auctioneer or Swann. Where Swann or an affiliate of Swann is the sole or partial owner of the property it is noted by the symbol l next to the description of that lot. Under no circumstances will the Consignor receive any rebate commission. Under no circumstances may the Consignor bid upon or buy back his property.

11. Except as may be otherwise expressly provided herein, any and all claims of a purchaser shall be deemed to be waived and without validity unless delivered in writing by registered mail return receipt requested to Swann within thirty (30) days of the date of sale.

12. The rights and obligations of the parties shall be governed by the laws of the State of New York. All bidders and the purchaser submit to the personal jurisdiction of the New York State courts and their rules and procedures in the event of any dispute.

13. No waiver or alteration of any of these Conditions of Sale, the Advice to Prospective Bidders, the Limited Warranty, the estimates, or any other matter in this catalogue or any other matter whatever (whether made by the auctioneer, or Consignor, or any representative of Swann) shall be effective unless it is in writing and signed by a representative of Swann.

14. THE "LIMITED WARRANTY" APPEARING BELOW AND THE "ADVICE TO PROSPECTIVE BIDDERS" APPEARING OVERLEAF FORM PART OF THESE CONDITIONS OF SALE.


LIMITED WARRANTY

We warrant the authenticity and condition of each lot catalogued herein on the terms and conditions set forth below.

1. Unless otherwise indicated in the respective catalogue descriptions (which are subject to amendment by oral or written notices or announcements made by Swann prior to sale), we warrant for a period of three (3) years from the date of sale the authenticity of each lot catalogued herein. (Please note Paragraphs 3 and 5 below.)

2. Except as noted above, or unless otherwise indicated in the respective catalogue description, we warrant for a period of thirty (30) days from the date of sale to the original buyer of record, that each book or manuscript is complete in text and illustration and generally is in such physical condition as may reasonably be expected considering the age and provenance. This warranty does not cover damages to binding, stains or foxing, wormholes, short leaves of text or plates or any defect not affecting the completeness of the text. Moreover, this warranty does not cover the lack of inserted advertisements, blank leaves, cancels or subsequently published volumes.

3. Serial publications, books in original parts, extra-illustrated books, made up "albums" and lots described as "sold as is," "sold not subject to return," "not collated," "collection of " or "group of," and any lot containing more than three (3) items, are sold as is and therefore not covered by these warranties.

4. The benefits of these warranties are not assignable and are applicable only to the original buyer of the lot, and are conditioned on the buyer returning the work in the same condition as at time of sale and in the time period specified.

5. (a) The buyer's sole remedy under these warranties shall be the rescission of the sale and refund of the original purchase price paid for the item, and this remedy shall be exclusive and in lieu of any other remedy which might otherwise be available to the buyer as a matter of law.

(b) In the event that a buyer claims that an item is not authentic, Swann shall have no obligation to rescind the sale unless the buyer has obtained, at the buyer's expense, the opinion of two recognized experts in the field, who are mutually agreeable to Swann and the buyer, that a lot or portion thereof is not authentic.


ADVICE TO PROSPECTIVE BIDDERS

1. ALL PROPERTY IS SOLD SUBJECT TO THIS ADVICE, THE CONDITIONS OF SALE, AND TERMS OF WARRANTY PRINTED IN THE CATALOGUE.

2. INSPECTION OF PROPERTY. Prospective bidders or their agents should inspect property prior to the auction. Swann staff are available to advise prospective bidders at all pre-sale exhibitions and by appointment.

3. BUYER'S PREMIUM. The purchase price payable on any lot purchased will be the total of the final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale, plus all applicable sales taxes.

4. SALES TAX. All items purchased are subject to payment of the New York City and State sales tax of 8.875% on the total purchase price (final bid plus the Buyer's Premium as defined in paragraph 7 of the Conditions of Sale) unless the purchaser presents proof of exemption therefrom. An exempt purchaser must provide a properly completed New York State Resale Certificate (Form ST-120) evidencing possession of a valid New York State Resale or, for non-New York State businesses, the equivalent resale authorization from another locale. Purchases shipped outside of New York State may be subject to sales tax imposed by another state, and any such sales taxes will also be due and payable unless proper proof of exemption therefrom is provided. Purchases will not be released unless all sales tax requirements are satisfied.

5. BIDDING INCREMENTS. $10 up to $150; then $25 to $500; $50 to $1,000; $100 to $2,000; $200 to $6,000; $500 to $10,000; $1,000 to $20,000; $2,000 to $50,000; and approximately 10% of the current bid thereafter. However, the auctioneer may modify the increments at any time.

6. RESERVES. All lots are subject to a reserve, which is the confidential minimum price agreed to with the seller below which the lot will not be sold. The reserve will never be higher than the low pre-sale estimate, and will never be lower than half the low estimate. Swann may implement such reserve by opening the bidding on behalf of the seller and may bid up to the amount of the reserve by placing successive or consecutive bids for a lot in response to other bidders.

7. ESTIMATES. The estimates provided are intended as a guide to bidding. The figures are educated guesses, based on recent values. A bid between the listed figures would, in our opinion, have a chance of success (at the time the catalogue was prepared). The estimates are exclusive of the buyer's premium, and may be revised at any time prior to the auction.

8. BIDDING. All persons attending the auction must obtain a bidding number prior to bidding. If bids cannot be made in person or by an agent, they may be made by mail, fax. e-mail, or telephone and such bids will be executed without charge.

9. ABSENTEE BIDS will be executed by Swann on the bidder's behalf in competition with other absentee bids and bidding in the room. Every effort will be made to carry out the bidder's instructions, but Swann shall in no event be responsible for failing correctly to carry out instructions, and Swann reserves the right to decline to undertake such bids. Bids by mail should be made in U.S. dollars on the bid sheet found at the end of the catalogue and in accordance with the instructions on the bid sheet.

10. REMOVAL OF PROPERTY. All lots purchased shall be removed at the purchaser's risk and expense by the end of the fifth business day following the sale. Purchases not so removed will be treated as set forth in paragraph 9 of the Conditions of Sale.

11. SHIPMENT. Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, postage and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment.

12. PRICES REALIZED. A list of prices realized is published on our website www.swanngalleries.com at the conclusion of the sale. The Prices Realized is also available at Swann and will be mailed upon request.

13. CREDIT. Bidders whose credit is unknown to Swann should submit acceptable credit references or make prior arrangements for payment, failing which purchases will not be released until funds have cleared. Mail bidders should submit references or a deposit of 25% of their maximum bid. If successful, the deposit will be applied to the purchase; if unsuccessful, the deposit will be returned.

14. LOTS NOT RETURNABLE. Paragraph 3 of the Limited Warranty describes lots which are sold as is and not returnable. Books, manuscripts, prints, drawings, photographs, signatures, or any other property offered in a lot comprising more than 3 items, whether or not such items are individually named, constitute "Grouped Lots." Such ?Grouped Lots" are not subject to return for any reason.
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Swann Auction Galleries

Description & Details

Swann's premiere print sale will showcase a carefully considered selection of works that reflect the breadth and timelessness of the printmaking practice—from refined impressions by early masters such as Albrecht Dürer and Rembrandt van Rijn, to trailblazing modern artists like Maurits C. Escher and Marc Chagall.

Outstanding offerings include works by Pablo Picasso, including the complete deluxe portfolio of "Lysistrata," an important 1934 work that contains six etchings depicting Aristophanes' ancient comedy. Examples from his later career include a color linocut from 1962, "Petite tête de femme couronnée/Woman with a Crown of Flowers (Small Variant)," which represents the artist's late mastery of the medium through bold form and expressive portraiture. Another modern highlight is Escher's "Rind," a 1955 wood engraving and woodcut that explores the artist's unmistakable sense of spatial invention and psychological intrigue.

Martin Lewis's "Relics (Speakeasy Corner)," a 1928 drypoint evoking the nocturnal atmosphere of Greenwich Village, stands out among the American highlights. Works by Regionalist masters such as Grant Wood and Thomas Hart Benton are well represented, including "The Race," Benton's iconic 1942 lithograph that captures a lone horse racing a steam engine across a barren midwestern prairie.

The sale will also feature old master and nineteenth-century art, including unique and interesting compositions from artists such as Hendrick Goltzius, Francisco Goya, Édouard Manet and Suzanne Valadon, granting opportunities to acquire works of artistic significance and enduring interest.
Martin Schongauer (1430-1491), Christ Enthroned, with two Angels, circa 1475-80.Wolfgang Aurifaber (15th Century); (after Master E.S.), Maria mit dem Kind und dem Churwaldener AbtAlbrecht Dürer (1471-1528), The Ill-Assorted Couple, before 1496.Albrecht Dürer (1471-1528), The Four Avenging Angels, 1498.Albrecht Dürer (1471-1528), Hercules Conquering the Molionide Twins, 1496-1498.Albrecht Dürer (1471-1528), The Holy Family with the Three Hares, circa 1498.Albrecht Dürer (1471-1528), St. Sebastian Bound to the Tree, circa 1501.Albrecht Dürer (1471-1528), The Flight into Egypt, circa 1503.Albrecht Dürer (1471-1528), The Last Judgment, 1509-11.Albrecht Dürer (1471-1528), Pentecost, 1509-11.Albrecht Dürer (1471-1528), Pilate Washing His Hands, 1512.Albrecht Dürer (1471-1528), The Last Supper, 1523.Albrecht Dürer (1471-1528), Knight, Death, and the Devil, 1513.Johannes Wiericx (after Dürer), (1549-1620), St. Jerome in his Study, 1600.Johannes Wiericx (after Dürer), (1549-1620), Melencolia I, 1602.Lucas Cranach, the Elder (1472-1553), Christ before Herod, 1509.Albrecht Altdorfer (1480-1538), Virgin and Child in a Landscape, circa 1515.Albrecht Altdorfer (1480-1538), Nativity, circa 1513.Ludwig Krug (1490-1532), The Nativity, 1516.Lucas van Leyden (1494-1533), Susanna and the Elders, 1506-10.Lucas van Leyden (1494-1533), Virgin and Child in Niche, circa 1518.Lucas van Leyden (1494-1533), The Crucifixion at Calvary (Golgotha), 1517.Lucas van Leyden (1494-1533), Cain Killing Abel, 1524.Barthel Beham (1502-1540), St. Christopher, 1520.Marcantonio Raimondi (after Raphael), (1470-1527), The Virgin and the Cradle, circa 1520.Marcantonio Raimondi (1470-1527), Naked Man Wearing an Elaborate Helmet Viewed from Behind Holding aUgo da Carpi (c.1480-1532) after Peruzzi, Hercules Chasing Avarice from the Temple of the Muses,Agostino Veneziano (circa 1509-1536) (after Michelangelo), Les grimpeurs/The Climbers (SoldiersNicolas Beatrizet (1507-1565) after Baccio Bandinelli, The Massacre of the Innocents, circa 1525.Agostino Carracci (1557-1602), Saint Jerome, circa 1602.Johannes and Lucas van Doetecum (after Pieter Bruegel the Elder) (1528/32 - 1605), PagusPieter van der Heyden (circa 1450-1516); (after Hieronymus Bosch), Die Blau Schuyte/The Ship ofHendrick Goltzius (1558-1617), The Separation of the Blessed and the Damned. circa 1577. From TheHendrick Goltzius (1558-1617), The Great Standard-Bearer, 1587.Hendrick Goltzius (1558-1617), The Holy Family under a Cherry Tree, 1589.Hendrick Goltzius (1558-1617), Hans Bol, 1593.Hendrick Goltzius (1558-1617), The Passion of Christ, 1596-98.Jan Saenredam (1565 - 1607) (after Hendrick Goltzius). Marcus Furius Camillus arriving in Rome toJacques Callot (1592-1635), Les deux pantalons/Two Men in Pantsuits, circa 1616.Jacques Callot (1592-1635), Les petites misères de la guerre/The Miseries of War (smallRembrandt van Rijn (1606-1669), Man in Coat and Fur Cap Leaning against a Bank, circa 1630.Rembrandt van Rijn (1606-1669), Beggar with a Wooden Leg, circa 1630.Rembrandt van Rijn (1606-1669), Bust of Man Wearing a High Cap, Three Quarters Right (The Artist'sRembrandt van Rijn (1606-1669), Bust of an Old Man with a Fur Cap and Flowing Beard, nearly FullRembrandt van Rijn (1606-1669), Old Man with Beard, Fur Cap and Velvet Cloak, circa 1631.Rembrandt van Rijn (1606-1669), The Descent from the Cross: Second Plate, 1633.Rembrandt van Rijn (1606-1669), Self Portrait in a Cap and Scarf with the Face Dark: Bust, 1633.Rembrandt van Rijn (1606-1669), Jan Cornelis Sylvius, 1633.Rembrandt van Rijn (1606-1669), The Tribute Money, circa 1634. A scarce variant impression printedRembrandt van Rijn (1606-1669), Stoning of St Stephen, 1635.Rembrandt van Rijn (1606-1669) St. Jerome Kneeling in Prayer, Looking Down, 1635.Rembrandt van Rijn (1606-1669) Bald Old Man with a Short Beard, in Profile Right, circa 1635.Rembrandt van Rijn (1606-1669) Old Bearded Man in a High Fur Cap, with Eyes Closed, circa 1635.Rembrandt van Rijn (1606-1669), Jan Uytenbogaert, Preacher of the Remonstrants, 1635.Rembrandt van Rijn (1606-1669), Jan Uytenbogaert, Preacher of the Remonstrants, 1635.Rembrandt van Rijn (1606-1669), Menasseh Ben Israel, 1636.Rembrandt van Rijn (1606-1669), Self Portrait with Saskia, 1636.Rembrandt van Rijn (1606-1669), Jan Uytenbogaert, "The Goldweigher", 1639.Rembrandt van Rijn (1606-1669), Death of the Virgin, 1639.Rembrandt van Rijn (1606-1669), The Beheading of St. John the Baptist, 1640.Rembrandt van Rijn (1606-1669), The Presentation in the Temple, circa 1640.Rembrandt van Rijn (1606-1669), The Angel Departing from the Family of Tobias, 1641.Rembrandt van Rijn (1606-1669), A Hurdy-Gurdy Player Followed by Children at the Door of a HouseRembrandt van Rijn (1606-1669), The Card Player, 1641.Rembrandt van Rijn (1606-1669), Man at a Desk Wearing a Cross and Chain, 1641.Rembrandt van Rijn (1606-1669), St. Jerome in a Dark Chamber, 1642.Rembrandt van Rijn (1606-1669) The Rest on the Flight into Egypt: A Night Piece, circa 1644.Rembrandt van Rijn (1606-1669), Nude Man Seated and Another Standing with a Woman and a Baby, circaRembrandt van Rijn (1606-1669), Jan Asselijn, Painter ("Krabbetje"), circa 1647.Rembrandt van Rijn (1606-1669), Christ Healing the Sick (Hundred Guilder Print), circa 1649.Rembrandt van Rijn (1606-1669), The Bathers, 1651.Rembrandt van Rijn (1606-1669), Clement de Jonghe, Printseller, 1651.Rembrandt van Rijn (1606-1669), The Descent from the Cross by Torchlight, 1654.Rembrandt van Rijn (1606-1669), The Goldsmith, 1655Rembrandt van Rijn (1606-1669), Pieter Haaringh ("Young Haaringh"), 1655.Rembrandt van Rijn (1606-1669), Peter and John Healing the Cripple at the Gate of the Temple, 1659.Rembrandt van Rijn (1606-1669), Jan Antonides van der Linden, 1665.Giovanni B. Castiglione (1609-1664), The Nativity with God the Father and the Angels, circa 1647.Giovanni B. Castiglione (1609-1664), A Bearded Old Man with his Head Leaning Forward, Wearing aGiovanni B. Castiglione (1609-1664), Circe Changing Ulysses Men into Beasts, circa 1651.Salvator Rosa (1615-1673), The Figurine Series, circa 1656-57.Jan de Visscher (after Berchem), (c. 1636–before 1712), The Times of Day, circa 1660.Adriaen van Ostade (1610-1685), Anglers, circa 1653.,Jacob van Ruisdael (1628-1682), The Little Bridge, 1650.Jacob van Ruisdael (1628-1682), The Great Beech (Two Farmers with their Dog), circa 1652.Jacob van Ruisdael (1628-1682), Cottage at the Top of a Hill, circa 1660.Giovanni B. Piranesi (1720-1778), The Round Tower,1749-50.Giovanni B. Piranesi (1720-1778), The Staircase with Trophies, circa 1749.Giovanni B. Piranesi (1720-1778), The Giant Wheel, 1749-50.Giovanni B. Piranesi (1720-1778), The Arch with a Shell Ornament, circa 1749Giovanni B. Piranesi (1720-1778), The Pier with Chains,1749-50.Giovanni B. Piranesi (1720-1778), Veduta della Piazza del Popolo, 1750.Giovanni B. Piranesi (1720-1778), Veduta di Piazza Navona sopra le Rovine del Circo Agonale, 1751.Giovanni B. Piranesi (1720-1778), Veduta della Piazza della Rotonda, 1751.Giovanni B. Piranesi (1720-1778), Veduta dell'Arco di Costantino, e dell'Anfiteatreo Flavio detto ilGiovanni B. Piranesi (1720-1778), Veduta dell'Anfiteatro Flavio, detto il Colosseo, 1757.Jean Honoré Fragonard (after Lanfranco), Saint Mark, circa 1761-1765.Jean-Honoré Fragonard (after Sebastiano Ricci) (1732-1806), The Disciples at Emmaus, 1763-1764.Giovanni D. Tiepolo (1727-1804), Tre figure allegoriche, circa 1760-1770.Giovanni D. Tiepolo (1727-1804), Vecchio barbuto con capello, 1770.Francisco Goya (1746-1828), El Agarrotado, 1778-80.Francisco Goya (1746-1828), Three aquatints with etching from Los Desastres de la Guerra/DisastersFrancisco Goya (1746-1828), Al Toro y al Aire Darles Calle (Lluvia de Toros)/Make Way for Bulls andFrancisco Goya (1746-1828), Quien se pondrá el cascabel al gato? (Disparate de Bestia)/Who willFrancisco Goya (1746-1828), Bailando en una cuerda floja (Disparate Puntual)/Dancing on a slack ropeEdgar Degas (1834-1917) & George W. Thornley (1857-1935), La toilette de danseuse, circa 1888-89.Edgar Degas (1834-1917) & George W. Thornley (1857-1935), Le chanson du chien, circa 1888-89.Henri de Toulouse-Lautrec (1864-1901), Les Vieilles Histoires, 1893.Henri de Toulouse-Lautrec (1864-1901), Aux Ambassadeurs—Chanteuse au Café-Concert, 1894.Henri de Toulouse-Lautrec (1864-1901), La Loge au Mascaron Doré, 1894.Henri de Toulouse-Lautrec (1864-1901), Femme au lit, profil, Au petit lever, 1896.Henri de Toulouse-Lautrec (1864-1901), Le Jockey, 1899.Pierre-Auguste Renoir, (1841-1919), L'enfant au biscuit (Jean Renoir)., Color lithograph on ArchesPierre Bonnard (1867-1947), Scène de famille, 1893.Mary Cassatt (1844-1926), Maternal Caress, 1890-91.Mary Cassatt (1844-1926), Feeding the Ducks, circa 1894.Jacques Villon (1875-1963), La Parisienne (tournée à gauche, petite planche), 1904.Théophile-Alexandre Steinlen (1859-1923), L'Hiver, Chat sur un Coussin, 1909.Théophile-Alexandre Steinlen (1859-1923), L'Été, Chat sur une balustrade, 1909.George Wesley Bellows (1882-1925), Elsie, Emma and Marjorie (Second Stone), 1921.George Wesley Bellows (1882-1925), My Family, Second Stone, 1921.John Sloan (1871-1951), Robert Henri, Painter, 1931.Lyonel Feininger (1871-1956), Die Grüne Brücke/The Green Bridge, 1910-11.Ernst Ludwig Kirchner (1880-1938), Frau, Schuh zuknöpfend, 1912.Max Pechstein (1881-1955), Akrobaten III, 1912.Karl Schmidt-Rottluff (1884-1976), Haus mit Pappeln, 1913.Karl Schmidt-Rottluff (1884-1976), Weiblicher Kopf, 1915.Max Beckmann (1884-1950), Liebespaar I, 1916.Max Beckmann (1884-1950), Der Ausrufer (Selbstbildnis), 1921.Otto Dix (1891-1969), Matrose und Mädchen, 1923.Otto Dix (1891-1969), Südlicher Matrose, 1923.Ernst Ludwig Kirchner (1880-1938), Laufende Mädchen im Walde, 1926.Ernst Ludwig Kirchner (1880-1938), Knabenkopf Andreas, 1924.Kees van Dongen (1877-1968), Femme au Chapeau Rouge, circa 1925-30.Henri Matisse (1869-1954), Grand Visage, 1929.William Blake (1757-1827), Behold Now Behemoth which I Made with Thee, 1825.William Blake (1757-1827), The Whirlwind of Lovers, 1827.Eugène Delacroix (1798-1863), Un Forgeron/The Blacksmith, 1833.Eugène Delacroix (1798-1863), Arabes d'Oran, 1833.Eugène Delacroix (1798-1863), Weislingen attaqué par les gens de Goetz, 1836.Charles Meryon (1821-1868), Tourelle, rue de la Tixeranderie, 1852.Jean-Baptiste-Camille Corot (1796-1875), Souvenir d'Ostie, 1855.Jean-Baptiste-Camille Corot (1796-1875), Les Jardins d'Horace, 1856.Jean-François Millet (1814-1875), Les glaneuses/The Gleaners, 1855-56.Jean-François Millet (1814-1875), La Barrateuse, 1855-56.Jean-François Millet (1814-1875), La Couseuse, 1855-56.Jean-Baptiste-Camille Corot (1796-1875), Le bouquet de Belle Forière/The Clump of Trees atJean-Baptiste-Camille Corot (1796-1875), Saltarelle, 1858.Théodore Rousseau (1812-1867), Le plaine de la Plante à Biau/The Plains, Plante àJean-Baptiste-Camille Corot (1796-1875), Environs de Rome, 1866.Édouard Manet (1832-1883), Le Buveur d'Absinthe, 1862.Édouard Manet (1832-1883), Fleur Exotique (La Femme a la Mantille), 1868.Édouard Manet (1832-1883), Le Chat et les Fleurs, 1869.Jean-Baptiste-Camille Corot (1796-1875), Le dormoir des vaches/The Cow Pasture, 1871.Jean-Baptiste-Camille Corot (1796-1875), Two prints.James Abbott McNeill Whistler (1834-1903), Title page (Whistler Sketching) for 'Douze eaux fortesJames Abbott McNeill Whistler (1834-1903), Rotherhithe, 1860.James Abbott McNeill Whistler (1834-1903), Hurlingham, 1879.

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