BLOW OUT SUNDAY 9-11 Blue Waters Elegant La Jolla French Antiques - Gorgeous!

GREAT ART Books and specialty Books 


Thursday Friday and Saturday - gorgeous Sale - Very very fine! 

Fri 9-2
Sat 8-2 
7635 Eads Ave Apt 102 - La Jolla 92037

Loads of Vintage Clothes - Furs - Costume jewelry 
Clothes are womens size 4-6

GREAT ART Books and specialty Books 



Ann Marino button sandals

German gold trim pedastle cup

MASCOT 50's MOD Ceramic 4 Snack trays & 6 Cups set Japan orange peel each piece

Teapot Creamer Sugar CODE L 

19th century walnut doors French 

Bakelite and brass spider pin 

Garnet fern pin CODE L 

Art nouveau fireplace

Diamond and jade brooch Faux 

Chicos Pin Amber



Triangle necklace - art necklace 

Napier Earrings 80’s gold tone knots 

Scottish marble green ring - silver 


Costume jewelry

Turquoise and Silver clip on Earring - large

Silver Ball necklace Chicos

Presidential Seal pin 

Black Glass Necklace 

Cable bar Bracelet 

Vintage mex sterling modernist bracelet

Jay feinberg clip ons gold tone 

Gold Tone Triangle NEcklace

80’s Pin Abber and watchface 

Garnet Style Drop Earrings

Garnet Style Bracelet

Large Rhinestone Pin 


Citrine Dangles 

Sun pin - coral orange 

Glass bead necklace 

SIlver ball necklace - napier 1950’s 

Modernist 1970’s bone Pin 

1970’s bone hoops

1970’s bone colored necklace

Mid century Chinese bone look pin rose carving CODE L

Acrylic sparkly lip pin 

Gold tone Pin 

Janete Zamboni Necklace 

1970’s amber and silver clock medallion 

Signed art brooches 1990s

1996 Art Bollo with crab legs Conundrums

Cross fountain Pen 


Antique Inkwell - brass art nouveau CODE L 

BEDROOM /BATHROOM

Brass sculpture abstract beehive

Rack brass clothing 

Russian Tea room poster Matisse New York 1990 

Vintage Green jardiniere Weller? McCoy

Vintage Chinese jars 

Silver lamp 

Art Collages 

Silver candle sconces Castillian silver 

Tole lamp black CODE L

Small upholstered stool 

White wood Upholstered stool tropical

Tasseled stool -

PRIMARY BEDROOM 

White Mirror Rococo Style
Art Books

Antique Bronze horse sculpture Antique flying horse standing on bird Chinese gansu

R Frank Bronze Owl 

Karl Ens Porcelain Bird Parrot 

Brass Lamp 

Botanicals Framed 

Rococo White painted floral Loveseat

Marble topped french Louis XV Walnut side table 

French Provincial Nightstand

French Provincial Style Dresser 

TV 

Antique Birdcage on stand 

Chinese terracotta warrior

Head on a stand asian

Framed Horse Stallion Copper etching CODE L in black frames each


2nd bedroom 

Wooden chinese stool 

Bamboo Coat rack 

The art of Morrison Cousins Industrial Designer 

Morison S. Cousins, 66, Designer, Dies; Revamped Tupperware's Look With Flair

By Douglas Martin

Feb. 18, 2001

Morison S. Cousins, a designer who brought flashy, European-inspired designs to Tupperware without sacrificing its polyethylene American soul, died on Feb. 10 in Orlando, Fla. He was 66 and lived in Winter Park, Fla.

A vice president of design for the Tupperware Corporation since 1990, Mr. Cousins was asked to spiff up products whose look had grown a little stale even as they found a place in 90 percent of American homes.

The panache with which he seized the opportunity is suggested by a colander he designed that resembles a sensual rendition of the Starship Enterprise. More than two dozen of his designs for Tupperware and others were acquired by museums in New York, London, Munich and elsewhere.

In 1997 the SoHo design shop Moss held a Tupperware party featuring Mr. Cousins's designs. Surrounded by Philippe Starck lamps and Alvar Aalto vases, artists dressed in black mingled with homemakers in pink to gaze at Mr. Cousins's Thatsa bowl, a plump hemisphere selling for $8.99.

In one sense, the event could not have been more commonplace: the company says that every two seconds a Tupperware party starts somewhere in the world. But it symbolized a marriage between high design and utter utility that designers aspire to achieve, but seldom do.

''It broke the sound barrier almost,'' Murray Moss, the gallery's owner, said in an interview. ''That's what it felt like.''

Museum professionals praised Mr. Cousins's designs.

''With him, Tupperware's designs became more sharply, more obviously styled than before,'' said Kathryn B. Hiesinger, a curator at the Philadelphia Museum of Art. ''He upscaled the look of the things, and made them covetable and fashionable in a way they hadn't been for some years.''

Jane Adlin, a curatorial assistant at the Metropolitan Museum of Art, said: ''What I loved about his designs was that they were so well thought out. They were so pure.''

His visions were firmly constrained by Tupperware's history and image. ''At the very least, Morison Cousins, the man that Tupperware hired to handle the redesign, had to be conscious of following in someone else's footsteps,'' an article in Metropolis magazine said in 1995.

drawings and a vocabulary spiked with encouraging words like nifty, he brought immediate flair to Tupperware. The items he designed combined bold, geometric, milk-white bases with sleek but soft touches. He added splashier colors. His design team ventured beyond bowls to vegetable peelers, spoon rests, refrigerator magnets and toys.

Mr. Cousins acknowledged that some found his color change blasphemous.

''Nobody knew quite what to make of it,'' he said in an interview in Attaché magazine, published by US Airways. ''They were accustomed to beige canisters with beige lids. But when I explained why I was changing colors, they were very supportive. I traced the use of white and blue together back to the Ming dynasty and explained that it moved to Europe as trade picked up between Europe and Asia. So it wasn't as strange as they thought.''

His new designs did not achieve their original purpose of increasing domestic sales, said Mark Shamley, a Tupperware spokesman. Whether they stemmed further declines is hard to determine. Mr. Shamley explained that several ownership changes make it impossible to isolate the financial effects of designs.

He admired Tupperware long before being offered its top design job. ''People don't have refrigerators for more than 10 years, and in 10 years, Tupperware is just getting broken in,' he said in the Metropolis interview. ''People still use Tupperware from the 1950's. In the past I don't think people thought about it that way. The oddity is that I have always thought that way.''

Summing up his design philosophy, he said, ''I strive to create lasting design.''


Silvered Depression Glass Pedastle for cake 

Chinese school traveler and his horse ink on paper

Lamp made from Antique Ornate French Victorian CODE L 

Early 1900’s Chinese Rice/Tea barrel 

Brass lamp

Lacquer side table hand painted Sun motif

Inlaid wooden chess checkers backgammon - Middle eastern

Floral Roses Aubusson needlepoint rug CODE L 


Be Calm Louis Bourgeois - Print - not numbered 

Louise Bourgeois (1911-2010) was a French-American artist whose extensive career spanned over seven decades, leaving an indelible mark on modern and contemporary art. Best known for her large-scale sculpture and installation work, Bourgeois also excelled in painting, drawing, and printmaking, exploring themes of family, sexuality, death, and the subconscious. Her work is profoundly autobiographical, delving into her own experiences to confront fear, anxiety, and the complexities of the human condition. Louise Bourgeois‘ sculptures, particularly her iconic Maman series—a collection of towering spider structures—symbolize motherhood’s strength and complexity. These and other works, like her Cells installations, create immersive environments that invite introspection on isolation, vulnerability, and memory. Her use of diverse materials, from bronze and marble to latex and fabric, reflects the multifaceted nature of her themes, embodying softness and hardness, fragility and resilience. In her printmaking and painting, Louise Bourgeois maintained a similarly introspective and complex approach. Her prints often feature organic, repeating forms and are deeply symbolic, exploring motifs of the body, nature, and familial relationships. Her painting work, though less prevalent, carries a raw, emotional charge, utilizing abstract and figurative elements to express internal landscapes. Bourgeois’ influence extends beyond her pioneering contributions to sculpture and installation art. She was a central figure in discussions on feminism in art, using her work to challenge traditional representations of gender and identity. Despite achieving recognition later in life, her legacy is characterized by her relentless innovation, psychological depth, and the universal resonance of her themes. Louise Bourgeois‘ art transcends easy categorization, standing as a testament to her explorations of the pain and beauty of human life. Her work has been celebrated in major retrospectives worldwide, including The Museum of Modern Art (MoMA) in New York City in 1982, Tate Modern in London in 2007, Centre Pompidou in Paris in 2008 and Solomon R. Guggenheim Museum in New York City from 2008-2009.


Hal Michaels photograph of antelope Valley 

Gotofine mirror 

Wooden Carved wall hanging woman Cherub Italian 



BEGIN NEW 

Guest /Art room

Lamps By Tizio Richard Sapper Artemide Tizio White Floor Lamp 

Tizio desk lamp or Feather - Task Lamp by Sonneman for Kovacs 1989 

Baskets

Twin Towers Sept 11th photograph 

Sea photo

Fenton Chocolate glass Bowl

Tiffany candlesticks 

New Stool Bar Stool 

Frank Gehry Stool Heller Gehry Left Twist New Green CODE L 


White and Oak Desk - Shelves 

Carved accent chair - Anglo Indian Richly carved desk chair

TRunk

1970’s Wicker (Maybe Haywood Wakefield Arts and Crafts) striped cushion Chair GReat Shape 

Striped sectional sofa

Shredder 

HALLWAY 

Framed images from the sistine Chapel 

Papyrus art

Italian Marquetry Violin 

Rembrandt etching 

Heavy Rosewood Rare Large Hand Carved Mirror 

Dancing girls Silhouette Where Terpsichore Dwells By - attributed to Boris Major circa 1900’s 

Daybreak By maxfield parrish

Bath of Psyche print by Frederic Leighton

KITCHEN 


Wall clock

Lily pad Majolica Pitcher CODE L 

Consolidated glass dancing nymphs plate

The iron Bridge at Trinquetaille on the Rhone by VIncent Van Gogh Print

Damaged Ram head relief 

Old Paris porcelain plate Bird hand painted limoges

Mintons antique plate 

Bunny rabbit plates Choisy du roi Majolica

Dresden Bowl green rim jardiniere cachepot

DINING AREA

Vintage marble pedestal 


Buddha Stamp 

Handpainted Snuff bottle chinese red man

Laughing red Buddha Ho Tai

Bone colored snuff bottle 

Chinese hetain black jade stamp 

Snuff bottle geometric 

Cinnabar snuff bottle 

Small black and white buddha 

Fu Lu Shou figurine red 

Blanc de chine budddha 

Ho Tai Buddha Crackle glaze white chinese


Victorian Decanter Box mother of pearl brass inlaid 

French Tantalus or traveling case for drinks CODE L 

Ormalu Tole Jardinaire chinoiserie 

Hoffman trinket dish

Plate French Faince Porcupine plate 

Chinese Rose medallion plates 

T&V France Depose china 

Wileman plates Havilland

CLT&CO Tea Set 

Porcelain canister uno favorite bavaria canister 

Bar Stools 


Livingroom 

Aubusson rug

Down Sofa 

French Commode ormolu Bombe style Louis XV 

Fireplace tools English Georgian antique 

Gilded wood mirror French 

Iron magazine rack 

Pair of Louis XV style Black leather chairs 

Art Deco Satyr Magazine rack Centaur Casimr Yakov

Chinoiserie nesting tables