HAMMER DOWN 2025 SALE

online only auction | 8 day sale | 8 days remaining
Location
Salem, OR 97301
Dates

Sale Starts

Tue
Dec 23
12pm

Sale Ends

Tue
Dec 30
6:30pm

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Salem Auction House
2828 Cherry Ave NE
Salem OR 97301
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Salem Auction House

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(503) 979-3073

Description & Details

Hammer Down 2025 is our last auction for the year featuring fine art, carpets, furniture, jewelry, antiques, and more. Please read all terms and conditions. 20% buyer’s premium. We offer local pickup in Salem, OR along with in house shipping, UPS Pack and Ship Guarantee, and white glove delivery.

Previews are available during posted open hours and by appointment.

This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features a stunning postmodern art glass bowl by IBEX Glass Studio circa 1992. This bowl is in excellent condition, signed underneath, and measures, 8” H x 13” W x 13” D. Formed in 1985 by Dimitri Michaelides, Sam Stang and David Levi, IBEX Glass Studio was heavily influenced by American studio glass pioneers, mid-century Venetian glass, and postmodern European design, including Ettore Sottsass and his Memphis contemporaries. Sitting on a round black foot, this bowl has a tapered cylindrical red bowl, and a delicate yellow rim. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a studio made pitcher by listed Oregon artist, Mary Lou Zeek. Signed underneath and measures, 13” H x 9” W x 7” D. This lot features a lidded crock or jar by Richards Pottery, dated 1969. A wonderful example of studio pottery made of stoneware material and features a speckled brown glaze. This crock measures, 5” H x 6” W x 6” D. This lot features a lidded crock or jar by Richards Pottery, dated 1969. A wonderful example of studio pottery made of stoneware material and features a speckled brown glaze. This crock measures, 5” H x 6” W x 6” D. This lot features a lidded crock or jar by Richards Pottery, dated 1969. A wonderful example of studio pottery made of stoneware material and features a speckled brown glaze. This crock measures, 5” H x 6” W x 6” D. This lot features a lidded crock or jar by Richards Pottery, dated 1969. A wonderful example of studio pottery made of stoneware material and features a speckled brown glaze. This crock measures, 5” H x 6” W x 6” D. This lot features a lidded crock or jar by Richards Pottery, dated 1969. A wonderful example of studio pottery made of stoneware material and features a speckled brown glaze. This crock measures, 5” H x 6” W x 6” D. This lot features a studio pottery charger by listed Oregon artist, Jeff Proctor. Signed on the verso and measures, 10” H x 10” W. This lot features a studio pottery charger by listed Oregon artist, Jeff Proctor. Signed on the verso and measures, 10” H x 10” W. This lot features a studio pottery charger by listed Oregon artist, Jeff Proctor. Signed on the verso and measures, 10” H x 10” W. This lot features a studio pottery charger by listed Oregon artist, Jeff Proctor. Signed on the verso and measures, 10” H x 10” W. This lot features a studio pottery charger by listed Oregon artist, Jeff Proctor. Signed on the verso and measures, 10” H x 10” W. This lot features a studio pottery charger by listed Oregon artist, Jeff Proctor. Signed on the verso and measures, 10” H x 10” W. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a pair of antique Roseville Pottery Vases. Two minor chips shown in photos and larger vase measures, 9.25” H x 8” W x 7” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features a stunning art glass vase by listed artist, Mark Russell. Signed underneath as shown in photos and measures, 7” H x 11” W x 11” D. This lot features an Art Nouveau iridescent green art glass vase, likely produced by Loetz or Pallme-König between approximately 1890 and 1919. This vase measures, 9.75” H x 9.5” W x 5” D. This lot features an Art Nouveau iridescent green art glass vase, likely produced by Loetz or Pallme-König between approximately 1890 and 1919. This vase measures, 9.75” H x 9.5” W x 5” D. This lot features an Art Nouveau iridescent green art glass vase, likely produced by Loetz or Pallme-König between approximately 1890 and 1919. This vase measures, 9.75” H x 9.5” W x 5” D. This lot features an Art Nouveau iridescent green art glass vase, likely produced by Loetz or Pallme-König between approximately 1890 and 1919. This vase measures, 9.75” H x 9.5” W x 5” D. This lot features an Art Nouveau iridescent green art glass vase, likely produced by Loetz or Pallme-König between approximately 1890 and 1919. This vase measures, 9.75” H x 9.5” W x 5” D. This lot features an Art Nouveau iridescent green art glass vase, likely produced by Loetz or Pallme-König between approximately 1890 and 1919. This vase measures, 9.75” H x 9.5” W x 5” D. This lot features a stunning postmodern art glass bowl by IBEX Glass Studio circa 1992. This bowl is in excellent condition, signed underneath, and measures, 8” H x 13” W x 13” D. Formed in 1985 by Dimitri Michaelides, Sam Stang and David Levi, IBEX Glass Studio was heavily influenced by American studio glass pioneers, mid-century Venetian glass, and postmodern European design, including Ettore Sottsass and his Memphis contemporaries. Sitting on a round black foot, this bowl has a tapered cylindrical red bowl, and a delicate yellow rim. This lot features a stunning postmodern art glass bowl by IBEX Glass Studio circa 1992. This bowl is in excellent condition, signed underneath, and measures, 8” H x 13” W x 13” D. Formed in 1985 by Dimitri Michaelides, Sam Stang and David Levi, IBEX Glass Studio was heavily influenced by American studio glass pioneers, mid-century Venetian glass, and postmodern European design, including Ettore Sottsass and his Memphis contemporaries. Sitting on a round black foot, this bowl has a tapered cylindrical red bowl, and a delicate yellow rim. This lot features a stunning postmodern art glass bowl by IBEX Glass Studio circa 1992. This bowl is in excellent condition, signed underneath, and measures, 8” H x 13” W x 13” D. Formed in 1985 by Dimitri Michaelides, Sam Stang and David Levi, IBEX Glass Studio was heavily influenced by American studio glass pioneers, mid-century Venetian glass, and postmodern European design, including Ettore Sottsass and his Memphis contemporaries. Sitting on a round black foot, this bowl has a tapered cylindrical red bowl, and a delicate yellow rim. This lot features a stunning postmodern art glass bowl by IBEX Glass Studio circa 1992. This bowl is in excellent condition, signed underneath, and measures, 8” H x 13” W x 13” D. Formed in 1985 by Dimitri Michaelides, Sam Stang and David Levi, IBEX Glass Studio was heavily influenced by American studio glass pioneers, mid-century Venetian glass, and postmodern European design, including Ettore Sottsass and his Memphis contemporaries. Sitting on a round black foot, this bowl has a tapered cylindrical red bowl, and a delicate yellow rim. This lot features a stunning postmodern art glass bowl by IBEX Glass Studio circa 1992. This bowl is in excellent condition, signed underneath, and measures, 8” H x 13” W x 13” D. Formed in 1985 by Dimitri Michaelides, Sam Stang and David Levi, IBEX Glass Studio was heavily influenced by American studio glass pioneers, mid-century Venetian glass, and postmodern European design, including Ettore Sottsass and his Memphis contemporaries. Sitting on a round black foot, this bowl has a tapered cylindrical red bowl, and a delicate yellow rim. This lot features a stunning studio art glass tray. signed by the Aquila Art Glass Studio out of St. Helens, Oregon. This piece measures, 14” H x 14” W. This lot features a stunning studio art glass tray. signed by the Aquila Art Glass Studio out of St. Helens, Oregon. This piece measures, 14” H x 14” W. This lot features a stunning studio art glass tray. signed by the Aquila Art Glass Studio out of St. Helens, Oregon. This piece measures, 14” H x 14” W. This lot features a stunning studio art glass tray. signed by the Aquila Art Glass Studio out of St. Helens, Oregon. This piece measures, 14” H x 14” W. This lot features a stunning studio art glass tray. signed by the Aquila Art Glass Studio out of St. Helens, Oregon. This piece measures, 14” H x 14” W. This lot features a stunning studio art glass tray. signed by the Aquila Art Glass Studio out of St. Helens, Oregon. This piece measures, 14” H x 14” W. This lot features a large collection of Murano blown glass candy. Majority are in very good condition, some still with maker sticks as seen in photos. This lot features a large collection of Murano blown glass candy. Majority are in very good condition, some still with maker sticks as seen in photos. This lot features a large collection of Murano blown glass candy. Majority are in very good condition, some still with maker sticks as seen in photos. This lot features a large collection of Murano blown glass candy. Majority are in very good condition, some still with maker sticks as seen in photos. This lot features a large collection of Murano blown glass candy. Majority are in very good condition, some still with maker sticks as seen in photos. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an Asian Koro, or incense burner, featuring a foo dog finial that measures, 7” H x 5” W x 5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. This lot features an antique English tea caddy, attributed to Henry Clay circa 1850s. It features classical Etruscan-style figures and borders with the top decorated with a reclining dog figure. This caddy measures, 5.5” H x 4.5” W x 3.5” D. "Bad Spirit of the Mountain", an original carving by listed Alaskan artist, Adam John. Signed and titled on the verso circa 2002 and measures, 12” H x 5” W. Adam John is a noted Athabascan Native artist from Alaska, known for his traditional carvings, especially spirit masks and small sculptures, often depicting animals like owls or mountain spirits, and signed pieces can be found on art sites and auction platforms like eBay, continuing a heritage of Alaskan Native art. He’s associated with Central Alaska and his work is recognized for its cultural significance and craftsmanship. "Bad Spirit of the Mountain", an original carving by listed Alaskan artist, Adam John. Signed and titled on the verso circa 2002 and measures, 12” H x 5” W. Adam John is a noted Athabascan Native artist from Alaska, known for his traditional carvings, especially spirit masks and small sculptures, often depicting animals like owls or mountain spirits, and signed pieces can be found on art sites and auction platforms like eBay, continuing a heritage of Alaskan Native art. He’s associated with Central Alaska and his work is recognized for its cultural significance and craftsmanship. "Bad Spirit of the Mountain", an original carving by listed Alaskan artist, Adam John. Signed and titled on the verso circa 2002 and measures, 12” H x 5” W. Adam John is a noted Athabascan Native artist from Alaska, known for his traditional carvings, especially spirit masks and small sculptures, often depicting animals like owls or mountain spirits, and signed pieces can be found on art sites and auction platforms like eBay, continuing a heritage of Alaskan Native art. He’s associated with Central Alaska and his work is recognized for its cultural significance and craftsmanship. "Bad Spirit of the Mountain", an original carving by listed Alaskan artist, Adam John. Signed and titled on the verso circa 2002 and measures, 12” H x 5” W. Adam John is a noted Athabascan Native artist from Alaska, known for his traditional carvings, especially spirit masks and small sculptures, often depicting animals like owls or mountain spirits, and signed pieces can be found on art sites and auction platforms like eBay, continuing a heritage of Alaskan Native art. He’s associated with Central Alaska and his work is recognized for its cultural significance and craftsmanship. "Bad Spirit of the Mountain", an original carving by listed Alaskan artist, Adam John. Signed and titled on the verso circa 2002 and measures, 12” H x 5” W. Adam John is a noted Athabascan Native artist from Alaska, known for his traditional carvings, especially spirit masks and small sculptures, often depicting animals like owls or mountain spirits, and signed pieces can be found on art sites and auction platforms like eBay, continuing a heritage of Alaskan Native art. He’s associated with Central Alaska and his work is recognized for its cultural significance and craftsmanship. "Bad Spirit of the Mountain", an original carving by listed Alaskan artist, Adam John. Signed and titled on the verso circa 2002 and measures, 12” H x 5” W. Adam John is a noted Athabascan Native artist from Alaska, known for his traditional carvings, especially spirit masks and small sculptures, often depicting animals like owls or mountain spirits, and signed pieces can be found on art sites and auction platforms like eBay, continuing a heritage of Alaskan Native art. He’s associated with Central Alaska and his work is recognized for its cultural significance and craftsmanship. This lot features a fish tray by Blue Spruce Pottery. Signed on the verso and measures, 2” H x 15.5” W x 7” D. Minor repair done to a fin as shown. This lot features a fish tray by Blue Spruce Pottery. Signed on the verso and measures, 2” H x 15.5” W x 7” D. Minor repair done to a fin as shown. This lot features a fish tray by Blue Spruce Pottery. Signed on the verso and measures, 2” H x 15.5” W x 7” D. Minor repair done to a fin as shown. This lot features a fish tray by Blue Spruce Pottery. Signed on the verso and measures, 2” H x 15.5” W x 7” D. Minor repair done to a fin as shown. This lot features a fish tray by Blue Spruce Pottery. Signed on the verso and measures, 2” H x 15.5” W x 7” D. Minor repair done to a fin as shown. This lot features a fish tray by Blue Spruce Pottery. Signed on the verso and measures, 2” H x 15.5” W x 7” D. Minor repair done to a fin as shown. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. This lot features a stunning artist proof sculpture by listed artist, John Richen. Signed as shown in photos, circa 1995. This sculpture measures, 29” H x 16” W x 8” D. John Matthew Richen has been a professional sculptor since graduating from Oregon State University in 1970. His expertise in metal fabrication brought him immediate acknowledgement from the international art world. In the late 90’s he designed his studio in Borrego Springs, California, a small peaceful community that provides year-round work conditions and inspiration from the desert landscape. In addition to bronze, stainless steel and aluminum this innovative sculptor also incorporates Cor-ten steel, granite, fused glass, water and lighting into selected works. “Mother and Child”, a steel sculpture by listed artist, Fred Doolin. Signed underneath as shown in photos and measures, 13” H x 6” W x 6” D. “Mother and Child”, a steel sculpture by listed artist, Fred Doolin. Signed underneath as shown in photos and measures, 13” H x 6” W x 6” D. “Mother and Child”, a steel sculpture by listed artist, Fred Doolin. Signed underneath as shown in photos and measures, 13” H x 6” W x 6” D. “Mother and Child”, a steel sculpture by listed artist, Fred Doolin. Signed underneath as shown in photos and measures, 13” H x 6” W x 6” D. “Mother and Child”, a steel sculpture by listed artist, Fred Doolin. Signed underneath as shown in photos and measures, 13” H x 6” W x 6” D. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of three (3) celadon bowls. The two on each side are matching and the one in the middle a tad larger, measuring 3.25” H x 6.5” W x 6.5” D. The bowl on the right has a tiny chip on rim that is photographed, but not noticeable. This lot features a set of four (4) hand-painted ceramic egg cups & saucers made by Peasant Village (PV) Italy, featuring the traditional Italian "Orvieto" or "Galletto" designs. Signed underneath as shown in photos. This lot features a set of four (4) hand-painted ceramic egg cups & saucers made by Peasant Village (PV) Italy, featuring the traditional Italian "Orvieto" or "Galletto" designs. Signed underneath as shown in photos. This lot features a set of four (4) hand-painted ceramic egg cups & saucers made by Peasant Village (PV) Italy, featuring the traditional Italian "Orvieto" or "Galletto" designs. Signed underneath as shown in photos. This lot features a set of four (4) hand-painted ceramic egg cups & saucers made by Peasant Village (PV) Italy, featuring the traditional Italian "Orvieto" or "Galletto" designs. Signed underneath as shown in photos. This lot features a set of four (4) hand-painted ceramic egg cups & saucers made by Peasant Village (PV) Italy, featuring the traditional Italian "Orvieto" or "Galletto" designs. Signed underneath as shown in photos. This lot features a rare book on the renowned, Alvar Aalto. Includes additional items in book, including Aalto’s exhibit pamphlet from the Mt. Angel Abbey show in 1980. Alvar Aalto (1898-1976) was a world-renowned Finnish architect, designer, and town planner, a key figure in Modernism, celebrated for his humanist approach blending functional design with organic forms and natural materials, leaving a legacy in buildings like Paimio Sanatorium and furniture like the Artek stools. This lot features a rare book on the renowned, Alvar Aalto. Includes additional items in book, including Aalto’s exhibit pamphlet from the Mt. Angel Abbey show in 1980. Alvar Aalto (1898-1976) was a world-renowned Finnish architect, designer, and town planner, a key figure in Modernism, celebrated for his humanist approach blending functional design with organic forms and natural materials, leaving a legacy in buildings like Paimio Sanatorium and furniture like the Artek stools. This lot features a rare book on the renowned, Alvar Aalto. Includes additional items in book, including Aalto’s exhibit pamphlet from the Mt. Angel Abbey show in 1980. Alvar Aalto (1898-1976) was a world-renowned Finnish architect, designer, and town planner, a key figure in Modernism, celebrated for his humanist approach blending functional design with organic forms and natural materials, leaving a legacy in buildings like Paimio Sanatorium and furniture like the Artek stools. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features a set of three Artek Nesting Stools (model E60) in natural birch veneer, designed by Alvar Aalto. Each stool measures, 17” H x 13.5” W x 13.5” D. Designed by Alvar Aalto in 1933, the stools are a classic of Finnish modernism. They feature a patented L-shaped bent-leg construction, which makes them sturdy and easily stackable. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features an iconic mid-century modern space age "eyeball" floor lamp in working condition, circa 1960s. Minor "patina" with age as shown in photos and measures, 52” H. This lot features a set of six (6) cylindrical pendant lights, manufactured by Lightolier. The four larger lights measures, 8.5” H x 4” W x 4” D and the two smaller measure, 7” H x 3” W x 3” D. These lights could use some minor restoration prior to use. A beautiful set of authentic mid-century modern lighting. Lightolier was founded in 1904 by Bernhard Blitzer. Its original name was the New York Gas and Appliance Co., but it was changed to Lightolier, a combination of “light” and “chandelier, ” when electric lighting became more widely accepted. This lot features a set of six (6) cylindrical pendant lights, manufactured by Lightolier. The four larger lights measures, 8.5” H x 4” W x 4” D and the two smaller measure, 7” H x 3” W x 3” D. These lights could use some minor restoration prior to use. A beautiful set of authentic mid-century modern lighting. Lightolier was founded in 1904 by Bernhard Blitzer. Its original name was the New York Gas and Appliance Co., but it was changed to Lightolier, a combination of “light” and “chandelier, ” when electric lighting became more widely accepted. This lot features a set of six (6) cylindrical pendant lights, manufactured by Lightolier. The four larger lights measures, 8.5” H x 4” W x 4” D and the two smaller measure, 7” H x 3” W x 3” D. These lights could use some minor restoration prior to use. A beautiful set of authentic mid-century modern lighting. Lightolier was founded in 1904 by Bernhard Blitzer. Its original name was the New York Gas and Appliance Co., but it was changed to Lightolier, a combination of “light” and “chandelier, ” when electric lighting became more widely accepted. This lot features a set of six (6) cylindrical pendant lights, manufactured by Lightolier. The four larger lights measures, 8.5” H x 4” W x 4” D and the two smaller measure, 7” H x 3” W x 3” D. These lights could use some minor restoration prior to use. A beautiful set of authentic mid-century modern lighting. Lightolier was founded in 1904 by Bernhard Blitzer. Its original name was the New York Gas and Appliance Co., but it was changed to Lightolier, a combination of “light” and “chandelier, ” when electric lighting became more widely accepted. This lot features a set of six (6) cylindrical pendant lights, manufactured by Lightolier. The four larger lights measures, 8.5” H x 4” W x 4” D and the two smaller measure, 7” H x 3” W x 3” D. These lights could use some minor restoration prior to use. A beautiful set of authentic mid-century modern lighting. Lightolier was founded in 1904 by Bernhard Blitzer. Its original name was the New York Gas and Appliance Co., but it was changed to Lightolier, a combination of “light” and “chandelier, ” when electric lighting became more widely accepted. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features a set of three (3) modular storage cubes from Finland company, Palaset. Designed by Ristomatti Ratia, the son of Marimekko’s founder, Armi Ratia. Fabricated from a hard, durable polystyrene, this versatile system is ideal for offices, playrooms, and mudrooms, yet easily stylish enough for the living room. Each cube measures, 13.5” H x 13.5” W x 13.5” D. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features an incredible mahogany and copper sculpture by listed Oregon artist, Monica Setziol-Phillips. This piece sits in a custom iron base and measures, 75” H x 18” W x 13” D. Monica Setziol-Phillips has a B.A. degree in foreign languages from Portland State University. Monica who is married to Oregon Shakespeare Festival actor, Josiah Phillips, and daughter of well rememberd sculptor, Le Roy Setziol has been weaving for over 35 years and carving for over 20 years. Her work is in many private collections in many states. She also has work in puplic spaces, most recently three of her pieces were chosen for The Allison, the new resort in Newberg. In October of 2009 Monica finished a major work for the new Civic Hall in McMinnville, Oregon. For a number of years she has participated in the Sitka Art Invitational. This lot features a vintage solid wood apothecary style or print maker’s cabinet. Comes on casters with multiple sized pull out drawers. The top "lift up" board is currently not attached to the backside trim, but can be easily fixed or left as is. The top cabinet area has green felt. This cabinet measures, 33.25” H x 46” W x 23” D. This lot features a vintage solid wood apothecary style or print maker’s cabinet. Comes on casters with multiple sized pull out drawers. The top "lift up" board is currently not attached to the backside trim, but can be easily fixed or left as is. The top cabinet area has green felt. This cabinet measures, 33.25” H x 46” W x 23” D. This lot features a vintage solid wood apothecary style or print maker’s cabinet. Comes on casters with multiple sized pull out drawers. The top "lift up" board is currently not attached to the backside trim, but can be easily fixed or left as is. The top cabinet area has green felt. This cabinet measures, 33.25” H x 46” W x 23” D. This lot features a vintage solid wood apothecary style or print maker’s cabinet. Comes on casters with multiple sized pull out drawers. The top "lift up" board is currently not attached to the backside trim, but can be easily fixed or left as is. The top cabinet area has green felt. This cabinet measures, 33.25” H x 46” W x 23” D. This lot features a vintage solid wood apothecary style or print maker’s cabinet. Comes on casters with multiple sized pull out drawers. The top "lift up" board is currently not attached to the backside trim, but can be easily fixed or left as is. The top cabinet area has green felt. This cabinet measures, 33.25” H x 46” W x 23” D. This lot features a vintage solid wood apothecary style or print maker’s cabinet. Comes on casters with multiple sized pull out drawers. The top "lift up" board is currently not attached to the backside trim, but can be easily fixed or left as is. The top cabinet area has green felt. This cabinet measures, 33.25” H x 46” W x 23” D. This lot features a stacking barrister bookcase manufactured by Globe Wernicke, dating back to the early 1900s. This bookcase in particular has a total of seven (7) pieces – 5 stacking bookcases, a base, and a topper. This piece measures from top to bottom, 75” H x 34” W x 11” D. This lot features a stacking barrister bookcase manufactured by Globe Wernicke, dating back to the early 1900s. This bookcase in particular has a total of seven (7) pieces – 5 stacking bookcases, a base, and a topper. This piece measures from top to bottom, 75” H x 34” W x 11” D. This lot features a stacking barrister bookcase manufactured by Globe Wernicke, dating back to the early 1900s. This bookcase in particular has a total of seven (7) pieces – 5 stacking bookcases, a base, and a topper. This piece measures from top to bottom, 75” H x 34” W x 11” D. This lot features a stacking barrister bookcase manufactured by Globe Wernicke, dating back to the early 1900s. This bookcase in particular has a total of seven (7) pieces – 5 stacking bookcases, a base, and a topper. This piece measures from top to bottom, 75” H x 34” W x 11” D. This lot features a stacking barrister bookcase manufactured by Globe Wernicke, dating back to the early 1900s. This bookcase in particular has a total of seven (7) pieces – 5 stacking bookcases, a base, and a topper. This piece measures from top to bottom, 75” H x 34” W x 11” D. This lot features a stacking barrister bookcase manufactured by Globe Wernicke, dating back to the early 1900s. This bookcase in particular has a total of seven (7) pieces – 5 stacking bookcases, a base, and a topper. This piece measures from top to bottom, 75” H x 34” W x 11” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. This lot features an early antique cherry wood display cabinet or bookcase. Two pieces (base is separate) with locking doors and skeleton key included. One glass pane is missing and some trim could be reattached that is included. This piece measures, 56.25” H x 42” W x 16.5” D. Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureThis lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. This lot features a British Colonial style plantation lounge chair with a matching ottoman in very good overall condition. The chair measures, 41” H x 24.5” W x 33” W. Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureThis lot features an antique handwoven Persian rug that measures, 74” H x 49” W. This lot features an antique handwoven Persian rug that measures, 74” H x 49” W. This lot features an antique handwoven Persian rug that measures, 74” H x 49” W. This lot features an antique handwoven Persian rug that measures, 74” H x 49” W. This lot features an antique handwoven Persian rug that measures, 74” H x 49” W. This lot features a handcrafted 100% satin pile Agra rug, made in India that measures, 75” H x 49” W. This lot features a handcrafted 100% satin pile Agra rug, made in India that measures, 75” H x 49” W. This lot features a handcrafted 100% satin pile Agra rug, made in India that measures, 75” H x 49” W. This lot features a handcrafted 100% satin pile Agra rug, made in India that measures, 75” H x 49” W. This lot features a handcrafted 100% satin pile Agra rug, made in India that measures, 75” H x 49” W. This lot features a handcrafted 100% satin pile Agra rug, made in India that measures, 75” H x 49” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a large hand-knotted Chinese wool rug with a black and beige floral medallion design. This rug measures, 148” H x 108” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a hand-knotted Chinese Aubusson wool rug featuring a floral medallion design that measures, 144” H x 107” W. This lot features a rather unique hand-knotted wool rug that measures, 110” H x 72” W. This lot features a rather unique hand-knotted wool rug that measures, 110” H x 72” W. This lot features a rather unique hand-knotted wool rug that measures, 110” H x 72” W. This lot features a rather unique hand-knotted wool rug that measures, 110” H x 72” W. This lot features a rather unique hand-knotted wool rug that measures, 110” H x 72” W. This lot features a rather unique hand-knotted wool rug that measures, 110” H x 72” W. This lot features a beautiful handwoven, multi-color rug or wall art that measures, 35” H x 24.5” W. This lot features a beautiful handwoven, multi-color rug or wall art that measures, 35” H x 24.5” W. This lot features a beautiful handwoven, multi-color rug or wall art that measures, 35” H x 24.5” W. This lot features a beautiful handwoven, multi-color rug or wall art that measures, 35” H x 24.5” W. This lot features a vintage Ecuadorian wool tapestry or rug with an Inca pattern that measures, 62” H x 43” W. This lot features a vintage Ecuadorian wool tapestry or rug with an Inca pattern that measures, 62” H x 43” W. This lot features a vintage Ecuadorian wool tapestry or rug with an Inca pattern that measures, 62” H x 43” W. This lot features a vintage Ecuadorian wool tapestry or rug with an Inca pattern that measures, 62” H x 43” W. This lot features a vintage Ecuadorian wool tapestry or rug with an Inca pattern that measures, 62” H x 43” W. This lot features a vintage Ecuadorian wool tapestry or rug with an Inca pattern that measures, 62” H x 43” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a vintage French tapestry that measures, 54” H x 70” W. This lot features a collectible hardcover book with slipcase titled, Eero Saarinen on His Work, A Selection of Buildings. Edited by his wife, Aline Saarinen. Eero Saarinen (1910-1961) was a renowned Finnish-American architect and industrial designer, famous for his expressive, neo-futuristic structures and iconic furniture, including the Gateway Arch, TWA Flight Center, and Tulip Chairs; he was a leader in mid-century modernism, known for bold, organic forms and innovative materials, working closely with his architect father, Eliel Saarinen, before establishing his own influential firm. This lot features a collectible hardcover book with slipcase titled, Eero Saarinen on His Work, A Selection of Buildings. Edited by his wife, Aline Saarinen. Eero Saarinen (1910-1961) was a renowned Finnish-American architect and industrial designer, famous for his expressive, neo-futuristic structures and iconic furniture, including the Gateway Arch, TWA Flight Center, and Tulip Chairs; he was a leader in mid-century modernism, known for bold, organic forms and innovative materials, working closely with his architect father, Eliel Saarinen, before establishing his own influential firm. This lot features a collectible hardcover book with slipcase titled, Eero Saarinen on His Work, A Selection of Buildings. Edited by his wife, Aline Saarinen. Eero Saarinen (1910-1961) was a renowned Finnish-American architect and industrial designer, famous for his expressive, neo-futuristic structures and iconic furniture, including the Gateway Arch, TWA Flight Center, and Tulip Chairs; he was a leader in mid-century modernism, known for bold, organic forms and innovative materials, working closely with his architect father, Eliel Saarinen, before establishing his own influential firm. This lot features a set of three hardcover books, edited by Gyorgy Kepes and published in 1965 as part of the Vision + Value series. György Kepes (1906-2001) was a Hungarian-American artist, educator, and designer known for bridging art, science, and technology, founding the Center for Advanced Visual Studies (CAVS) at MIT, and exploring visual culture through photography, painting, and large-scale light installations. This lot features a set of three hardcover books, edited by Gyorgy Kepes and published in 1965 as part of the Vision + Value series. György Kepes (1906-2001) was a Hungarian-American artist, educator, and designer known for bridging art, science, and technology, founding the Center for Advanced Visual Studies (CAVS) at MIT, and exploring visual culture through photography, painting, and large-scale light installations. This lot features a set of three hardcover books, edited by Gyorgy Kepes and published in 1965 as part of the Vision + Value series. György Kepes (1906-2001) was a Hungarian-American artist, educator, and designer known for bridging art, science, and technology, founding the Center for Advanced Visual Studies (CAVS) at MIT, and exploring visual culture through photography, painting, and large-scale light installations. This lot features a set of three hardcover books, edited by Gyorgy Kepes and published in 1965 as part of the Vision + Value series. György Kepes (1906-2001) was a Hungarian-American artist, educator, and designer known for bridging art, science, and technology, founding the Center for Advanced Visual Studies (CAVS) at MIT, and exploring visual culture through photography, painting, and large-scale light installations. "Masters of World Architecture", a 1960 box set of six volumes, published by George Braziller. The set features works by renowned architects: Le Corbusier, Frank Lloyd Wright, Pier Luigi Nervi, Antonio Gaudí, Ludwig Mies van der Rohe, and Alvar Aalto. "Masters of World Architecture", a 1960 box set of six volumes, published by George Braziller. The set features works by renowned architects: Le Corbusier, Frank Lloyd Wright, Pier Luigi Nervi, Antonio Gaudí, Ludwig Mies van der Rohe, and Alvar Aalto. "One Hundred Ten Unpublished Drawings", a 1955 limited edition hardcover book by H. de Toulouse Lautrec. The book contains reproductions of drawings from Henri de Toulouse-Lautrec’s sketchbook. Edition 647/1500. "One Hundred Ten Unpublished Drawings", a 1955 limited edition hardcover book by H. de Toulouse Lautrec. The book contains reproductions of drawings from Henri de Toulouse-Lautrec’s sketchbook. Edition 647/1500. "One Hundred Ten Unpublished Drawings", a 1955 limited edition hardcover book by H. de Toulouse Lautrec. The book contains reproductions of drawings from Henri de Toulouse-Lautrec’s sketchbook. Edition 647/1500. "One Hundred Ten Unpublished Drawings", a 1955 limited edition hardcover book by H. de Toulouse Lautrec. The book contains reproductions of drawings from Henri de Toulouse-Lautrec’s sketchbook. Edition 647/1500. "One Hundred Ten Unpublished Drawings", a 1955 limited edition hardcover book by H. de Toulouse Lautrec. The book contains reproductions of drawings from Henri de Toulouse-Lautrec’s sketchbook. Edition 647/1500. "One Hundred Ten Unpublished Drawings", a 1955 limited edition hardcover book by H. de Toulouse Lautrec. The book contains reproductions of drawings from Henri de Toulouse-Lautrec’s sketchbook. Edition 647/1500. A stunning 19th century tract book. A few pages filled out in the front and the rest remain untouched. A stunning 19th century tract book. A few pages filled out in the front and the rest remain untouched. A stunning 19th century tract book. A few pages filled out in the front and the rest remain untouched. A stunning 19th century tract book. A few pages filled out in the front and the rest remain untouched. A stunning 19th century tract book. A few pages filled out in the front and the rest remain untouched. A stunning 19th century tract book. A few pages filled out in the front and the rest remain untouched. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the publisher of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the wife of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the wife of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the wife of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the wife of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the wife of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features a stunning 19th century oil on canvas portrait by listed artist, Charles Volkmar Senior. This portrait is claimed to be the wife of the Philadelphia Ledger in 1860. This piece measures, 30” H x 25” W. Charles Volkmar (1809 – 1880) was active/lived in United States, Germany. Charles Volkmar is known for portrait and landscape paintings. This lot features an original work of art by listed Oregon artist, Sue-Del McCulloch circa 1998. This work measures, 22” H x 28” W. Sue-Del McCulloch is a Portland, Oregon-based artist known for her vibrant, energetic paintings often featuring bold colors, expressive textures, and themes of nature and transformation, particularly evident in her featured work for the Coraline’s Curious Cat Trail public art project in 2024, showcasing her unique style with iridescent acrylics and jungle cat markings. She’s exhibited in galleries, including Waterstone Gallery, and her work blends landscape elements with imaginative design, drawing on influences like the Blue Rider Group for color and movement. This lot features an original work of art by listed Oregon artist, Sue-Del McCulloch circa 1998. This work measures, 22” H x 28” W. Sue-Del McCulloch is a Portland, Oregon-based artist known for her vibrant, energetic paintings often featuring bold colors, expressive textures, and themes of nature and transformation, particularly evident in her featured work for the Coraline’s Curious Cat Trail public art project in 2024, showcasing her unique style with iridescent acrylics and jungle cat markings. She’s exhibited in galleries, including Waterstone Gallery, and her work blends landscape elements with imaginative design, drawing on influences like the Blue Rider Group for color and movement. This lot features an original work of art by listed Oregon artist, Sue-Del McCulloch circa 1998. This work measures, 22” H x 28” W. Sue-Del McCulloch is a Portland, Oregon-based artist known for her vibrant, energetic paintings often featuring bold colors, expressive textures, and themes of nature and transformation, particularly evident in her featured work for the Coraline’s Curious Cat Trail public art project in 2024, showcasing her unique style with iridescent acrylics and jungle cat markings. She’s exhibited in galleries, including Waterstone Gallery, and her work blends landscape elements with imaginative design, drawing on influences like the Blue Rider Group for color and movement. This lot features an original work of art by listed Oregon artist, Sue-Del McCulloch circa 1998. This work measures, 22” H x 28” W. Sue-Del McCulloch is a Portland, Oregon-based artist known for her vibrant, energetic paintings often featuring bold colors, expressive textures, and themes of nature and transformation, particularly evident in her featured work for the Coraline’s Curious Cat Trail public art project in 2024, showcasing her unique style with iridescent acrylics and jungle cat markings. She’s exhibited in galleries, including Waterstone Gallery, and her work blends landscape elements with imaginative design, drawing on influences like the Blue Rider Group for color and movement. "Santa Clara Pot", an original pastel by listed artist, Dee Toscano. Professionally framed and measures in frame, 39” H x 31” W. Dolores Anita (Dee) Burgess Toscano, a painter and sculptor of Indians and other Western subjects, was born February 19, 1932, in Fort Worth, Texas, growing up there and in Lubbock and Odessa, Texas. "Santa Clara Pot", an original pastel by listed artist, Dee Toscano. Professionally framed and measures in frame, 39” H x 31” W. Dolores Anita (Dee) Burgess Toscano, a painter and sculptor of Indians and other Western subjects, was born February 19, 1932, in Fort Worth, Texas, growing up there and in Lubbock and Odessa, Texas. "Santa Clara Pot", an original pastel by listed artist, Dee Toscano. Professionally framed and measures in frame, 39” H x 31” W. Dolores Anita (Dee) Burgess Toscano, a painter and sculptor of Indians and other Western subjects, was born February 19, 1932, in Fort Worth, Texas, growing up there and in Lubbock and Odessa, Texas. "Santa Clara Pot", an original pastel by listed artist, Dee Toscano. Professionally framed and measures in frame, 39” H x 31” W. Dolores Anita (Dee) Burgess Toscano, a painter and sculptor of Indians and other Western subjects, was born February 19, 1932, in Fort Worth, Texas, growing up there and in Lubbock and Odessa, Texas. "Santa Clara Pot", an original pastel by listed artist, Dee Toscano. Professionally framed and measures in frame, 39” H x 31” W. Dolores Anita (Dee) Burgess Toscano, a painter and sculptor of Indians and other Western subjects, was born February 19, 1932, in Fort Worth, Texas, growing up there and in Lubbock and Odessa, Texas. "Santa Clara Pot", an original pastel by listed artist, Dee Toscano. Professionally framed and measures in frame, 39” H x 31” W. Dolores Anita (Dee) Burgess Toscano, a painter and sculptor of Indians and other Western subjects, was born February 19, 1932, in Fort Worth, Texas, growing up there and in Lubbock and Odessa, Texas. "Irises, Irises, Coming", an original oil pastel by listed artist, Carol Chapel. Professionally framed and measures in frame, 23.5” H x 26.5” W. "Irises, Irises, Coming", an original oil pastel by listed artist, Carol Chapel. Professionally framed and measures in frame, 23.5” H x 26.5” W. "Irises, Irises, Coming", an original oil pastel by listed artist, Carol Chapel. Professionally framed and measures in frame, 23.5” H x 26.5” W. "Irises, Irises, Coming", an original oil pastel by listed artist, Carol Chapel. Professionally framed and measures in frame, 23.5” H x 26.5” W. "Irises, Irises, Coming", an original oil pastel by listed artist, Carol Chapel. Professionally framed and measures in frame, 23.5” H x 26.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. "Beijing Landscape and Figure", an original work of art by listed artist, Eleanor Dickinson circa 1990. Professionally framed and measures in frame, 13” H x 14.5” W. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. This lot features a large original oil on canvas by listed artist, Howard Hack. Professionally framed and measures in frame, 55” H x 47” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series – Book #6", an original oil on board by listed artist, Howard Hack. Signed and titled on the verso, measures in frame 31” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series – Book #6", an original oil on board by listed artist, Howard Hack. Signed and titled on the verso, measures in frame 31” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series – Book #6", an original oil on board by listed artist, Howard Hack. Signed and titled on the verso, measures in frame 31” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series – Book #6", an original oil on board by listed artist, Howard Hack. Signed and titled on the verso, measures in frame 31” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series", an original oil painting by listed artist, Howard Hack circa 1971. This work of art measures in frame, 32” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series", an original oil painting by listed artist, Howard Hack circa 1971. This work of art measures in frame, 32” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series", an original oil painting by listed artist, Howard Hack circa 1971. This work of art measures in frame, 32” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series", an original oil painting by listed artist, Howard Hack circa 1971. This work of art measures in frame, 32” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series", an original oil painting by listed artist, Howard Hack circa 1971. This work of art measures in frame, 32” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Object Series", an original oil painting by listed artist, Howard Hack circa 1971. This work of art measures in frame, 32” H x 38” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. Professionally framed and measures in frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. Professionally framed and measures in frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. Professionally framed and measures in frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. Professionally framed and measures in frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. This piece comes professionally framed and measures in the frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. This piece comes professionally framed and measures in the frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. This piece comes professionally framed and measures in the frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. This piece comes professionally framed and measures in the frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Bottle Opener", an original ink on paper by listed artist, Howard Hack. This piece comes professionally framed and measures in the frame, 23.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #148, Lily #7 (left side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #148, Lily #7 (left side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #148, Lily #7 (left side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #148, Lily #7 (left side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #148, Lily #7 (left side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #147, Lily #7 (right side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #147, Lily #7 (right side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #147, Lily #7 (right side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #147, Lily #7 (right side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #147, Lily #7 (right side)”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 25.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #142, Yosemite Pendant #3", an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 29.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #142, Yosemite Pendant #3", an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 29.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #142, Yosemite Pendant #3", an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 29.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #142, Yosemite Pendant #3", an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 29.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #142, Yosemite Pendant #3", an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 29.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #142, Yosemite Pendant #3", an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 29.5” H x 31.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #144, Naked Ladies”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 17.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #144, Naked Ladies”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 17.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #144, Naked Ladies”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 17.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #144, Naked Ladies”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 17.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “Silverpoint #144, Naked Ladies”, an original work of art by listed artist, Howard Hack. Professionally framed and measures in frame, 17.5” H x 29.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Flower Series", an original work of art by listed artist, Howard Hack circa 1965. Professionally framed and measures in frame, 11” H x 10” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Flower Series", an original work of art by listed artist, Howard Hack circa 1965. Professionally framed and measures in frame, 11” H x 10” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Flower Series", an original work of art by listed artist, Howard Hack circa 1965. Professionally framed and measures in frame, 11” H x 10” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Flower Series", an original work of art by listed artist, Howard Hack circa 1965. Professionally framed and measures in frame, 11” H x 10” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #146, Lily #7", an original work of art by listed artist, Howard Hack circa 1987. This piece comes professionally framed and measures in the frame, 41.5” H x 61.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #146, Lily #7", an original work of art by listed artist, Howard Hack circa 1987. This piece comes professionally framed and measures in the frame, 41.5” H x 61.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #146, Lily #7", an original work of art by listed artist, Howard Hack circa 1987. This piece comes professionally framed and measures in the frame, 41.5” H x 61.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #146, Lily #7", an original work of art by listed artist, Howard Hack circa 1987. This piece comes professionally framed and measures in the frame, 41.5” H x 61.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. "Silverpoint #146, Lily #7", an original work of art by listed artist, Howard Hack circa 1987. This piece comes professionally framed and measures in the frame, 41.5” H x 61.5” W. Howard Edwin Hack (July 6, 1932 – June 11, 2015) was an American representational painter and graphic artist, with works in numerous museum collections. Known for an innovative approach to a variety of media, as well as use of traditional oil paints, Hack began working in the late 1940s. “A. L. – 3″, an original charcoal by listed Oregon artist, Annegret Disterheft. Professionally framed and measures in frame, 13.75” H x 10.75” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. “A. L. – 3″, an original charcoal by listed Oregon artist, Annegret Disterheft. Professionally framed and measures in frame, 13.75” H x 10.75” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. “A. L. – 3″, an original charcoal by listed Oregon artist, Annegret Disterheft. Professionally framed and measures in frame, 13.75” H x 10.75” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. “A. L. – 3″, an original charcoal by listed Oregon artist, Annegret Disterheft. Professionally framed and measures in frame, 13.75” H x 10.75” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. “A. L. – 3″, an original charcoal by listed Oregon artist, Annegret Disterheft. Professionally framed and measures in frame, 13.75” H x 10.75” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Turning Point", a limited edition lithograph by listed Oregon artist, Annegret Disterheft. Edition 5/15, signed in pencil, and measures in frame, 17” H x 13” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Turning Point", a limited edition lithograph by listed Oregon artist, Annegret Disterheft. Edition 5/15, signed in pencil, and measures in frame, 17” H x 13” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Turning Point", a limited edition lithograph by listed Oregon artist, Annegret Disterheft. Edition 5/15, signed in pencil, and measures in frame, 17” H x 13” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Turning Point", a limited edition lithograph by listed Oregon artist, Annegret Disterheft. Edition 5/15, signed in pencil, and measures in frame, 17” H x 13” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Turning Point", a limited edition lithograph by listed Oregon artist, Annegret Disterheft. Edition 5/15, signed in pencil, and measures in frame, 17” H x 13” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Turning Point", a limited edition lithograph by listed Oregon artist, Annegret Disterheft. Edition 5/15, signed in pencil, and measures in frame, 17” H x 13” W. The Chemeketa show, “Beyond Perception: Monotypes by Annegret Disterheft, ” was her first Salem show since a 1999 exhibit in the governor’s office and offers a retrospective of her work in monotypes. Her work is in the Whitney Museum of American Art in New York; the national Museum of Women in the Arts in Washington, D.C.; the Portland Art Museum; and the Hallie Ford Museum of Art in Salem. "Persimmons", a limited edition lithograph by listed artist, Henry Evans. Edition 62/450 and signed in pencil circa 1981. Professionally framed and measures in frame, 21” H x 14” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Persimmons", a limited edition lithograph by listed artist, Henry Evans. Edition 62/450 and signed in pencil circa 1981. Professionally framed and measures in frame, 21” H x 14” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Persimmons", a limited edition lithograph by listed artist, Henry Evans. Edition 62/450 and signed in pencil circa 1981. Professionally framed and measures in frame, 21” H x 14” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Persimmons", a limited edition lithograph by listed artist, Henry Evans. Edition 62/450 and signed in pencil circa 1981. Professionally framed and measures in frame, 21” H x 14” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Persimmons", a limited edition lithograph by listed artist, Henry Evans. Edition 62/450 and signed in pencil circa 1981. Professionally framed and measures in frame, 21” H x 14” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Marguerite", a limited edition lithograph by listed artist, Henry Evans. Edition 136/175 and signed in pencil circa 1977. Measures in frame, 20” H x 13” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Marguerite", a limited edition lithograph by listed artist, Henry Evans. Edition 136/175 and signed in pencil circa 1977. Measures in frame, 20” H x 13” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Marguerite", a limited edition lithograph by listed artist, Henry Evans. Edition 136/175 and signed in pencil circa 1977. Measures in frame, 20” H x 13” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Marguerite", a limited edition lithograph by listed artist, Henry Evans. Edition 136/175 and signed in pencil circa 1977. Measures in frame, 20” H x 13” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Marguerite", a limited edition lithograph by listed artist, Henry Evans. Edition 136/175 and signed in pencil circa 1977. Measures in frame, 20” H x 13” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Marguerite", a limited edition lithograph by listed artist, Henry Evans. Edition 136/175 and signed in pencil circa 1977. Measures in frame, 20” H x 13” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Dahlia", a limited edition lithograph by listed artist, Henry Evans. Edition 190/245, signed in pencil, professionally framed, and measures in frame, 23.25” H x 17” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Dahlia", a limited edition lithograph by listed artist, Henry Evans. Edition 190/245, signed in pencil, professionally framed, and measures in frame, 23.25” H x 17” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Dahlia", a limited edition lithograph by listed artist, Henry Evans. Edition 190/245, signed in pencil, professionally framed, and measures in frame, 23.25” H x 17” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Dahlia", a limited edition lithograph by listed artist, Henry Evans. Edition 190/245, signed in pencil, professionally framed, and measures in frame, 23.25” H x 17” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. "Dahlia", a limited edition lithograph by listed artist, Henry Evans. Edition 190/245, signed in pencil, professionally framed, and measures in frame, 23.25” H x 17” W. Henry Evans (1918-1990) was a San Francisco Bay Area artist and printmaker known for his minimalist style botanical images. In 1949 he established the Peregrine Press in San Francisco where he began making books and prints for local Bay Area artists. Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureThis lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features a limited edition etching by listed artist, William Barnum. Edition 21/200, titled and signed by the artist. Professionally framed and measures in frame, 36.5” H x 28” W. William Barnum California Artist, listed as specializing in Seascapes, and at times Beachscapes. He is worked in mixed medium but most of his work turns up in water colors. This lot features an original concert poster for a Leftover Salmon and Sweet Virginia show at The Fillmore in San Francisco, circa 1996. The artwork was designed by Jim Phillips and this poster is part of the collectible Fillmore Poster Series (F-210). This poster measures, 19” H x 13” W. This lot features an original concert poster for a Leftover Salmon and Sweet Virginia show at The Fillmore in San Francisco, circa 1996. The artwork was designed by Jim Phillips and this poster is part of the collectible Fillmore Poster Series (F-210). This poster measures, 19” H x 13” W. This lot features an original concert poster for a Leftover Salmon and Sweet Virginia show at The Fillmore in San Francisco, circa 1996. The artwork was designed by Jim Phillips and this poster is part of the collectible Fillmore Poster Series (F-210). This poster measures, 19” H x 13” W. This lot features an original concert poster for a Leftover Salmon and Sweet Virginia show at The Fillmore in San Francisco, circa 1996. The artwork was designed by Jim Phillips and this poster is part of the collectible Fillmore Poster Series (F-210). This poster measures, 19” H x 13” W. This lot features an original concert poster for a Leftover Salmon and Sweet Virginia show at The Fillmore in San Francisco, circa 1996. The artwork was designed by Jim Phillips and this poster is part of the collectible Fillmore Poster Series (F-210). This poster measures, 19” H x 13” W. Sale PictureSale PictureSale PictureThis lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a special custom necklace by listed designer, Melanie DeLuca. Engraved sterling silver with shells & stones throughout. This piece measures, 17” and has a total approx. weight of 193.49 grams. Melanie DeLuca’s bold jewelry designs of mixed media, plastics and ethnographic objects embody a celebration of her 45 years as a metalsmith, jewelry designer and master teacher. Her interest in jewelry design began early and solidified at 17. By 20, she was apprenticing for master silversmith Brooks Darrow (himself an apprentice of renowned English architect and master metalsmith Louis Osman). Early work in painting and sculpture informed Melanie’s growing connection to the limitless expression of metal through jewelry design and fabrication. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a gorgeous set of Taxco jewelry with sterling silver and inlaid blue stone with a marble-like appearance. The necklace measures, 17” and the bracelet, 7”. All items bear a maker’s mark as shown in photos with a total approx. weight of 58.00 grams. This lot features a stunning pair of Navajo earrings and a pendant made with sterling silver, turquoise, and spiny oyster shell jewelry. All items marked 925 with a total approx. weight of 26.82 grams. Signed by artist, "M". This lot features a stunning pair of Navajo earrings and a pendant made with sterling silver, turquoise, and spiny oyster shell jewelry. All items marked 925 with a total approx. weight of 26.82 grams. Signed by artist, "M". This lot features a stunning pair of Navajo earrings and a pendant made with sterling silver, turquoise, and spiny oyster shell jewelry. All items marked 925 with a total approx. weight of 26.82 grams. Signed by artist, "M". This lot features a stunning pair of Navajo earrings and a pendant made with sterling silver, turquoise, and spiny oyster shell jewelry. All items marked 925 with a total approx. weight of 26.82 grams. Signed by artist, "M". This lot features a stunning pair of Navajo earrings and a pendant made with sterling silver, turquoise, and spiny oyster shell jewelry. All items marked 925 with a total approx. weight of 26.82 grams. Signed by artist, "M". This lot features a stunning pair of Navajo earrings and a pendant made with sterling silver, turquoise, and spiny oyster shell jewelry. All items marked 925 with a total approx. weight of 26.82 grams. Signed by artist, "M". This lot features a pair of vintage 14k gold and sterling silver earrings with a total approx. weight of 7.00 grams. This lot features a pair of vintage 14k gold and sterling silver earrings with a total approx. weight of 7.00 grams. This lot features a pair of vintage 14k gold and sterling silver earrings with a total approx. weight of 7.00 grams. This lot features a pair of vintage 14k gold and sterling silver earrings with a total approx. weight of 7.00 grams. This lot features a pair of vintage 14k gold and sterling silver earrings with a total approx. weight of 7.00 grams. This lot features a curated collection of antique sterling silver items including a bracelet, Taxco earrings, Siam cufflinks, & a belt buckle. Total approx. weight of 63.44 grams. This lot features a curated collection of antique sterling silver items including a bracelet, Taxco earrings, Siam cufflinks, & a belt buckle. Total approx. weight of 63.44 grams. This lot features a curated collection of antique sterling silver items including a bracelet, Taxco earrings, Siam cufflinks, & a belt buckle. Total approx. weight of 63.44 grams. This lot features a curated collection of antique sterling silver items including a bracelet, Taxco earrings, Siam cufflinks, & a belt buckle. Total approx. weight of 63.44 grams. This lot features a curated collection of antique sterling silver items including a bracelet, Taxco earrings, Siam cufflinks, & a belt buckle. Total approx. weight of 63.44 grams. This lot features an antique baby bracelet, made of 5k gold and is engraved with the name, "Mary". Total approx. weight of 5.00 grams. This lot features an antique baby bracelet, made of 5k gold and is engraved with the name, "Mary". Total approx. weight of 5.00 grams. This lot features an antique baby bracelet, made of 5k gold and is engraved with the name, "Mary". Total approx. weight of 5.00 grams. This lot features an antique baby bracelet, made of 5k gold and is engraved with the name, "Mary". Total approx. weight of 5.00 grams. This lot features an antique baby bracelet, made of 5k gold and is engraved with the name, "Mary". Total approx. weight of 5.00 grams. Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureThis lot features a stunning Baltic Amber in a sterling silver setting to be used as a brooch or pendant. This piece has a total approx. weight of 15.06 grams. This lot features a stunning Baltic Amber in a sterling silver setting to be used as a brooch or pendant. This piece has a total approx. weight of 15.06 grams. This lot features a stunning Baltic Amber in a sterling silver setting to be used as a brooch or pendant. This piece has a total approx. weight of 15.06 grams. This lot features a stunning Baltic Amber in a sterling silver setting to be used as a brooch or pendant. This piece has a total approx. weight of 15.06 grams. This lot features a stunning Baltic Amber in a sterling silver setting to be used as a brooch or pendant. This piece has a total approx. weight of 15.06 grams. This lot features a stunning Baltic Amber in a sterling silver setting to be used as a brooch or pendant. This piece has a total approx. weight of 15.06 grams. This lot features a "poison locket" pendant on a sterling silver chain measuring 18” with a total approx. weight of 34.31 grams. This lot features a "poison locket" pendant on a sterling silver chain measuring 18” with a total approx. weight of 34.31 grams. This lot features a "poison locket" pendant on a sterling silver chain measuring 18” with a total approx. weight of 34.31 grams. This lot features a "poison locket" pendant on a sterling silver chain measuring 18” with a total approx. weight of 34.31 grams. This lot features a "poison locket" pendant on a sterling silver chain measuring 18” with a total approx. weight of 34.31 grams. Sale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureSale PictureThis lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. This lot features a pair of ruby and diamond ribbon stud earrings designed by, Sonia Hou. SONIA, a Los Angeles based Chinese American jewelry designer and fashion enthusiast, always had trouble finding stylish, reasonably priced jewelry that was safe on her skin and long-lasting in the sense that it will not easily flake. She would shop at major retailers and overspend on jewelry made out of cheap metals that would cause her allergic skin reactions. Sale PictureSale PictureSale PictureSale PictureSale PictureThis lot features a stunning antique perfume bottle from the Czech Republic. This lot features a stunning antique perfume bottle from the Czech Republic. This lot features a stunning antique perfume bottle from the Czech Republic. This lot features a stunning antique perfume bottle from the Czech Republic. This lot features a stunning antique perfume bottle from the Czech Republic. This lot features a stunning antique perfume bottle from the Czech Republic. This lot features a stunning antique perfume bottle from the Czech Republic. This lot features a large assortment of primarily antique jewelry, with items containing sterling silver, gold-fill, and much more. This lot features a large assortment of primarily antique jewelry, with items containing sterling silver, gold-fill, and much more. This lot features a large assortment of primarily antique jewelry, with items containing sterling silver, gold-fill, and much more. This lot features a large assortment of primarily antique jewelry, with items containing sterling silver, gold-fill, and much more. This lot features a large assortment of primarily antique jewelry, with items containing sterling silver, gold-fill, and much more. 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