Rare Books, Prints, and Native American Artifacts
auction•1 day sale •sale is over
Dates
Tue
Jan 22
10am to 6pm
2019
Terms
TERMS: 18% Buyer’s Premium for Visa/MC/Discover
3% premium discount (15%) for cash or approved check
Great Homemade Food Available
| Lot | Description | Low Estimate | High Estimate | Starting Price |
| 1 | 7 Native American Indian Beaded Items including 1 fully beaded pipe, 4 beaded bands, 1 beaded belt with geometric design, 1 Lakota beaded breast plate with fully beaded front & star design, approx 3000 beads. Largest 13-3/4" W, 16" H. | 100 | 200 | 50 |
| 2 | Sioux Native American Indian beaded & quilled pipe bag, tanned hide with with beaded geometric motif, blue, red, green, yellow & cobalt beads; quilled slats in white, purple, red, black & yellow with long fringe, 5-1/2" W, approximately 21" L w/o fringe | 400 | 800 | 200 |
| 3 | Plains Native American Indian beaded pipe bag, tanned hide with beaded geometric motif, blue, red, green, yellow and cobalt beads, 4" W, 17" L to cones w/o fringe | 200 | 400 | 100 |
| 10 | Native American Indian Beaded Pipe Bag, with geometric motif, beaded with yellow, orange, red, black and white beads, two beaded crosses on the mid-section of the bag, 5-1/2" W, 17-1/2" w/o fringe | 150 | 300 | 70 |
| 11 | Native American Sioux Indian beaded sheath with Wilson Trade knife, the blade is marked "I WILSON SHEFFIELD, SYCAMORE ST, ENGLAND" with an "X" next to a diamond hallmark, circa 1890, Providence: Brown University R.I Collection, 7- 1/4" sheath, 6- 1/2" blade, 10- 1/2" overall | 200 | 500 | 100 |
| 13 | Early Native American Indian beaded knife sheath with vintage knife, beaded with black, white, red, yellow and green beads, 4 strands of fringe to bottom of sheath, unmarked with antler handle, 9- 3/4" sheath, 7" blade, 14" overall | 200 | 400 | 100 |
| 14 | Early Great Plains Native American beaded knife sheath with vintage knife, Mandan indian tribe, North Dakota, blade marked "WILSON SHEAR STEEL, SHETFIELD ENGLAND" with an "X" next to a diamond hallmark, Circa 1890, 9- 3/4" sheath, 8- 3/4" blade, 12" overall | 300 | 500 | 150 |
| 15 | 2 Native American Indian peace pipes. First, wrapped in hide, beadwork on stem with geometric patterns, adorned with fur trim, bone mouthpiece and bone pipe bowl, 28-1/2" L. Second, with fur trim, figural eagle tip carved from antler, 16- 1/2" L. | 100 | 200 | 50 |
| 16 | 2 Native American Indian peace pipes, decorated with fur trim, leather and feathers, bone tipped, 1 with beaded detail, largest 32" L | 100 | 200 | 50 |
| 17 | Vintage Native American Indian knife sheath with vintage knife, sheath decorated with fringe and feathers, knife with beaded handle, 9 - 1/2" blade, 14" overall | 80 | 160 | 40 |
| 18 | Early Native American Indian beaded & fringed knife sheath with vintage hunting knife, sheath fully beaded on both sides, blade marked "MJ" with each character in a bounding box, figural animal head pommel, 12" sheath 10- 3/4" blade, 15- 3/4" overall | 300 | 500 | 150 |
| 20 | Early Native American Indian beaded knife sheath with vintage knife, sheath by David Brush, Muscogee, Seminale Creek tribes, sheath made from seed beads and buckskin rawhide, 8" sheath, 5- 3/8" blade, 10" overall | 200 | 400 | 100 |
| 21 | 2 Native American Indian peace pipes. First with beadwork with circle and bird symbol, detailed with feathers and fringe, 21" L. Second with beadwork with ox symbol and cosmic cross, detailed with feathers and fringe, 22" L | 80 | 160 | 40 |
| 23 | 2 Native American Indian beaded bag / pouches. First with geometric design, fringe with tin caps, approx 5" w/o fringe. Second with gold/ colbalt/ brown beadwork on hide, zipper top, 4-1/2" W, 3" H. | 100 | 200 | 50 |
| 24 | 3 Native American Artifacts - Rattle, Spoon & Bow. First, ceremonial rattle, constructed of bone & animal skin, decorated with beaded fringe and feathers with a pawprint on the side of the rattle, 11-1/2" L. Second, Northern Plains Horn Spoon, decorated with metal cone tassles at top, 8 - 1/2" L. Third, decorative bone carved bow art, decorated with leather, and feathers, signed 'SHINOK, 92', 14" L. | 100 | 200 | 50 |
| 25 | Lakota Native American beaded knife sheath with vintage knife, sheath signed on reverse Doug A. Fast Horse, Oglala Lakota Sioux, Pine Ridge, South Dakota, knife unmarked with antler handle, sheath 9 - 3/4" L, blade 6 - 3/4", overall knife 13" L | 100 | 200 | 50 |
| 26 | 5 Native American beaded pouchs & sheath. First, hide detailed with orange, red, and green beaded floral design, with drawstring top, 5-3/4" L. Second, soft hide with turquoise, black & red beadwork, fringe, bone embellishment, approx 7" L overall. Third, amulet pouch, with multicolored beaded cross and 12 tin caps, 4-1/2" L. Fourth, fully beaded, with fringe and geometric motif, 3-5/8" H x 2-1/2" W. Fifth, with geometric motif, beaded with turquoise, red, green, yellow, and cobalt beads, on hide, damage to some edges, missing some of bottom fringe, 2-7/8" W, 4" H. Sheath with multicolor beads on hide, decorated with fringe, 6" H x 3-1/4" W. | 100 | 200 | 50 |
| 27 | 4 Native American leather pouches, First, Sioux Native American Indian leather pouch, signed K.D Fast Horse on reverse, detailed with small beaded pane nearing the bottom of the pouch. Second, with dark brown leather, red & blue beads, fringe, and braided loop. Third, partially beaded on hide with geometric motif, adorned with albalone and fur, fringe with metal cones. Fourth, hide with geometric beaded motif on front, fringe. Largest, 8" L w/o fringe, 12" overall. | 100 | 200 | 50 |
| 31 | Native American beaded drawstring pouch, red band around top, decorated with geometric patterned red, orange, blue, and yellow beads on white beaded background, 10" L, 5-1/2" W | 100 | 200 | 50 |
| 33 | 4 Native American Tlingit Pacific Northwest rattletop baskets, hand woven, decorated in false embroidery with geometric designs, finely woven, thin-walled, lids with central knob lift, largest 2-1/2" diameter, 3-1/2" H | 200 | 400 | 100 |
| 35 | 2 Native American Tlingit Pacific Northwest hand woven baskets. First decorated in polychrome false embroidery, fine weave, straight-sided, thin-walled, 4-1/4" diameter, 3-3/4" H. Second decorated in polychrome false embroidery, fine weave, thin-walled, slightly smaller at base, damages to rim, 4-3/4" diameter, 4" H. | 100 | 200 | 50 |
| 38 | <p><span style="font-family: docs-Calibri; font-size: 15px; white-space: pre-wrap;">4 Native American handwoven baskets / tray. 1 lidded basket, decorated with polychrome repeating diamond design and star pattern lid, globular shape with top knot handle, 1 unlidded with simple geometric pattern, 1 unlidded and no design, 1 tray. Largest measures 7" opening, 7" H</span></p> | 100 | 150 | 0 |
| 39 | <p><span style="font-size: 11pt; font-family: Calibri, Arial;" data-sheets-value="{" data-sheets-userformat="{">Northwest Coast Native American painted drum, decorated with eagle design, "Marcus Salazar, Coast Salish" written on reverse, approximately 18" diameter. Along with drum stick / mallet, hide tip and wooden handle.</span></p> | 100 | 200 | 50 |
| 40 | Native American catlinite stone pipe, metal inlay, attached to carved wooden body decorated with tanned hide and beads, catlinite stone section measures 9-7/8" L, 5" W, overall pipe 34" L | 100 | 200 | 50 |
| 41 | 2 Native American Weapons -Tomahawk pipe / club. Tomahawk Pipe, with red & black beaded stripes on two sections of the handle, bottom section wrapped in leather, midsection wrapped in leather & fabric, decorated with bird feathers, fur, beads & hair, 18 - 1/2" L. War club decorated with feathers, 26- 1/2" L. | 150 | 300 | 70 |
| 42 | Native American walking cane, wood with polychrome paint and figural motifs, 36" H | 80 | 160 | 40 |
| 43 | 2 Southwest Native American ceremonial turtle shell rattles, sturdy wood handle wrapped in buckskin, decorated with fur and fringe, turtle shell symbolizes longevity,both 20" L | 100 | 200 | 50 |
| 44 | Southwest Native American ceremonial turtle shell medicine bag / pouch, braided hide strap with hide fringe, shell measures approximately 6" L | 80 | 160 | 40 |
| 46 | Native American Indian Pipe Bag, hide with beaded geometric motif, with turquoise, gren, red, yellow, and white beads, long fringe, 6 - 1/2" W x 15 - 1/2" L without fringe | 200 | 400 | 100 |
| 47 | 2pc Northwest Coast Native American Art. First, dance paddle, wooden, polychrome painted, reverse side signed "Fred Alexanders", 12" L. Second, wall hanging art, traditional polychrome geometric design on handcarved wood, illegdibly signed on back, dated 1997 , 27-3/4" W, 4" H. | 100 | 200 | 50 |
| 49 | Sioux Native American beaded umbilical cord fetish, buffalo beaded pouch used for newborn baby umbilical cords during ceremonial rituals, 4" L, 3" H | 100 | 200 | 50 |
| 51 | Native American Bald Eagle & buffalo stained glass, scene depicts a bald eagle and a buffalo facing opposite directions on either side of a tipi inside of a blue ring, water buffalo skull overhead, black & blue border and pink stripes within, 24" W x 24" H | 80 | 160 | 40 |
| 52 | 2 Native American beaded flat bags with rose & floral motifs. First with flowers on turqouise beaded background, brown corderoy and beaded horse motif on reverse side of bag, interior lined with floral pattern fabric, bottom decorated with fringe, beads, and shells, 11" L x 8 - 1/2" W without fringe. Second, Plateau Rose motif beaded bag, white cloth interior with red polka dot pattern, no beadloss, comes in glass-front display case, 6 - 1/4" L x 5 - 1/2" W | 300 | 600 | 150 |
| 54 | Native American beaded & quilled turtle fetish, used for newborn baby umbilical cords during ceremonial rituals, 4" L | 200 | 400 | 100 |
| 55 | Native American painted parfleche, rawhide, handmade, brightly painted with geometric designs, 14-1/2" L, 10-1/2" W while tied shut | 100 | 200 | 50 |
| 56 | 2 Native American beaded flat bags. First with geometric design on blue beaded background, blue felt reverse side, interior lined with floral pattern fabric, 12" L x 11" W. Second, fully beaded with geometric designs on front and back, no beadloss, hide handle, forest green fabric interior, 7-1/2" W, 9-1/2" H | 300 | 600 | 150 |
| 58 | <p>2 Vintage Embroidered Tunics & 1 wool vest. Tunics with flower designs, 'Made in Pakistan', 100% Cotton, one with tag branded 'Chandi' , first 28-1/4" from neckline to bottom, approx 19" from armpit to bottom, 20" across chest, second 29" L x 19" W. Vest with buffalo & geometric motifs, two small front pockets, fits large, 24" from top to bottom, approximately 21" W.</p> | 40 | 80 | 20 |
| 61 | Early Native American Beaded Bandolier Bag, fully beaded front with geometric designs, with one red wool panel, red wool on reverse, bandlior bags were representative of honor and were given to worthy men, 13 - 3/4" at widest point, 4 - 3/4" strap, 48" L with tassles | 1500 | 2500 | 750 |
| 62 | Early Native American Beaded Bandolier Bag / panel, fully beaded front depicting flowers & foliage designs, decorated with tassles, no pouch on reverse side, bandlior bags were representative of honor and were given to worthy men, 15 - 1/2" W at widest, 6" W strap, 39" L | 800 | 1200 | 400 |
| 63 | Early Native American Beaded Bandolier Bag / panel, fully beaded front depicting flowers & foliage designs, black velvet panels, decorated with tassles, pouch on front side, reverse with red patterned fabric, bandlior bags were representative of honor and were given to worthy men, 14" W at widest, 6" W strap, 44" L | 1000 | 1500 | 500 |
| 64 | Early Native American Beaded Bandolier Bag, fully beaded front panels depicting flowers & foliage designs, with one black velvet panel, bandlior bags were representative of honor and were given to worthy men, 14" W at widest, 6" W strap, 41" L | 500 | 1000 | 250 |
| 65 | Sioux Star Pendleton Beaver State Wool Blanket, "Sioux State, dedicated in friendship to all Santee, Wiciyel and Teton of the Sioux Nation, renowned for vitality, goodnature and resourcefulness, Pendelton Woolen Mills" | 60 | 120 | 30 |
| 66 | Sioux Native American Indian Beaded Moccasins, predominantly white detailed with geometric designs in red, white, green and cobalt beads, 10" L | 400 | 600 | 200 |
| 67 | Early Cheyenne Native American Beaded Moccasins, intricate design, predominantly white detailed with geometric designs in red, cobalt, light blue & yellow, some damages and sections of bead loss, 10" L | 200 | 400 | 100 |
| 68 | Native American Plains Beaded Childrens Moccasins, Sioux?, predominantly white, detailed with geometric designs & crosses, 8-1/4" L | 200 | 400 | 100 |
| 69 | Sioux Native American Beaded & quilled Childrens Moccasins, detailed with light blue, pink & black beads in geometric designs, pink quilled stripes, some damages [refer to photos], 7" L | 100 | 200 | 50 |
| 70 | Plains Native American Indian Beaded Childrens Moccasins, predominantly white beadwork detailed with red, orange, yellow, and black beaded triangular patterns, 8-1/2" L | 200 | 400 | 100 |
| 71 | Early Plains Native American Indian Beaded Moccasins, partially beaded with cobalt, light blue, and white beaded crosses on the tops of the shoes, 10" L | 100 | 200 | 50 |
| 72 | Early Native American Sioux Beaded Moccasins, predominantly light blue & yellow with step triangles in red, white, cobalt & yellow, no beadloss, 2 strands of loose beads on inside of left moccasin that is barely noticable, 9-1/2" L | 300 | 500 | 150 |
| 73 | Native American Indian Beaded Moccasins, decorated with floral pattern beadwork , 10" L | 100 | 200 | 50 |
| 74 | Sioux Native American Indian Beaded Moccasins, split tongues are fully beaded, predominantly white decorated with red & cobalt beadwork in geometric designs, 10" L | 600 | 800 | 300 |
| 75 | Plains Native American Beaded Moccasins, predominantly white with greasy yellow, cobalt, and orange geometric patterns, brown & light blue spaces on top, laces adorned with beads, 11" L | 300 | 500 | 150 |
| 76 | Native American Beaded Moccasins, Plains?, predominantly white with red rose motifs and green leaves, 9-1/2" L | 200 | 400 | 100 |
| 77 | Sioux Native American Beaded and Quilled Moccasins, both sinew sewn with blue and red glass beadwork around the foot and forked tongue, the fronts decorated with a cross pattern with green and yellow dyed porcupine quillwork against a shaded purple ground with tin cone and feather pendants, 10 1/4" L, Provinence: "The story from the family that owned these mocassins was that they were picked up at Ft Yates, North Dakota in approximately 1880 by a Mr. Soule who was stationed there from 1878 - 1882, who inferns they were worn by the son of Little Crow. All beadwork is in good condition, quillwork is approximately 90% intact | 1000 | 2000 | 500 |
| 78 | Native American High Top beaded moccasins, Cree?, partially beaded with floral motifs, adorned with fringe, 11" L x 12-3/4" H | 150 | 300 | 70 |
| 80 | Native American beaded strike-a-lite pouch, fully beaded front with partially beaded backside on hide, geometric and tipi motif, adorned with metal cones, 3-3/8" W, 5-1/2" L total | 200 | 300 | 100 |
| 81 | Early Native American strike-a-lite pouch / bag, with geometric motif on white beaded background, braided leather strap, floral fabric interior, 6-1/2" L, 4-1/2" W | 200 | 300 | 100 |
| 82 | Early Native American beaded pouch / bag, fully beaded on both sides, geometric and flower motifs, pinstripe fabric interior | 100 | 200 | 50 |
| 84 | (2) Early Native American beaded pouches / bags, one with zippered top, both with traditional geometric motifs on white beaded background, largest 4-1/4" L | 100 | 200 | 50 |
| 89 | 2 fully beaded Native American pouches / purse, geometric motif on either side, zipper tops, circular bag has rip along zip, circular bag 4" diameter, second pouch 4-1/2" W | 100 | 200 | 50 |
| 91 | 2 Early Native American beaded strike-a-lite bag & amulet pouch. both with fully beaded front on hide, with traditional geometric motif on white backgrounds, largest 6-1/2" L, 4-1/2" W | 200 | 400 | 100 |
| 92 | Sioux Native American Patriotic Strike-a-lite beaded bag, 20th century, features a patriotic beaded front with greasy yellow, chalk white, red white hearts, and blue beads, fringe bottom with metal cones, 3-3/4" L without fringe, 9" L overall | 100 | 200 | 50 |
| 94 | Native American Jawbone war club & deer dance stick. War club is likely a horse jawbone, decorated with leather and beads, 16" L. Dance stick composed of deer hoof with leather wrapped handle, 10" L without fringe. | 80 | 160 | 40 |
| 95 | 2 Native American Indian Ceremonial Sticks. First, wood wrapped in tanned hide, decorated with fur, feathers, and hair. Second, wrapped in hide, antler on one end, adorned with beads, feathers, bells and hair. Largest 36" H. | 80 | 160 | 40 |
| 96 | 3 Native American Weapons. First is a studded wooden paddle whip, carved wood with braided leather whip, 22-1/2" L paddle, 39" L overall with whip. Second is a wooden war club, turned wood handle with ball at end, bird head figural handle, decorated with leather, beads, and feathers, 24" L. Third is a rabbit stick / throwing stick, primitive weapon used in hunting small game, handcarved wood, 18-1/4" L . | 100 | 200 | 50 |
| 102 | 3 Native American rattle musical instruments. 1 oblong wooden rattle, 1 antler rattle with beaded detail, 1 wooden rattle with hide wrapped handle, largest 11-7/8" L | 40 | 80 | 20 |
| 108 | Native American beaded knife sheath, on hide, red, white & cobalt geometric designs on light blue background | 100 | 200 | 50 |
| 116 | 5 vintage knives. First, bone handled, hand forged blade, 2- 3/4" blade, 7" overall. Second, with wooden handle & metal accents, matching knife sheath, blade marked "M. Hansen", 3- 1/4" blade, 7- 1/2" overall. Third, with obsidian blade & wooden handle, 3" blade, 6- 1/2" overall. Fourth, combat knife with wooden handle, 10" blade, 15-1/2" overall. Fifth, straight tip knife with bone handle, 4- 1/4" blade, 8" overall. | 100 | 200 | 50 |
| 117 | Vintage Native American beaded knife sheath, on hide, adorned with metal cones, 8-1/2" L x 2-1/2" W | 100 | 200 | 50 |
| 118 | Vintage Native American beaded & quilled knife sheath, Great Lakes style, on hide, 9" L, 2-1/4" W | 100 | 200 | 50 |
| 120 | (3) Native American necklaces, with wooden beads, bells, stones, etc, longest approximately 23" along with woven bracelet with geometric pattern and wavy leather edges, 6" without ties | 20 | 40 | 10 |
| 124 | Northwest Coast Kwakiutl wolf mask by Emil Kewistep Thibert, handcarved wood, polychrome paint, decorated with fur & copper eyes, inside is signed "Emil Thibert, Wolf", 18" L, 8" H, Artist Bio: Emil Thibert is a Northwest Coast Metis artist of Saulteaux/Cree/French heritage who grew up in Alberta and resides in Calgary, He studied Kwakiutl style carving from Carl Simeon of Campbell River, BC | 200 | 400 | 100 |
| 125 | <p>3pc Northwest Coast Bird Wall Hanging Art. First signed, by Darren Yelton, Squamish Tribe, British Columbia, Canada, handcarved wood with traditional polychrome paint, titled "Bald Eagle Holding Salmon," 20-1/2" L, Second, Kwakiut, Raven carrying baby bird, handcarved wood with traditional polychrome paint, reverse signed illegibly, 4-7/8" W, 12-1/4" L. Third, signed by Brad Joseph (b. 1963), Squamish Tribe, British Columbia, Canada, handcarved wood with black paint, 4" W at widest, 22-1/4" L, Artist Bio: Brad Joseph lives on the Capilino Reservation in Northern Vancouver BC, Brad Joseph is a member of the Coast Salish Nation, He was taught to carve from Floride Joseph and has been carving for 15 years, He typically carves traditional style Coast Salish wood plaques.</p> | 200 | 300 | 100 |
| 127 | 20th C. NW Coast Kwakwaka'wakw Wood Raven Rattle, signed by Erich Glendale (b. 1972), ca 1999, Native American Pacific Northwest, British Columbia, Canada, Kwakwaka'wakw people, hand-carved cedar wood ceremonial rattle in the form of a raven / bird, signed 'Erich Glendale 99' on underbelly, 18" L, Artist Bio: Erich Glendale is a member of the Kwakwaka'wakw Nation, was born in Campbell River, British Columbia, and now lives in Port Alberni, also in British Columbia. He usually works with yellow cedar, but also works with red cedar, gold, and silver. His work focuses on imaginative clan totems, of which this example is one. | 500 | 1000 | 250 |
| 129 | Native American Beaded Arm bands / cuffs, fully beaded front decorated in turquoise, white & red design, on hide, 8" L x 8" W at widest point | 300 | 600 | 150 |
| 132 | Native American Plateau beaded flat bag with flower design, reverse with pink floral lace, 11" L x 10" W | 100 | 200 | 50 |
| 133 | Native American Plateau beaded flat bag with geometric design, fully beaded front, purple velvet border, reverse with pink wool, interior with turquoise fabric with floral pattern, 13 - 1/2" L x 12 - 3/4" W | 100 | 200 | 50 |
| 134 | Native American beaded & quilled bag, quilled bison motif, some quill loss to back of bag, long fringe, 11-3/8" L without fringe, 20" L total | 100 | 200 | 50 |
| 135 | Pair of Native American beaded cuffs / armbands/ dance embellishments, geometric motif, fringe, 9-3/4" L without fringe, 5-3/4" W | 100 | 200 | 50 |
| 137 | Native American Plateau fully beaded circular flat bag with flower & butterfly motif on turquoise beaded background, reverse with paisley-esque decorative fabric, 8 - 1/4" W x 9 - 1/2" L | 150 | 300 | 70 |
| 138 | 2 Native American Plateau beaded flat bags with flower motif on turquoise background, on hide, floral fabric interior, largest 10- 1/2" diameter | 300 | 500 | 150 |
| 141 | 2 Native American Plataeu beaded flat bags. First, fully beaded with multicolor flower motif on front and back, inside lined with black fabric and contains one pocket, beaded strap is broken but remains attached on one side, 9" L x 8 - 1/2" W. Second, with geometric design, decorated with red, black, green & grey beadwork, 10" L x 9" W. | 200 | 400 | 100 |
| 143 | Handmade embossed leather belt, beautifully detailed, marked 'Handmade in Mexico', 48" L. Along with figural handled knife with wood sheath, 5- 1/4" blade, 10" overall . | 40 | 80 | 20 |
| 144 | 3 Native American breast plates. First with bone pipe and fringe, 9" W, 14-1/2" L. Second with bone pipe and blue beaded accents & abalone, 9-1/2" W, 16" L. Third with 3 sections of bone pipe, decorated with fringe, beadwork, ribbon, and metal cones & abalone, 9-1/2" W, 14-1/4" L | 150 | 300 | 70 |
| 147 | 2 Native American Plateau Beaded flat bags. First with rose motif, decorated with red, green, white, black & tan beadwork, reverse with red & black striped felt, floral fabric interior, hide handle, tear on right edge, 9 - 1/2" L x 7 - 1/2" W. Second with geometric design, decorated with blue, red, white, green, cobalt & yellow beadwork, on forest green cordoroy fabric, floral interior, hide handles, 16" L x 13 - 3/4" W | 300 | 600 | 150 |
| 148 | Early Native American Plateau Beaded flat bag with flower motif, decorated with red, green, yellow & gold beadwork, fabric lined interior, 10 - 1/2" L x 9" W | 200 | 400 | 100 |
| 150 | Native American hide & beaded gauntlet gloves, Northern Plains, decorated with geometric design in blue, green & white beadwork, on tanned hide, floral patterned fabric interior, 12" L | 80 | 160 | 40 |
| 153 | Early Native American Plateau beaded flat bag with flower design, red wool border, black velvet on reverse, blue fabric interior, handles in need of repair, 13 - 1/4" L x 11 - 1/2" W | 200 | 400 | 100 |
| 154 | Native American Beaded Items. First, Northern Plains beaded belt, no beadloss , on blue trade cloth backing, 25-3/4" L x 4" W. Second, beaded belt, geometric motifs on white beaded background, approximately 28" L x 2" W. Third, beaded awl case, traditional geometric designs, decorated with fringe, 7-1/2" w/o fringe. Fourth, hair clip, geometric design, with beaded fringe, clip is broken, 3-3/4" H, 2" W. Fifth, fully beaded necklace w/ Medallion / ornament, floral motif on medallion, on hide. Sixth, beaded necktie, with geometric design, beaded fringe, 12" L with fringe. Seventh, beaded & quilled medicine wheel bracelet, cross designs, with fringe, medicine wheel approx 2" diameter. Eighth, beaded dreamcatcher, 4" diameter. | 100 | 200 | 50 |
| 155 | Northwest Coast Haida Native American mask by Andy Wesley, handcarved cedar, polychrome paint, copper eyes, signed on reverse, 16-1/2" W, 17" H, Artist Bio: Andy Wesley (born 1961) is from the Skidegate band of the House of Hagbegwatku | 200 | 400 | 100 |
| 156 | Northwest Coast portrait mask by Stomish (John Gibson), Nanaimo, BC, carved wood with polychrome paint and copper eyes, reverse side signed "Stomish, Y2K, KUL-KA-LEETH," 11-5/8" L, Artist Bio: John Gibson signs his name ?"Stomish?", which means warrior. He has been carving since the late 1960?'s | 200 | 400 | 100 |
| 157 | Northwest Coast Kwakiutl Moon mask by Emil & Alison Kewistep Thibert, ca 2000, handcarved wood, polychrome paint, inside is signed "Emil + Alison Kewistep Thibert, Moon Mask, Kwagulth, 2000", 12" W, 14" H, Artist Bio: Emil Thibert is a Northwest Coast Metis artist of Saulteaux/Cree/French heritage who grew up in Alberta and resides in Calgary, He studied Kwakiutl style carving from Carl Simeon of Campbell River, BC | 200 | 400 | 100 |
| 158 | Kwakaka'wakw NW Coast drum/ rattle by Eugene A. Hunt, Canadian Northwest Coast, 1946-2002, polychrome paint, signed on reverse, 10-1/2" W, 21" H. Along with drum stick / mallet with padded hide tip. Artist Bio: Eugene Hunt was born in 1946 in Alert Bay, B.C. Born to Thomas and Emma Hunt, he was a member of the Fort Rupert Band of the Kwagiulth nation. In the early 1960's Eugene spent about four years carving at Thunderbird Park, Royal B.C. Museum in Victoria where he learned from Mungo Martin and Henry Hunt. He left his artwork for the next twenty-five years which he spent as a commercial fisherman. Eugene resumed carving in 1987 and also took up painting. In recent years he worked with Calvin Hunt, George Hunt, Jr. and John Livingston. He resided and worked in Victoria, B.C. until his death in 2002. | 200 | 400 | 100 |
| 159 | Northwest Coast Kwakiutl mask by Emil & Alison Kewistep Thibert, handcarved wood, polychrome paint, inside is signed "Emil + Alison Kewistep Thibert, Kwagulth, 2000", 10-1/2" W, 11-1/2" H, Artist Bio: Emil Thibert is a Northwest Coast Metis artist of Saulteaux/Cree/French heritage who grew up in Alberta and resides in Calgary, He studied Kwakiutl style carving from Carl Simeon of Campbell River, BC | 200 | 400 | 100 |
| 160 | Vintage Native American Dance / Medicine Shield, painted hide circular shield adorned with feathers & beads, approximately 18-1/2" diameter | 300 | 500 | 150 |
| 161 | Native American Ceremonial Dance Stick, wrapped in studded hide, topped with a fur wrapped rattle, antlers and a pair of dreamcatchers, adorned with beads, feathers, bells, hair, fringe, and metal cones, approximately 32" H w/o fringe & hair, 1 feather detached | 100 | 200 | 50 |
| 162 | <p><span style="font-size: 10pt; font-family: Arial;" data-sheets-value="{"1":2,"2":"Decorative Replica Native American Spear & small misc items. Spear composed of painted wood, leather & feathers with plastic replica spearhead, 55-1/2\" H. Miscellaneous items to include an oblong wooden paddle | 0 | 0 | 0 |
| 164 | Cree Native American beaded leather jacket, adorned with floral patterned beadwork across the back, chest, and waist pockets, some stains & wear, all beadwork intact, 18-1/2" across chest, 7-1/29" L from the neckline to the bottom of the jacket, 17" L from the armpit to the bottom of the jacket, 23" L from shoulder seam to end of sleeve | 100 | 200 | 50 |
| 165 | Cree Native American beaded leather jacket, adorned with floral patterned beadwork across the back, chest, and waist pockets, approximately 18" across chest, 25" from the neckline to the bottom of the jacket, 12" from the armpit to the bottom of the jacket, 26" from shoulder to end of sleeve | 200 | 400 | 100 |
| 166 | Native American Rawhide Drum & Beaded drum stick. Drum is doublesided, approximately 20" diameter. Drum stick / mallet with padded hide tip, 18-1/4" without fringe. | 60 | 120 | 30 |
| 168 | 3 Decorative Vases. First a Rocky Mountain Aspen / Buffalo decorative wood vase, handcrafted by 'How's Your Aspen' , 5 - 1/4" H. Second, a Native American signed buffalo decorated vase, 9 - 1/2" H. Third, a Southwest art pottery vase, hexagonal form with bands & geometric shapes, signed 'Hana 97' underneath. | 80 | 160 | 40 |
| 176 | Plateau Native American beaded necktie & collar set, white beaded background, with floral design, beaded fringe, tie 11" L without fringe, collar 17" L at widest. Along with a beaded necktie with flower motif, black velvet background, 10-3/4" L. | 150 | 250 | 70 |
| 179 | 7 Native American beaded belts, geometric designs in multicolored beadwork, largest 28-3/8" L, 1-1/2" W | 80 | 160 | 40 |
| 186 | Native American Bow & Arrows, wooden bow with beaded geometric design, leather wrapped grip, figural eagle carved bone tips, adorned with fur, feathers, beads, and horse hair, along with 2 arrows, 47" H, arrows 30-3/4" H | 100 | 200 | 50 |
| 187 | 3 Native American Papago Baskets/ Tray, Southwest, handwoven, with simple geometric designs. Tray measures 10-1/2" L, 8" W. Largest basket measures 5-3/8" diameter, 2-5/8" H | 100 | 200 | 50 |
| 188 | 4 Native American handwoven baskets, in Papago & Californian style, tightly woven, very sturdy, 3 with simple geometric designs, along with handwoven covered glass bottle, largest basket 7-3/8" diameter, 3-5/8" H | 100 | 200 | 50 |
| 193 | 2 Native American Alaskan Eskimo style handwoven baskets. First with hinged lid and circle/ flower motif in pink & green dye, latches shut in front, 9-3/4" opening, approx 7-1/2" H with handle. Second with dyed elements, figural motifs in red & brown, 5-1/2" opening, 2-1/4" H | 80 | 160 | 40 |
| 196 | Northwest Coast Kwakiutl Sun mask by Emil & Alison Kewistep Thibert, handcarved wood, polychrome paint, inside is signed "Emil & Alison Kewistep Thibert, 2000", 20" W, 15" H, Artist Bio: Emil Thibert is a Northwest Coast Metis artist of Saulteaux/Cree/French heritage who grew up in Alberta and resides in Calgary, He studied Kwakiutl style carving from Carl Simeon of Campbell River, BC | 200 | 400 | 100 |
| 197 | Northwest Coast mask by Elton LaFontaine, Kwakiutl, Raven mask in handcarved cedar wood, polychrome paint, & adorned with cedar bark, inside signed "Elton LaFontaine, 2000," 6" W, 14" L, Artist Bio: Elton Lafontaine was born into the Cree Nation of Regina, Saskatchewan in 1974. When he moved to British Columbia as a young adult, he carved wood under the watchful eye of his teacher and friend, Emile Thibert. He has also been influenced by Willy Seaweed and Bill Reid. He has worked with many local artist such as Carl Simeon, Cris Vanedig and Beau Dick.Elton has adopted the bold and bright style of the Kwagiulth Nation and he particularly enjoys carving a variety of masks. | 300 | 600 | 150 |
| 200 | 4 Native American Papago baskets / bowl, handwoven, with simple geometric designs. Largest basket measures 8-1/2" diameter, 5-1/4" H | 100 | 200 | 50 |
| 202 | Native American Micmac quilled lidded basket /bark box, Northeast, flower motif on lid, damages to bottom rim, 5-3/4" diameter, 3-7/8" H | 100 | 200 | 50 |
| 203 | <p>4 Native American handwoven lidded baskets + 1 tray. First in Northeast (Iroquoian?) style, with decorative pointed protrusions, a variety of the "porcupine twist" technique sometimes called "thistle weave," exterior with faded pink / green dyed sections, interior with more vibrant dye, ring handle. Second in Northeastern style with weaved protrusions and red checkerboard band. Third and Fourth of unknown variety, largest basket 8" diameter, approx 8-1/2" H</p> | 80 | 160 | 40 |
| 204 | Native American Micmac quilled lidded basket /bark box, Northeast, intricate flower motif on lid, ripped threading separating the bottom of the box from one side (see photos), 6-1/2" L, 6-1/2" W, 3-1/4" H | 100 | 200 | 50 |
| 205 | 4 Native American Papago baskets / bowl, handwoven, with simple geometric designs. One lidded with central knob handle, with tag, made by Felicitas Pedro at Bigfield. Bowl with damages to rim. Largest basket measures 8-1/2" diameter, 4-1/2" H | 100 | 200 | 50 |
| 215 | Native American Rawhide Drum w Beaded drum stick. Drum is 14" diameter. Beaded mallet / drum stick, decorated with red, white & blue beadwork, 18" L | 60 | 120 | 30 |
| 218 | Native American, Southern California(?) woven basket & bowl, tightly coiled, simple geometric designs. Bowl 9-1/2" diameter, 2-1/2" H. Basket 6-1/2" diameter, 4-1/4" H | 100 | 200 | 50 |
| 221 | 3 Native American Alaskan Eskimo woven baskets, Subarctic & Arctic, First with dyed stitching elements in pink, green, and purple on outside and inside, 7" opening, 7" H. Second is a lidded basket, globular shape, knob handle, decorated with dyed stichting elements in red, green and brown, outside dye is very faded while inside dye remains vibrant, 8-1/2" opening, approx 12-1/2" H. Third is a shallow bowl with dyed stichting elements in pink, black, and green(?) simple designs, dye on bottom of basket is more vibrant than faded interior designs, damage to rim, 15" diameter, 3" H | 100 | 200 | 50 |
| 222 | Ethnographic handcarved wooden turle box, knicked edge on face, 7" L | 40 | 80 | 20 |
| 223 | Northwest Coast Kwakiutl handcarved wooden mask by Emil Kewistep Thibert, mask is painted black & red, inside is signed "Pzonokwa Wild Women, Emil Kewistep Thibert", Artist Bio: Emil Thibert is a Northwest Coast Metis artist of Saulteaux/Cree/French heritage who grew up in Alberta and resides in Calgary, He studied Kwakiutl style carving from Carl Simeon of Campbell River, BC, mask 9-1/2" H not including hair | 200 | 400 | 100 |
| 224 | Northwest Coast Kwakiutl wooden mask by Billy Robertson, a Native American Indian artist, 9" W, 15" H | 200 | 300 | 100 |
| 225 | 13 Handcrafted ethnographic decorative wood vases. Made from from various woods including imbula, cherry, wenge, sycamore, poplar, cherry, myrtle, purple heart, maple, peroba rosa, walnut, ash, ziricote, mahogany, padouk, & willow, tallest 2-3/8" H | 60 | 120 | 30 |
| 239 | Native American bow & arrow case w 4 wooden arrows. Case with tanned hide & braided strap, fringe & feathers, 20-1/2" L, arrows 33" L | 100 | 200 | 50 |
| 241 | 2 Native American Musical Instruments Flute / Fife - First instrument is a large Native American courting flute, black wood decorated with sueded leather fringe and turqouise details, 26" L. Second is a black wood fife / musical instrument, 7/8" silver tip, small silver band near top, 14- 1/4" L. | 60 | 120 | 30 |
| 254 | 3 Hopi Native American Polyestewa Kachina Dolls, Wuyak-Kuita, Carved by Chester Polyestewa, Hotevilla Mesa Hopi, Northern Arizona, ca 1988-9. First titled 'Broadface' warrior, second titled 'Squash,' third titled 'Roadrunner.' Made in old, traditional manner using cottonwood roots, painted with natural dyes and mineral paints, adorned with duck feathers & goat hair, signed on feet, tallest 13-3/4" H without feathers, 17-1/2" H overall. Style is similar to the kachinas of the early 1800s, with arms tucked close to the body. Polyestewa has competed in numerous competitions and has won awards to include a "Best in Class" at the Flagstaff Museum of Northern Arizona. He competes in the Historic Contemporary class. | 200 | 400 | 100 |
| 255 | 2 Hopi Native American Kachina Dolls, Carved by Chester Polyestewa, Hotevilla Mesa Hopi, Northern Arizona. First titled 'White Oger' Warrior, second titled 'Mudhead.' Made in old, traditional manner using cottonwood roots, painted with natural dyes and mineral paints, adorned with feathers, doeskin, and goat hair, signed on feet, tallest 14" H without feathers, 18-1/2" overall. Style is similar to the kachinas of the early 1800s, with arms tucked close to the body. Polyestewa has competed in numerous competitions and has won awards to include a "Best in Class" at the Flagstaff Museum of Northern Arizona. He competes in the Historic Contemporary class. | 150 | 300 | 70 |
| 256 | 3 Native American Hopi Kachinas, Northern Arizona art. First is a Whipper kachina signed 'Shorty.' Second is an Eagle kachina signed 'Cindy'. Third is a Mudhead Clown kachina signed Shirley Nelson. All with traditional polychrome paint, wood, leather, feathers & fur, tallest 15" H | 100 | 200 | 50 |
| 257 | 3 Native American Hopi / Tewa Kachinas, Northern Arizona art. First is a "Copy Cat" kachina with alcohol bottles in both hands, signed "Finkle Sahmie", b 1948, Polacca, AZ. Second kachina with removable helmet, medicine stick, and leather bag, signed 'COAL' on base with an illegible signature. Third is a 'Mudheads' kachina depicting two figures, one eating watermelon and the other wrapped in a blanket, signed Eugene Saddy. Dolls with traditional polychrome paint, wood, leather, feathers & fur, tallest 15" H | 100 | 200 | 50 |
| 258 | 2 Hopi Native American Clown Kachina Dolls. First is a Hano Clown carving being found in the Hopi Mesas and many of the pueblos in New Mexico. The Hano Clown embodies both the sacred and profane; pictured with watermelons representative of gluttony. Kachina with polychrome paint, wood, leather & fur trim, signed 'Jim' on bottom. The second is a Tewa Clown, standing eating watermeleon. Kachina with polychrome paint, wood, and corn husk, signed Jaynes Polacca on bottom, tallest 13-1/2" H | 100 | 200 | 50 |
| 259 | 2 Sunface Hopi Native American Kachina Dolls, larger signed 'Rosita C', smaller signed 'T. Whyte,' both with polychrome paint, wood, feathers, leather & fur, tallest 22" H | 60 | 120 | 30 |
| 260 | 3 Signed Hopi Native American Kachina Dolls, first titled 'Priest Killer' holding knife and beheaded victim, 'Eagle Dancer' , third titled 'Owl', all intricately painted and carved, signed 'B. Ritig' , tallest 12" H | 200 | 400 | 100 |
| 261 | 3 Signed Hopi Native American Kachina Dolls. First titled 'Early Morning Kachina,' with large leather cape, bells, and traditional textile cloth, signed "Bakabi." Second titled "Hoop," performing Hopi/ Tewa hoop dance, with beautiful beaded necklace, signed 'B. Lung.' Third titled 'Black Buffalo,' with spear & shield, signed illegibly on base. Dollas with traditional polychrome paint, wood, leather, feathers, furs, yarn, beadwork, and other various materials, tallest 16-1/2" H | 100 | 200 | 50 |
| 262 | 6 signed Native American Kachina Dolls & Carved Artwork. First titled "Mocking Kachina," signed Cindy Kachada, with dancing stick and rattle in hand & wearing removable mask. Second titled "Crow," signed 'C. Ashley,' wearing blue bird mask. Third titled "Hemis Mana Kachina" signed Rapheal Jose Jr '91, of masked figure climbing ladder. Fourth titled 'Hopi Buffalo Maiden,' signed Larry David Tewa. Fifth titled 'Corn' signed 'L.V.' Sixth contains a set of 5 Apache Spirit Dancers adorned with dance sticks and headdresses on a wooden base. Figures with polychrome paint, wood, leather, fur, feathers, denim, and other various materials, tallest 12" H | 100 | 200 | 50 |
| 263 | 4 Native American Indian Dolls & Figures. First with tanned hide outfit with long fringe & beadwork, neck imprinted 'J Belle,' marked midback "1993 MBI." Second tagged & titled 'No Face Maiden' adorned with soft leather outfit, patterned textiles, & beadwork, crafted by 'Mrs. B.' Third with cloth outfit and carrying tumpline, unsigned. Fourth wrapped in blanket with beaded necklace and headband, unsigned. Tallest 16" H | 60 | 120 | 30 |
| 264 | 6 Native American Kachina Dolls. First titled 'Hummingbird' by Earl Arthur. Second titled 'Mouse,' signed Gerald Notah. Third titled 'Eagle Dance Navajo,' signed illegibly. Fourth titled 'Corn Maiden' signed C. Begay. Fifth depicting Northwest Coast style dancer signed illegibly on base. Sixth titled 'Apache Crow,' stained wood, signed D. Kenneth. Dolls with polychrome paint, wood, feathers, leather, fur, shells, string, and othervarious materials. Tallest 12" H | 80 | 160 | 40 |
| 265 | 21 fur animal fiber sculptures, figures to include alpaca, lion, doe, Arctic musk-ox, (3) seal, panda bear, cow (?), 2 rabbits, (3) llama, (2) dog, jagular, bighorn sheep (broken horns), 2 mountain goats, all with real fur / skin. Musk-ox with original tags, handmade by Maggie Rye, Alaska, 2007. 1 seal with original tag, Made in Norway with genuine seal skin. Largest approx 12" L x 9" | 60 | 120 | 30 |
| 266 | Lot of Native American Artifacts to include a full body coyote pelt, a Canteen shape piece clay ,2 pieces of Native American beadwork, a small wooden totem, 3 horsehair baskets by Leona Romero, a miniature vase, and a wheat-braided helix form, pelt measures 52" L | 60 | 120 | 30 |
| 267 | Native American Dreamcatchers & jewelry. 15 handmade dreamcatchers, along with 8 pieces of Northern Plains jewelry consisting of 5 feather necklaces, 1 wishbone necklace, 1 Sacagwea necklace & 1 beaded bracelet, dreamcatchers measure 7" overall | 20 | 40 | 10 |
| 268 | Native American Clock & Wall Art, featuring a live edge wood clock with turquoise digitry, 1 piece of framed artwork titled "Shadow of the Longhouse", clock measuring 13" across, artwork measuring approximately 4-3/4" L x 6" W sight | 40 | 80 | 20 |
| 269 | Philbert Hughte (b 1954), Zuni Kachinas, pencil & colored pencil on paper, signed on front, "Wupa-ala-longhorn Kachina Zuni Kachinas" written on verso, framed and matted, 6-1/2" x 4-1/2" sight, 10-3/4" x 8-3/4" overall | 60 | 120 | 30 |
| 270 | 5 Eskimo Inuit Carved Stone Sculptures. First of eskimo grabbing animals horns, wit"Canadian Eskimo Art" sticker on bottom. Second with mother & child eskimo, "The Wolf Sculptures, Handmade in Canada" sticker on bottom. Third of Seal , "The Wolf Sculptures, Handmade in Canada" stick on bottom. Fourth of sea otter, signed "Zuke" on bottom. Fifth of 2-headed standing eskimo, signed illegibly on bottom. Tallest 7" H. | 100 | 200 | 50 |
| 271 | 3 Eskimo Inuit Carved Stone Sculptures. First of indigenous faces with lizards and eagle, signed 'Jerry Henry' on bottom with "Made in Canada" sticker. Second with indigenous face, signed 'John Henry' on bottom, with "Made in Canada" sticker. Third of standing Eskimo, signed 'David' on bottom. Tallest 7-1/2" | 60 | 120 | 30 |
| 272 | 9 Eskimo Inuit Carved Stone Sculptures, including whale, bird, tiger, walrus, polar bears, Alaskan eskimo in boat, owl, pigs (?), and seals, some signed (see photos), largest 9" L | 60 | 120 | 30 |
| 273 | 2 Hopi Native American Polyestewa Kachina Dolls, Wuyak-Kuita, Carved by Chester Polyestewa, Hotevilla Mesa Hopi, Northern Arizona, ca 1988. First titled 'Black Hemis', second titled 'Aholi.' Made in old, traditional manner using cottonwood roots, painted with natural dyes and mineral paints, adorned with feathers, fiber, wheat, and other vaiorus material, signed on feet, tallest 21-1/2" overall. 'Black Hemis' figure with crack thru face (see photos). Style is similar to the kachinas of the early 1800s, with arms tucked close to the body. Polyestewa has competed in numerous competitions and has won awards to include a "Best in Class" at the Flagstaff Museum of Northern Arizona. He competes in the Historic Contemporary class. | 150 | 300 | 70 |
| 274 | 5 Signed Hopi Native American Kachina Dolls. First titled 'Shalako' signed 'E. Chee.' Second titled 'Shield Maiden' signed 'J.R Tsinnijinnie, 99.' Third titled 'Corn Maiden' signed 'AC'. Fourth titled 'Left Handed Kachina' signed 'Wayne Poleahla, Old Oraibi, AZ.' Fifth titled 'Warrior Maiden,' signed 'Lino Miranda, 3rd Mesa, AZ.' Dolls made of wood with polychrome paint, tallest 12" H. | 100 | 200 | 50 |
| 275 | 4 Signed Hopi Native American Kachina Dolls. First titled 'Buffalo Warrior' signed 'Shorty.' Second titled 'Eagle' signed 'B. Louk (?)' Third titled 'Butterfly' signed 'Jaeidal , 617834'. Fourth titled 'Snow' signed 'F. Charley, 125107.' Dolls with various materials including fur, leather, feathers, shells, and metal cones, all on wooden bases, tallest approx 17" w/o stand | 100 | 200 | 50 |
| 276 | 2 Signed Hopi Native American Kachina Dolls. First titled 'Cow Kachina,' with spear & medicine stick accessories. Second titled 'Wolf,' missing handheld accessory. Both signed illedgibly by the same artist Kent M.R. (?). Wooden dolls, polychrome paint, with various materials including fur, leather, feathers and fiber, tallest 22" H | 80 | 160 | 40 |
| 277 | Hopi Native American Badger Kachina Wall Hanging, signed 'Sandra (Hamana) Davis, Old Oraibi Village, Hopi Tribe, 84.' Wood with polychrome paint, feathers & yarn, 24" diameter | 40 | 80 | 20 |
| 278 | 5 Signed Hopi Native American Kachina Dolls. First titled 'Black Bear Kachina' signed 'Raphael Sarracino.' Known to his friends as Silent Warrior, Sarracino has won countless awards including outstanding Craftsman for Indian Arts an honor bestowed by the Governors of Arizona and New Mexico. Second titled 'Butterfly Man,' with removable helmet, signed 'Cindy Kachada.' Third titled 'Eagle Kachina' signed 'Irhoades, 90'. Fourth titled 'Cloud Person' signed 'L. John' Fifth titled 'Early Morning' signed 'Singer.' Dolls made of wood with polychrome paint, adorned with various materials including feathers, fur & leather, all on wooden bases, tallest 18-1/2" | 100 | 200 | 50 |
| 279 | 5 Hopi Native American Kachina Dolls. First titled 'Owl' signed 'T. Whyte.' Second titled 'Black Bear' signed 'S. Nelson'. Third titled 'Spear Dancer' signed 'S. Nelson.' Fourth unmarked, tag reading "Hopi kac. Name MA'ALO. English name STICK KACHINA...", broken handheld accessory. Fifth tagged corn dancer, unmarked but likely by the same artist as item #4, missing handheld accessory. Wooden Dolls with various materials including fur, leather, feathers, shells, and felt, tallest 13-3/4" H | 100 | 200 | 50 |
| 280 | Pair of western fur cloves, (steer hide?), sueded leather underside, fur interior, 16" L | 100 | 200 | 50 |
| 281 | 3 Signed Hopi Native American Kachina Dolls. First titled 'Long Hair' signed 'Ron Koope, Hopi'. Second titled 'Sivu-i-Qiltaqa (Pot Carrier Man)' signed 'P. Myron'. Third titled 'Hano Mana' signed 'L.V.' Wooden dolls, polychrome paint, all on wooden bases, tallest 24-1/2" H | 100 | 200 | 50 |
| 282 | 8 Native / South American Kachina Dolls, varying styles. First titled 'Navajo Maid' signed 'Yaz.' Second titled 'Wolf' signed 'G. Beyal.' Third titled 'Shadow Warrior,' Hopi style doll not a kachina, signed 'Tony O.' Fourth titled 'Mudhead' signed 'H.V.' Fifth titled illegdibly, with broken right foot, signed 'AM.' Sixth untitled signed 'Luis Quispe, Cusco-Peru.' Seventh untitled/ unsigned but tagged with construction information (see photos). Eighth untitled and unsigned beaded dancer doll. Dolls made from various materials including wood, leather, corn husk, and feathers, tallest 11" H | 80 | 160 | 40 |
| 283 | 10 Vintage Native American Indian Dolls, varying in style, some with sleepy eyes, adorned with various materials including leather, wool, and beadsall unmarked except 1 with foot marked "Skookum Bully Good Indian," tallest 11-1/2" H | 60 | 120 | 30 |
| 284 | 10 Vintage Native American Dolls incl Skookum, varying in style, some with sleepy eyes, adorned with various materials including leather, wool, and fur, 3 marked under foot "Skookum Bully Good Indian," tallest 13" H | 100 | 200 | 50 |
| 285 | 17 Vintage Native American Dolls & Toys incl Skookum, varying in style, adorned with various materials including leather, wool, and beads, 1 body detached head and 2 loose heads, 2 small dolls tagged 'Cameo Kids Collection,' 3 dolls marked under foot "Skookum Bully Good Indian," 1 Indian Made Tipi, 1 'Eco Toys' fabric mouse doll, 1 pair of fur slippers, tallest 9" H | 100 | 200 | 50 |
| 286 | 4 pcs Native American Art to include 2 ceramic pottery kachinas signed 'LW' on foot, in the style of 'Sunface' and 'Early Morning,' along with 2 pcs of Kachina feltwork, tallest 10" H | 20 | 40 | 10 |
| 287 | 3 Native American Indian Dolls, varying in style. First with beaded headband, fringed outfit & suede/ fur backpack accessory, neck marked "730-2000, Limited Edition, Julis (?)."Second in fringed outfit adorned with beadwork & drum / purse accesories, unmarked. Third with red & tan outfit, unsigned, tallest 20" | 40 | 80 | 20 |
| 288 | 10 Misc Native American Indian Artifacts, to include tanned white rabbit hide, 1 pair of antlers, fur & leather belt with bone buckle w deer motif, clay pipe with indian motif, bone carved knife with caribou antler handle both w caribou & geometric motifs, small pan flute, embossed leather holster, small eskimo wall hanging w hair & fur marked 'Made in Alaska,' 1 beaded accessory w geometric motif, 1 bone & beadwork choker, largest 19" L | 40 | 80 | 20 |
| 289 | <p>2 Hopi Clown Dancer & Mudhead Kachina Dancer Dolls, mudhead stacked on the shoulders of 1 clown dancer, largest signed 'Clown Kachina by K. Nike (?)' on loincloth, with repairs to left foot & cracking throughout (see photos), largest 28" H</p> | 100 | 200 | 50 |
| 290 | 7 Native American ceremonial sticks / weaponry including 1 large beaded dance club topped with animal horns and adorned with medicine wheel, feathers, horsehair & leather, 1 fur wrapped dance stick, 1 Chippewa Indian handcrafted wooden pipe w polychrome paint, 1 turtle shell rattle, 1 polychrome painted stone club, 1 Den-den-daiko rattle drum, and 1 wooden beaded pipe stem, largest 24-1/2" L | 100 | 200 | 50 |
| 291 | 10 Vintage Native American Dolls incl Skookum with some accessories, varying in style, some with sleepy eyes, adorned with various materials including leather, fiber, and fur, 2 marked under foot "Skookum Bully Good Indian," largest marked on neck "Goldenvale 1-2000," Largest measures 12" H, Damages: 1 Skookum doll missing right foot, 1 doll missing head | 60 | 120 | 30 |
| 292 | 18 Hopi Native American Kachina dolls & miniatures, including Morning Singer, Clown, Eagle, Sunface, God Mother, Guard, Owl, Hunter, Star Head, Buffalo Kachina signed 'Larry David,' Summer Hunter signed 'Roger Casuse,' White Chin signed 'L.V' and Rain Maker signed 'L.V.' Dolls constructed of carved wood with polychrome paint, feathers, hide, and other various materials. Largest kachina with chip to peak. Largest doll measures 9-1/4" H | 60 | 120 | 30 |
| 293 | Lot of Feathered / Decorative Native American Art, to include 1 Shaman's Medicine Mask by R.W Adamson (with repair), 1 feathered headdress, 2 handmade dreamcatchers, 2 handmade Chitty Mandellas & 4 lose feathers, largest 17" H | 20 | 40 | 10 |
| 294 | Sioux style Native American Indian Beaded Moccasins, predominantly white detailed with geometric designs in red, yellow and cobalt beads, 9-1/2" L | 100 | 200 | 50 |
| 295 | Native American Handwoven Wool Mandala Dreamcatcher, Medicine Man Weaving, made by 'Fleece n Feathers,' handwoven of 100% wool. The mandala is indian symbolism of earth, sun and eternity. Some indians use it as a prayer wheel. 19-1/4" W, 43" L | 20 | 40 | 10 |
| 296 | 4 pc Native American Acoma / San Juan Pueblo Pottery including 12-1/2" diameter vase & 3" H vase both signed 'Acoma N.Mexico V.H.' (Victoria Hepting), 3-1/2" H bowl & 6-1/2" diameter dish both signed 'Tomasita Montoya.' Tomasita Montoya was one of the original seven members of the San Juan Pueblo Pottery Revival of the 1930?'s. | 100 | 200 | 50 |
| 297 | 6 pc Native American / Jemez / Southwest pottery including a 4-1/4" H vessel signed Adelle L Nampeyo, 4-1/2" H vessel with architectural motif signed E Tafoya, 3-1/2" H vessel signed Marie Blacktail Deer, 7-1/2" vessel with chips to rim signed Clinton Polacca Nampeyo, 5" Hopi vessel signed Ayesslith, 2-3/4" H vessel signed illegdibly. | 100 | 200 | 50 |
| 298 | 9 pc Native American / Puebo / Southwest pottery including a 5-3/4" H signed vessel with black & blue design, 5" H Nemadji vessel, 4-1/2" Sioux vessel signed Kate Dismounts, 5-1/2" horse hair vase by Tom Vail & Family (Crownpoint N.M), 5" vase by Koshari Studios (Phoenix AZ), 4" Navajo vessel signed Emily Blackhorse, 5" vessel signed Gene H, 4-1/2" vessel signed illegibly, and a 3-1/2" unsigned vessel | 100 | 200 | 50 |
| 299 | 9 pc Native American / Puebo / Southwest pottery including works by Nona Naha (Hopi), Irvin Louis (Acoma, N.M), L. Yepa (Jemez), Roe (Pueblo West) and Jobeth Maize (Zuni), largest 7-3/4" H | 100 | 200 | 50 |
| 300 | 10 pc Native American / Acoma / Southwest pottery including works by Carla Nampeyo (2), Gwen Tafoya, Delmar Polacca, L. Joe (Acoma), Montoya, Juanita Yepa, M Shande? (Jemez), some scratches, chips & cracks (see photos), largest 3-1/2" H | 80 | 160 | 40 |
| 301 | 2 pc Vidal Aguilar Kewa Pueblo Santo Domingo Pottery, Native American pottery, black-on-black traditional wedding vase & bowl, both signed on underside Vidal Aguilar (b.1972), tallest approx 12-1/2" H | 200 | 400 | 100 |
| 302 | 2 pc Robert Aguilar Kewa Pueblo Santo Domingo Pottery, Native American pottery, black-on-black traditional wedding vase & jar, both signed on underside Robert Aguilar, tallest approx 10-1/2" H | 150 | 300 | 70 |
| 303 | 5 pc Native American Black Pottery, Santa Clara Pueblo / San Ildefonso, black on black vessels, including works by Loretta "Sunday" Chavarria (daughter of Stella Chavarria), Birdell, Romario, largest 8-3/4" H | 60 | 120 | 30 |
| 304 | 8 pc Native American Black Pottery, black on black vessels, some noted as Santa Clara Pueblo, including works by Louise Bigmeat Maney & Rosa Oriezada, tallest approx 7-1/2" H | 80 | 160 | 40 |
| 305 | Native American Pottery Vessel by Edaakie Isleta, Pueblo N.M, Sunface motif, approx 7-1/2" H | 40 | 80 | 20 |
| 306 | 8 pc Native American Decorative Arts / Pottery including 4 Acoma style painted vessels (2 signed 'Keith Chino', 1 signed 'Joe Acoma'), 1 polychrome painted pottery ornament with religious scene inside sphere signed 'Toya Jemez', 1 ceramic canteen signed 'Acoma N Mex V.H', 1 Shapes of Clay / Stan Langtwait plaque with stand, 1 piece of ceramic art featuring clown with watermeon, largest 7-1/8" H | 80 | 160 | 40 |
| 307 | 10 pc Lot of Native American beaded items / jewelry including 5 handmade fully beaded necklaces, 1 bracelet, bird figure, fish figure, man figure, and abstract vessel | 40 | 80 | 20 |
| 308 | <p>Lot of Misc Native American Decorative items including: 2 wall hanging plaques, 2 signed Yei dancer sand paintings, 1 'Terragraph' photo of indian woman printed on sandstone, 3 tribal face decorative objects, 2 small indian figures, 2 seated indian ceramic figures (one with broken feather headdress), 1 metal tray w indian motif, 1 stone bust signed Bocci, 1 etched leather pouch, 1 Zuni carved stone owl (signed H Lesarlley), 1 carved stone alpaca, 1 'Queen of the Pines' pine pouch, 1 hair-constructed animal figure, 1 fiber rag rug, 1 parasol, 1 dream catcher, various patches and native jewelry, 1 primitive game set in wooden case</p> | 40 | 80 | 20 |
| 309 | Native American carved wooden bird mask along feathered spirit stick. Stick decorated with bird feathers & fur with handle wrapped in hide & long fringe, 25" L w/o fringe. Mask 19" L. | 40 | 80 | 20 |
| 310 | 3 large Native American Porcelain dolls. 1st doll is an indian woman, marked on neck 'Duck House Heirlooms Dolls 0378/5000', with hide outfit, beaded headdress, and breastplate, stand included, 24" H. 2nd doll is a male indian, marked on neck 'Goldenvale 1-2000', 45" H. 3rd doll is damaged and missing head, by Ashley Belle, made from fine bisque porcelain, handsewn clothing, with spear, 44" H. | 20 | 40 | 10 |
| 311 | 4 Native American style woven baskets, 1 in backpack style with straps, largest 24" H | 20 | 40 | 10 |
| 312 | 8 Native American hand woven baskets, various weaving types and designs, largest 7-7/8" diameter, 3" H | 60 | 120 | 30 |
| 314 | <p>Native American Hopi Tewa Clown Kachina, standing holding watermelon, wood with polychrome paint, wooden base signed 'Clown Dancing and Mudhead', signature illegible (see photo) . Condition: Watermelon in right hand is held on with wax adhesive. Based on the title, it appears that the clown was once paired with a mudhead kachina but this kachina is not included.</p> | 60 | 120 | 30 |
| 489 | <p>Shinn, Earl, "Gerome: A Collection of the Works of J.L. Gerome in One Hundred Photogravures" (New York, Samuel L. Hall 1881); 10 vols; original gilt cream cloth slipcases; Limited Edition multi-volume collection of photogravure prints of Jean-Leon Gerome's best work edited pseudonymously by American art critic Earl Shinn. Shinn wrote lengthy articles for each photogravure, which were issued loosely to be suitable for framing. The edition was limited to 1000 copies, of which this is no. 535. Good condition, lacks 2 plates. Includes original subscription slip.</p> | 600 | 1000 | 0 |
| 490 | <p>(58) Albumen printed photos of France, Egypt, Burma, India, China and Japan, late 19th cent</p> | 600 | 1200 | 0 |
| 492 | <p>[Privately Printed] Kennedy, Thomas, "Poems" (Washington City, Daniel Rapine for the author 1816); 8vo; contemporary mottled calf; Very Scarce, First Edition. This verse compendium bemoans the horrors of the War of 1812 in exquisite detail. Kennedy was a member of the Maryland legislature, where he championed Jews' rights. Good condition, browned.</p> | 120 | 240 | 0 |
| 493 | <p>John Quincy Adams, "Oration on the Life and Character of Gilbert Motier de Lafayette" (Wash. DC, Gales and Seaton 1835); original printed paper wrappers; First Edition in original wraps of the future president's biographical address about the recently deceased Revolutionary War hero, the Marquis de Lafayette. Good condition, some foxing and browning, short tear to front wrapper panel.</p> | 300 | 500 | 0 |
| 494 | <p>[Tolkien] 3 volumes by J.R.R. Tolkien, c/o " The Lord of the Rings" (Boston: Houghton Mifflin [1974]) Collector's Edition, "The Hobbit" (Boston: Houghton Mifflin [1966]) Luxe edition, "The Silmarillion" (Boston: Houghton Mifflin 1977), First American Edition, in dj (price clipped)</p> | 200 | 300 | 0 |
| 495 | <p>Singer, Charles, et al., "A History of Technology", (NY and London: Oxford Univ Press 1954-8); 5 vols; original printed paper jackets over blue cloth; The definitive source. Volume I: From Early Times to Fall of Ancient Empires. Vol. II: The Mediterranean Civilizations and the Middle Ages c.700 B.C. to c.A.D. 1500. Vol. III: From the Renaissance to the Industrial Revolution c.1500-c.1750. Vol. IV: The Industrial Revolution c.1750-c.1850. Vol.V: The Late Nineteenth Century c.1850 to c.1900.</p> | 120 | 240 | 0 |
| 496 | <p>[First Edition] Twain, Mark, "A Connecticut Yankee in King Arthur's Court", (New York, Charles L. Webster & Co 1890); 8vo; half brown pebbled sheep over red buckram boards (front hinge cracked); First Edition, Second State of Twain's often imitated novel about a man knocked out in a fight who wakes up in medieval Camelot. Internally fresh.</p> | 200 | 300 | 0 |
| 497 | <p>[First Edition] Einstein, Albert, "Mein Weltbild", (Amsterdam: Querido Verlag 1934); 8vo; original gilt printed black cloth; A collection culled from Einstein's various writings about politics, pacifism, Judaism, science, and other topics. Weil 41.</p> | 100 | 200 | 0 |
| 498 | <p>Webster, Noah, "The American Spelling Book, Containing the Rudiments of the English Language or the Use of Schools in the United States", (Cincinnati, Morgan & Sanxay 1828); 8vo; contemporary drab card boards with later cloth rebacking; Revised and corrected edition of Webster's important textbook for schoolchildren.</p> | 60 | 120 | 0 |
| 499 | <p>[Authentic Audubon] John James Audubon (American, 1785-1851), a la poupee colored engraving on paper "Stanley Hawk", J. Whatman 1830 watermark in upper right corner, 38-1/2" x 25-1/2", good condition, trimmed close to plate mark, light mat burn</p> | 6000 | 12000 | 0 |
| 501 | <p>[McKenney and Hall] Hand-colored lithograph on paper, "Encampment of Piekann Indians, Near Fort McKenzie", Philadelphia: Daniel Rice & James G. Clark, 1842, From the book "History of the Indian Tribes of North America", 3 vols., Philadelphia, 1837 - 1844 by Thomas L. McKenney and James Hall, 13-1/2" x 17-1/2" sight, framed size 21-1/4" x 25", good condition, evidence of light mat burn</p> | 400 | 600 | 200 |
| 502 | <p>[McKenney and Hall] Hand-colored lithograph on paper, "Kee-Me-One or Rain, A Chippeway Chief", by J.O. Lewis, 1827, From the book "History of the Indian Tribes of North America", 3 vols., Philadelphia, 1837 - 1844 by Thomas L. McKenney and James Hall, 12" x 10" sight, framed size 21-3/4" x 16-3/4", good condition, evidence of light mat burn</p> | 100 | 200 | 50 |
| 503 | <p>[McKenney and Hall] Hand-colored lithograph on paper, "Pow-A-Sheek, A Fox Chief", by F.W. Greenough, 1838. From the book "History of the Indian Tribes of North America", 3 vols., Philadelphia, 1837 - 1844 by Thomas L. McKenney and James Hall, 15-1/2" x 11" sight, framed size 21-1/4" x 17-1/4", fair condition, toned with a tear to the right middle image, no loss</p> | 80 | 160 | 40 |
| 504 | <p>[McKenney and Hall] Pr Hand-colored lithographs on paper, "Le-Soldat-Du-Chene, An Osage Chief" and "Esh-Tah-Um-Leah, A Sioux Chief", both from the quarto edition of McKenney and Hall's "History of the Indian Tribes of North America", good condition</p> | 60 | 120 | 30 |
| 505 | <p>[Edward Gorey] Lithograph poster for the 1982-1983 season of PBS "Mystery!", illustrated by Edward Gorey, pub 1982 Mobil Corp, 46" x 30", very good condition, never framed</p> | 200 | 400 | 100 |
| 506 | <p>[Edward Gorey] Color Lithograph poster for the 1982 PBS special "Mystery! Presents: G.K. Chesterson's Father Brown, The Divine Detective", illustrated by Edward Gorey, pub 1982 Mobil Corp, 46" x 30", excellent condition</p> | 200 | 400 | 100 |
| 507 | <p>Milton, John "Works" and "Poems" Glasgow: Robert and Andrew Foulis 1771, 4 vols in 12mo, a matched set with the first volume of "Works" and volumes 2-4 of "Poems", the "Works" volume in poor condition with cracked joints, chipped crown and base and scuffed panels, the other volumes sound but rubbed, contemporary brown sheep with gilt spines and morocco labels, manuscript ownership inscriptions on each title</p> | 40 | 80 | 20 |
| 507 | <p>Thomson, James "Poems" Glasgow: Robert and Andrew Foulis 1774 & "Liberty" Glasgow: Robert and Andrew Foulis 1774, both vols in 12mo, contemporary brown sheep with gilt spines and red morocco labels, manuscript ownership inscriptions of Mary Syme on each title, in good condition</p> | 100 | 200 | 50 |
| 508 | <p>[Serial] The Bijou: An Annual of Literature and the Arts, (London, W Pickering 1829); 8vo; contemporary red silk over boards, gilt title on spine; This second installment of what was intended to be a serial publication features short stories and poems by the day's authors and includes 10 steel engraved plates of contemporary paintings, the annual was abandoned after the following year's issue, in good condition, Faxon, Lit Annuals 1088</p> | 60 | 120 | 30 |
| 509 | <p>[Armorial Binding] Charles I, Eikon Basilike: The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, (London, R Gilbert for C and J Rivington 1824); 8vo; richly gilt blue morocco, panels alike with central coat of arms and outer floriated border, turn-ins and edges gilt; Suptuously bound by C Lewis for a member of the Order of the Bath; This supposed autobiography of King Charles I first appeared in 1649, ten days after he was beheaded, in excellent condition</p> | 100 | 300 | 50 |
| 510 | <p>[Post-Incunabula] Bible (Latin): Biblia cum pleno apparatu summariorum concordantiarum, (Paris, Thielmann Kerver and Jean Petit 1504); Folio; 18th-century green vellum over stiff boards, recently rebacked; This important Vulgate Bible edited by Adrian Gemeau and Alberto Castellano incorporates fine metalcut initials and three sizes of gothic type, sparsely annotated throughout by a contemporary hand, lacks initial and final leaves, USTC 142918, Moreau I 121: 12, Pettegree, French 57244</p> | 400 | 500 | 200 |
| 511 | <p>[Incunabula] Caracciolus, Robertus, Sermones de laudibus sanctorum, (Augsburg, Anton Sorg 23 Feb 1490); small folio; later blind-decorated vellum over stiff boards, edges sprinkled red; Incunable collection of sermons in praise of the saints by the famed Franciscan preacher (1425-1495), initials supplied in red, lacks first quire, ISTC ic00147000, Goff C147, BMC II: 354</p> | 800 | 1000 | 400 |
| 512 | <p>[Hebrew] Biblia Hebraica, ([Geneva], [Peter de la Roviere] 1618); Folio; later brown sheep, rebacked, joints cracking; Polyglot Old Testament printed in Hebrew with interlinear Latin, edited by Benito Arias Montano and translated by Sainte Pagnini, in good condition</p> | 200 | 300 | 100 |
| 513 | <p>[Juvenile] Five Raggedy Ann Children's Books by Johnny Gruelle; c/o "Raggedy Ann and Andy and the Camel with the Wrinkled Knees" (Joliet: P.F. Volland Co after 1924) [stated fortieth edition]; "Wooden Willie" (Chicago: M.A. Donohue 1927); "The Paper Dragon: A Raggedy Ann Adventure" (Joliet: P.F. Volland Co 1926) [endpaper damaged]; "Raggedy Ann's Magical Wishes" (Joliet: P.F. Volland 1928) [damaged]; "Raggedy Ann's Magical Wishes" (Chicago: M.A. Donahue after 1928)</p> | 100 | 200 | 50 |
| 514 | <p>[Jackie O] Bouvier, Lee and Jacqueline "One Special Summer", (New York: Delacorte Press 1974); First Edition, published from a journal the future First Lady Jackie Kennedy and her sister compiled on their first trip across Europe together in 1951. Fully illustrated with the girls' drawings, photographs and notes. Good condition, panels faded, interior near fine.</p> | 80 | 160 | 40 |
| 515 | <p>[Occult] Skilton, A.L. "The Ghost of Might-Have-Been: A Narrative as Told by a Knight Templar and Recorded by a Noble of the Mystic Shrine" (Phila: J.B. Lippincott 1924); First Edition, a rare find. Written in verse ostensibly as a narrative about Templar knighthood, this ambitious work seeks to describe the nature of Masonic thought. Illustrated with 40 avant-garde black and white plates. In good condition, some minor foxing.</p> | 100 | 200 | 50 |
| 516 | <p>[World War I] Album of official front line photos taken by a British soldier. Photographs detail bodies, trenches, internment camps, and other tragedies with darkly caustic manuscript captions. A poignant witness to the horrors of war.</p> | 300 | 600 | 150 |
| 517 | <p>[Civil War] Six Books Related to the American Civil War; c/o John A. Logan, "The Great Conspiracy: Its Origin and History" (New York: A.R. Hart & Co 1886) [First Edition]; Edward A. Pollard, "The Lost Cause; A New Southern History of the War of the Confederates" (New York: E.B. Treat & Co 1866) [First Edition]; "Lloyd's Battle History of the Great Rebellion" (New York: H.H. Lloyd & Co 1866); General Lafayette Baker, "Spies, Traitors and Conspirators of the Late Civil War" (Phila: John E. Potter & Co 1894) [First Edition]; Frazer Kirkland, "The Pictorial Book of Anecdotes and Incidents of the War of the Rebellion" (Hartford: Hartford Pub Co 1866) [First Edition]; Colonel W.A. Graham, "The Custer Myth: A Source Book of Custeriana" (New York: Bonanza Books 1953)</p> | 300 | 400 | 150 |
| 518 | <p>[Civil War Prison] Four Books Related to Imprisonment during the American Civil War; c/o [2 copies] Albert D. Richardson, "The Secret Service, The Field, The Dungeon, and The Escape" (Hartford: American Pub Co 1865) [First Edition]; General Lafayette Baker, "Spies, Traitors and Conspirators of the Late Civil War" (Phila: John E. Potter & Co 1894) [First Edition]; John L. Ransom, "Andersonville Diary, Escape, and List of Dead" (Phila: Douglass Bros 1883)</p> | 100 | 200 | 50 |
| 519 | <p>[Civil War] Four Books Related to the American Civil War; c/o General Lafayette Baker, "The United States Secret Service in the Late War" (Reading: Lyttle & Schmucker 1889); "The American Annual Cyclopaedia and Register of Important Events of the Year 1861" (New York: D. Appleton & Co 1865); Henry W. Harrison, "Battles of the Republic, by Sea and Land" (Phila: Porter & Coates 1858); Robert B. Beath, "History of the Grand Army of the Republic" (New York: Bryan, Taylor & Co 1889) [First Edition];</p> | 100 | 200 | 50 |
| 520 | <p>[Civil War Illustrated] Three Illustrated Books Related to the American Civil War; c/o Edward P. Smith, "Incidents Among Shot and Shell" (New York: Union Pub House 1868); Richard M. Ketchum, "The American Heritage Picture History of the Civil War" (New York: American Heritage Pub Co 1960); John Laird Wilson, "Pictorial History of the Great Civil War" (Phila: National Pub Co 1881)</p> | 40 | 80 | 20 |
| 521 | <p>[Civil War] Seven Books Related to Soldiers in the American Civil War; c/o Captain John Truesdale, "The Blue Coats, and how They Lived, Fought and Died for the Union" (Phila: Jones Bros & Co 1867) [First Edition]; L.P. Brockett, "Men of our Day" (Phila: Zeigler, McCurdy & Co 1868) [First Edition]; Harriet Beecher Stowe, "Men of our Times; Or, Leading Patriots of the Day" (Hartford: Hartford Pub Co 1868) [First Edition]; D.M. Kelsey, "Deeds of Daring by the American Soldier" (Chicago: Werner Co 1899); A.H. Hoge, "The Boys in Blue; Or Heroes of the 'Rank and File'" (New York: E.B. Treat & Co 1867) [First Edition]; John A. Logan, "The Volunteer Soldier of America" (Chicago: R.S. Peale & Co 1887) [First Edition]; Warren Lee Goss, "The Soldier's Story of his Captivity at Andersonville" (Boston: Lee and Shepard 1869) [First Edition]</p> | 300 | 400 | 150 |
| 522 | <p>[Civil War] Seven Books Related to the American Civil War; c/o Junius Henri Browne, "Four Years in Secessia: Adventures Within and Beyond the Union Lines" (Hartford: O.D. Case & Co 1865) [First Edition]; Gideon Welles, "Lincoln and Seward" (New York: Sheldon & Co 1874); John A. Marshall, "American Bastile, A History" (Phila: Thomas W. Hartley & Co 1884) [First Edition]; "Revised United States Army Regulations of 1861" (Washington: Govt Printing Office 1863); "Revised Regulations for the Army of the United States, 1861" (Phila: J.P. Lippincott & Co 1862); Booker T. Washington, "Up From Slavery: An Autobiography" (New York: A.L. Burt Co after 1901); James Jefferson Rudisill, "The Day of Our Abraham, 1811-1899" (York: The York Printing Company 1936) [First Edition]</p> | 300 | 400 | 150 |
| 523 | <p>[Women] Five Books Related to Women in the American Civil War; c/o S. Emma E. Edmonds, "The Female Spy of the Union Army" (Phila: Crawford & Co 1883); Frank Moore, "Women of the War; Their Heroism and Self-Sacrifice" (Hartford: S.S. Scranton & Co 1866) [First Edition]; L.P. Brockett, "The Camp, The Battle Field, and the Hospital; Or, Lights and Shadows of the Great Rebellion" (Phila: National Pub Co 1866) [First Edition]; L.P. Brockett, "Woman's Work in the Civil War: A Record of Heroism, Patriotism and Patience" (Phila: Zeigler, McCurdy & Co 1867) [First Edition]; Loreta Janeta Velazquez, "The Woman in Battle: A Narrative of the Exploits, Adventures, and Travels" (Hartford: T. Belknap 1876) [First Edition]</p> | 300 | 400 | 150 |
| 524 | <p>[Civil War] Nine Books Related to Regional History of the American Civil War; c/o William Pittenger, "Daring and Suffering: A History of the Andrews Railroad Raid" (New York: The War Pub Co 1887) [First Edition]; Survivors' Association, "History of the 121st Regiment Pennsylvania Volunteers" (Phila: Burk & McFetridge Co 1893); E.W. Locke, "Three Years in Camp and Hospital" (Boston: G.D. Russell & Co 1870); William Swinton, "Campaigns of the Army of the Potomac" (New York: Charles Scribner's Sons 1882); Maria I. Johnson, "The Siege of Vicksburg" (Boston: Pratt Bros 1869); Cassandra Morris Small Blair, "Letters of '63'" (Detroit: Stair-Jordan-Baker ca 1930); Willard Glazier, "Three Years in the Federal Cavalry" (New York: R.H. Ferguson & Co 1870) [First Edition]; Robert Patterson, "A Narrative of the Campaign in the Valley of the Shenandoah in 1861" (Phila: John Campbell 1865) [First Edition]; "Proceedings of the Reunion of the Third Division Ninth Corps, Army of the Potomac, Held at York, Pa., March 25, 1891" (Harrisburg: Harrisburg Pub Co 1892)</p> | 200 | 400 | 100 |
| 525 | <p>[Civil War] Three Books Related to General Sherman; c/o W. Fletcher Johnson, "Life of Wm. Tecumseh Sherman, Late Retired General, U.S.A." (Phila: Edgewood Pub Co 1891) [First Edition, retains marketing slips]; James P. Boyd, "The Life of General William T. Sherman" (Publishers' Union 1891); Private Edward Chase, "The Memorial Life of General William Tecumseh Sherman" (Chicago: R.S. Peale & Co 1891) [First Edition]</p> | 100 | 200 | 50 |
| 526 | <p>Gorham, George C, "Life and Public Services of Edwin M. Stanton" (Boston and NY: Houghton Mifflin Co 1899); 2 vols; original publishers cloth, in good condition</p> | 40 | 80 | 20 |
| 527 | <p>Three Books Related to the 1906 San Francisco Earthquake; c/o "San Francisco's Horror of Earthquake and Fire" (Phila: Percival Supply Co 1906) [First Edition]; Trumbull White, "Complete Story of the San Francisco Horror" (Hubert Russell 1906) [First Edition]; Charles Morris, "The San Francisco Calamity by Earthquake and Fire" (W.E. Scull 1906)</p> | 80 | 160 | 40 |
| 528 | <p>[Civil War] Four Biographical Works Related to the American Civil War; c/o Frank H. Alfriend, "The Life of Jefferson Davis" (Cincinnati & Chicago: Caxton Pub House 1868) [First Edition]; George A. Custer, "A Complete Life of Gen. George A. Custer" (New York: Sheldon & Co 1876) [First Edition]; George B. McClellan, "McClellan's Own Story: The War for the Union" (New York: Charles L. Webster & Co 1887); Benjamin F. Butler, "Butler's Book" (Boston: A.M. Thayer 1892)</p> | 300 | 500 | 150 |
| 529 | <p>Four Books Related to Ulysses S. Grant; c/o Charles A. Dana, "The Life of Ulysses S. Grant, General of the Armies of the United States" (Springfield: Gordon Bill & Co. 1868) [First Edition]; L.P. Brockett, "Our Great Captains, Grant, Sherman, Thomas, Sheridan, and Farragut" (New York: Charles B. Richardson 1865) [First Edition]; [Jacob Ralph Aarbanell], "Life and Memoirs of Gen. Ulysses S. Grant" (New York: R.G. Hollaman 1885) [First Edition]; "Proceedings in Congress on the Occasion and Acceptance of The Statue of General Ulysses S. Grant" (Washington: Govt Printing Office 1901)</p> | 100 | 200 | 50 |
| 530 | <p>[Civil War] Five Books Related to Union Soldiers in the American Civil War; c/o Washington Davis, "Camp-fire Chats of the Civil War" (Chicago: J.S. Ziegler & Co 1889); [2 copies] Willis J. Abbot, "Battle Fields and Camp Fires" (New York: Dodd, Mead & Co 1890); Willis J. Abbot, "Battle-Fields of '61" (New York: Dodd, Mead & Co 1889); Willis J. Abbot, "Battle-Fields and Victory" (New York: Dodd, Mead & Co 1891)</p> | 100 | 200 | 50 |
| 531 | <p>[Civil War] Three Books Related to Gettysburg; c/o John M. Vanderslice, "Gettysburg Then and Now" (New York: G.W. Dillingham Co 1899); "Pennsylvania at Gettysburg: Ceremonies at the Dedication of the Monuments" (Harrisburg: William Stanley Ray 1904) [2 vols]; "Annual Reports of the Gettysburg National Military Park Commission to the Secretary of War" (Washington: Govt Printing Office 1905)</p> | 60 | 120 | 30 |
| 532 | <p>[Civil War] New York Monuments Commission for the Battlefields of Gettysburg and Chattanooga, "Final Report on the Battlefield of Gettysburg" (Albany: J.B. Lyon Co 1900) [3 vols]; original publisher's cloth; all five maps present, good condition</p> | 100 | 200 | 50 |
| 533 | <p>Robert Tomes, "The War with the South: A History of the Great American Rebellion" (New York: Virtue & Co ca 1862) [3 vols]; contemporary reversed calf, damage to spines; First Edition, good internal condition</p> | 200 | 400 | 100 |
| 534 | <p>Bohun, William, "A Collection of Debates, Reports, Orders, and Resolutions of the House of Commons, Touching the Right of Electing Members to Serve in Parliament, for the several counties, cities, burroughs, and towns corporate in England and Wales" (London, B. Lintott ca 1710); folio; contemporary blind-ruled brown calf (very worn, panels detached); Only Edition, an important treatise written by an attorney and prolific law author. Features information and lexicographical exposition related to the Domesday Book and other medieval records in order to explain contemporary legal proceedings. A reader's copy. ESTC T129558.</p> | 100 | 200 | 50 |
| 535 | <p>De Lolme, Jean Louis, "The Constitution of England; Or, An Account of the English Government" (London, G. Wilkie etc. 1810); 8vo; contemporary tree calf, gilt flat spine; A bestseller written by a Swiss expat that casts a favorable light on the English political system. Very good condition.</p> | 100 | 200 | 50 |
| 536 | <p>Retz, Jean Francois Paul de Gondi de, "Memoirs of the Cardinal de Retz, Containing All the Great Events during the Minority of Lewis XIV, and Administration of Cardinal Mazarin" (London, J. Brotherton etc. 1723); 8vo; contemporary blind-ruled mottled calf inlaid with concentric rectangular sections of alternating decoration; First Edition in English, written during the last ten years of his life, this autobiography of the esteemed clergyman with both hands in the pot of French politics has been highly regarded for its narrative quality since its first publication in 1717. Very good condition.</p> | 200 | 300 | 100 |
| 537 | <p>Smith, William, "History of New-York, From the First Discovery the the Year M.DCC.XXXII" (Albany, Ryer Schermerhorn 1814); 8vo; contemporary mottled calf (spine damaged and crudely repaired); First Edition Thus of the first history of the province of New York. Good condition. See Sabin 84566.</p> | 100 | 200 | 50 |
| 538 | <p>[Erotica] Mathers, E. Powys, "Eastern Love" (New York: Horace Liverwright 1930) [3 vols]; original gilt and painted vellum-backed gilt brown cloth; Mathers's translations of Oriental folk tales, including "The Lessons of a Bawd," "The Harlot's Breviary," "The Book of Women," "The Education of Wives," "The Loves of Radha and Krishna," "Songs of the Geishas," "Love Tales of Cambodia," and more. Limited edition numbered 130/1500. Very good condition.</p> | 100 | 200 | 50 |
| 539 | <p>Barrow, John, "Travels in China" (London, T. Cadell & W. Davies 1806); 4to; later embossed purple cloth over stiff boards (spine missing, panels detached); Second Edition, an account of China by John Barrow, who served as comptroller of the household to Lord Macartney's embassy from 1792 to 1794. Barrow provides a detailed account of the culture and politics of China, together with information compiled from other European sources, ranging from the 17th-century Jesuit missionaries to Voltaire. Illustrated with five full-page color plates, two double-page plates, and one additional full-page plate. Good condition, foxed but sound. See Abbey 531.</p> | 500 | 700 | 250 |
| 540 | <p>Heraclito Democritus, "Vision of Purgatory, Anno 1680, In Which the Errors and Practices of the Church and Court of Rome are Discover'd" (London, T.N. for Henry Brome 1680); 8vo; later retrospective blind-stamped reversed calf, spine damaged; First Edition of this pseudonymously-written and published religious treatise condemning the canons of the Roman Catholic faith. Rare. Fine etched frontispiece depicting the fires of Hell underneath St. Peter's Church. Fair condition, quite foxed. Wing P1891A.</p> | 300 | 500 | 150 |
| 541 | <p>Bocaccio, Giovanni, "Decamerone" (Venice, Domenico Deregni 1754); 8vo; contemporary stiff vellum; Italian edition of the landmark 14th-century vernacular poem. This recension was designed for use of young students of the Tuscan dialect. Very good condition, some foxing.</p> | 200 | 300 | 100 |
| 542 | <p>[Binding] Burg, Johann Friedrich, "Evangelisches Gesang-Buch" (Breslau, Wilhelm Gottlieb Kurns 1787); 8vo; contemporary ornately stamped stiff vellum, panels alike with intricate arabesque and floriated tooling mirrored in four quadrants, all edges gilt and gauffered; Protestant hymnal for use in regional churches. Lacks title.</p> | 80 | 160 | 40 |
| 543 | <p>Shelley, Percy Bysshe, "The Complete Works of Percy Bysshe Shelley" (London, Ernest Benn Ltd for Julian Editions 1927) [10 vols]; Publisher's vellum-backed gilt green cloth, gilt spine title labels; One of 780 copies, complete, edited by Roger Ingpen and Walter E. Buck. Very good condition.</p> | 200 | 300 | 100 |
| 544 | <p>[Religion] Sammelband of three German Protestant works by Johann Arndt; c/o "Sechs Buecher vom Wahren Christenthum" (Reutlingen, B.G. Kurtz 1840), "Catechische Einleitung" (Reutlingen 1840), and "Paradiesgaertlein" (Reutlingen, B.G. Kurtz 1840); 4to; contemporary blind-decorated paper over beveled wooden boards (panels detached); Three classic illustrated works of Lutheran orthodoxy in one volume.</p> | 200 | 300 | 100 |
| 545 | <p>Gerrard, Johanne, "Siglarium Romanum" (London, C. Clarke 1792); 4to; contemporary mottled calf (hinges cracked); First Edition of a valuable dictionary of Latin abbreviations, very good condition.</p> | 80 | 120 | 40 |
| 546 | <p>Forlong, J.G.R., "Rivers of Life, or Sources and Streams of the Faiths of Man in All Lands" (London, Bernard Quaritch 1883) [2 vols]; original gilt green publisher's cloth; First Edition of this illustrated, widely renowned study of world religions. Forlong traces the development of the world’s great faiths from such ancient origins as the worship of trees, serpents, ancestors and heavenly bodies. This copy lacks the separate monumental chart, but retains all 17 plates, 2 folding maps in full color, and over 300 in-text illustrations. Good condition.</p> | 200 | 400 | 100 |
| 547 | <p>[Travel] Moskvich, Grigorii, "Illyustrirovannyi prakticheskii putevoditel po Volge" (St. Petersburg 1888); original gilt publisher's red cloth; Eleventh Edition of this annually-issued travel guide to the Volga region of Imperial Russia. Finely illustrated with 12 full-color folding maps and 32 landmark photographs. Includes vital information about currency and regional politics. In nice original condition.</p> | 140 | 280 | 70 |
| 548 | <p>"The Book of Ser Marco Polo, The Venetian Concerning the Kingdoms and Marvels of the East" (New York: Charles Scribner's Sons 1903) [3 vols]; Original pictorial cloth, rubbed and crown of Vol I chipped; Third Edition of this English translation of the works of Marco Polo. 19 maps and plans. 36 plates, with numerous illustrations within the text. Includes the scarce Addendum printed in 1920 containing notes and updated research by Henri Cordier. Good condition.</p> | 140 | 280 | 70 |
| 549 | <p>[Juvenile] 16 Uncle Wiggily Books by Howard R. Garis; c/o "At the Beach", "Laughing Gas Balloons", "Fishing Trip", "Wash Tub Ship", "Radio", "Turkey Gobbler", "Auto Sled", "Indian Hunter", "June Bug Friends", "Squirt Gun", "The Alligator", "Apple Roast", "Visit to the Farm", "Woodland Games", "Ice Cream Party", "Holidays"; various imprints, all post-1925 editions; fair to poor condition</p> | 40 | 80 | 20 |
| 550 | <p>[Juvenile] Four Uncle Wiggily Books by Howard R. Garis; c/o "Unce Wiggily's Travels" (New York: A.L. Burt after 1913) [dj damaged]; "Uncle Wiggily's Puzzle Book" (New York: A.L. Burt 1928) [dj damaged]; "Uncle Wiggily on Sugar Island" (New York: A.L. Burt 1926) [no dj]; "Uncle Wiggily's Airship" (New York: A.L. Burt after 1915) [no dj]</p> | 40 | 80 | 20 |
| 551 | <p>[Juvenile] Four Raggedy Ann Books by Johnny Gruelle; c/o "Marcella Stories" (Chicago: M.A. Donahue 1929); "Raggedy Andy Stories" (Chicago: P.F. Volland after 1920) [stated seventy-first edition]; "Raggedy Ann in the Deep Deep Woods" (Chicago: M.A. Donahue 1930); "Raggedy Ann in the Magic Book" (New York: Johnny Gruelle Co 1939) [First Edition]</p> | 100 | 200 | 50 |
| 552 | <p>Kaplan, Howard S., "The Dragon from the Bronx" (New York: G.P. Putnam's Sons 1968); First Edition, inscribed with a note from the author, very good condition</p> | 80 | 120 | 40 |
| 553 | <p>Addams, Chas, "Monster Rally" (New York: Simon and Schuster 1950); First Edition, the book on which the legendary TV series "The Addams Family" is based. In fair condition, dj damaged with small losses, spine separated from book block, price clipped.</p> | 60 | 120 | 30 |
| 554 | <p>[Juvenile] Two Honey Bunch Books by Helen Louise Thorndyke; c/o "Honey Bunch: Her First Visit to the Seashore" (New York: Grosset & Dunlap 1924) and "Honey Bunch: Her First Auto Tour" (New York: Grosset & Dunlap 1926); both in fair condition, wear to dj</p> | 40 | 80 | 20 |
| 555 | <p>Salten, Felix, "A Forest World" (New York: Bobbs-Merrill Co 1942); original printed green dust jacket over green cloth; First Edition, the story of the stag Tambo and his friend Debina, by the author of Bambi. Illustrated by Bob Kuhn. Rare. Very minor scuffs to dj, else fine.</p> | 80 | 160 | 40 |
| 556 | <p>Tolkien, J.R.R., "The Silmarillion" (Boston: Houghton Mifflin 1977); original printed pictorial dust jacket over green cloth; First Printing of the First American Edition, map is present and pristine. DJ with some short tears and price clipped.</p> | 100 | 200 | 50 |
| 557 | <p>Du Maurier, Daphne, "Rebecca" (New York: Doubleday, Doran 1938); original red cloth with printed silver label, no dj; First American Edition of the classic widely acknowledged as one of the major literary works of the 20th century. Very good condition, base of spine chipped.</p> | 200 | 400 | 100 |
| 558 | <p>Remarque, Erich Maria, "All Quiet on the Western Front" (Boston: Little, Brown & Co 1929); original printed pictorial dust jacket over gray cloth; Second American Edition, a German soldier's perspective on WWI and then the alienation he felt after returning to a civilian lifestyle. Later adapted as an award-winning motion picture. Good+, a couple short tears to dj edges. OFFERED WITH: Palen, Lewis Stanton, "The White Devil of the Black Sea" (New York: A.L. Burt 1924)</p> | 200 | 400 | 100 |
| 559 | <p>[Juvenile] Four Books for Children; c/o Francis Parkman, "The Oregon Trail" (New York: Rinehart & Co 1931), James Aldridge "A Sporting Proposition" (Boston: Little, Brown & Co 1973), Neill James, "White Reindeer" (New York: Charles Scribner's Sons 1940), Padraic Colum, "The Frenzied Prince" (Phila: David McKay Co 1943)</p> | 140 | 280 | 70 |
| 560 | <p>[Sci-fi] Four Douglas Adams First Editions; c/o "The Hitchhiker's Guide to the Galaxy" (New York: Harmony Books 1980) [very good+, dj a little creased], "The Restaurant at the End of the Universe" (New York: Harmony Books 1980) [near fine], "Dirk Gently's Detective Agency" (New York: Simon and Schuster 1987) [fine], "The Long Dark Tea-Time of the Soul" (New York: Simon and Schuster 1988) [fine]</p> | 500 | 700 | 250 |
| 561 | <p>Catalogue: "Jasper Johns Screenprints" (New York: Brooke Alexander, Inc. 1977); Catalogue for a Johns exhibition held at the Brooke Alexander Gallery in New York City from November 1977 through January 1978. The silkscreen which serves as the cover of the catalogue is from an edition of 3000.</p> | 300 | 500 | 150 |
| 562 | <p>[Envelope Binding] "The Holy Bible, Containing the Old Testament, and the New" (Portland: Sanborn, Sherburne & Co. 1841), 16mo, contemporary straight-grained red sheep envelope binding, gilt edges and spine title; diminutive pocket Bible for the pious on-the-go</p> | 40 | 80 | 20 |
| 563 | <p>[Rare Dust Jacket] Crane, Stephen "The Red Badge of Courage" (NY: D. Appleton and Co 1896); Second Edition, depicting the cruelty of the Civil War, this volume is widely considered one of the most influential works in American literature. Exceptionally rare in dust jacket. Very good condition, jacket a little toned and frayed at edges.</p> | 500 | 700 | 250 |
| 564 | <p>[Chester County Medicine] Collection of printed and manuscript medical documents by Dr. Wilmer Worthington, M.D.</p> | 200 | 300 | 100 |
| 565 | <p>Burney, Fanny, "Camilla, or A Picture of Youth" (London, T. Payne, T. Cadell, and W. Davies 1796), 5 vols in 8vo; contemporary blind-ruled mottled calf, flat spines ornately gilt, some wear to spines; First Edition of Burney's third and most successful novel. Includes the 38-page list of subscribers, among whom is one Ms. J. Austen: the first appearance of Jane Austen's name in print.</p> | 400 | 600 | 200 |
| 566 | <p>[FIRST EDITION, FIRST ISSUE] Dickens, Charles, "Oliver Twist" (London: Richard Bentley, 1838); 3 vols in 8vo; 19th cent finely gilt smooth brown morocco, gilt red and green morocco labels, all edges gilt; First Edition, True First Issue of Dickens’s classic work, featuring his pseudonym “Boz” on the title pages and the abandoned “Fireside” plate at the end of Volume III. All 24 plates by George Cruikshank present. Unlike most of his other novels, Dickens issued Oliver Twist in book format before he finished publishing it in serial parts. He was so impatient to get the book to print that he had not approved all of Cruikshanks’ illustrations (sent to the printer separately), and within a week of the first printing, Dickens stopped press to replace the final plate and put his name on the titles. Thus, this particular issue was only on the market for 7 days. This set is in exceptional condition, with no extraneous marks, foxing, or tears. Eckel pp 59-61; Smith I pp 28-37; Gimbel A27.</p><p> </p> | 8000 | 10000 | 4000 |
| 567 | <p>[First Edition] Dickens, Charles, "A Child's History of England" (London, Bradbury and Evans 1852, 1853, and 1854); 3 vols in 8vo; First Editions, First Issues in original publisher’s gilt red cloth. Very minor wear to spines and corners, but a very fine set. Smith II, 10.</p> | 500 | 700 | 250 |
| 568 | <p>[First Edition] Dickens, Charles, "The Life and Adventures of Nicholas Nickelby"</p> | 200 | 300 | 100 |
| 569 | <p>[Local History] Taylor, Bayard, "The Story of Kennett" (New York: GP Putnam, Hurd and Houghton 1866); 8vo; contemporary half green morocco over blue marbled boards, spine gilt; First Edition of this regional history guide by the Kennett Square native. In fine condition.</p> | 100 | 200 | 50 |
| 570 | <p>Darlington, M.D, William, "Flora Cestrica: An Attempt to Enumerate and Describe the Flowering and Filicoid Plants of Chester County" (West Chester, S. Siegfried for the author 1837); First Edition, although Stafleu and Cowen mistakenly call it a second. Darlington was a renowned and innovative botanist of his day, and this work supplies medicinal and economic details about regional flora. With a fine hand-colored map frontispiece. Stafleu and Cowen 1310; Pritzel 2048.</p> | 200 | 300 | 100 |
| 571 | <p>[First Edition] Dickens, Charles, "David Copperfield" (London, Bradbury and Evans 1850); 8vo; contemporary half green morocco over marbled boards, gilt spine; First Edition of Dickens's finest and favorite work, 38 plates illustrated by Hablot Knight Browne. Eckel 77.</p> | 1500 | 2000 | 750 |
| 571 | <p>First Edition, First Issue of Charles Dickens's "A Tale of Two Cities" (London, Chapman and Hall 1859); 8vo; late 19th cent gilt-ruled crushed red morocco (Riviere), ornately tooled on spine, board edges and turn-ins, all edges gilt; This exceedingly rare True First Edition (bound from the serial parts) will blow your mind. Tipped-in is a letter dated 17 July 1867 from the author (manuscript signed by Dickens!) to his publishers at Ticknor and Fields that accompanied a packet of pages for inclusion in the forthcoming publication of "Reprinted Pieces" regarding the order of publication, a short letter written by Count Arthur Dillon (the man who inspired the character of Sydney Carton), a letter from Lord John Russell (dedicatee of "Tale of Two Cities"), and a letter from Hablot Knight Browne (Dickens's long-time illustrator) regarding business affairs, later used as evidence in a lawsuit. Additionally, this album contains the printed advertisement leaf announcing the publication of "Tale of Two Cities" and two sets of original printed blue wrappers for the serially issued parts of the novel bound in. Complete and very fine, will all 16 plates by Hablot Knight Browne. Smith I, 13; Hatton and Cleaver 333-342; Podeschi A143; Thomson 89.</p> | 18000 | 26000 | 9000 |
| 572 | <p>[First Edition] Dickens, Charles, "Little Dorrit" (London, Bradbury and Evans 1857); 8vo; contemporary half black morocco over green straight-grained boards (hinges cracked but sound); First Edition of this lesser known Dickensian work, illustrated with 40 plates by Hablot Knight Browne. Smith 12.</p> | 800 | 1200 | 400 |
| 573 | <p>[First Edition] Dickens, Charles, "Dombey and Son" (London, Bradbury and Evans 1848); 8vp; contemporary half green sheep over green cloth, spine gilt; First Edition of this scarce Dickensian novel about the inner turmoil and dark dealings of a London shipping outfit. This printing contains the first ever published example of a "dark plate", a technological innovation in book illustration. It has 38 plates in all by Hablot Knight Browne. Very fine. Smith I:8, Sadleir 687.</p> | 1500 | 2000 | 750 |
| 574 | <p>Dickens, Charles, (2) Christmas novels, c/o "The Cricket on the Hearth" (London, Bradbury and Evans 1846) [First Edition, Second Issue] and "The Battle of Life, A Love Story" (London, Bradbury and Evans 1846) [First Edition, Fourth Issue]; both in half red sheep over marbled boards with original cloth wrappers bound in; Very Fine examples of two of Dickens so-called "Christmas Books" series, which were wildly popular when issued.</p> | 200 | 400 | 100 |
| 575 | <p>[First Edition] Trollope, Anthony, "He Knew He Was Right" (London, Strahan and Co 1869); 2 vols in 8vo; contemporary half blue sheep over marbled boards (spines worn); First Edition, all published. Trollope’s work focuses on Louis Trevelyan, who slowly dissolves into madness over his young wife’s infidelity. With 64 illustrations by Marcus Stone. An exceptionally clean set. Sadleir 31.</p> | 400 | 600 | 200 |
| 576 | <p>[First Edition] Dickens, Charles, "Master Humphrey's Clock" (London, Chapman and Hall 1840); 3 vols in 2; contemporary half green sheep over marbled boards (one crown damaged, rear panel of Vol 1 detached); First Edition, all published. This collection of short stories and two novels includes 198 illustrations by George Cattermole and Hablot Knight Browne. This set is not without flaws: the title and prelims for Vol III are absent, and the final three pages of Vol 1 have been repaired. This is nonetheless a desirable set. Eckel 61-65.</p> | 200 | 400 | 100 |
| 577 | <p>[Fore-Edge Painting] Cowper, William, "Table Talk and Other Poems" (London, J. Sharpe 1825); 8vo; 19th cent finely blind-stamped green morocco, gilt flat spine; First Edition of Cowper's popular verse collection. Featuring a very fine fore-edge painting of the Inner Temple in London as it was in 1755, when William Cowper lived there. This is the finest example of this book you will ever find, edge to boot.</p> | 800 | 1200 | 400 |
| 578 | <p>[Two Editions] Carrol, Lewis, "Through the Looking Glass and What Alice Found There" (London, Macmillan and Co 1924) and "Alice's Adventures in Wonderland" (London, MacMillan and Co 1925); small 8vo's; EXCEPTIONALLY FINE matched bespoke bindings (Riviere) with gilt stamped panels featuring the Rabbit and Queen characters, ornately tooled board edges, turn-ins and spines, and gilt edges; Two later editions of Carroll's classic with fine illustrations by John Tenniel, in pristine clothes.</p> | 100 | 200 | 50 |
| 579 | <p>Surtees, Robert Smith, "Jorrocks's Jaunts and Jollities" (London, George Routledge and Sons [1869]); 8vo; contemporary half red morocco over red cloth; Third Edition, revised and enlarged, with 16 color illustrations by Henry Alken (tissue guards present). Very fine.</p> | 100 | 200 | 50 |
| 580 | <p>[First Edition] Dickens, Charles, "The Life and Adventures of Martin Chuzzlewit" (London, Chapman and Hall 1844); 8vo; contemporary green pebbled sheep over marbled boards, gilt spine, marbled edges; TRUE First Edition, with the 13-line errata leaf as called for by Sadleir. Includes 40 etched plates by Hablot Knight Browne, toned at the extremities as usual. Very scarce, Dickens thought this his best work, though it was not initially well received by his readers. Smith 7.</p> | 1500 | 2000 | 750 |
| 581 | <p>[First Edition] Trollope, Anthony, "The Duke's Children" (London, Chapman and Hall 1880); 3 vols in 1; First Edition of the last book in Trollope's Palliser series. Very Good. Sadleir 46.</p> | 200 | 300 | 100 |
| 582 | <p>Conrad, Joseph, "The Rover" (New York: Doubleday, Page and Co 1923); 8vo; Original cream colored boards, lettered in gilt, in the original deep sea blue paper dust jacket, lettered in black on the spine and custom slipcase; True First Edition limited to 377 copies signed by Conrad on the limitation page, this copy no. 197.</p> | 300 | 400 | 150 |
| 583 | <p>[First Edition] Trollope, Anthony, "The Vicar of Bullhampton" (London, Bradbury, Evans and Co 1870); 8vo; contemporary half brown pebbled morocco over marbled boards, gilt edges; First Edition of Trollope's crime novel about a fallen woman. 35 illustrations by H. Woods. Sadleir 33.</p> | 300 | 400 | 150 |
| 584 | <p>(9) later editions of classical works, c/o Tobias Smollett "Expedition of Humphry Clinker" (London, Cochrane and Pickersgill 1831), Charles Lamb "The Essays of Elia" (London, Chapman and Hall c. 1900), Charles Apperly Nimrod "Nimrod's Hunting Tours" (London: Kegan Paul, Trench, Trubner & Co 1903), Lewis Carroll "Alice's Adventures in Wonderland" (New York: The Heritage Press 1941), John Hill Burton "The Book-Hunter" (London and Edinburgh, William Blackwood and Sons 1885), Fanny Burney "Evelina" (London: MacMillan and Co 1910), Charles Reade "Peg Woffington" (London, George Allen 1899), Charles Dickens "David Copperfield" (New York: Dodd, Mead & Co 1948), Scrutator "Letters on Hunting and Management of Hounds" (London: Phillip Allan 1926)</p> | 200 | 400 | 100 |
| 585 | <p>[First Edition] Alcott, Louisa May, "Jack and Jill" (Boston, Robert's Bros 1880); 8vo; original gilt and pictorial blue publisher's cloth; Scarce First Edition of an uncommon title.</p> | 80 | 160 | 40 |
| 586 | <p>(5) Works on the History of Religion, c/o Daniel P. Kidder, "A Treatise on Homiletics" (NY: Carlton & Porter 1864) [First Edition], John F. Hurst, "History of Rationalism" (NY: Nelson & Phillips after 1865), J.H. Merle D'Aubigne, "History of the Reformation of the Sixteenth Century" (NY: Carter & Brothers 1878) [Five vols in one], George Christian Knapp, "Lectures on Christian Theology" (NY: N. Tibbals & Co 1865), K.R. Hagenbach, "A Text-Book of the History of Doctrines", (NY: Sheldon & Co after 1861) [Two vols]; all volumes worn but sound</p> | 120 | 240 | 60 |
| 587 | <p>Murray, John "A System of Materia Medica and Pharmacy, including translations of the Edinburgh, London, and Dublin Pharmacopoeias" (New York, W.E. Dean 1834); 8vo; contemporary brown sheep (worn but sound), gilt spine title label; Sixth Edition of Murray's landmark pharmacy book, complete with a hand-colored etched atomic table; in good condition, foxed and browned</p> | 60 | 120 | 30 |
| 588 | <p>[Elzevier] Publius Anneas Florus, "Cl. Salmasius, Addidit Lucium Ampelium, & cod. MS. Nunquam Antehac Editum", (Leiden, Elzevier 1638); 24mo; contemporary richly gilt red sheep (joints damaged), panels alike with gilt double rules, foliage and fleuron rolls, spine and title label gilt, board edges, turn-ins and all edges gilt; The 2nd of two Elzevier editions issued that year, this diminutive gem of Roman history illuminates the writings of Livy and paints the Romans in a favorable tone. Willems 803. </p> | 200 | 300 | 100 |
| 589 | <p>[Anonymous] "Metamorphosis Anglorum, sive mutationes variae regum, regni, rerumque angliae", [The Hague?] 1653; 24mo; contemporary stiff vellum, Yapp edges; First Edition of this anonymous commentary on English politics. Includes tracts by John Selden, Marcus Zuerius Boxhorn, Claude de Saumaise and David Jenkins. Very good condition.</p> | 100 | 200 | 50 |
| 590 | <p>[Elzevier] Martial's Epigrammata. "M. Val Martialis, ex museo Petri Scriverii", (Amsterdam, Elzevier 1650); Agenda 24mo; contemporary gilt-ruled brown calf, front hinge damaged; Scarce edition of Pieter Scrijver's rescension of Martial's best known work. Fine engraved frontispiece.</p> | 100 | 200 | 50 |
| 591 | <p>Hakewil, William "Modus Tenendi Parliamentum: or, The Old Manner of Holding Parliaments in England", (London, Abel Roper 1660); 12mo; modern retrospective brown sheep; Early edition of this landmark treatise on parliamentary procedure based on a 14th-century document. A reader's copy, lacks A2.</p> | 120 | 240 | 60 |
| 592 | <p>[Elzevier] Sallust's Histories. "C. Sallustius Crispus, cum veterum Historicorum fragmentis", (Leiden, Elzevier 1634); 24mo; contemporary gilt brown calf, scuffed; Attractive small format edition of Sallust's important work with a fine engraved frontispiece and woodcut medallion. Willems 412, Bergman 2115, Rahir 399, Schweiger 2,877. Good condition.</p> | 120 | 240 | 60 |
| 593 | <p>[Elzevier] Velleius's Historiae Romanae. "M. Velleius Paterculus, cum Notis Gerardi Vossii G.F.", (Leiden, Elzevier 1654); 12mo; later stiff vellum, spine title label; The Compendium of Roman History is largely considered an unreliable source but purports to describe the period from the Siege of Troy until A.D. 29. Fine engraved frontispiece. Good condition.</p> | 120 | 240 | 60 |
| 594 | <p>Thiers, Jean-Baptiste "Critique de L'Histoire des Flagellans, et Justification de L'Usage des Disciplines Volontaires", (Paris, Jean de Nully 1703); 12mo; contemporary blind-ruled and gilt brown calf (spine base damaged, one corner gnawed); First Edition of this curious work on the Flagellants, a medieval sect of religious fanatics who flogged themselves in public for their sins. Good condition. Caillet III, 10635.</p> | 160 | 320 | 80 |
| 595 | <p>Darwin, Erasmus "The Botanic Garden; A Poem, in Two Parts", (London, J. Johnson 1791); 4to; 19th-century quarter calf over marbled boards (boards detached); First Edition of this important work in verse on natural history by Charles Darwin's grandfather. The first part, The Economy of Vegetation, explores scientific innovations, and the second, The Loves of the Plants, reconsiders the Linnaean system of classification. Delicately illustrated with two engraved frontispieces and 18 engraved plates. Bentley 450, Essick, William Blake's Commercial Book Engravings, XXI. Good condition, some foxing and toning.</p> | 400 | 600 | 200 |
| 596 | <p>[Canon Law] Giovanni Luigi Ricci, "Additiones, Seu Annotationes ad Decisiones Sacri Regii Consilii Neapolitani", (Venice, Giunta 1625); Folio; contemporary limp vellum; First Edition thus, a collection of addenda to the decisions of the Sacred Royal Council of the Kingdom of Naples. The tribunal functioned as the highest court of appeal in land. Very good condition.</p> | 400 | 500 | 200 |
| 597 | <p>[Medicine] Fisher, John D., "Description of the Distinct, Confluent, and Inoculated Small Pox, Varioloid Disease, Cow Pox, and Chicken Pox", (Boston, Dutton and Wentworth for Wells and Lilly 1829); contemporary drab card boards (front panel detached, spine damaged); First Edition, a landmark. After receiving his degree from the Harvard Medical School in 1825, Fisher spent two years studying in Paris with Laennec, Andral, and Velpeau. This book was prepared from materials Fisher collected in Paris. The printing house where this first edition was produced caught fire, and most of the copies printed were destroyed, so this volume is exceedingly rare. Illustrated with 13 plates copied from paintings rendered at the bedsides of afflicted patients. This copy is nearly disbound, but internally very clean and fresh.</p> | 600 | 800 | 300 |
| 598 | <p>Smith, Adam, "Essays on Philosophical Subjects", (Dublin, Wogan, Byrne, J. Moore, etc. 1795); 8vo; contemporary tree calf (rebacked, panels worn at the extremities); First Dublin edition, printed the same year as the first London edition. Published five years after Smith's death and edited by the Scottish philosopher Dugald Stewart (1753-1828), the Essays were probably written before Smith's "Theory of Moral Sentiments", but were purposely withheld from publication. Very good condition, some minor foxing.</p> | 300 | 500 | 150 |
| 599 | <p>[Canon Law] "Corpus Juris Canonici Gregorii XIII", (Frankfurt, Duren Bros. 1748) [2 vols]; Folio; contemporary mottled calf (worn, panels of Vol. II detached); Attempts to codify the body of canon law began in earnest during the Carolingian period. These efforts reached fruition between 1020 and 1025 in the Decretum of Burchard, Bishop of Worms. This was superseded in 1151 by Gratian's epochal Concordia Discordantium Canonum, or Decretum Gratiani. Though never officially sanctioned, this work is the cornerstone of the body of texts known as the Corpus Juris Canonici. The next great step was taken in 1234 with the Liber Quinque Decretalium of Gregory IX, the first official collection of canon law. The Liber Sextus of Boniface VIII (1298) added updates and modifications. John XXII added the final official collection of canon law, the Liber Septimus Decretalium, better known as the "Constitutiones Clementis V" or simply "Clementinae".</p> | 200 | 300 | 100 |
| 600 | <p>[Botany] Smith, James Edward, "An Introduction to Physiological and Systematical Botany" (London, Richard Taylor for Longman, Hurst, Rees, etc. 1809); 8vo; contemporary tree calf (hinges split but sound); A definitive resource for natural history, the first edition appeared two years earlier. Illustrated with 15 etched plates. Good condition, foxed. Pritzel 8745; Stafleu & Cowan 12.249</p> | 100 | 200 | 50 |
| 601 | <p>Flavius Eutropius, "Historiae Romanae Breviarium" (Paris, Antoine Cellier 1683); 4to; contemporary gilt mottled calf (damage to spine, and board edges); Important history that covers the founding of Rome until the reign of Emperor Valens, to whom the book is dedicated. Very good.</p> | 200 | 300 | 100 |
| 602 | <p>[Bi-Lingual] Voltaire, "La Henriade" (Paris, Pierre-Michel Nyon the Younger 1788); 8vo; contemporary blind-ruled tree calf, finely gilt flat spine, marbled edges; Unusual bilingual edition of Voltaire's epic poem about Henry IV with facing-page translations in French and Latin. Very good condition.</p> | 200 | 400 | 100 |
| 603 | <p>Livy, "Historiarum" (Basel, E. and J.R. Thurneysen 1740) [3 vols]; 8vo; contemporary gilt black sheep (worn, but sound); Laden with Jakob Grenovius' valuable commentary as footnotes, this complete edition of Livy's most important work is ideal for Latinate scholars. Each volume with an independent index. Very good condition.</p> | 140 | 280 | 70 |
| 604 | <p>[Archaeology] Gell, William, "Pompeiana" (London, Lewis A. Lewis 1837) [2 vols]; 8vo; contemporary finely gilt pebbled brown sheep; Third Edition, a classic archaeological reference illustrated with 88 full-page plates (two hand-colored) and dozens of vignettes within the text. Very good.</p> | 80 | 160 | 40 |
| 605 | <p>Goodspeed, Charles Elliot, "Angling in America: It's Early History and Literature" (Boston, Houghton Mifflin 1939); 4to; original publisher's blue cloth; First edition, no. 739 of 795 copies, signed by the author on the limitation page; 38 illustrations and facsimiles on 32 plates. With the uncommon prospectus tipped in. Bruns G102, Wetzel 146 <br /><br /></p> | 100 | 200 | 50 |
| 606 | <p>Chisolm, J. Julian, "A Manual of Military Surgery: For the Use of Surgeons in the Confederate States Army; with an appendix of the rules and regulations of the Medical Department of the Confederate States Army" (Richmond, West and Johnson 1862); 8vo; contemporary embossed purple publisher's cloth; Second Edition: Rare Confederate imprint on medical care for wounded soldiers during the Civil War. The appendix includes a large folding blank form for reporting deaths and illnesses. Harwell, The Confederate Hundred 10; Parrish & Willingham, Confederate Imprints 6112</p> | 500 | 700 | 250 |
| 607 | <p>Hommaire de Hell, Xavier, "Travels in the Steppes of the Caspian Sea, the Crimea, the Caucasus, &c." (London, Chapman and Hall 1847); 8vo; original embossed publisher's cloth; First English edition, the story of a journey to the Crimea for the purpose of geological research. Atabey 592 </p> | 100 | 200 | 50 |
| 608 | <p>[Travel] Two 19th C Books about the Middle East; c/o Benjamin, S.G.W., "Persia and the Persians" (Boston, Ticknor and Co. 1887); 4to; and Fitzgerald, Sybil, "In the Track of the Moors: Sketches in Spain and Northern Africa" (London, J.M. Dent & Co 1905); Two illustrated First Editions in finely decorated publisher's bindings.</p> | 100 | 200 | 50 |
| 609 | <p>"Beyträge zum practischen Unterricht im Felde für die Officiere der österreichischen Armee" (Vienna, K.K. Hof-und Staats-Aerarial-Druckerey 1816) [2 vols]; 8vo; This serially issued manual for tactical field training of the Austrian army contains 43 folding hand-colored etched maps.<span class="st"><br /></span></p> | 200 | 400 | 100 |
| 610 | <p>Dolce, Lodovico, "L'Achille Et L'Enea Di Messer Lodovico Dolce: Dove Egli Tessendo L'Historia Della Iliade D'Homero À Qvella Dell'Eneide Di Vergilio, Ambedve L'Ha Divinamente Ridotte In Ottava Rima" (Venice, Gabriel Giolito de'Ferrari 1572); 4to; modern white buckram; Lacks first quire. Nicely illustrated, first published two years earlier. This vernacular epic poem combines elements of Homer's and Virgil's work for those who had no knowledge of the classics. Edit16 CNCE 17405</p> | 160 | 320 | 80 |
| 612 | <p>[Japanese] Two Books: "Japanese Fairy Tales, The Wonderful Mallet, Second Series No. 2" (Tokyo: T. Hasegawa [1899]), told in English by Mrs. T.H. James, and a block-printed Samurai comic book</p> | 60 | 80 | 30 |
| 613 | <p>Outcault, Richard Felton, "Pore Lil Mose, His Letters to Mammy" (New York: Grand Union Tea Co 1902); Exceedingly rare cartoon book, front cover and 30 loose pages, poor condition</p> | 40 | 60 | 20 |
| 615 | <p>Bowditch, Nathaniel, "The New American Practical Navigator" (Newburyport, Edward Little & Co [1811]); 8vo; contemporary brown sheep (front panel detached); Third Edition of this important nautical almanac, complete with 12 plates and the folding map frontispiece, foxed but good</p> | 60 | 120 | 30 |
| 616 | <p>Sammelband of 3 works on shipbuilding and navigation, c/o Hollandois, Witsen, van Eyk, Allard, et al., "L'Art de Batir les Vaisseaux" (Amsterdam, David Mortier 1719), 4to, 2 vols; "Les Pavillons, ou Bannieres, que la plupart des Nations Arborent en Mer" (Amsterdam, David Mortier 1718), 4to, Vol 2 only; Henry Michelot, "Le Portulan de la Mer Mediterranee, ou Le Vray Guide des Pilotes Costiers" (Amsterdam, Pierre Mortier 1709), 4to; contemporary brown sheep (damaged, front panel detached); Fascinating and heavily illustrated collection of works related to sea travel</p> | 100 | 200 | 50 |
| 617 | <p>Manuscript deed of land exchange dated 1795 between Andrew Henderson and Frederick Ashbaugh, witnessed by Alexander Clagett and Adam Ott, for two lots in Hagerstown, Maryland, seals intact, very good condition</p> | 80 | 160 | 40 |
| 618 | <p>(113) original photographs from the New Guinea campaign during WW2, taken by a US army soldier, featuring snapshots of natives, internment camps, military planes and equipment, and indigenous villages</p> | 100 | 200 | 50 |
| 619 | <p>[Colonies] Royal colonial land grant dated 1769 for 120 acres in Maryland given to Mark Alexander by order of Frederick Calvert, 6th Baron Baltimore. Printed on vellum and completed in manuscript, with original seal affixed. As was customary for royal land grants in this time, Alexander did not have to pay anything for the land up front, but would render tax on the property when it became profitable. Calvert never once visited his provinces in the colonies but collected revenue on the estates from his homes in Europe. In good condition.</p> | 300 | 500 | 150 |
| 620 | <p>(3) pcs of medical correspondence of the late 18th and early 19th centuries, c/o a letter from Clement-Joseph Tissot to the President of Court Accounts, a letter from Benjamin Lynde Oliver to Edward S. Lang, and a letter from G.G. van Wageness</p> | 80 | 160 | 40 |
| 621 | <p>(11) pcs of medical correspondence of the 19th century, mostly from Philadelphia doctors</p> | 40 | 80 | 20 |
| 622 | <p>[UPenn] Album of 30+ tickets for admission to medical lectures and other ephemera, inc reports, tassels, and invitations, all of the mid-late 19th century</p> | 80 | 160 | 40 |
| 623 | <p>Album of (32) pcs of medical correspondence, late 18th cent to early 20th, inc letters, receipts, and case studies, French, English and Italian languages represented</p> | 200 | 300 | 100 |
| 624 | <p>Edward Augustus Holyoke (American, 1728-1829), (3) pcs of correspondence regarding his medical practice. Holyoke was a physician and educator and founder of the American Academy of Arts and Sciences and the Massachusetts Medical Society.</p> | 40 | 80 | 20 |
| 625 | <p>John Brooks letter of military appointments, dated May 25, 1816. Brooks was a celebrated soldier during the Revolutionary War, War of 1812 and other conflicts, and he served as the 11th governor of Massachusetts.</p> | 40 | 80 | 20 |
| 626 | <p>[Orphans] Parliamentary order dated May 15, 1700, setting up a fund for the relief of orphans in London, signed and sealed by Nathanael Herne, Lord Mayor of London, manuscript on vellum, seals intact, very good</p> | 300 | 500 | 150 |
| 627 | <p>Grant, Ulysses S, "Personal Memoirs of U.S. Grant", (New York, Charles L Webster & Co 1885-6), 2 volumes; half gilt red morocco over marbled boards; First Edition of Grant's autobiography, complete with all tipped-in facsimile letters and plates, in fine condition</p> | 140 | 280 | 70 |
| 628 | <p>Hawthorne, Nathaniel, "Transformation: Or, The Romance of Monte Beni", (Leipzig, Bernhard Tauchnitz 1860); original gilt vellum with gilt red morocco labels, all edges gilt, one spine split at base; 2 vols; The Copyright Edition of this Hawthorne classic; as with all Tauchnitz editions, both volumes are extra-illustrated with photographic plates; in good condition</p> | 40 | 80 | 20 |
| 629 | <p>[William Penn] Land indenture between William Penn and Thomas Gell, dated October 12, 1681, wherein Gell purchased 500 acres Pennsylvania farmland; boldly signed by Penn, includes fascinating information about the potential claims of Indians on the land; fine calligraphic manuscript on vellum, seal gone, wear to areas that were once folded, but in good condition, 20" x 26", framed size 30-1/4" x 36-1/4"</p> | 4000 | 6000 | 2000 |
| 630 | <p>Lot of (6) antiquarian maps, c/o "The Century Atlas: England and Wales, Northern Part" (Buffalo: Matthews-Northrup Co. 1897); "The Century Atlas: England and Wales, Southern Part" (Buffalo: Matthews-Northrup Co. 1897); "Rand McNally Popular Map of West Virginia" (Chicago: Rand McNally & Co. 1937); "South America" (New York: Gull Engraving Co. 1910); "Physical Map of Europe" (London & Edinburgh: W. & R. Chambers ca 1880); "Map Showing the Distribution and Severity of Potato Rot in the United States in 1885" (Washington: Julius Bien & Co ca 1885), by Erwin F. Smith); good to very good condition</p> | 120 | 240 | 60 |
| 631 | <p>Lot of (6) antiquarian maps of Ireland and Great Britain</p> | 120 | 240 | 60 |
| 632 | <p>(6) 19th cent hand-colored etchings of Philadelphia, c/o "The United States Bank, Philadelphia" by W.H. Bartlett, "Fairmount" by J. Hamilton, "Philadelphia" by Samuel Walker, "Stephen Girard's Bank, Philadelphia" by C. Burton, and "The Exchange and Girard's Bank" by W.H. Bartlett, "Die Grosse Drueche Ueber den Schuylkill" by J.G. Martini, largest 8-1/2" x 10-3/4" sheet, good to very good condition</p> | 60 | 120 | 30 |
| 633 | <p>(4) hand-colored Orientalist etchings on paper, c/o "Seven-Storied Palace, Bejapore", "Singham Mahal, Torway, Bejapore" by D. Cox, "Aurungzebe's Tomb, Rozah" by S. Prout, and "Benares" by T. Boys, largest 8" x 8-1/2" sheet, very good condition</p> | 60 | 120 | 30 |
| 634 | <p>(4) hand-colored Orientalist etchings on paper, c/o "The Fortress of Dowlutabad" by W. Purser, "The Palace at Acra", "Tomb of Elmad-ood Doulah -Acra", and "Hurdwar, A Place of Hindoo Pilgrimage" by S. Prout, each 8" x 10-1/2", very good condition</p> | 80 | 160 | 40 |
| 635 | <p>(5) Antiquarian prints on paper, c/o 16th cent woodblock calendar piece, etching of two sailboats on a rough sea, etching "The Temple and Tower of Ginger" by W. Daniell, etching "Foot of the Too-king, or Two Peaks, at Le Nai" by Thomas Allom, and etching "Veduta Generale dei Contorni di Girgenti in Sicilia" by S. Corsi, largest 11-3/4" x 16-1/2", all in very good condition</p> | 40 | 80 | 20 |
| 636 | <p>(2) Antiquarian etched portraits on paper, c/o "Louis XVI, Roi de France" by L. Boze, 1805, and "Portrait de Tintoret [Tintoretto]", self portrait copied by A. de Marcenay", 1755, largest 7-1/4" x 5-1/4", both in good condition</p> | 40 | 80 | 20 |
| 637 | <p>Arnold Houbraken (Dutch, 1660-1719), engraving on paper "The Centurion's Faith", bifolium from "Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament" (Amsterdam, Pieter de Hondt 1728), 16" x 10-1/4", very good condition</p> | 100 | 200 | 50 |
| 638 | <p>(10) hand-colored architectural etchings and (6) uncolored architectural etchings, all 19th century, largest 8-3/4" x 11-1/4", good to very good condition</p> | 40 | 80 | 20 |
| 639 | <p>Joseph Pennell (American, 1857-1926), (2) drypoint etchings on paper, c/o "Gateway, Canterbury Cathedral" and "Porch-Gate, St. Mary the Virgins", both signed in plate, 13-3/4" x 9-1/2", very good condition</p> | 120 | 240 | 60 |
| 640 | <p>(3) Antiquarian etched maps, c/o "Scotia" from the book "L'Isole Piu Famose Del Mondo" by Tomaso Porcacchi (1575), "Asia" (hand-colored, 17th century), and "Ipswich" (18th century), largest 11-3/4" x 8", good condition</p> | 40 | 80 | 20 |
| 641 | <p>(4) colored etchings, c/o Eugene Veder (French, 1876-1936), aquatint of a cloister and row of buildings and aquatint of a cathedral; George Nicol (English, 1740-1828), two aquatints of ships</p> | 20 | 40 | 10 |
| 642 | <p>Sir Henry Rushbury (English, 1889-1968), drypoint etching on paper "The Old Port, Marseilles", pencil signed, 10-3/4" x 14-1/4" pl, framed size 17" x 22-3/4", very good condition</p> | 60 | 120 | 30 |
| 643 | <p>Johann Esais Nilson (German, 1721-1788), Pr hand-colored gaming etchings on paper, "Le Jeu du Billard" and "Le Jeu de la Quadrille", both 19-1/2" x 27" sheet, very good condition</p> | 80 | 160 | 40 |
| 644 | <p>Lewis Baumer (English, 1870-1963), etching "Nudes on Beach", pencil signed, 5-7/8" x 8-7/8" pl, 10-1/4" x 15-5/8" sheet, good condition, tape residue in margins</p> | 40 | 60 | 20 |
| 645 | <p>Henri Le Riche (French, 1868-1944), (3) etchings on paper, "Le Marche", ed 76/125; "Les Fardiers", numbered 123; "St. Etienne du Mont", numbered 60; all pencil signed, largest 7-3/4" x 11-3/4" pl, good condition</p> | 80 | 120 | 40 |
| 646 | <p>Salvator Rosa (Italian, 1615-1673), etching on paper "A Soldier Seen from Behind, Cutting on a Stone", 5-5/8" x 3-5/8" pl, 10" x 6-5/8" sheet, very good condition</p> | 40 | 60 | 20 |
| 647 | <p>Charles Haslewood Shannon (English, 1865-1937), sanguine lithograph on paper "La Maree Montante", signed in plate, 8-5/8" x 6-1/2" image, 11" x 8-1/8" sheet, good condition, mat burn</p> | 100 | 200 | 50 |
| 648 | <p>Franz Masereel (Flemish, 1889-1972), woodcut on paper of a busy city street, pencil signed, ed 46/100, 6-7/16 x 4-11/16" image, 11-1/4" x 9" sheet, very good condition</p> | 100 | 200 | 50 |
| 649 | <p>Frederick Robbins (American, 1893-1974), drypoint etching on paper "15th and Market Streets, Philadelphia", pencil signed, 7" x 4-3/8" pl, 9" x 5-1/2" sheet, very good condition</p> | 40 | 60 | 20 |
| 650 | <p>Hendrik Frans de Cort (Dutch, 1742-1810), graphite and wash painting St. Pauls Church, Honiton, Devon, signed and dated 1794 verso, 13-1/2" x 19", very good condition</p> | 800 | 1200 | 400 |
| 651 | <p>18th century Italian School drawing "Bringing in Prisoner before Judge", 9-1/4" x 13-1/2", good condition, some small tears around edges</p> | 200 | 300 | 100 |
| 652 | <p>20th cent drypoint etching on paper "Dancing", pencil signed, 3-3/4" x 8-1/4" pl, 7-1/2" x 9-3/4" sheet, good condition, toned</p> | 40 | 80 | 20 |
| 653 | <p>(4) Unsigned 20th cent prints on paper, c/o drypoint etching of The Tower in London, lithograph of a woman in a forest, collotype portrait of Abraham Lincoln, and Currier & Ives lithograph "The Little Brothers", largest 18" x 13-1/2" overall</p> | 40 | 80 | 20 |
| 654 | <p>(3) 19th cent color prints on paper, c/o Rowlandson & Pugin aquatint "Common Council Chamber, Guildhall", chromolithograph facsimile of an illuminated manuscript plate from Owen Jones' "The Grammar of Ornament", 1856, and a hand-colored etching of foxgloves, largest 13" x 11" sheet, very good condition</p> | 40 | 80 | 20 |
| 655 | <p>(2) Architectural etchings on paper, c/o John Taylor Arms (American, 1887-1953), etching of an old French church, pencil signed, dated 1932, ed 2/100, good condition with mat burn and light dampstain, and Albany E. Howarth (English, 1872-1936), "Ely Cathedral, the North Aisle", pencil signed, good condition with light mat burn, largest 19-1/4" x 11-3/4" sheet</p> | 60 | 120 | 30 |
| 656 | <p>(3) 20th cent architectural etchings on paper, c/o "Lambeth Palace", illegibly pencil signed, Henry Lambert (English, b. 1891) "Templar (Crusader's) Church, London", pencil signed, and Ernest L. Hampshire (English, 1882-1944) "St. Paul's from Thames", pencil signed, largest 10-1/2" x 13-1/4" sheet, very good condition, faint mat burn</p> | 60 | 120 | 30 |
| 657 | <p>Thomas Allom (English, 1804-1872), (4) hand-colored etchings on paper, c/o "The City of Nanking", "The Pria Grande, Macao", "Imperial Palace at Tseaou-shan", and "Great Temple of Honan", very good condition</p> | 80 | 160 | 40 |
| 658 | <p>Thomas Allom (English, 1804-1872), (3) etchings on paper, c/o "Entrance of the Hoang-Ho, or Yellow River", "The Emperor 'Teaou-Kwang' reviewing his Guards, Palace of Peking", "Hong Kong from Kow-loon", and Charles Graham (English, 1852-1911) "Hong-Kong", all in very good condition</p> | 80 | 160 | 40 |
| 659 | <p>Thomas Allom (English, 1804-1872), (4) hand-colored etchings on paper, c/o "A Street in Canton", "Gardens of the Imperial Palace, Peking", "Junks passing an inclined plane on the Imperial Canal", and "Yin-shan, or Silver Island, on the Yang-tse-keang", largest 8-1/4" x 10-3/4" sheet, very good to fair condition</p> | 60 | 120 | 30 |
| 660 | <p>Charles E. Pont (French, 1898-1971), woodcut on paper "Heave Up", pencil signed, 8" x 10-1/2" image, 12-1/4" x 17-1/4" sheet, excellent condition</p> | 60 | 120 | 30 |
| 661 | <p>Thomas Hart Benton (American, 1889-1975), lithograph on paper "The Woodpile", pencil signed, original AAA certificate, 8-11/16 x 10-13/16 pl, 12" x 15-3/4" sheet, very good condition, tape marks in margins</p> | 1500 | 2500 | 750 |
| 662 | <p>Thomas Hart Benton (American, 1889-1975), lithograph on paper "Frisky Day", pencil signed, original AAA certificate, 7-13/16" x 12" pl, 12" x 16" sheet, very good condition, tape marks in margins</p> | 1500 | 2500 | 750 |
| 663 | <p>Richard Bishop (American, 1887-1975), etching on paper "On the Eastern Shore" depicting ducks in flight, pencil signed, 10-7/8" x 14-3/4" pl, 13-3/4" x 17-1/4" sheet, very good condition, light mat burn</p> | 80 | 160 | 40 |
| 664 | <p>Joseph Pennell (American, 1860-1926), (3) etchings on paper, c/o "East Bank of Schuylkill River", a woody landscape, and a New York City avenue, two are pencil signed, largest 7-1/2" x 10" pl, one in very good condition, two in fair condition</p> | 120 | 240 | 60 |
| 665 | <p>Joseph Pennell (American, 1860-1926), (2) etchings on paper, c/o "St. Martin's Bridge, Toledo" and "Construction of the Brooklyn Bridge", both pencil signed, largest 13" x 8-7/8" pl, good condition</p> | 120 | 240 | 60 |
| 666 | <p>William Walcot (English, 1874-1943), drypoint etching on paper "St Paul’s Cathedral – the North-West corner of the West Front", pencil signed, ed 150, 1914, 6-3/4" x 8-7/8" pl, 9" x 11-1/4" sheet, very good condition</p> | 80 | 160 | 40 |
| 667 | <p>William Walcot (English, 1874-1943), drypoint etching on paper "Piccadilly Circus", pencil signed, 4-1/4" x 6-3/4" pl, 9-1/2" x 12" sheet, excellent condition</p> | 80 | 160 | 40 |
| 668 | <p>William Walcot (English, 1847-1943), drypoint etching on paper "Forty-Second Street", 1923, pencil signed, 5" x 7-3/8" pl, 10-5/8" x 12-3/4" sheet, excellent condition</p> | 100 | 200 | 50 |
| 669 | <p>William Walcot (English, 1847-1943), drypoint etching on paper "Park Avenue", 1923, pencil signed, 4-5/8" x 7-1/8" pl, 10-1/4" x 12-1/2" sheet, excellent condition</p> | 100 | 200 | 50 |
| 670 | <p>William Walcot (English, 1874-1943), drypoint etching on paper "Liverpool", 1923, pencil signed, 3-3/4 x 6-1/8" pl, 8-1/2" x 10-1/4" sheet, excellent condition</p> | 80 | 160 | 40 |
| 671 | <p>Auguste Brouet (French, 1872-1941), etching on paper "Les Trois Roulottes", pencil signed, ed 1/100, 5-1/8" x 8-1/4" pl, 9-3/4" x 12-3/4" sheet, good condition, light mat burn</p> | 140 | 280 | 70 |
| 672 | <p>(10) chromolithographs from T.S. Seccombe's "Army and Navy Drolleries", (London, Frederick Warne & Co 1875); each depicts a satirized soldier with a comical poem printed on the verso, very good condition</p> | 100 | 200 | 50 |
| 673 | <p>Henry Alexander Ogden (American, 1856-1936), (4) chromolithograph plates from "Uniforms of the United States Army, 1774-1889" (Washington, D.C., Quartermaster General of the Army of the United States, 1890), c/o "1851-1858, Major General Staff & Line Officers", "1888, Lieutenant General Staff & Line Officers [Full Dress]", "1902-1907, General Officers & Staff Officers [Full Dress, Mounted]", "1902-1907, Officers & Enlisted Men of Cavalry [Full Dress, Mounted]", very good condition</p> | 80 | 160 | 40 |
| 674 | <p>Utagawa Kuniyoshi (Japanese, 1798-1861), woodblock print "Woman Approaching Vanity", 13-3/8" x 8-7/8" sight, framed size 19" x 14-1/2", very good condition</p> | 100 | 200 | 50 |
| 675 | <p>Japanese woodblock print of a man and a woman with a pipe, 15-1/2" x 10-5/8", framed size 21" x 16-1/4"</p> | 80 | 160 | 40 |
| 676 | <p>Utagawa Hiroshige (Japanese, 1797-1858), woodblock print of a woman and young girl in front of a harbor, 13-1/2" x 9-1/2" sight, framed size 20-1/2" x 16-1/4", good condition</p> | 100 | 200 | 50 |
| 677 | <p>Utagawa Hiroshige (Japanese, 1797-1858), woodblock print of two ladies arranging flowers, 14" x 9-3/4" sight, framed size 20-1/2" x 16-1/2", very good condition</p> | 100 | 200 | 50 |
| 678 | <p>Samel Arlent Edwards (English, 1861-1938), (20) colored mezzotint prints on tissue paper, mostly portraits, many pencil signed, largest 17" x 20-1/2", fair to good condition, in a custom portfolio</p> | 80 | 160 | 40 |
| 679 | <p>Samuel Arlent Edwards (English, 1860-1938), (113) mezzotint prints on tissue paper, mostly portraits, a few pencil signed, largest measures 16" x 11-1/2", fair to good condition, in a custom portfolio</p> | 100 | 200 | 50 |
| 680 | <p>Samuel Arlent Edwards (English, 1860-1938), (4) architectural etchings on paper, all pencil signed, each measures 6-1/8" x 6-3/4" pl, 9-1/4" x 9-3/4" sheet, fair condition, foxed</p> | 40 | 80 | 20 |
| 681 | <p>Samuel Arlent Edwards (English, 1860-1938), (7) mezzotint prints on tissue paper, all pencil signed, six are portraits and one is a pastoral vignette of a young girl with a goat, each mounted on card board, largest 13-5/8" x 10-3/4" overall, good condition</p> | 40 | 80 | 20 |
| 682 | <p>Samuel Arlent Edwards (English, 1860-1938), (7) colored mezzotint portraits of women on tissue paper, (6) pencil signed, each mounted on card board, largest 13-1/2" x 11" overall, fair to good condition</p> | 40 | 80 | 20 |
| 683 | <p>Samuel Arlent Edwards (English, 1860-1938), color mezzotint on paper of two young girls with a dog, pencil signed, mounted on stiff card board, 9-1/8" x 7" image, 17" x 13-3/8" overall, good condition</p> | 40 | 80 | 20 |
| 684 | <p>Samuel Arlent Edwards (English, 1860-1938), (4) mezzotint portraits on paper, two pencil signed, largest 16-1/2" x 13-1/4" overall, good condition</p> | 40 | 80 | 20 |
| 685 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) color mezzotint portraits of women on paper, each pencil signed and inscribed "Engraved and printed in color at one printing without retouching", 8-1/2" x 6-1/2" pl, very good condition</p> | 100 | 200 | 50 |
| 686 | <p>Samuel Arlent Edwards (English, 1862-1938), (6) color mezzotint portraits of women on paper, all pencil signed and inscribed, largest 8-1/4" x 6-1/2" pl, very good condition</p> | 100 | 200 | 50 |
| 687 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) color mezzotint portraits of men on paper, each pencil signed and inscribed, largest 7-7/8" x 5-7/8" pl, good condition, one foxed</p> | 60 | 120 | 30 |
| 688 | <p>Samuel Arlent Edwards (English, 1862-1938), (5) color mezzotint portraits on tissue paper, (4) pencil signed, each mounted on a mat, largest 11" x 9", fair condition</p> | 40 | 80 | 20 |
| 689 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) color mezzotint portraits on paper, each pencil signed and inscribed, two mounted, largest 16" x 12" pl, good condition</p> | 100 | 200 | 50 |
| 690 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint on paper "A Visit to the Boarding School", pencil signed, ed 175, after original painting by George Morland, 17-1/2" x 21-1/2" pl, good condition with faint dampstaining at bottom</p> | 100 | 200 | 50 |
| 691 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint on paper "The Shepherdess Sleeping", pencil signed and inscribed "Engraved and printed in color at one printing without retouching", after original painting by Francois Boucher, 17" x 22-3/4" pl, very good condition</p> | 100 | 200 | 50 |
| 692 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint on paper of a pastoral scene, pencil signed and inscribed, 15-1/4" x 16-3/4" pl, very good condition</p> | 80 | 160 | 40 |
| 693 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotints on paper, both pencil signed and inscribed, c/o portait of a child with a dog, 19" x 12-1/4", very good condition, and a woman with a baby, 15-3/4" 18-3/4" pl, good condition, some dampstaining</p> | 100 | 200 | 50 |
| 694 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint on paper "Rembrandt's Mother", pencil signed and inscribed, ed 135, after original attributed to Rembrandt, 16" x 12", very good condition</p> | 80 | 160 | 40 |
| 695 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotints on paper, both pencil signed and inscribed, c/o "Girl Blowing Soap Bubbles", 17" x 13-3/4" pl, after original by Pierre Mignard, very good condition, and "Gypsy's Warning", 17-3/4" x 16-3/4" pl, very good condition</p> | 100 | 200 | 50 |
| 696 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) color mezzotint portraits of women on paper, each pencil signed and inscribed, largest 13" x 10-1/4" pl, all in very good condition</p> | 80 | 160 | 40 |
| 697 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) color mezzotint portraits of women on paper, each pencil signed and inscribed, largest 13" x 10-1/4", good condition, one with a minor marginal tear</p> | 80 | 160 | 40 |
| 698 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint portraits of women on paper, both pencil signed and inscribed, largest 18-1/2" x 14" pl, both in very good condition</p> | 140 | 280 | 70 |
| 699 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) color mezzotint portraits of women on paper, each pencil signed and inscribed, all 13" x 10-1/4" pl, very good condition</p> | 140 | 280 | 70 |
| 700 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint portraits on paper, both pencil signed and inscribed, largest 18-3/4" x 12-1/4" pl, good condition, both mounted</p> | 100 | 200 | 50 |
| 701 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotints on paper</p> | 60 | 120 | 30 |
| 702 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) color mezzotint oblong portraits of women on paper, each pencil signed and inscribed, each 16-1/2" x 8" pl, good to fair condition, all mounted</p> | 100 | 200 | 50 |
| 703 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint oblong portraits of women on paper, both pencil signed and inscribed, 20-3/4" x 11-1/2" pl, very good condition</p> | 80 | 160 | 40 |
| 704 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) color mezzotint oblong portraits of women on paper, each pencil signed and inscribed, largest 16" x 8" pl, very good condition</p> | 100 | 200 | 50 |
| 705 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) color mezzotint oblong portraits on paper, two women and one boy, each pencil signed and inscribed, largest 16-1/2" x 8" pl, good condition, one trimmed to plate mark</p> | 80 | 160 | 40 |
| 706 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint oblong portraits of women on paper, "Lady Dudgeon" and "Lady Lloyd", each pencil signed and inscribed, both 20-3/4" x 11-1/2", very good condition</p> | 80 | 160 | 40 |
| 707 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) color mezzotint portraits of American heroes, c/o Gen. Horatio Gates, Gen. Nathaniel Greene, and George Washington, all pencil signed and inscribed, each 12" x 8-3/4" pl, very good condition</p> | 100 | 200 | 50 |
| 708 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint portrait of George Washington, pencil signed and inscribed, 13" x 10-1/4" pl, excellent condition</p> | 40 | 80 | 20 |
| 709 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint portraits of young boys, both pencil signed and inscribed, largest 19" x 12-1/4" pl, good condition, one with marginal damages and toning</p> | 60 | 120 | 30 |
| 710 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint portraits of young boys on paper, both pencil signed and inscribed, largest 16-1/4" x 11-1/2", excellent condition</p> | 100 | 200 | 50 |
| 711 | <p>Samuel Arlent Edwards (English, 1862-1938), graphite self portrait study and drypoint etched self portrait collection, c/o sketch model for drypoint plate, (16) proof strikes, and photographic print, good condition</p> | 60 | 120 | 30 |
| 712 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) mezzotint portraits on paper, inc "Girl with a Pearl Earring", "Portrait of a Woman", "Head of the Madonna", and one other, all pencil signed, largest 17-3/4" x 13-3/4" pl, very good condition</p> | 60 | 120 | 30 |
| 713 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) mezzotint prints on paper, c/o "Madonna and Child", a portrait of the artist, and a judge, two pencil signed, largest 18" x 11-1/4" pl, good condition, a little foxed</p> | 60 | 120 | 30 |
| 714 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint portraits of women on paper, inc "Bianca Maria Sforza" and one other, both pencil signed and inscribed, both 16" x 12" pl, excellent condition</p> | 140 | 280 | 70 |
| 715 | <p>Samuel Arlent Edwards (English, 1862-1938), (2) color mezzotint portraits of women on paper, inc "Beatrice D'Este" and "Francesca", both 13-1/4" x 9" pl, one in very good condition, the other fair (once mounted, marginal tear)</p> | 60 | 120 | 30 |
| 716 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint print on paper "Sympathy", pencil signed and inscribed, after original by Jean-Baptiste Greuze, ed 175, 16" x 12-3/4" pl, good condition, mounted</p> | 80 | 160 | 40 |
| 717 | <p>Samuel Arlent Edwards (English, 1862-1938), color mezzotint print on paper "Madame Henrietta as Flora", pencil signed and inscribed, 12" x 17-1/4" pl, good condition, mounted</p> | 100 | 200 | 50 |
| 718 | <p>Samuel Arlent Edwards (English, 1862-1938), (3) mezzotint prints on paper, c/o "The Shepherdess Sleeping", "Duchess Bernardine and Daughter", and "Cows in the Stream", one pencil signed, largest 22" x 18" pl, good condition</p> | 60 | 120 | 30 |
| 719 | <p>Samuel Arlent Edwards (English, 1862-1938), (5) mezzotint portraits on paper, (3) are pencil signed, largest 6-1/2" x 6 pl, very good condition</p> | 40 | 80 | 20 |
| 720 | <p>Samuel Arlent Edwards (English, 1862-1938), (5) mezzotint portraits on paper, (2) of them pencil signed, largest 21" x 16" pl, good condition, some foxing</p> | 60 | 120 | 30 |
| 721 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) mezzotint portraits on paper, all pencil signed, largest 21-/4" x 12" pl, very good condition</p> | 60 | 120 | 30 |
| 722 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) mezzotint portraits on paper, c/o "Lucrezia Tornabuoni", "Simonetta Vespucci", and "Portrait of a Woman", all pencil signed, largest 15" x 12" pl, very good condition</p> | 60 | 120 | 30 |
| 723 | <p>Samuel Arlent Edwards (English, 1862-1938), in-progress proof strike of "Head of Madonna" with the artist's edits, Edwards mocked up the image in pencil and doodled his corrections to the plate in the margin, an unprecedented example of a renowned artist's process</p> | 200 | 300 | 100 |
| 724 | <p>Samuel Arlent Edwards (English, 1862-1938), (4) mezzotint portraits on paper, all pencil signed, largest 16-1/4" x 12-3/4", very good condition</p> | 60 | 120 | 30 |
| 725 | <p>Samuel Arlent Edwards (English, 1862-1938), (5) mezzotint portraits on paper, (3) are pencil signed, largest 16-1/4" x 12-3/4", good to very good condition</p> | 40 | 80 | 20 |
| 726 | <p>Samuel Arlent Edwards (English, 1862-1938), (5) mezzotints on paper</p> | 100 | 200 | 50 |
| 727 | <p>after Henri Matisse (French, 1869-1954), chromolithograph on paper "Negress", signed in plate, ed 77/375, 9-1/2" x 13-1/4", excellent condition</p> | 200 | 400 | 100 |
| 728 | <p>after Raoul Dufy (French, 1877-1953), chromolithograph on paper "Hommage a Bach", signed in plate, artist's proof (A/P), 10" x 14" pl, 13" x 13-1/8" sheet, excellent condition</p> | 100 | 200 | 50 |
| 729 | <p>after Bernard Buffet (French, 1928-1999), chromolithograph on paper "Le Port de La Rochelle", signed in plate, artist's proof (A/P), 17" x 23" pl, 20-1/2" x 26-1/4" sheet, excellent condition</p> | 200 | 300 | 100 |
| 730 | <p>after Pablo Picasso (Spanish, 1881-1973), chromolithograph on paper "Dessins 27.3.66-15.3.68", unsigned, artist's proof (E/A), 26-1/4" x 20", excellent condition</p> | 200 | 400 | 100 |
| 731 | <p>Eduardo Garcia Benito (Spanish, 1891-1981), Vogue cover design lithograph completed in hand watercolor, this is a proof design by the artist wherein the major forms of the design are created from print media and the details of the fabric and colors by hand, 26-1/8" x 20-1/8" sheet, the final version of the cover appeared in the issue of Dec. 15, 1925, excellent condition</p> | 600 | 800 | 300 |
| 732 | <p>Helen Dryden (American, 1882-1972), Vogue cover design lithograph completed in hand watercolor, this is a proof design by the artist wherein the major forms of the design are created from print media and the details of the fabric and colors by hand, the final version of the cover appeared on the September 1922 issue, 26-1/8" x 20-1/8" sheet, excellent condition</p> | 600 | 800 | 300 |
| 733 | <p>after Pablo Picasso (Spanish, 1881-1973), chromolithograph on paper "Dessins 27.2.69", unsigned, ed 298/375, 26-1/2" x 20", excellent condition</p> | 200 | 400 | 100 |
| 734 | <p>after Bernard Buffet (French, 1928-1999), chromolithograph on paper "Before Dinner", signed in plate, ed 2/375, 26-1/2" x 20", excellent condition</p> | 200 | 400 | 100 |
| 735 | <p>George Wolfe Plank (American, 1883-1965), Vogue Magazine cover design lithograph completed by hand in watercolor, signed "GWP" in plate, this is a proof design by the artist wherein the major forms of the design are created from print media, and Plank filled in the details of the fabric and colors by hand, the final version of the cover appeared on the November 1917 issue, 26-1/8" x 20-1/8" sheet, excellent condition</p> | 600 | 800 | 300 |
| 736 | <p>David Malcom (20th C American), lithograph completed in watercolor of a couple, pencil signed, ed 161/250, 26-1/8" x 20-1/8" sheet, excellent condition</p> | 100 | 200 | 50 |
| 737 | <p>David Malcom (20th C American), lithograph completed in watercolor of a mother and daughter, pencil signed</p> | 100 | 200 | 50 |
| 738 | <p>after Marino Marini (Italian, 1901-1980), chromolithograph on paper "Piccolo Teatro", signed in plate, ed 14/375, 26" x 20" sheet, excellent condition</p> | 200 | 400 | 100 |
| 739 | <p>after Pablo Picasso (Spanish, 1881-1973), chromolithograph on paper "Woman with Basket", signed in plate, ed 71/375, 26" x 20", very good condition</p> | 200 | 400 | 100 |
| 740 | <p>after Henri de Toulouse-Lautrec (French, 1864-1901), chromolithograph poster on paper "Ambassadeurs", signed in plate, artist's proof (AP), 26" x 20, this poster advertises an event with the singer Aristide Bruant at the Ambassadeurs nightclub in Paris, 1892</p> | 200 | 300 | 100 |
| 741 | <p>after Marc Chagall (Russian-French, 1887-1985), chromolithograph on paper "Paradise", signed in plate, artist's proof (AP), 26-1/8" x 19-7/8", excellent condition</p> | 200 | 300 | 100 |
| 742 | <p>after Fernand Leger (French, 1881-1955), chromolithograph on paper "Head and Iris", signed in plate, ed 6/375, 26" x 20", excellent condition</p> | 200 | 300 | 100 |
| 743 | <p>after Marc Chagall (Russian-French, 1887-1985), chromolithograph on paper of a crescent moon holding a man, signed in plate, artist's proof (AP), 26" x 20", excellent condition</p> | 200 | 400 | 100 |
| 744 | <p>Toni Krajnc (Austrian, b. 1949), chromolithograph on paper of seashells in a colorful oceanscape, pencil signed, ed 39/220, 17-1/4" x 13-1/4", excellent condition</p> | 100 | 200 | 50 |
| 745 | <p>Toni Krajnc (Austrian, b. 1949), chromolithograph on paper of a child's bedroom, pencil signed, artist's proof (A/P), 17-1/4" x 13", excellent condition</p> | 100 | 200 | 50 |
| 746 | <p>Toni Krajnc (Austrian, b. 1949), chromolithograph on paper of a garden with a bee, pencil signed, artist's proof (A/P), 17-1/4" x 13", excellent condition</p> | 100 | 200 | 50 |
| 747 | <p>after Joan Miro (Spanish, 1893-1983), chromolithograph on paper of birds, singed in plate, ed 70/375, 9-3/4" x 13", excellent condition</p> | 200 | 300 | 100 |
| 748 | <p>after Joan Miro (Spanish, 1893-1983), chromolithograph on paper "In Flight", signed in plate, ed 213/375, 26" x 20", very good condition</p> | 200 | 400 | 100 |
| 749 | <p>after Pablo Picasso (Spanish, 1881-1973), abstract chromolithograph on paper, signed in plate, ed 197/375, 26" x 20", excellent condition</p> | 200 | 400 | 100 |
| 750 | <p>after Joan Miro (Spanish, 1893-1983), abstract chromolithograph on paper of a giraffe, signed in plate, artist's proof (EA), 26" x 20", excellent condition</p> | 200 | 400 | 100 |
| 751 | <p>after Georges Braque (French, 1882-1963), abstract chromolithograph on paper "Still Life", signed in plate, ed 69/375, 20" x 26", excellent condition</p> | 200 | 300 | 100 |
| 752 | <p>David Malcom (20th C American), lithograph on paper of a couple, pencil signed, ed 157/250, 26" x 20", excellent condition</p> | 100 | 200 | 50 |
| 753 | <p>after Amedeo Modigliani (Italian, 1884-1920), chromolithograph on paper "Lunia Czechowska", signed in plate, artist's proof (A/P), 26" x 20", excellent condition</p> | 200 | 400 | 100 |
| 754 | <p>Toni Krajnc (Austrian, b. 1949), chromolithograph on paper "Girl at Table", pencil signed, artist's proof (A/P), 17" x 13-1/4", excellent condition</p> | 100 | 200 | 50 |
| 755 | <p>after Yanni Posnakoff (Greek, b. 1933), chromolithograph on paper of nine vignettes of couples, signed in plate, artist's proofs (AP), each vignette 6-1/2" x 4-1/2", 26-1/4" x 20" overall, excellent condition</p> | 200 | 300 | 100 |
| 756 | <p>after Bernard Buffet (French, 1928-1999), chromolithograph on paper of Napoleon with a wine bottle, signed in plate, ed 43/375, 26" x 20", excellent condition</p> | 200 | 400 | 100 |
| 757 | <p>after Henri de Toulouse-Lautrec (French, 1864-1901), chromolithograph poster on paper "Jane Avril", signed in plate, artist's proof (AP), 26" x 20", excellent condition</p> | 200 | 400 | 100 |
| 758 | <p>David Jonathan (20th C American), chromolithograph on paper of a ramshackle house on a lake, pencil signed, artist's proof (A.P.), 20" x 26-1/4", excellent condition</p> | 100 | 200 | 50 |
| 759 | <p>Glen Fortune Banse (American, 1948-2018), chromolithograph on paper "The Lovers- Ascension- and Touch", pencil signed and titled, ed 18/150, 26" x 20", excellent condition</p> | 100 | 200 | 50 |
| 760 | <p>after Yanni Posnakoff (Greek, b. 1933), chromolithograph on paper of a nude woman, signed in plate, artist's proof (AP), 26-1/8" x 20", excellent condition</p> | 200 | 300 | 100 |
| 761 | <p>after Fernand Leger (French, 1881-1955), chromolithograph on paper "La Partie de Campagne", signed in plate, artist's proof (AP), 20-1/4" x 26", excellent condition</p> | 200 | 400 | 100 |
| 762 | <p>Meiko (20th C Japanese), chromolithograph on paper of waterlillies, pencil signed, ed 87/250, 20" x 26", excellent condition</p> | 100 | 200 | 50 |
| 763 | <p>Meiko (20th C Japanese), psychedelic chromolithograph on paper of mushrooms, pencil signed, ed 34/250, 20" x 26", excellent condition</p> | 100 | 200 | 50 |
| 764 | <p>Toni Krajnc (Austrian, b. 1949), chromolithograph on paper of a monster, pencil signed, artist's proof (A.P.), 17" x 13", excellent condition</p> | 100 | 200 | 50 |
| 765 | <p>[WW2] Original World War II propaganda poster, "Wanted! For Murder: Her careless talk costs lives", photography by Victor Keppler, U. S. Government Printing Office poster distributed by the Office of War Information, 1944, 27-3/4" x 20-1/4", fair condition, a couple of tears along fold lines, no loss</p> | 60 | 120 | 30 |
| 766 | <p>[WW2] Original World War II propaganda poster, "Careless Talk Got There First", artist Ray Prohaska, U. S. Government Printing Office poster distributed by the Office of War Information, 1944, 27-3/4" x 20-1/4", good condition, one very small split on the fold</p> | 200 | 300 | 0 |
| 767 | <p>[WW2] Original World War II propaganda poster, "All Fuel is Scarce, Plan for Winter Now!", artist Albert Dorne, U. S. Government Printing Office poster distributed by the Office of War Information, 1945, 28-1/4" x 20-1/4", very good condition</p> | 140 | 280 | 0 |
| 768 | <p>[WW2] Original World War II propaganda poster, "Be a Cadel Nurse: The Girl with a Future", artist N. Whitcomb, U. S. Government Printing Office poster distributed by the Office of War Information, 1944, 27-3/4" x 20-1/4", good condition, very small split at fold, no loss</p> | 140 | 280 | 0 |
| 769 | <p>[WW2] Original World War II propaganda poster, "Bits of Careless Talk Are Pieced Together by the Enemy", artist Steven Dohanos, U. S. Government Printing Office poster distributed by the Office of War Information, 1944, 27-3/4" x 20-1/4", good condition, very minor marginal tears at folds</p> | 200 | 300 | 0 |
| 770 | <p>Henry C. Richter (English, 1821-1902), (3) chromolithograph bird prints with applied metallic decoration, c/o "Calothorax Mulsanti", "Gouldia Popelairi", and "Oreotrochilus Adela", each 19-1/4" x 11-3/4" sight, framed size 28" x 20", very good condition</p> | 120 | 240 | 0 |
| 771 | <p>Alexander Hay Ritchie (Scottish, 1822-1895), engraving "The First Reading of the Emancipation Proclamation Before the Cabinet", stipple and aquatint, 25-1/4" x 35-1/2" pl, framed size 35" x 45", very good condition</p> | 300 | 400 | 0 |
| 772 | <p>16th Cent Spanish manuscript missal leaf, manuscript on vellum in red, green, and black ink, music and text, central miniature of Jesus and angel, 18-1/2" x 13-14"</p> | 200 | 300 | 0 |
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